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Greeaahmalobey

@gmaloney.bsky.social
90 followers 247 following 84 posts

Esoteric writer and video goblin. Art student in the Burren. I write about film, art, and the permeable membrane of social semiotic culture orbs I make abstract video experiments on the edge of human tolerance, which is fun for me, I promise

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Greeaahmalobey @gmaloney.bsky.social · 25/08/2026
Hey, am I nuts or is this an AI cribbing from Artemisia Gentileschi [badly] that was used to make this Magic Card for the new Secret Lair Set? That sucks on a couple of levels
A side by side process image for the creation of the magic card Go For The Throat from the upcoming Zeta set secret lair created by MSCHF Product Studio. The right side is the printer style version of the card. The left card showing the collage version with the art is an AI version of Judith Beheading Holofernes by Artemisia Gentileschi.
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Greeaahmalobey @gmaloney.bsky.social · 13/06/2026
Sure but who’s going to be the last trillionaire…
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Amber Sparks @ambersparks.bsky.social · 19/05/2026
ICYMI! For @brightwalldarkroom.com I went long on Kong - but not the Kong you’re (probably) thinking of. “it’s only in the 1976 film that we locate the true beauty and the beast story, love blooming in the wake of revulsion and horror.” www.brightwalldarkroom.com/2026/05/18/s...
brightwalldarkroom.com
Some Guy in an Ape Suit: Why the ‘76 King Kong is Good, Actually
To my mind, the 1976 version succeeds better than any other Kong remake, simply because it understands one key idea—King Kong is a story about an ape.
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Greeaahmalobey @gmaloney.bsky.social · 05/03/2026
Working on some "vintage" data bending of images of the Sitka plantations out here. Quite fond of this one that looks like it's from a Tarkovsky mood board...
A digital manipulated image of a sitka spruce plantation in Ireland. The image has been 'data bent' resulting in a series of pixelated, repeating patterns in green and grey
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Bright Wall/Dark Room @brightwalldarkroom.com · 21/02/2026
If you feel like directly supporting things that are made by real humans with love & care—with no ads, hot takes, or AI—a reminder that we're still dealing with the effects of this, and that literally every subscription gets us that much closer to ensuring we can keep doing this for awhile!
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Bright Wall/Dark Room @brightwalldarkroom.com · 06/02/2026
OPEN CALL FOR SUBMISSIONS: The world is a lot right now, so we’re going a different direction for our next issue & are looking for essays on films you go to when the world overwhelms you, the one you can count on, your comedy happy place. Deadline: 2/21 Details: brightwalldarkroom.com/submissions
Comedy Happy Place (Actual Title TBD) -
Ends on Sat, Feb 21, 2026

***

“Humor is just another defense against the universe.” 
- Mel Brooks

For our upcoming March/April issue, in full recognition of the fact that the universe is a LOT right now, we're going full-on defense mechanism; we're going escapism; we're going coping; we're going with medicine; we're going funny.

We want to hear about what makes you laugh, the movie or actor or director you go to when the world overwhelms you, the one you can count on, your
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Sean @flyingwalruss.bsky.social · 09/01/2026
I know this is corny to say but this is the real America, man. This is what it’s all about. This is what those freaks are trying to destroy & we won’t let them
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Sight and Sound magazine @sightsoundmag.bsky.social · 06/01/2026
Béla Tarr, 1955-2026 🤍
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Don Moynihan @donmoyn.bsky.social · 03/01/2026
The fact that someone calculated that a $25,000,000 political donation in a six month period was a rational business decision says a lot about how precarious the people pushing AI think the fate of the technology is.
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Phineas, a corpse @phineas.bsky.social · 01/01/2026
Digital illustration of a New Year’s good luck lemon pig. A lemon on toothpick legs, with triangular ear flaps cut from the rind, eyes made of two whole cloves, and a mouth cut into the snouty end that holds a penny, and finally a curly foil tail stuck in the opposite end. On a greenish background, I t’s surrounded by rough yellow lettering outlined in orange reading ‘Maybe it will happen today’.
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Bright Wall/Dark Room @brightwalldarkroom.com · 20/12/2025
Holiday sale! $19 for an entire year of Bright Wall/Dark Room, including full access to the 1500+ essays we’ve published since 2013. Each subscription *directly* helps support independent media & the writers, editors, and artists who make each new issue possible. Coupon code: HOLIDAY2025
brightwalldarkroom.com
Subscribe - Bright Wall/Dark Room
$29/year — Full Access Subscribe now to receive full access to Bright Wall/Dark Room, including each new essay we publish & our entire 140+ issue archive! Bright Wall/Dark Room is 100% independent,…
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Darach Ó Séaghdha @darach.bsky.social · 21/11/2025
Record breaking prices for artwork sales do not, sadly, represent an investment in art and artists. Investors are reducing their taxable profits before the end of the tax year with big one-off purchases while universities cut their humanities faculties and artists earn less than minimum wage.
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Bright Wall/Dark Room @brightwalldarkroom.com · 18/11/2025
New today on the site: “Ivan Dixon’s THE SPOOK WHO SAT BY THE DOOR (1973) is a pipe bomb on the video store shelf, a gasoline-filled wine bottle in your DVD cabinet, a vicious bit of malware streamed through hijacked plutocrat satellites.” - Bryan Miller
brightwalldarkroom.com
The Spook Who Sat By the Door (1973): Weaponized Expectations
Ivan Dixon's The Spook Who Sat By the Door is a pipe bomb on the video store shelf, a gasoline-filled wine bottle in your DVD cabinet.
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Greeaahmalobey @gmaloney.bsky.social · 15/11/2025
One of the kindest, most thoughtful, committed platforms for film writing out there. You get so much beauty with a subscription!
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Bright Wall/Dark Room @brightwalldarkroom.com · 11/11/2025
New today: "At its core, HIGH NOON is a parable about civic abandonment, the inherent danger in waiting for the moment to act & discovering that no one will stand beside you—a quality which makes it an apt tale for our current political moment." - Riley Womack (🎨 by @studioralston.bsky.social)
brightwalldarkroom.com
High Noon (1952): Wait Along, Wait Along…
At its core, High Noon is a parable about civic abandonment, the inherent danger in waiting for the moment to act and discovering that no one will stand beside you.
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Bright Wall/Dark Room @brightwalldarkroom.com · 30/10/2025
New today! "Seen through the prism of Samsara—the Buddhist cycle of rebirth driven by ignorance & attachment—BARTON FINK becomes a spiritual classroom wherein karma serves as teacher & each turn of the wheel offers the same lesson until it's learned." - J.D. Biard (🎨 by @mosesleeart.bsky.social)
brightwalldarkroom.com
Barton Fink in the School of Samsara: The Eternal Student
Seen through the prism of Samsara—the Buddhist cycle of rebirth driven by ignorance and attachment—Barton Fink becomes a spiritual classroom wherein karma serves as teacher and each turn of the wheel ...
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Bright Wall/Dark Room @brightwalldarkroom.com · 30/10/2025
Still reeling from this, still need a whole lotta help to cover next year, if you feel so inclined, consider a subscription?
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Bright Wall/Dark Room @brightwalldarkroom.com · 30/10/2025
Watching the Wheels: Finding Meaning and Purpose in PATERSON
brightwalldarkroom.com
Watching the Wheels: Finding Meaning and Purpose in 'Paterson'
In the world of Jarmusch’s film, the purpose of work lies not in external achievement, but in the personal satisfaction of doing.
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Bright Wall/Dark Room @brightwalldarkroom.com · 11/09/2025
New on the site! Our brand new Teachers issue kicks off with @dodgyboffin.com's Double Features column on ROAD HOUSE and MAGIC MIKE
brightwalldarkroom.com
Double Feature: Road House (1989) & Magic Mike (2012)
Both Road House and Magic Mike are about learning how to be a person in society—which is far easier to learn when there’s a teacher involved.
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Bright Wall/Dark Room @brightwalldarkroom.com · 17/08/2025
Real talk (reel talk?): BWDR recently lost a partnership that covered nearly half our operating budget, so things are suddenly very tough. If what we do has ever meant something to you, or you’ve ever thought about subscribing, now’s the time—it *truly* makes a difference.
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Subscribe - Bright Wall/Dark Room
Subscribe for $29 a year Subscribe now to receive immediate access to each new essay we publish, plus our entire 135+ issue archive. Bright Wall/Dark Room is 100% independent, runs no ads, and strongl...
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Greeaahmalobey @gmaloney.bsky.social · 01/08/2025
It’s still shocking and still painful. The venture capitalesque dismantling of public good continues. To see these ghouls care so little of our great civic accomplishments is a boot heel on my soul…
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Greeaahmalobey @gmaloney.bsky.social · 01/08/2025
Ugh, what was the other bisky topic of the day? This is exhausting, you all live like this?
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Greeaahmalobey @gmaloney.bsky.social · 01/08/2025
Patriarchal society tells men that they can only experience tenderness in a sexual context, then capitalist agents exploit this fear of being unloved in order to sell them nonsense. This leaves young men at loggerheads with the communities and avenues they’ve been pitted against
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Charlie Largent @charlielargent.bsky.social · 30/07/2025
MOTHRA - Premiered in Japan this day in 1961
Mothra, a usually friendly giant butterfly, flies above a scene of destruction as members of the cast, including the twins of Infant Island, look on
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Bright Wall/Dark Room @brightwalldarkroom.com · 29/07/2025
New today on the site! “Consider how THE SILENCE OF THE LAMBS revolves around vision. Not only perception, but empathy and hindsight, and the non-empirical prick of intuition, where vision exceeds the reach of training.” - Veronica Fitzpatrick (art by @bturnerinfo.bsky.social)
brightwalldarkroom.com
Where to Look: The Silence of the Lambs (1991)
Consider how The Silence of the Lambs revolves around vision. Not only perception, but empathy and hindsight, and the non-empirical prick of intuition.
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Greeaahmalobey @gmaloney.bsky.social · 23/07/2025
My professor Steven Bach, producer of Heaven’s Gate, once took me to task in front of our entire class for suggesting Gummo was a film worthy of notice. It’ll always have a place in my heart for that. Go read Nathaniel’s piece. Gummo is good actually
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Greeaahmalobey @gmaloney.bsky.social · 19/07/2025
BW/DR continuing to be the most interesting film writing around, a truly thoughtful report on a fascinating slate
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Bright Wall/Dark Room @brightwalldarkroom.com · 17/07/2025
"In principle, apocalypse might imply a clean, sudden ending, but in practice, it’s a drawn-out and uneven descent. I can think of few works of art that understand this better than THE LEFTOVERS." - @sophiastewart.bsky.social
brightwalldarkroom.com
Why Wouldn’t I Believe You? - The Leftovers | BW/DR
The Leftovers makes two competing claims: that other people are mostly what gives life meaning; and that, despite guaranteed loss, we have to invest in them anyway.
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Bright Wall/Dark Room @brightwalldarkroom.com · 15/07/2025
New today on the site! The Jonathan Demme issue continues, with @lindseyromain.bsky.social on RACHEL GETTING MARRIED (art by @ohhhaeee.bsky.social)
brightwalldarkroom.com
Rachel Getting Married: Yesterday Is Gone & Tomorrow Is Not Here
So much of Jonathan Demme's 2008 film Rachel Getting Married is about needle-fine moments of grace and clemency.
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Bright Wall/Dark Room @brightwalldarkroom.com · 11/07/2025
New today on the site: Our new Jonathan Demme issue kicks off with post @eccantwell.bsky.social on Talking Heads, Demme, STOP MAKING SENSE, absurdity & anchors, existentialism, bodies in motion, and the transcendent joy of art in this moment (🎨 by @studioralston.bsky.social)
brightwalldarkroom.com
Stop Making Sense: One Must Imagine Talking Heads Happy
The Talking Heads are strange truth-tellers, joyfully angry people, persistently interested in the power of art. And collaborating with Jonathan Demme elevated their music to something truly transcend...
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Greeaahmalobey @gmaloney.bsky.social · 11/07/2025
Today I’m learning that a lot of people don’t read biographies of directors that they like. Which is fine! But also, I’ve got some bad news for you about a lot of other directors…
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slate @pleasebegneiss.bsky.social · 28/06/2025
sorry i don’t think Zohran’s win indicates how state or national races will go. Zohran campaigned against unaffordable basic needs and an old pervert. problems that are unique to new york city and no where else in the country
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Greeaahmalobey @gmaloney.bsky.social · 28/06/2025
You should subscribe to some of the best film writing around! Support independent film thoughts. Find joy!
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Amber Sparks @ambersparks.bsky.social · 27/06/2025
Hey guys! I got to go long on the complex beauty of community in Miyazaki’s films over at @bwdr.bsky.social - thank you to @chadperman.bsky.social for helping shape this into something I’m really excited for you all to read www.brightwalldarkroom.com/2025/06/27/c...
brightwalldarkroom.com
Coming from a Place: Community in the Films of Hayao Miyazaki
Community isn’t just for comfort in Miyazaki’s world; it's a hallmark of interdependence, a vital theme in almost every one of his films.
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Bright Wall/Dark Room @brightwalldarkroom.com · 24/06/2025
New today on the site— The Community issue continues, with @thisishannahkim.bsky.social on KINDS OF KINDNESS and WOMEN TALKING: "A certain kind of kindness and a certain kind of despair start to sound like the same tune."
brightwalldarkroom.com
Kinds of Kindness & Women Talking: Kindness as Compliance
In both Kinds of Kindness and Women Talking, a certain kind of kindness and a certain kind of despair start to sound like the same tune.
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Greeaahmalobey @gmaloney.bsky.social · 18/06/2025
“Setting your house on fire is just meant to distract you from the other house fires!” Oh really? You ghouls, you absolute cowardly revenants
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Greeaahmalobey @gmaloney.bsky.social · 18/06/2025
“Killing these people is a distraction from these other people they’re going to kill!” Like… okay? Seems like the right thing to do is pretty obvious
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Mark Copelovitch @mcopelov.bsky.social · 18/06/2025
Again, the single greatest problem (among the many problems of being ruled by 9 Wizards In Robes) with SCOTUS is that its "conservative" members systematically ignore science, history, data, empirical evidence, & statistics. The fascism comes robed in parlor game theories, gut feelings, & anecdotes.
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onion person @junlper.beer · 18/06/2025
transition care for trans people is life saving healthcare. the only regret with my transition is that i didn’t start when i was younger. fuck everyone who is cheering on the destruction legal trans healthcare, and fuck those indifferent to it
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Greg Pak @gregpak.net · 18/06/2025
We're living through unfathomably terrible times for civil rights and human rights. If you've got the chance to vote in a primary this year, I recommend voting for the furthest left person on your ballot. The "centrists" are not ready for these times and will bargain away our rights.
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Moira Donegan @moiradonegan.bsky.social · 18/06/2025
My heart breaks for trans kids, who do not deserve this obsessive animus that adults are directing at them.
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Bright Wall/Dark Room @brightwalldarkroom.com · 16/06/2025
New today on the site: The community issue continues, with @rileywomack.bsky.social on John Sayles' LONE STAR (1996) (art by @mosesleeart.bsky.social)
brightwalldarkroom.com
Lone Star (1996): No Wild and Aberrant Star
The driving force of Lone Star isn’t the suspense of discovery, but the moral weight of what’s already known—and what people choose to do with it.
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Bright Wall/Dark Room @brightwalldarkroom.com · 11/06/2025
New today on the site! The community issue continues, with @amembrey.bsky.social on SHORT TERM 12
brightwalldarkroom.com
Short Term 12: So You Know What It’s Like
Short Term 12 provides validation for the frequently invalidated and offers a stunning portrayal of a perpetual liminal space where time together is fleeting.
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Greeaahmalobey @gmaloney.bsky.social · 07/06/2025
Feels a little weird to publish an essay that’s about my personal LA depression while people are in the streets fighting for the very soul of our community. Be safe, fight, don’t bow to fascism, not now, not ever
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Sam “The Great Pumpkin” Thielman @samthielman.com · 07/06/2025
I hate the caricature of Americans as couch potatoes who don’t do anything about fascism. People in LA and NYC are doing the international legacy of stuff like the Battle of Cable Street proud.
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Greeaahmalobey @gmaloney.bsky.social · 07/06/2025
Incredible thank you to Bright Wall/Dark Room for allowing me to be weird and personal about this film. It's so colored with my personal story that I didn't know if I had the goods to write about it. Could not have done it without them. Go read it! Go watch Perfect Days! Go be kind to the world!
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Bright Wall/Dark Room @brightwalldarkroom.com · 30/05/2025
New today on the site! The Community issue continues, with @nataliesnotinit.bsky.social on love, laughter, connection, and community in the JACKASS franchise: "One of JACKASS's perpetual charms is that it feels like it can belong to anybody, that anybody can become a part of it."
brightwalldarkroom.com
Jackass: Laughing With the Pain
One of the perpetual charms of Jackass is that it feels like it can belong to anybody, that anybody can become a part of it.
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Greeaahmalobey @gmaloney.bsky.social · 29/05/2025
Going to see Ran in 4K today… all those horsies are going to look so crisp!
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