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Words Without Borders & WWB Campus

@wwborders.bsky.social
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The home for international literature since 2003. Winners of the Whiting Literary Magazine Prize. linktr.ee/wordswithoutborders

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Words Without Borders & WWB Campus @wwborders.bsky.social · 14/10/2026
Where do those fond of men’s necks, black patent leather shoes, and strabismic eyes gather on Saturday nights? In Cristina Peri Rossi’s short story “Fetishists Anonymous,” of course. Read Tobias Hecht’s translation, originally published on WWB in 2005, here: wordswithoutborders.org/read/article...
In the background, an image of headless, naked mannequins in a storefront. In the upper right, the WWB logo in white. White text over the image reads:
“From the Archive: Fiction
Fetishists Anonymous
By Cristina Peri Rossi, translated from Spanish by Tobias Hecht
‘Then came the moment when Fernando was going to try to make me feel guilty. That’s the dialectic of the sexes: Whichever one makes the other feel guilty wins. Men have it easy; they’ve been practicing for thousands of years.’”
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Words Without Borders & WWB Campus @wwborders.bsky.social · 13/10/2026
We’re back with the next interview in our 2026 National Book Awards series, discussing MY DREADFUL BODY with Egana Djabbarova and @lizoksbooks.bsky.social. Read about this translation of bodily autonomy, “prose through the lens of poetry,” and much more, here: wordswithoutborders.org/read/article...
At the top, “Words Without Borders” in white text and “77th National Book Awards” in red text over black textured background. On the right side, images of the book cover of MY DREADFUL BODY, author Egana Djabbarova and translator Lisa C. Hayden. Blue and white text on the left reads: “National Book Awards Interview: Egana Djabbarova and translator Lisa C. Hayden on MY DREADFUL BODY.” White text on the bottom left reads: “Essentially, the position of ethnic minorities, diaspora communities, and tricksters within Russia is very similar—their humanity is denied. This is exactly why I decided to construct the narrative through the body: to make it visible, inescapable, and, at the same time, an undeniable testament to my own agency.”
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Words Without Borders & WWB Campus @wwborders.bsky.social · 10/10/2026
Today on WWB, Hannah Jochmans delves into Miljenko Jergović’s acoustically-centered short story collection INSHALLAH, MADONNA, INSHALLAH (tr. Ellen Elias-Bursać and Mirza Purić, @archipelagobooks.bsky.social) in our latest book review. Read it here: wordswithoutborders.org/book-reviews...
To the right, an image of the book cover of Miljenko Jergović’s INSHALLAH, MADONNA, INSHALLAH over a textured mint green background. In the upper left, the WWB logo in black. Black text reads:
“Book Review
“‘Without Such Things There Would Be No Fairytales': Miljenko Jergović’s INSHALLAH, MADONNA, INSHALLAH’ by Hannah Jochmans
‘Jergović explains in his author’s note that the collection’s nineteen stories are “prose remixes” of traditional folk songs—primarily Bosnian sevdalinke (ballads of longing and tragedy) and coastal Dalmatian klapa songs . . . Jergović unspools these stanzas, asking: What had to happen in real life for someone to write this song?’”
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Words Without Borders & WWB Campus @wwborders.bsky.social · 08/10/2026
This Thursday, we’re taking a moment to reflect on the TEN Nobel laureates in literature in the WWB archive! From 1988’s winner Naguib Mahfouz, to Olga Tokarczuk in 2018, to 2025’s László Krasznahorkai, check out work from these renowned global writers on WWB: wordswithoutborders.org/read/collect...
In the bottom right, an image of the Nobel prize in literature gold medal. To its left in black text over a white background, it reads:
“Read the Ten Nobel Laureates in Literature in the WWB Archive
Svetlana Alexievich, Jon Fosse, Abdulrazak Gurnah, Han Kang, László Krasznahorkai, J. M. G. Le Clézio, Naguib Mahfouz, Herta Müller, Olga Tokarczuk, & Tomas Tranströmer”
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Words Without Borders & WWB Campus @wwborders.bsky.social · 07/10/2026
Did you miss excerpts from the finalists for, and winner of, the 2025 Armory Square Prize for South Asian Literature in Translation? Read translations from Tamil, Sinhala, Kashmiri, and more, including an excerpt by prizewinner Mehdi Khawaja: wordswithoutborders.org/read/collect...
At the top, portions of the five colorful images representative of each piece in this issue over a black background (a grassy field near a body of water, a red tropical flower, a painting of a man with his hands clasped together, an open book of colorful written characters, and a decorative pearl design). Below them, white text reads: 
“The 2025 Armory Square Prize for South Asian Literature in Translation
Excerpts from prizewinner Mehdi Khawaja and the recipient of the Special Jury Mention, plus work from the three finalists”
In the bottom left, the WWB logo in white, and in the bottom right, the wordswithoutborders.org URL.
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Words Without Borders & WWB Campus @wwborders.bsky.social · 06/10/2026
WWB's 2026 National Book Awards interview series continues with Ping Lu and @jeremytiang.bsky.social on TO THE EAST OF THE EAST. Read about the author’s inspiration in “mirrors within mirrors” and the “misrecognitions and misreadings” of the world here: wordswithoutborders.org/read/article...
At the top, “Words Without Borders” in white text and “77th National Book Awards” in red text over black textured background. On the right side, images of the book cover of TO THE EAST OF THE EAST, author Ping Lu and translator Jeremy Tiang. Blue and white text on the left reads: “National Book Awards Interview: Ping Lu and Jeremy Tiang on TO THE EAST OF THE EAST.” White text on the bottom left reads: “The initial spark of inspiration behind To the East of the East was the thought of how many misrecognitions and misreadings exist in the world: between men and women, parents and children, husbands and wives, but also between the ocean and land, being adrift and scattering apart, imprisonment and escape, borders and freedom.”
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Words Without Borders & WWB Campus @wwborders.bsky.social · 05/10/2026
Next up in our 2026 series of National Book Awards interviews, @vicenteluismora.bsky.social and @rahulbery.bsky.social on CENTROEUROPA, a “brilliant and unsettling” story set in 1820s rural Prussia. Read their interview on the longlisted novel here: wordswithoutborders.org/read/article...
At the top, “Words Without Borders” in white text and “77th National Book Awards” in red text over black textured background. On the right side, images of the book cover of CENTROEUROPA, author Vicente Luis Mora and translator Rahul Bery. Blue and white text on the left reads: “National Book Awards Interview: Vicente Luis Mora and Rahul Bery on CENTROEUROPA.” White text on the bottom left reads: “Other visions followed over the next few weeks, and then I met Redo, the main character, in a luminous corner of my mind. And I said to Redo, ‘Do you want to write a novel?’ Redo accepted, and then it all started.”
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Words Without Borders & WWB Campus @wwborders.bsky.social · 02/10/2026
A woman balancing the care of an ailing child with the impositions of her alcoholic husband wonders: “Can Anybody Hear Me?” Read Ersi Sotiropoulos’s dense short story (tr. Karen Emmerich), resurfaced from our 2009 “Greece, Inside (and) Out” issue, here: wordswithoutborders.org/read/article...
In the background, a darkened image of an open, wooden paned window with a vase of flowers on the sill against a white wall. In the upper right, the WWB logo in white. White text over the image reads:
“From the Archive: Fiction
Can Anybody Hear Me?
By Ersi Sotiropoulos, translated from Greek by Karen Emmerich
“That’s how birds make their nests, by stealing. Well, we’re birds, too.”
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Words Without Borders & WWB Campus @wwborders.bsky.social · 01/10/2026
Maria Stepanova and @sashadugdale.bsky.social on THE DISAPPEARING ACT, longlisted for the 2026 National Book Award for Translated Literature. Read about their “ongoing conversation” in translating the novel, its echo of Leonora Carrington paintings, and more: wordswithoutborders.org/read/article...
At the top, “Words Without Borders” in white text and “77th National Book Awards” in red text over black textured background. On the right side, images of the book cover of THE DISAPPEARING ACT, author Maria Stepanova and translator Sasha Dugdale. Blue and white text on the left reads: “National Book Awards Interview: Maria Stepanova and Sasha Dugdale on THE DISAPPEARING ACT.” White text on the bottom left reads: “But it was simply a canceled train and a long afternoon in an unknown city that made me wonder if I could stay there forever. After that, I didn't even notice how I started writing; it was like putting down a dream, trying to do it while the memory still lingers.”
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Words Without Borders & WWB Campus @wwborders.bsky.social · 30/09/2026
Red alert: @tobiascarroll.bsky.social is SO back with this month’s edition of the Watchlist. Check out his six newest recommendations, with fiction and poetry translated from Korean, Finnish, Ukrainian, and more, at the link or scroll on for more details: wordswithoutborders.org/read/article...
A medium purple background. To the left, the covers of the six books featured in the Watchlist: "The Hamlet Called America,” “Asmodeus,” “Bonobo,” “Enchantment,” “Pig Data,” and “A Pretty Little Personality.”
To the right, white text that reads
“The September Watchlist
by Tobias Carroll
New and forthcoming translations from Ukrainian, Spanish, Korean, Finnish, and more”
On the bottom right, the WWB logo in white.
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Words Without Borders & WWB Campus @wwborders.bsky.social · 30/09/2026
Happy International Translation Day! We’re celebrating by reflecting on the six exciting issues we’ve released so far in 2026. Explore a wide array of recent work from worldwide poets and writers, translated from a multitude of languages, at the link: wordswithoutborders.org/read/article...
In the upper right, black text over a cream background reads: “International Translation Day, Read WWB’s 6 Issues of 2026 So Far” with the WWB logo in black below. To the left, the images representative of each of WWB’s six issues of 2026, portrayed as postage stamps with black borders.
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Words Without Borders & WWB Campus @wwborders.bsky.social · 29/09/2026
An interview with writer Karim Kattan and translator Jeffrey Zuckerman on EDEN AT DAWN, longlisted for the 2026 National Book Award for Translated Literature. Read about the “brutal flowering” of the book, the translation process behind it, and more, here: wordswithoutborders.org/read/article...
At the top, “Words Without Borders” in white text and “77th National Book Awards” in red text over black textured background. On the right side, images of the book cover of EDEN AT DAWN, author Karim Kattan and translator Jeffrey Zuckerman. Blue and white text on the left reads: “National Book Awards Interview: Karim Kattan & Jeffrey Zuckerman on EDEN AT DAWN. “‘Eden is about beginnings and metamorphoses. This is what the opening quotations, which are very dear to me, from Colette’s Break of Day and Cocteau’s Renaud and Armide, say. For me, writing it was a sort of brutal flowering.’”
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Words Without Borders & WWB Campus @wwborders.bsky.social · 25/09/2026
The final poem in our 2026 WWB–Academy of American Poets #NationalTranslationMonth series, Margaret Noodin’s “Fire Strike” invites readers to recognize and kindle the sparks we hold within. Read the full poem, self-translated from Ojibwe by the poet, here: wordswithoutborders.org/read/article...
On the right side, a painting of a dark, orange sunrise over fishing waters. In the top left, in black text over a light forest green textured background, the words “National Translation Month” with the WWB and Academy of American Poets logos. Below this in black text, it reads:
“Fire Strike / Zisikinebidoon by Margaret Noodin, translated from Ojibwe by Margaret Noodin.
a light wrapped in fog
and a piece of steel
longing for flint. / 
‘waateg gashkaabateg
manidoo-biiwaabik
misawenimaad biiwaanan.”
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Words Without Borders & WWB Campus @wwborders.bsky.social · 25/09/2026
We’re thrilled to announce our Gala host, Isaac Fitzgerald! The author of AMERICAN RAMBLER: WALKING THE TRAIL OF JOHNNY APPLESEED will join us as the master of ceremonies at the WWB annual Gala on October 28. Get your tickets today! wwborders.live/2026Gala
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Words Without Borders & WWB Campus @wwborders.bsky.social · 24/09/2026
From our 2019 issue “In Our Own Words: Writing from the Philippines,” poet Voltaire Oyzon interweaves sentiments of frustration and gratitude for never-ending rainfall in the wake of a typhoon. Read “Water,” translated from Waray by Merlie M. Alunan, here: wordswithoutborders.org/read/article...
In the background, an image of palm fronds in a tropical forest as the rain falls. In the upper right, the WWB logo in white. White text over the image reads:
“From the Archive: Poetry
Water
By Voltaire Oyzon, translated from Waray by Merlie M. Alunan 
Rain, this most ungracious guest,
enters your house
without bothering to knock”
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Words Without Borders & WWB Campus @wwborders.bsky.social · 23/09/2026
Give a warm welcome to our Finance and Operations Manager, Alicia Lim! Alicia brings to WWB over a decade of experience across publishing and arts organizations. Read about her path to WWB, love for translated horror and visual art, and much more, here: wordswithoutborders.org/read/article...
A blue textured background with black text reading:
“Meet WWB’s Finance and Operations Manager, Alicia Lim
‘For me, international storytelling empowered my imagination and opened up new ways of seeing, in much the same way art had growing up (and still does). Translation has given me access to ways of thinking I might never have encountered, and continually expands my sense of what’s possible.’”
In the upper left, the WWB logo in black. To the right, a round image of Alicia’s headshot over a coral circle.
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Words Without Borders & WWB Campus @wwborders.bsky.social · 22/09/2026
It’s the ten-year anniversary of #WorldKidLitMonth! Celebrate with nine new children’s and YA books from across the globe, including translations from Korean, Italian, Spanish, French, Arabic, and German. Don’t miss this exciting list of recommendations: wordswithoutborders.org/read/article...
At the top, the book covers of the nine books featured on this list (Banana Express, Down in the Blue Ocean, Up in the Blue Sky, When You Were A Cloud, Elfie’s Grimoire, Comet Club, Hmong: A Graphic History, The Necklace of Seven Souls, and Papa Drew a Thousand Birds) over a peach-colored background. Below this, in black text over an off white background, it reads:
“World Kid Lit Month 2026: 9 New Books to Read Now
By Ruth Ahmedzai Kemp, Ruth Donnelly, Charisma Lee, Nanette McGuinness, Lori Sieling & Gemma Ware”
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Words Without Borders & WWB Campus @wwborders.bsky.social · 19/09/2026
We’re celebrating 10 years of #WorldKidLitMonth with a return to Nira Harel’s “Please Leave a Message,” a kid lit story translated from Hebrew by Miriam Shlesinger. Follow young Dudi in his artistic approach to relaying quotidian phone calls here: wordswithoutborders.org/read/article...
In the background, a muted image of a bright orange landline phone with off-white buttons. In the upper right, the WWB logo in white. Over the image, white text reads:
“From the Archive: Fiction
Please Leave a Message
By Nira Harel, translated from Hebrew by Miriam Shlesinger
‘If nobody else has a message, I’ll take down a message of my own, Dudi thought.’”
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Words Without Borders & WWB Campus @wwborders.bsky.social · 19/09/2026
In “Every Stone a Seed: Writing from Asturias” (co-edited by @robmunb.bsky.social and Will Howard), find new literature translated from Asturian that speaks to the role of the region’s writers in reviving an often-overlooked language. Explore each piece, here: wordswithoutborders.org/read/collect...
At the top, five cropped images representative of each piece in this issue over a black background. Below, in white text, it reads:
“Every Stone a Seed: Writing from Asturias
Guest editors Robin Munby and Will Howard present a selection of new Asturian prose and poetry”
In the bottom left, the WWB logo in white. In the bottom right, the wordswithoutborders.org URL.
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Words Without Borders & WWB Campus @wwborders.bsky.social · 17/09/2026
Next up in our annual WWB–Academy of American Poets #NationalTranslationMonth series, Daniel Lipara’s poem “[Someone running with his head aflame],” a fierce exploration of personal evolution after loss. Read Robin Myers’s translation from the Spanish here: wordswithoutborders.org/read/article...
On the right, a portion of a painting of a messiah as a knight on a white horse riding against a swarm of men and wild beasts. On the left, black text over a red canvas background reads:
“National Translation Month,” with the WWB logo in black and the Academy of American Poets logo in black and bright blue below this. Remaining black text reads: “[Someone running with his head aflame] by Daniel Lipara, translated from Spanish by Robin Myers. ‘An impulse is an extraordinary glimmer, sometimes a blind one.’”
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Words Without Borders & WWB Campus @wwborders.bsky.social · 16/09/2026
Our 2026 WWB–Academy of American Poets #NationalTranslationMonth series continues with Jenny Tunedal’s mournful elegy “Older Electra,” translated from Swedish by Johannes Göransson. Read this poem of birdsong, grief, and illusory escape, here: wordswithoutborders.org/read/article...
The background is a powder blue textured canvas. On the right, a portion of a dark, melancholic painting of a forest with snow on the ground. Black text at the top reads “National Translation Month,” with the WWB logo in black and the Academy of American Poets logo in black and bright blue below this. Remaining black text reads:
“Older Electra
by Jenny Tunedal, translated from Swedish by Johannes Göransson
We always cry too late, it is said,
and always sing too soon”
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Words Without Borders & WWB Campus @wwborders.bsky.social · 14/09/2026
What if the entire population of Taiwan swapped places overnight with that of Cuba? Michelle Chan Schmidt reflects on Huang Chong-Kai’s multilayered novel THE FORMOSA EXCHANGE (tr. @jeremytiang.bsky.social) in our newest book review. Read it here: wordswithoutborders.org/book-reviews...
To the right, an image of the book cover of Huang Chong-Kai’s “The Formosa Exchange” over a coral orange background. In the upper left, the WWB logo in black. Black text reads:
“Book Review
‘An Ukiyo-e Collage of Taipei and Havana': Metafiction in Huang Chong-Kai’s THE FORMOSA EXCHANGE
By Michelle Chan Schmidt
‘Taiwan and China, Cuba and the USA; these unequal neocolonial dynamics are what The Formosa Exchange invites reflection on. Where will these conflicts lead? Are they so entrenched that nothing short of total systems collapse could bring about change?’”
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Words Without Borders & WWB Campus @wwborders.bsky.social · 12/09/2026
The school year has begun, and with it, the resurgence of Fatou Diome’s novel excerpt from THE BELLY OF THE ATLANTIC. Diome’s story (tr. C. Dickson) celebrates the educators and role models we have to thank for teaching us the ways of the world. Read it here: wordswithoutborders.org/read/article...
In the background, a muted image of a grey chalkboard, two pieces of white chalk on the right side and a portion of an eraser to the left. In the upper right, the WWB logo in white. Over the image, white text reads:
“From the Archive: Fiction
From ‘The Belly of the Atlantic’
By Fatou Diome, translated from French by C. Dickson
‘Little matter where they stem from, our firmest beliefs are always more poetic, more powerful, and more reassuring than reality.’”
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Words Without Borders & WWB Campus @wwborders.bsky.social · 10/09/2026
Big announcement day: We’re proud to share the literary hosts who will be at WWB’s annual Gala! Join Sigrid Nunez, M Lin, Michel Nieva, and many more literary sensations at the Edison Ballroom in NYC on October 28. Learn more and get your tickets here: wwborders.live/2026Gala
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Words Without Borders & WWB Campus @wwborders.bsky.social · 09/09/2026
Graciela Maglia introduces our ongoing collection “Creole Languages of the Caribbean,” previewing selected pieces and providing insight into these “languages of adaptation, and at the same time of resistance.” Read the introduction (tr. Nina Perrotta) here: wordswithoutborders.org/read/article...
In black text over a tan, parchment-textured background, it reads:
“Creole Languages of the Caribbean
The Creole Continuum of the Greater Caribbean
By Graciela Maglia, translated from Spanish by Nina Perrotta”
In the upper right, the WWB logo in black. Below, an image of the ocean where an area of turquoise water meets a darker section.
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Words Without Borders & WWB Campus @wwborders.bsky.social · 09/09/2026
Martinican writer Raphaël Confiant examines the reverberating loss of a community leader amid a sugarcane plantation workers’ resistance movement in an excerpt from his novel GALFÉTÈ MO, translated by Lindy-Ann Alexander. Read it here: wordswithoutborders.org/read/article...
In black text over a tan, parchment-textured background, it reads:
“Creole Languages of the Caribbean
Galfétè Is Dead
By Raphaël Confiant, translated from Martinican Creole by Lindy-Ann Alexander”
In the upper right, the WWB logo in black. At the bottom, an image of the fronds of dark trees blowing in the wind, a cloudy grey sky behind them.
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Words Without Borders & WWB Campus @wwborders.bsky.social · 05/09/2026
Lamenting summer’s end and looking for a short story to let it linger? As September begins, we are reminiscing with Yasmina Khadra’s archived piece “Absence” (tr. Lulu Norman), a tale of seasonal goodbyes, airy daydreams, and lost love. Read it here: wordswithoutborders.org/read/article...
In the background, a muted image of tan, rocky beach leading up to a waterfront. On the right side, four blue and white striped beach chairs face the water haphazardly. In the upper right, the WWB logo in white. White text over the image reads:
“From the Archive: Fiction
Absence
By Yasmina Khadra, translated from French by Lulu Norman
‘Tomorrow, Nasser won’t see Noria invade the beach, her brightly colored parasol under her arm. He won’t go to the rock to display his admittedly puny chest; he won’t feel like a god on his cloud. The party’s well and truly over.’”
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Words Without Borders & WWB Campus @wwborders.bsky.social · 05/09/2026
It's Labor Day weekend in the US, which means an extra day to post up and read! 🤓 Over at WWB, here's a sample of the books we're reading and enjoying... both staff and our animal companions. @ndbooks.bsky.social @andotherstories.bsky.social @charcopress.com
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Words Without Borders & WWB Campus @wwborders.bsky.social · 04/09/2026
We’re less than two months away from our favorite day of the year: the WWB Gala! Spend a dazzling evening in the company of hundreds of other lovers of, and advocates for, international literature. Tickets are on sale now! Get yours here: wwborders.live/2026Gala
Cascading gold lines at the top and bottom of a black background. In the middle, the text “Words Without Borders ANNUAL GALA” with top and bottom borders that consist of two lines and a dot in the middle of the line. The text is in white and gold. Below the second border but above the gold lines, text in white and gold that reads “October 28th, Edison Ballroom, NYC, Chair: Judy Clain, Honorary Chair: Ayad Akhtar, 6:00pm Cocktails, 7:00pm Dinner & Program”.
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Words Without Borders & WWB Campus @wwborders.bsky.social · 03/09/2026
Congratulations to several WWB contributors for winning PEN Presents: Brazil! Here’s to Adrian Minckley, Julia Sanches, and of course, WWB’s own senior editor and development manager, Nina Perrotta! Find all six samples on the PEN Presents platform: www.englishpen.org/posts/news/w...
A purple and black gradient background with a black circle in the background of the upper right corner and the covers of the 6 winning titles posed over it. Two black borders on the left and right with the text "WWB
In the News"A black and purple gradient background with the following text in white:

The winning translators are:
Natália Affonso for a translation from the Portuguese of tidal water by tatiana nascimento 
Lúcia Collischonn for a translation from the Portuguese of One Woman, Two Skeletons by Julia Dantas 
Taty Guedes for a translation from the Portuguese and Makuxi of Makunaimã’s beautiful words by Trudruá Dorrico 
Adrian Minckley for a translation from the Portuguese of The Porno President by Bruna Kalil Othero 
Nina Perrotta for a translation from the Portuguese of The Paediatrician by Andréa del Fuego 
Julia Sanches for a translation from the Portuguese of Mata Doce by Luciany Aparecida
WORDS WITHOUT BORDERS: THE HOME FOR INTERNATIONAL LITERATURE
Winners announced for PEN Presents: Brazil
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Words Without Borders & WWB Campus @wwborders.bsky.social · 02/09/2026
Today, we’re continuing our “Creole Languages of the Caribbean” series with Ludmila Ferrari’s photo essay on monumentality, Colombian Caribbean cultural identity, and “remembering as a communal practice of resistance.” Read “A Maroon Monument” here: wordswithoutborders.org/read/article...
At the top, a muted image of the central plaza of San Basilio de Palenque, featuring a small stone church and colored paving stones. Over the image in black text, it reads: “Why is ‘unity’ the precondition for monumentality and not its consequence?” Below the image in black text over an off-white background, it reads:
“Creole Languages of the Caribbean
A Maroon Monument
By Ludmila Ferrari”
In the bottom left corner, the WWB logo in black.
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Words Without Borders & WWB Campus @wwborders.bsky.social · 01/09/2026
The 2026 WWB–Academy of American Poets #NationalTranslationMonth series begins with Lyudmyla Khersonska’s poem “When Crimea Was Still a Place of Light” (tr. @ilyakaminsky.bsky.social and Katie Farris). Read this recollection of Ukraine before Russian invasion: wordswithoutborders.org/read/article...
The background is an orange textured canvas. On the right, a portion of a colorful painting with a woman in a hat facing a body of water at sunset, seagulls on the grass at her feet. Black text at the top reads “National Translation Month,” with the WWB logo in black and the Academy of American Poets logo in black and bright blue below this. Remaining black text reads: “When Crimea was still a place of light
by Lyudmyla Khersonska, translated from Russian by Ilya Kaminsky and Katie Farris
Before missiles,
I, too, loved it all.”
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Words Without Borders & WWB Campus @wwborders.bsky.social · 31/08/2026
“Spit-wet cigarettes pass from mouth to mouth, filters shimmering in the sun like glitter.” A steadfast teenage friendship faces its greatest adversity yet in this coming-of-age excerpt from Maria Halber’s newest novel (tr. Monika Zaleska). Read it here: wordswithoutborders.org/read/article...
In the background, a muted image of many red cherries, one sliced into two open halves in the center. In the upper right, the WWB logo in white. White text reads:
“Fiction
Abyss and Rupture
By Maria Halber, translated from Polish by Monika Zaleska
‘The summer we’ve been waiting for endlessly oozes by, always Friday, whole legions of Fridays, during which nothing ever happens. In those days, we sat in the weeds, in the tall grasses, grooming the earth of worms, caterpillars, and fat, repulsive larvae that we threw down the too-small shirts of anyone we happened not to like.’”
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Words Without Borders & WWB Campus @wwborders.bsky.social · 28/08/2026
This #WITMonth, we’re revisiting Trần Thị NgH’s nostalgic deep-dive into the great loves and losses contained within a lifetime. Read “The Sitting Woman” (tr. Kaitlin Rees) here: wordswithoutborders.org/read/article...
White text over a darkened painting of a lake at sunset. In the upper right, the WWB logo. The text reads:
From the Archive: Fiction
The Sitting Woman
By Trần Thị NgH, translated from Vietnamese by Kaitlin Rees
“Following the officer was an aging writer devoted to new Romanticism, meaning he had a gift for description of narrow and elaborate twentieth-century spaces and detailing the surreal mental states of ageless characters.”
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Words Without Borders & WWB Campus @wwborders.bsky.social · 27/08/2026
Lock in: another month in the books means another month ON the books. @tobiascarroll.bsky.social returns with 5 new #WITMonth recs for the August Watchlist by women from across the globe. Peruse them all here, or scroll for bookshop.org links and more: wordswithoutborders.org/read/article...
A green background with white text that reads:
“The August Watchlist
by Tobias Carroll
New and forthcoming translations from Arabic, Danish, Spanish, and Dutch by women from all around the world.”
To the left, the covers of the five books featured in the Watchlist:  “The Shame Is Over,” “Your Presence Is a Danger to Your Life,” “Range,” “Silencio,” and “And Death Shall Have No Dominion / Killing ‘The Mother.’”
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Words Without Borders & WWB Campus @wwborders.bsky.social · 26/08/2026
The treacherous plant hogweed reaches new heights in Tatiana Krasilnikova’s poem “Heracleocene” (tr. Venya Gushchin). Click the link to read about “a flowerhead of coloniality, militarism, scientific ignorance, patriarchy, toxicity, and a monotony of form.” wordswithoutborders.org/read/article...
A darkened, orange-toned painting of hogweed plants over a white background with black text. The WWB logo in black in the upper left corner. White quote text over the painting reads:
from under the tomb
of authoritarian regimes
of totalitarian regimes
from under the mycelium
of actor-network theory
from under oil arteries
(ceci n’est pas une pipeline)
The text outside of the painting reads:
One Country, Many Languages: Writing from the US
“Heracleocene” by Tatiana Karsilnikova
Translated from Russian by Venya Gushchin
wordswithoutborders.org
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Words Without Borders & WWB Campus @wwborders.bsky.social · 25/08/2026
In today’s installment of Nathalie Handal’s “The City and the Writer,” Khairani Barokka (@mailbykite.bsky.social) speaks of Jakarta as a bustling epicenter of resilience and togetherness. Read about a city in perpetual motion and conversation on WWB: wordswithoutborders.org/read/article...
An abstract blue background with a portrait of Khairani Barokka in the upper right. Black text reads:
The City and the Writer
In Jakarta with Khairani Barokka
By Nathalie Handal
“Every time I return, even if I’ve been there not so long ago, traversing the city I notice so many changes go by. Being in motion has allowed us to observe and remember those changes, to cement continually new forms of nostalgia.”
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Words Without Borders & WWB Campus @wwborders.bsky.social · 21/08/2026
In three gentle poems, German poet Daniela Danz considers the tangibility of desire from across the table, over a work of art, and in the act of stargazing. Read the trio of odes to a lasting love (tr. Monika Cassel) here: wordswithoutborders.org/read/article...
In the background, a muted version of a vibrant oil painting showing various colorful foods displayed on a table (an orange, a peeling lemon, grapes, a loaf of bread, a large, bright red lobster in the center right. In the upper right, the WWB logo in white. White text over the image reads:
Poetry
One Glance Is Enough for Us to Know: Three Poems
By Daniela Danz, translated from German by Monika Cassel
“We step into a still life from the seventeenth century
and strip off our clothes and I see in your reflection in the goblet
how beautiful you are—you make a bed for us
in the pure linen napkin behind the lobster’s claw
so we are safe from a viewer’s gaze”
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Words Without Borders & WWB Campus @wwborders.bsky.social · 20/08/2026
Artist and translator Sawako Nakayasu considers a multiplicity of approaches to translations. Immerse yourself in “The Errant Translator: Field Notes,” which first appeared in WWB in early 2024: wordswithoutborders.org/read/article...
A dark background of a black silhouette standing in front of a concrete wall, with exposed bricks at the top. The WWB logo in white in the upper right corner. Text in white reads:
From the Archive: Nonfiction
“It’s as if that very notion of equivalence in conventional translation is an antiquated bid for conservatism—let’s keep things exactly the way they are! —denying translation its radical possibility to be an agent of change, given its inherent basic process of breaking apart and rebuilding.”
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Words Without Borders & WWB Campus @wwborders.bsky.social · 19/08/2026
A visual medium meets a poetic play-by-play in Katerina Iliopoulou’s “Where is Pablo Frank?,” a translation in words of Yiannis Isidorou’s video by the same title. Explore the evocative poem (tr. Jackson Watson) on WWB: wordswithoutborders.org/read/article...
In the background, a black and white image of a young boy midair, arms and legs outstretched, as he jumps from atop a beach tower with a ladder. In the upper right, the WWB logo in white. The remaining white text reads:
Poetry
Where is Pablo Frank?
By Katerina Iliopoulou, translated from Greek by Jackson Watson
“One frame of plunge freezes now he hangs upright with the head to the side as if from a noose invisible (made from air?).”
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Words Without Borders & WWB Campus @wwborders.bsky.social · 18/08/2026
Words Without Borders has been awarded a major grant from Hawthornden Foundation, the organization just announced. The general operating grant will support WWB’s innovative programs and ongoing leadership in the literary arts field. Read the press release: wordswithoutborders.org/read/article...
A blue and purple gradient background. The WWB logo in white in the upper right corner. Central text reads: “WWB Receives Major Grant from Hawthornden Foundation for 2026–27”
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Words Without Borders & WWB Campus @wwborders.bsky.social · 17/08/2026
Women in translation? That’s a huge part of our whole thing. We’re excited to share WWB’s staff picks for #WITMonth reads as you roll towards the end of August! Click the link to find all 7 recs, or scroll through the thread for a little more info about each: wordswithoutborders.org/read/article...
"What We're Reading: Women in Translation Month" over a turquoise and pink gradient background and a pixelated wallpaper of all 7 book covers.
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Words Without Borders & WWB Campus @wwborders.bsky.social · 16/08/2026
For #WITMonth, follow a dauntless newscaster through her daily life, work, and the destruction of 2020 Kabul in this powerful piece resurfaced from our archives. Read Nargis’s “The Decision,” translated from Pashto by Zarghuna Kargar: wordswithoutborders.org/read/article...
A faded background on black, with white text. The faded image shows 4 eyeshadow pans in champagne, brown, red, and pink tones from left to right, partially broken up into pieces and smeared across a white surface. In the upper right corner, the WWB logo in white. The text reads:
FROM THE ARCHIVE: FICTION
The Decision
By Nargis, translated from Pashto by Zarghuna Kargar
“‘I have seen many rockets, they land every day. I am not scared of rockets, I am scared of God.’”
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Words Without Borders & WWB Campus @wwborders.bsky.social · 15/08/2026
New this week: Anderson Tepper reviews the highly-anticipated BURY YOUR DEAD, the final book in 2026 International Booker Prize-shortlisted author Ana Paula Maia’s gruesome trilogy (tr. Padma Viswanatha, @charcopress.com). Find it here: wordswithoutborders.org/book-reviews...
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Words Without Borders & WWB Campus @wwborders.bsky.social · 12/08/2026
Translation in tandem provides @amandalandrei.bsky.social with a newfound closeness to her aging father in this poignant essay on the connective powers of literary collaboration. Read “‘Another Detective in This Mystery’: On Cotranslating with a Parent” here: wordswithoutborders.org/read/article...
A faded background on black, with white text. The faded image shows a hand kneading dough on a flour-covered surface in the foreground, with a blurred rolling pin and kitchen towel behind it. In the upper right corner, the WWB logo in white. The text reads:
NONFICTION
“ANOTHER DETECTIVE IN THIS MYSTERY”:
On Cotranslating with a Parent
By Amanda Andrei
“Sometimes I’d need to take care of my kids, but more often than not, my brain felt overstuffed, saturated by words and multiple meanings, a doughnut oozing with jelly and sugar.”
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Words Without Borders & WWB Campus @wwborders.bsky.social · 11/08/2026
It was so fun to see WWB contributor Chi-Young Kim in today's NYPL Book of the Day feature! WHALE by Cheon Myeong-kwan (tr. Chi-Young Kim) was published in 2023 by @archipelagobooks.bsky.social . Tobias Carroll featured it in one of his Watchlists for WWB, too. view.email.nypl.org?vawpToken=KP...
Today's Book of the Day is a wild, multi-generational fable.
Whale
 
Whale
Cheon Myeong-kwan

Set in 1950s Jeju, Whale follows three mythical women: ambitious Geumbok, obsessed with a whale; her mute daughter Chunhui, who speaks to elephants; and a woman who controls bees with a whistle.

NYPL cardholders can check out this title or reserve a hold for pickup at an open location.

Check it out
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Words Without Borders & WWB Campus @wwborders.bsky.social · 11/08/2026
“Beauty and danger can exist together.” A generous and thought-provoking interview on atomic bomb literature with @erikakobayashiek.bsky.social by our poetry editor @sohinibasak.bsky.social (tr. @brianbergstrom.bsky.social ), live now on our website: wordswithoutborders.org/read/article...
A black textured background with text in blue and white. In the bottom right corner, a photo of Erika Kobayashi over a blue circle. The text throughout reads (from top to bottom):
Interview	
Words Without Borders
The End of Nuclear Literature:
An Interview with Erika Kobayashi
By Sohini Basak, translated from Japanese 
by Brian Bergstrom
“I have been able to write, and to keep creating, because I was able to read translated literature passed down from hand to hand—because of a culture built up over long years. I feel that deeply. And so now, using my own hands, I am trying to do what I can with what’s within my reach.”
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Words Without Borders & WWB Campus @wwborders.bsky.social · 07/08/2026
“Nine is a lucky number, it stands for something— everlasting.” Read these two mournful poems by Liberty Notarte-Balanquit in both English and the original Filipino on our site. Translated by the author. wordswithoutborders.org/read/article...
A gray and orange abstract background with black text, featuring the image of an abstract painting of card players (“The Card Players” by Roger de La Fresnaye on Harvard Art Museums). The WWB logo in the upper right corner. The text above the image reads: 
Revolutionary Literature from the Philippines
A Culmination of Things: Two Poems
By Liberty Notarte-Balanquit, 
translated from Filipino by the author
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Words Without Borders & WWB Campus @wwborders.bsky.social · 06/08/2026
“There was never any reason to wonder, until now.” We’re bringing you this Swedish excerpt from the archives as one of our #WomenInTranslationMonth pieces! Read “From ‘The Memory of a Secret’” by Ester Roxberg (tr. Saskia Vogel): wordswithoutborders.org/read/article...
A faded background on black, with white text. The faded image is the detail of a painting featuring a young girl's hands and the hands of an older woman next to her, holding a strawberry branch in the girl's lap; “Elizabeth Grant Bankson Beatty (Mrs. James Beatty) and Her Daughter Susan” by Joshua Johnson on Art Institute Chicago. In the upper right corner, the WWB logo in white. The text reads:
FROM THE ARCHIVE: NONFICTION
From “The Memory of a Secret”
By Ester Roxberg, translated from Swedish by Saskia Vogel
“What do we know about our parents? They’re never anything but parents.”
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Words Without Borders & WWB Campus @wwborders.bsky.social · 05/08/2026
As part of our issue “Revolutionary Literature from the Philippines,” we’re publishing two new translations of poems by revolutionary writer and activist Kerima Lorena Tariman, translated from Filipino by guest editor @soleildahveed.bsky.social : wordswithoutborders.org/read/article...
A gray and brown abstract background with black text, featuring the image of a woodcut depicting surging waves and an imminent flood; “Unfurled Waves, Flood of September, 1901” by Auguste Louis Lepère on Minneapolis Institute of Art. The WWB logo in the upper right corner. The text above the image reads: 
Revolutionary Literature from the Philippines
I Study the Breadth of the Land’s Frets: Two Poems
By Kerima Lorena Tariman,
translated from Filipino by Soleil Davíd
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