A custom firmware for the FM-1, focused on live performance, quality-of-life features, and the addition of a brand-new Virtual Analog engine.

17 track album

***new scan from the negative*** Made in 1994 in Louisville, Nashville and Chattanooga, HALF-COCKED follows a group of kids who steal a van full of music equipment and pretend to be a band in order to stay on the road. The film features Ian Svenonius and members of Rodan and The Grifters, playing versions of themselves. With music by Unwound, Slant 6, Freakwater, Versus, Polvo, Smog, Helium and others. After completing the film Hawley and Galinsky took the film on tour showing it rock clubs across the US and Europe. “It doesn’t seem too bold to say Half-Cocked is an Easy Rider for the 90’s and deserves as much attention.”-Eric Gladstone, ALTERNATIVE PRESS “Bracing in it’s dry humor and first hand accuracy”-VARIETY “Hawley and Galinsky know how to make pictures shudder with feeling”- MANOHLA DARGIS "Life among young bohos and would-be rockers gets a strikingly true-to-life treatment in the deadpan road movie "Half-Cocked." Co-creators Suki Hawley and Michael Galinsky are indie-rock scene veterans, experience that shows in every frame. While the no-budgeter may be too insiderish and understated for the Generation X masses, its wry comic veracity could score a bull's-eye with hip college auds."- GODFREY CHESHIRE, VARIETY This raw and moody drama from 1994, by the husband-and-wife team of Suki Hawley and Michael Galinsky (they co-wrote, she directed and edited, and he photographed, in appealingly grainy black-and-white), captures a moment of grungy charm, when independent art-rock scenes were new and resolutely local. A quintet living in a ramshackle house in Louisville gets a gig at a club, but the show turns sour when the vain, pretentious glam-punk Otis (Ian Svenonius) goes onstage and smacks Tara (Tara Jane O’Neil), the quintet’s spiritual leader—and his sister—for spoiling his encore. In revenge, Tara steals his van and equipment and drives the rest of the band to Chattanooga, where they scuffle along in fear and desperation. Though the aesthetic is rough-and-ready, Hawley is a sincere and sensitive storyteller who brings the characters to life with subtle, oblique touches that show who they are without saying too much about them. Casting highly regarded indie rockers and filling the soundtrack with their songs, Hawley movingly roots their music in a way of life as well as in the grimy urban landscapes they inhabit. — Richard Brody -New Yorker

from the album Ghosts of American Psychonauts