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Observations of Deviance

@obsofdeviance.bsky.social
3.8K followers 1.5K following 6.3K posts

"Observations of Deviance has become a Wire deadline weekend staple." The Wire (UK) David Mittleman DJ @wfmu.bsky.social Vinyl collector Writing @ We Jazz Magazine wfmu.org/playlists/OV

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Observations of Deviance @obsofdeviance.bsky.social · 29/09/2026
Essential SUN RA history being explored on this impressive radio show. This is just one of many episodes, check them all out on YT. bsky.app/profile/obso...
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Observations of Deviance @obsofdeviance.bsky.social · 29/09/2026
Wildfinger (dedicated to John Martyn) from On The Road by Danny Thompson's Whatever UK Folk Jazz or Jazz Folk jazzinbritain1.bandcamp.com/track/wildfi...
jazzinbritain1.bandcamp.com
Wildfinger (dedicated to John Martyn), by Danny Thompson's Whatever
from the album On The Road
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Der Herr Warum @adairneto.bsky.social · 13h
From Brent Yorgey's advice to students ozark.hendrix.edu/~yorgey/fore...
Don't believe self-serving lies about technologies being "inevitable" or "here to stay". You don't have to just go along with the dominant narrative. You can make deliberate choices and help others to do the same.
Be intentional about deciding your own moral and ethical boundaries up front. Don't settle for the lie of compromising your principles "just for now" until you can find something better.
Cultivate your ability to think deeply. Do whatever it takes to carve out distraction-free bubbles for yourself in both space and time. This might mean saying no to technologies or patterns of working that others say are critical or inevitable.
Care deeply about your craft. Refactor code until it is clear and elegant. Write good documentation for other humans to read. Have the courage to go slowly, especially when everyone else is telling you that you need to go fast and cut corners.
Care more about people, relationships, and justice than you do about profits, code, or productivity.
Above all, be motivated by love instead of fear.
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ABC15 Arizona @abc15.com · 21h
Jillian Barfield gave five months of her life to jury duty — and prosecutors secretly ran her through an FBI database because they didn't like her "demeanor."
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Observations of Deviance @obsofdeviance.bsky.social · 29/09/2026
echoesofzoo.bandcamp.com/track/wolf-p...
echoesofzoo.bandcamp.com
Wolf Pack Telepathy, by Echoes of Zoo
from the album Collective Intelligence
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Malt Lick Nursery @maltlicknursery.bsky.social · 13h
Kou Records at Blank Forms - Fall 2026 Season An inaugural season of programming, featuring Drew McDowall, Oren Ambarchi @orenambarchi.bsky.social Andrew Cyrille, Cyro Baptista, Laetitia Sonami and Eric Wubbels Blank Forms. October 16 - December 5, 2026 www.blankforms.org/events/kou-r...
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Phav Nosnibor @phavnosnibor.bsky.social · 15h
Just thinking the word "portend" earlier today interrupted a perfectly acceptable week of listening to Tim Berne records and finding that every one was the perfect soundtrack to where I was at the time, but the first Painkiller album wasn't exactly a bad interruption. www.youtube.com/watch?v=d7kI...
youtube.com
Pain Killer - Portent
YouTube video by Jerkicus
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jeff @jazyjef.bsky.social · 19h
Good to see Ryley Walker back at it
pitchfork.com
Ryley Walker Signs to AD 93 and Unveils First Song in Five Years
“I was thinking of people in my hometown of Rockford, Illinois. Wearing SpongeBob pajama pants to a funeral-type heads.”
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jeff @jazyjef.bsky.social · 15h
Noah X Petter • Drift [EP] 🇩🇪 🇸🇪 Noah Fürbringer & Petter Eldh, feat. Talib Kweli November 6 • Leiter noahxpetter.bandcamp.com/album/drift
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Internet Archive @archive.org · 15h
🎸 Ryley Walker loves the Internet Archive. 🎶 The singer-songwriter says the Live Music Archive is a “treasure trove that never really stops,” and welcomes tapers documenting his live shows so people can hear how his music changes from night to night. 📚 Learn more👇 blog.archive.org/2026/09/29/e...
Musician Ryley Walker sits on a green velvet couch against a purple wall, wearing an open light-blue striped shirt over a white tee, light-wash jeans, and white high-top sneakers, with one leg crossed. He looks toward the camera. A small audio mixer sits beside him, and an open road case lined with gray foam rests on a wooden table in the foreground.
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Robert Evans (the Only Robert Evans) @iwriteok.bsky.social · 18h
Last week the Portland Police made a huge deal about a K9 killed in the line of duty apprehending a dangerous suspect. Turns out that K9 was shot and killed by...the Portland Police www.kgw.com/article/news...
kgw.com
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Observations of Deviance @obsofdeviance.bsky.social · 29/09/2026
echoesofzoo.bandcamp.com/track/wolf-p...
echoesofzoo.bandcamp.com
Wolf Pack Telepathy, by Echoes of Zoo
from the album Collective Intelligence
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Richard Hayes @rmhayes.bsky.social · 29/09/2026
My boy Ryley is back at it today ryleywalker.bandcamp.com/album/carrier
ryleywalker.bandcamp.com
Carrier, by Ryley Walker
1 track album
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LEVITATOR @microlevitator.bsky.social · 29/09/2026
Thank you @maryhalvorson.bsky.social and Sylvie Courvoisier for coming to New Mexico and putting on an INCREDIBLE show last night. It was my daughter’s first music show and wow, what a doozy. She’ll never forget this one. One of those shows I wish I had recorded start to finish.
A stage with two people. One seated with a microphone (Mary) and another at a piano (Sylvie). A young fan sits in the foreground in the audience
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Observations of Deviance @obsofdeviance.bsky.social · 29/09/2026
Don Cherry #vinyl Original vs Reissue @wewantsounds.bsky.social The Third World-Underground by Dollar Brand, Don Cherry, Carlos Ward
Both front Both backReissue1974 Japan original
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Observations of Deviance @obsofdeviance.bsky.social · 29/09/2026
This is so good! bsky.app/profile/obso...
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Rob Chapman @scribblerrob.bsky.social · 29/09/2026
I cannot impress upon you too much how having an internet radio with 25 or so carefully researched Favourites in your presets means you never have to listen to shit radio ever again unless you choose to.
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Rob Chapman @scribblerrob.bsky.social · 29/09/2026
One of my favourite internet radio stations. Go seek the ether.
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mjazzg @mjazzg.bsky.social · 28/09/2026
New Arthur, with Sunny and Rasul. First listen and this is tremendous. There's a companion volume too 'New Light' #nowplaying #jazzsky #jazzdownload nobusinessrecords.bandcamp.com/album/incant...
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Observations of Deviance @obsofdeviance.bsky.social · 29/09/2026
Wildfinger (dedicated to John Martyn) from On The Road by Danny Thompson's Whatever UK Folk Jazz or Jazz Folk jazzinbritain1.bandcamp.com/track/wildfi...
jazzinbritain1.bandcamp.com
Wildfinger (dedicated to John Martyn), by Danny Thompson's Whatever
from the album On The Road
051
Observations of Deviance @obsofdeviance.bsky.social · 29/09/2026
Essential SUN RA history being explored on this impressive radio show. This is just one of many episodes, check them all out on YT. bsky.app/profile/obso...
083
Observations of Deviance @obsofdeviance.bsky.social · 29/09/2026
SUN RA IS ON THE AIR episode 2.2: MAMBO IS EVERYWHERE (Sonny Blount/Sun Ra as arranger for the Red Saunders Orchestra 1948–1955) youtu.be/3BcUNrFaXwI?...
youtu.be
MAMBO IS EVERYWHERE episode 2.2 SUN RA IS ON THE AIR on WCBN FM Ann Arbor
YouTube video by Intergalaxtic Music: Sun Ra tapes
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Kool Mo Di @kmck.mas.to.ap.brid.gy · 26/09/2026
Why does Oren Ambarchi's music just sound so damn good. I like the skittering electric guitar sounds, but the overall groove is what keeps me coming back orenambarchi.bandcamp.com/album/coo…
orenambarchi.bandcamp.com
Cooked, by Oren Ambarchi
2 track album
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Cal Cashin @calcash.in · 26/09/2026
Probably the best Ambarchi album I've heard. Smoky spiritual jazz. When Michiko Ogawa's shō hits 12 mins into the second track, we're cooking orenambarchi.bandcamp.com/album/cooked
orenambarchi.bandcamp.com
Cooked, by Oren Ambarchi
2 track album
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Bill Cooper @hopebillhelps.bsky.social · 28/09/2026
I had a dream about meeting Oren Ambarchi last night. And today, as if by fate, my review of Cooked on @spectrumculture.bsky.social drops: share.google/lak2RHyCP3pc...
share.google
Oren Ambarchi: Cooked - Spectrum Culture
Experimental artist Oren Ambarchi’s Cooked may be an acquired taste, but inexperienced listeners will still enjoy it if they are willing to give the album the multiple listens it requires.
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Calum Neill @axisofelvis.bsky.social · 28/09/2026
AOTY? Quite possibly. orenambarchi.bandcamp.com/album/cooked
orenambarchi.bandcamp.com
Cooked, by Oren Ambarchi
2 track album
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The Quietus @thequietus.com · 29/09/2026
'There’s an enjoyable Whack-A-Mole-ish quality to the arrangements on Cooked, where instruments surface then vanish: fitful double bass takes the place of twelve-string guitar, hushed ambient textures replace jazz skronk.' Oren Ambarchi - Cooked buff.ly/BE4MJUv
Oren Ambarchi - Cooked album cover. Sequin-covered, toy animal head with large round eyes, overlaid by bold white title "COOKED", and artist name at the top.
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ABC15 Arizona @abc15.com · 28/09/2026
Prosecutors in Maricopa County secretly investigated jurors using one of the most powerful tools in law enforcement — and jurors had no idea. For 10 days, we're standing outside the courthouse to tell jurors what the court and prosecutors won't.
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It's Psychedelic Baby Magazine @psychedelicbabymag.com · 29/09/2026
A rare new interview with Ken Weaver of the Fugs, one of his first substantial interviews in over twenty years. Also: Chuck Smith on ‘Fugs Film!’ and Ed Sanders on the beginnings of it all. www.psychedelicbabymag.com/2026/09/the-...
psychedelicbabymag.com
“We Were Comedians, but We Were Serious”: The Fugs and Chuck Smith’s ‘Fugs Film!’ - It's Psychedelic Baby Magazine
Ken Weaver remembers the Fugs’ early shows, Chuck Smith explains how he pieced together ‘Fugs Film!’, and Ed Sanders takes us back to the Lower East Side
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Observations of Deviance @obsofdeviance.bsky.social · 29/09/2026
ALVIN CURRAN Roman Ruins CD WE INSIST! Records CDWEIN37 Release date: October 21 weinsist.bandcamp.com
Much has been written about improvisation… probably the most
ancient of musical languages that Homo Sapiens has “spoken” in
the last 40-50,000 years, and today collective free improvisation
has become an art and musical field unto itself. But like the grand
gamelan orchestras of Bali and Java, the massive Alpenhorn
orchestras in Switzerland, or our own great symphonic orchestras
and choruses – bringing large numbers of people together to
make music is nothing new, and practiced worldwide based on
proven traditions.

So, to make music based on “nothing” collectively with many
people may appear as an act of futility, even stupidity. Yet,
knowing that anything can happen, even transcendent beauty, is
for me reason enough to continue the pursuit of this evanescent
magic. 

Alvin Curran, Rome, 20.10.2024
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Observations of Deviance @obsofdeviance.bsky.social · 28/09/2026
Following up on this thread - I've just started a YT play list of different versions of VALDEZ IN THE COUNTRY. I'm up to 18 so far. STREAM ▶️ www.youtube.com/playlist?lis... bsky.app/profile/obso...
youtube.com
Valdez In The Country - YouTube
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Observations of Deviance @obsofdeviance.bsky.social · 29/09/2026
Just Landed #vinyl @wewantsounds.bsky.social DETAILS ➡️ wewantsounds.bandcamp.com/merch
Don Cherry 

Ziad Rahbani
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I Travel Like Sound Dog @chadstanton.blacksky.app · 29/09/2026
Bar for bar, line for line.
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Observations of Deviance @obsofdeviance.bsky.social · 29/09/2026
This is so good! bsky.app/profile/obso...
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AFP News Agency @en.afp.com · 28/09/2026
🇮🇩 Balinese villagers perform 'war of fire' festival The men of the village of Tuban in Bali, Indonesia, hurl burning coconut husks at each other during the annual 'Siat Geni' or 'war of fire' -- a long-standing tradition carried out to dispel spirits believed to bring misfortune.
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Arienne Childrey @ari4ohio.bsky.social · 28/09/2026
Pay attention Dems. Gov Beshear won twice, in a deep red state, and never threw trans people under the bus. He led with compassion rather than the fear and cowardice we've seen from some of our Ohio candidates and party leadership.
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Marc Hasselbalch @mhasselbalch.bsky.social · 27/09/2026
@orenambarchi.bsky.social 's new album, Cooked, is another one for the ages. Comes highly recommended.
orenambarchi.bandcamp.com
Cooked, by Oren Ambarchi
2 track album
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Live Tapes @livetapes.heads.social.ap.brid.gy · 28/09/2026
Moor Mother Live at Ghost Canyon Fest on 2026-08-29 archive.org/details/moormother2026-…
archive.org
Moor Mother Live at Ghost Canyon Fest on 2026-08-29 : Moor Mother : Free Download, Borrow, and Streaming : Internet Archive
Moor Mother8.29.2026Ghost Canyon FestHi-Dive, Denver, COSource: MBHO KA200N's > Active Cables > MBHO MBP 603A > XLR > Lunatec V3 > digi-coax...
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Rev. Deral "FreeLink" Fenderson @fendersonia.bsky.social · 27/09/2026
Never heard this song? You just don’t like peaches!! (Peaches in a can don’t count—those things are adulterated!)
youtu.be
I Am a Peach Tree
YouTube video by Harry Partch - Topic
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David Dark @daviddark.bsky.social · 27/09/2026
"The illusion of speed and urgency promulgated by the tech companies is also a ploy to misdirect both policymakers and the public. Unfortunately, it sometimes works." @timnitgebru.blacksky.app & @emilymbender.bsky.social www.technologyreview.com/2026/09/22/1...
technologyreview.com
Don’t be fooled by this summer of AI hype
Breathless claims about AGI and new capabilities fall apart pretty quickly under scrutiny.
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Observations of Deviance @obsofdeviance.bsky.social · 28/09/2026
Following up on this thread - I've just started a YT play list of different versions of VALDEZ IN THE COUNTRY. I'm up to 18 so far. STREAM ▶️ www.youtube.com/playlist?lis... bsky.app/profile/obso...
youtube.com
Valdez In The Country - YouTube
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Observations of Deviance @obsofdeviance.bsky.social · 28/09/2026
Donny Hathaway "Valdez In The Country" (Live at Nassau Coliseum Uniondale, NY 1973) youtu.be/k1F9dUbO5X0?...
youtu.be
Donny Hathaway - Valdez In The Country (Live at Nassau Coliseum Uniondale, NY 1973)
YouTube video by The Mosh Pit - Topic
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Observations of Deviance @obsofdeviance.bsky.social · 27/09/2026
New episode archived @wfmu.bsky.social STREAM ▶️ wfmu.org/playlists/sh...
See link in post for full track list

CECIL TAYLOR

JULIUS HEMPHILL

IRAN

SWEDEN

NORWAY

BRAZIL

PAT THOMAS

RONALD SHANNON JACKSON DECODING SOCIETY

MELVIN GIBBS

MIKE REED

OUT OF YOU HEAD

PLANET MU

HYPERDUB

OCORA
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Nick L @agnolotti.bsky.social · 27/09/2026
Hell yeah, let's be as smooth as Pops Staples Guitar playing today
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Observations of Deviance @obsofdeviance.bsky.social · 27/09/2026
The Staple Singers / I Like The Things About Me (1972) youtu.be/bpunZBCa4vk?...
youtu.be
I Like The Things About Me
YouTube video by The Staple Singers - Topic
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Idu House @iduhouse.bsky.social · 27/09/2026
🚀 Artist of the Day: Sun Ra The cosmic jazz pioneer who declared himself from Saturn, Sun Ra reimagined what sound, and existence, could be. Through his music, he built worlds of freedom, blending ancient Egypt, space, and Black futurism into one infinite vision. 🗃️ #CreatorsAtWork #BlackSky #Art
Color film still of Sun Ra from Space Is the Place, shot in the Bay Area in 1972 and released in 1974. He stands outdoors in full cosmic regalia in front of a white car, with a dry hillside, road, trees, and an intensely blue sky behind him. His black-and-gold striped pharaonic headdress rises into a huge gold orb framed by two tall antenna-like prongs. A broad jeweled collar rests over a striped blue, red, black, and white tunic, while an enormous yellow-orange cape catches the wind and spreads across the frame like solar flame. His shoes echo the same saturated palette. The image captures the central visual idea of Sun Ra’s world: ancient Egypt, outer space, Black self-invention, and theater fused into one living language. Born Herman Poole Blount in Birmingham in 1914, he remade himself as Le Sony’r Ra and insisted he came from Saturn. That claim was not simply a joke or stage gimmick. It became part of a larger philosophy in which myth offered Black people a way to imagine existence beyond the racial limits imposed by America.
Space Is the Place turned that philosophy into cinema. Directed by John Coney and co-written by Sun Ra and Joshua Smith, the film follows Ra returning to Earth and proposing another planet as a home for Black people, with music itself serving as a vehicle of liberation. In one of the film’s most famous exchanges, he tells young people that he comes to them as “the myth,” because a society that denies Black people full reality has already pushed them outside its definitions. The clothing matters just as much as the dialogue. Sun Ra rejected the boundary between costume and everyday dress, and the Arkestra’s handmade metallic robes, Egyptian forms, sequins, and space-age headpieces transformed performance into what he called cosmo-drama. Here, standing beside an ordinary car on an earthly road, he looks deliberately impossible. That tension is the point: the future is being staged in the present. The roadside becomes a launchpad for freedom.Portrait of Sun Ra from the Space Is the Place era, standing against a deep, electric-blue background in a monumental red-and-gold robe. His body is almost completely enclosed by the garment, which falls to the floor in broad panels of crimson, bright gold and bronze. A black-and-gold striped pharaonic headpiece frames his face. Above it rises the same extraordinary emblem seen throughout this period: a large metallic orb held between two long upright prongs, glowing under the lights like an artificial sun. Sun Ra looks slightly upward, making the portrait feel less like a conventional musician photo than an icon from a civilization that does not yet exist. That effect was deliberate. By the early 1970s, Sun Ra had spent decades constructing a universe in which music, clothing, poetry, philosophy, theater, technology, and ancient Egyptian imagery belonged to the same project. He called his stage spectacles “cosmo-drama,” and he treated clothing as part of the sound itself, once declaring, “Costumes are music.”
The Arkestra’s garments were often handmade from metallic or found fabrics, assembled with the same experimental spirit as the music. This visual language reached one of its clearest forms around Space Is the Place. Sun Ra and the Arkestra recorded the album in Chicago in October 1972; Blue Thumb released it in 1973. The film, made in 1972 and released in 1974, translated his mythology into an Afrofuturist science-fiction story about Black liberation, interplanetary migration, and music as a technology powerful enough to change reality. Decades before the word “Afrofuturism” was coined, Sun Ra was already practicing it as daily life. The orb, pharaoh stripes, and cosmic robe were not an escape from Black history. They connected ancient African symbolism to a future in which Black existence could exceed the categories imposed on it. In this portrait, Sun Ra does not dress like he came from another world. He stands as evidence that another world can be invented.Color performance photograph of Sun Ra and his Arkestra at Hill Auditorium in Ann Arbor, Michigan on September 23, 1978 photographed by Leni Sinclair. Sun Ra stands near the front of the stage in a shimmering bronze-black robe, a beaded or metallic head covering framing his face. His right hand is raised as if cueing, blessing, conducting, or reaching into the air. Behind him, members of the Arkestra hold brass instruments, behind a steel sculpture of curved rods that arc overhead like trajectories, antennae, or orbital paths. Warm amber stage light turns the sculpture and Sun Ra’s robe into streaks of copper and fire against a dark background. The photograph captures the Arkestra at a moment when a Sun Ra concert had long since become far more than a conventional jazz set. Music, costume, movement, poetry, chanting, props, lighting, and spectacle were fused into what Ra called cosmo-drama, a ritual designed not simply to entertain an audience but to alter its sense of what was possible.
This performance took place during the 1978 Ann Arbor Jazz Festival at Hill Auditorium, a festival dedicated that year to Duke Ellington. That context matters. Sun Ra revered the big-band tradition, especially Ellington and Fletcher Henderson, while pushing it through free improvisation, electronics, unusual instruments, theatrical staging, and what sounded to many listeners like music from another century. His work was not a rejection of jazz history so much as an argument that its history already contained the future. The steel sculpture surrounding him makes that idea visible. Traditional brass players remain in the frame, but their stage has become a cosmic environment of curves, metal, shadow, and motion. Sun Ra’s raised hand sits at the center, directing both orchestra and image. By 1978 he had spent decades asking audiences to imagine Black life beyond earthly restrictions. Here the concert hall becomes his spacecraft, the Arkestra its crew, and performance itself the engine.Square cover image for a 2024 reissue of Sun Ra and His Arkestra’s Jazz in Silhouette. A close portrait of Sun Ra fills the frame against a hot pink-red background bordered in yellow. His face is black-and-white, while oversized rounded sunglasses glow yellow-orange over his eyes. He wears a zebra-striped cap, a patterned collar, a purple metallic-looking top, and a large sun-shaped pendant at his chest. At upper left, bold yellow lettering reads “SUN RA,” with smaller text naming his Arkestra and the album title JAZZ IN SILHOUETTE beneath it. The psychedelic color treatment reflects the cosmic Sun Ra most listeners now recognize, but this is not the album’s original 1959 cover. It belongs to a modern 20th Century Masterworks reissue, released on blue vinyl in 2024. That distinction opens the deeper story of the record. Jazz in Silhouette was recorded in Chicago on March 6, 1959 and issued that May on Saturn, the independent label Sun Ra built with Alton Abraham to release music the established record business was unlikely to support.
The earliest-known sleeve was hand-screened and credited to H. P. Corbissero, a name researchers have suggested may have been Sun Ra himself. Musically, the album stands at a threshold. The Arkestra still swings with the precision of the big-band and bebop traditions Ra knew deeply, but compositions such as “Enlightenment,” “Saturn,” and the expansive “Ancient Aiethopia” already point toward stranger harmonic, rhythmic, and philosophical territory. Sun Ra was not abandoning jazz’s past. He was treating it as raw material for another future. Saturn itself was part of the experiment: records appeared in small runs, were sold at performances, re-pressed, relabeled, and sometimes given new handmade art. This modern cover therefore creates a kind of time fold. The cosmic icon looks back at one of the records where his musical universe was still taking shape, reminding us that the spaceship was being built long before most people noticed it.
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Live Tapes @livetapes.heads.social.ap.brid.gy · 26/09/2026
The Staple Singers - Hampton Jazz Festival, Hampton Coliseum, Hampton, VA, 6-29-1973 albumsthatshouldexist.blogspot.com/…
albumsthatshouldexist.blogspot.com
The Staple Singers - Hampton Jazz Festival, Hampton Coliseum, Hampton, VA, 6-29-1973
The Staple Singers were a family music group that existed for a long time, from the early 1950s until the 1990s. They were decently popular all through the 1950s and 1960s (Bob Dylan was a big fan of their early work), but their acoustic mix of gospel and folk limited their appeal. Then, in the early 1970s, they moved in more of a mainstream soul direction, and were rewarded with four big classic hits: "Respect Yourself," "I'll Take You There," "If You're Ready (Come Go with Me)" and "Let's Do It Again." Here's a soundboard bootleg concert from their peak early 1970s period. Although the Staple Singers toured a lot, there are surprisingly few live recordings from this time, either officially released or bootleg. There are three official live albums from them. One is very early, 1964, and the other two are quite late, 1980s or after. Quality bootlegs are few and far between. This is the only worthy one I've found from the 1970s that has at least some of their big hits. "Respect Yourself" and "I'll Take You There" are here, but the other two hits mentioned above hadn't been released yet. The Staple Singers always had a gospel element to them. Personally, I'm not religious and don't like preachy music. But while there's a gospel number here, I'm perfectly okay with it. As an aside, weird fact: the band members were all from the Staples family, with the key members being Pop Staples as lead guitarist and Mavis Staples as the usual lead vocalist. Yet for some reason they called themselves the "Staple Singers" instead of the "Staples Singers." Here's their Wikipedia entry: https://en.wikipedia.org/wiki/The_Staple_Singers This album is 40 minutes long. 01 Be What You Are (Staple Singers) 02 talk (Staple Singers) 03 I Like the Things about Me (Staple Singers) 04 Respect Yourself (Staple Singers) 05 Don't Break My Heart (Staple Singers) 06 I'll Take You There (Staple Singers) 07 talk (Staple Singers) 08 And the Lord Will Hear (Staple Singers) https://pixeldrain.com/u/z2dNw5BG alternate: https://bestfile.io/en/VeBDNnozv75XmBU/file The cover image comes from an appearance on the "In Concert" ABC TV Show on November 14, 1973.
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Observations of Deviance @obsofdeviance.bsky.social · 27/09/2026
New episode archived @wfmu.bsky.social STREAM ▶️ wfmu.org/playlists/sh...
See link in post for full track list

CECIL TAYLOR

JULIUS HEMPHILL

IRAN

SWEDEN

NORWAY

BRAZIL

PAT THOMAS

RONALD SHANNON JACKSON DECODING SOCIETY

MELVIN GIBBS

MIKE REED

OUT OF YOU HEAD

PLANET MU

HYPERDUB

OCORA
0192
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Observations of Deviance @obsofdeviance.bsky.social · 25/09/2026
Lots of new jams bsky.app/profile/obso...
new jams
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