iiinova — where your digital self keeps evolving

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carolitchi 🌱 @mariacarol.bsky.social · 29/09/2026

alguem tem contato de advogado que lida com plano de saude pelo amor de deus🫠

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𝕳𝖔𝖗𝖗𝖔𝖗𝖈𝖚𝖑𝖙𝖚𝖗𝖎𝖘𝖙 🇨🇦🦇🥀🕸 @horrorculturist.bsky.social · 29/09/2026

✨ 𝓮𝓶𝓫𝓻𝓪𝓬𝓮 𝔀𝓱𝓲𝓶𝓼𝔂 ✨. 🌙🌿

A flower-covered pink guillotine stands beneath a crescent moon in a dreamy pastel garden. “REWARD THEM FOR THE WORLD THEY CREATED.”

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The Serfs (youtube.com/theserfstv) @theserfstv.bsky.social · 29/09/2026

It's not even destroyed buildings and rubble it's just dust and ash

Cover of the Scottish national showing the genocide in Gaza (it's just complete annihilation)

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Vítor @vitojo.bsky.social · 29/09/2026

minha mãe fez cirurgia de catarata 🤏🏻 elas crescem tão rápido 🥲

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Vítor @vitojo.bsky.social · 28/09/2026

hoje gostei de uma música no Spotify, apesar de ter achado um tanto simples e repetitiva. tinha uma batida legal. fui ver a artista, tem um nome bem genérico e publicou 12 álbuns do ano passado pra cá. IA. que inferno.

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Vítor @vitojo.bsky.social · 28/09/2026

não costumo sentar num Fran's Café, mas toda vez é um arrependimento. pior pão de queijo

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Vítor @vitojo.bsky.social · 28/09/2026

já tava querendo desativar o Instagram, acho que pouco antes das eleições é um ótimo momento

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my ordinary life @calne.ca · 27/09/2026

im very busy

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Alejandra Caraballo @esqueer.net · 27/09/2026

Google finally updated some of its satellite images of Gaza and my god, it's horrific. The entirety of Rafah has been demolished. The majority of Khan Younis is in ruins. Entire towns completely leveled and erased of the map.

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apenas uma mutual @aeluj.bsky.social · 27/09/2026

Parando pra pensar, o fim das bets em pleno mês de setembro foi a coisa mais setembro amarelo já feita em toda a história do setembro amarelo

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Vítor @vitojo.bsky.social · 27/09/2026

me dói ver pessoas de esquerda batendo palma pra futebol estadunidense no Maracanã. será que é difícil assim ver que a investida da NFL em países latinoamericanos faz parte do projeto imperialista? além disso, que jogo feio.

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Vítor @vitojo.bsky.social · 27/09/2026

tem gente que quer ter muito dinheiro pra ter muitas coisas. eu faria o oposto, usaria pra não precisar ter quase nada.

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Democracy Now! @democracynow.org · 22/09/2026

"Reading the World" is a new documentary about Paulo Freire, the acclaimed Brazilian educator whose revolutionary approach to teaching connected literacy to critical thinking and democratic participation. We speak with one of its co-directors and a consulting producer.

democracynow.org

“Pedagogy of the Oppressed” Brazilian Educator Paulo Freire Profiled in Film, “Reading the World”

Reading the World is a remarkable new documentary about Paulo Freire, the acclaimed Brazilian educator whose revolutionary approach to teaching connected literacy to critical thinking and democratic p...

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Resist 🕎🍉 @antizionistjew.bsky.social · 27/09/2026

New Google Maps satelite photos, you can literally see it with your own eyes now! But it's not a genocide... 🤡🤡

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Vítor @vitojo.bsky.social · 26/09/2026

o dia todo com dificuldade de fazer umas coisas porque não sei o que quero escutar enquanto faço

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Jane Spane @janespane.bsky.social · 25/09/2026

Gotta obey the rules! (Subject to change at any time.)

"Cat stroking for beginners." A drawing of a cat showing zones the cat's reaction to being stroked on different parts of its body. Humorous.

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mari messias @marimessias.bsky.social · 24/09/2026

"São 13 dias de festa, SP Oktoberfest" "credo, sempre pode piorar"

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Eli Friedman @elifriedman.bsky.social · 24/09/2026

"Mr. Trump called the Chinese leader 'an expert on stone' who 'loves good granite' as Mr. Xi stood by without changing his expression." As a former interpreter, I am sending solidarity to the poor soul who had to translate this while maintaining diplomatic decorum

nytimes.com

Live Updates: Trump Greets Xi at White House, Where Pomp May Mask Tensions

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Vítor @vitojo.bsky.social · 24/09/2026

não sou muito da astrologia mas fui ver se mercúrio está retrógrado...

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Hourly Cosmos @hourlycosmos.bsky.social · 24/09/2026

Deep Image of Peculiar Shell Elliptical Galaxy NGC 3923 in Hydra - From Rolf Wahl Olsen - flic.kr/p/293GTsm

Some 90 million light years away, towards the Southern constellation Hydra, lies the peculiar shell elliptical galaxy NGC 3923. As of 2018, there doesn't seem to exist any other amateur images of this beautiful galaxy.
Its unusual appearance originate from past mergers with other nearby galaxies which have generated the myriad of concentric shells visible near the centre. This phenomenon is in fact not uncommon and many other elliptical galaxies host large shell systems, including the famous Centaurus A (NGC 5128), but the remarkable symmetry and large number of subtle shells is unique to NGC 3923.

The formation of such shells are a common observation in computer simulations of merging galaxies.
The shells form when the cores of merging galaxies orbit around their common centre of mass in an ever tighter orbit while disrupting the halos of both galaxies and sending billions of stars into eccentric orbits. This process creates outward traveling density waves until the collision eventually settles as one single large galaxy.
Recent research based on deep images from the Canada-France-Hawaii Telescope have documented 42 concentric shells in NGC 3923, more than in any other known galaxy.

A prominent stream of stars is extending towards the lower right, terminating abruptly in a shell-like fragment (4 o'clock position). Visible within this stream is a small round galaxy, believed to be one of the merging progenitors of the shell system. The galaxy appears to be in the process...

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Vítor @vitojo.bsky.social · 23/09/2026

é muito irônico que um grupo chamado Menos É Mais tenha se tornado irritante por tocar demais

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Vítor @vitojo.bsky.social · 23/09/2026

a pessoa nomear uma churrascaria de "sabor da amazônia" é errado em tantos níveis

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Vítor @vitojo.bsky.social · 22/09/2026

O enorme desserviço de falar que o genocídio é obra de um governo especificamente.

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Juliana Aguilera @jurnalista.bsky.social · 22/09/2026

Quando o Lula entender que não adianta deixar a floresta em pé com um planeta chegando a 1.8ºC a gente chega na paz mundial

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Vítor @vitojo.bsky.social · 22/09/2026

minha pulseira bonita acabou de arrebentar :/

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Micah @rincewind.run · 21/09/2026

congratulations to everyone on reinventing Worse Cable

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Fared Al Mahlool | فريد المحلول @faredalmahlool.bsky.social · 19/09/2026

This video was filmed in Palestine. My heart struggles to comprehend such cruelty and the heartbreaking disregard for human life. No human being should have to endure this.

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cumbia delincuencial @abapuera.bsky.social · 19/09/2026

eu vejo muita gente querendo fazer o L mas acaba fazendo o ⅃

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Deborah Danowski @debidanowski.bsky.social · 19/09/2026

Por 100 dias consecutivos, de 2 jun a 10 set, os oceanos fora das regioes polares mantiveram-se em uma alta recorde de temperatura, chegando a uma maxima de 21,18 graus Celsius na semana de 21 a 27 de agosto.

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Cullen @hellocullen.bsky.social · 18/09/2026

the much more disturbing "reverse pagliacci" where a clown tells you you should go see a doctor

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Vítor @vitojo.bsky.social · 18/09/2026

queria um bolinho de chocolate

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chica almodóvar @apoiadoradacena.bsky.social · 18/09/2026

como é que pode um colonialismo descarado desse em 2026 mundo de bosta

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Portal Drauzio @drauziovarella.bsky.social · 17/09/2026

Você já reparou como é fácil passar horas na tela do celular? 📱🫩 A explicação para isso não está na dopamina, mas no tipo de prazer que sentimos a partir dela. Saiba o que é "saliência de incentivo" e como voltar a sentir prazer com outras atividades.

drauziovarella.uol.com.br

Como sair das telas e voltar a sentir prazer em outras atividades? - Portal Drauzio Varella

O seu celular está roubando o prazer de outras atividades? Entenda como sair das telas e encontrar bem-estar de maneiras mais saudáveis.

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Vítor @vitojo.bsky.social · 17/09/2026

tenho a crença de que as pessoas que ficam chamando os outros pelo sobrenome sem um bom motivo são, via de regra, babacas

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elia ayoub @ayoub.bsky.social · 17/09/2026

Friend shared this video of a man unveiling the library he hid when he fled Damascus in 2011. It’s incredible

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Thaís @thaiscampolina.bsky.social · 17/09/2026

Poluição sonora absurda que torna a vida animal (o que nos inclui) praticamente inviável no entorno, consumo alto de água e energia e pouquíssimos empregos gerados tem incentivo fiscal no Brasil 🤡

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daryl "crimetime after primetime" b 🏳️‍⚧️ @hypercubexl.bsky.social · 09/09/2026

GDT's reddit AMA spitting fire www.reddit.com/r/movies/com...

reddit comment:

Hello! Did you intend the ending of Pan’s labyrinth to be real or in Ofelia’s mind?

Guillermo Del Toro's reply:

My interpretation, and it's exclusively mine, is that it's real.

Because there's two things. One is what people call “The Shining Question.” The Shining Question is, Who opens the door for Jack to get out of the fridge? And Ofelia is in an attic with a guard outside her door, and she draws the door with the magic chalk, and she shows up in the labyrinth. So, the only way she could have gone into the labyrinth is the magic chalk. And the flower is real at the end. The flower that blooms in the dead tree. And the reason I think it’s real is because—and this is why I'm in favor of the human factor in art—I think that art does transform the world. You know?

Think about it for a second. One of the goals, with all this movement, is to make you believe that art is vulgar. That art is nothing special, and anybody can do art. That is like me telling you that I'm faster at running than Usain Bolt but I “run” in my motorcycle. Well, that's not the same. That’s not the same at all.

Art is important, and they want you to believe it isn't. It's part of the idea of control. The goal is not to have artificial intelligence. The goal is to foster natural stupidity. The goal is to foster you not looking for answers, and to trust yourself entirely to an engine. Look at the way we are dipping our toes into these things. We are starting to ask the machine, Is this true? For now, there's a correlation between reality and what the answers of the machine are. For now. But soon, we won't even investigate further. We will be told it's true. And if the machine is in the hands of somebody who should not be trusted, then your reality has been completely and utterly fucked. Because your intelligence ends at the question. You don't seek the answer. It's given to you.

Q: You recently mentioned that AI creates 'semi-compelling screensavers' and that you'd 'rather die' than use it. As a filmmaker who relies heavily on practical effects and creature design, what do you think is the biggest thing lost when a computer generates an image instead of a human hand?

GDT:

The three quarters of the process that gave you the chance to think of the idea that people don't think about without that process. Meaning, AI can get you to the middle really fast, but there's a dialectic with the process that gets you to that top 10%. I'll give you an example with the Pale Man.

We sculpted it as an old man, with a face. And then I said, Let's take out the face. This happened because I saw a photo of a manta ray and the poster for Don Coscarelli’s Phantasm. That combination, which happened at two different times during a week or a month, are not permutations that are chemically part of an equation. They are alchemy. And then I said, Take out the face, and then I said, Let's put the eyes on the hands. This triangulation happens because I spent a month or two months living with the idea of this creature. And it's not linear.

AI is like a super-fast engine that makes semi-sentient permutations of things that are already done. Creation is things that have never been done. Coming to exist.

And the second thing is the loss of the apprenticeship that one has as an artist. You're never a master; you're always an apprentice. This is a kinship I have with, for example, Chris Nolan. When he showed me The Odyssey, there’s a scene when Matt Damon is floating in the stormy ocean and I asked him—because we were talking about practical effects, and how great it is and that we both always use a maquette or a model—and I asked him, How did you do it? He said, “We put him in a storm in the ocean.”

And you're gonna find that 30% of a great image occurs accidentally. You know, either a drop of water hits the lens, or the camera shakes. I remember when in 1993, '94, Jim…

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