Time for a paleographical shot in the dark - can anyone help?
This is from a 14th century indulgence letter near Stowe, England. It's written in Anglicana Formata script. The big question is what the "ex" with a superscript "cc" means. Can't find this abbreviation in my references.
![A drawing of a tall, thin stone with a Latin inscription ‘† in nomine Domin[I // loc]us Anduires inlis // [femina]e qui hanc ecle // [siam] cum viro suo // [. . .]uiro inluste // [---] fecerunt // [fue] runt par //[ticipes an]nos XXX // [quat]er nutri[vera]nt filios re // [cessit] supradicta // matrona in pace // et in summa ca[s] // titate cum cert[o.. .. ] //.’](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:3buxylwas5uj72zyjgd7ayqp/bafkreigsv24lexsl6fydmbv7qvyk42sescekjrua3gutorancnpxslwzce)
![Roman military diploma from Slavonski Brod,ancient Roman town Marsunnia.Issued on February 9th, 71AD. [1080x723]](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:byohyhodi6iknxngf3oypcge/bafkreibvwxxa4jezcgfnyti7sh75elegc7rfsllkm5pgls2h5rnsafw5pe)
!["With oral transmission being customary, an anecdote in which two of the most prominent musicians in early ninth-century Baghdad communicated music through writing stands out among the Book of Songs’s narratives.[12] When news reached the innovative performer and briefly enthroned caliph Ibrāhīm ibn al-Mahdī (r. 817–19, d. 839) that the famed musician Isḥāq al-Mawṣilī (d. 850) had composed a novel song on a poem of his own, he decided to write to him inquiring about the matter. Al-Mawṣilī replied with a letter that contained his composition notated in painstaking detail, including the song’s lyrics (shiʿr), its rhythm (ʾīqāʿ), its melodic mode (majrā wa-iṣbaʿ), its poetic feet and subdivisions (tajziʾa wa-qisma), the notes’ positions on the ʿūd fingerboard (makhārij nagham), the structure of its sections (mawāḍiʿ maqāṭihi), and its metric patterns (maqādīr awzānihi). The detailed notation of al-Mawṣilī’s composition—employing a system with which the recipient must have been familiar—allowed al-Mahdī to perform the song without having heard it. Indeed, when the two musicians later met and al-Mahdī performed the song, al-Mawṣilī observed that not only had he not missed a single note or detail, but that al-Mahdī’s performance was even better given his beautiful voice.[13] Or so the story goes."](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:twqucin7jqhlteuk37lqltr7/bafkreicdizn57vmomes4qtzzj3cdgxlm6fbsvkpizpommrg2l6qifvwwli)
