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Kotryna Garanasvili

@kotrynagaranasvili.bsky.social
121 followers 88 following 11 posts

translator&writer | asst. professor | languages, translation&creative writing | National Centre for Writing mentor ⭐️ very new bsky account 🇬🇧🇱🇹🇫🇷🇩🇪🇺🇦🇬🇪🇪🇺 kotrynagaranasvili.wordpress.com

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Reposted by Kotryna Garanasvili
Modern Poetry in Translation @mptmagazine.bsky.social · 05/08/2026
We’re Recruiting: Editorial Assistant, Modern Poetry in Translation. Apply by 31 August Please share! modernpoetryintranslation.com/were-recruit...
modernpoetryintranslation.com
We're Recruiting: Editorial Assistant, Modern Poetry in Translation - Modern Poetry in Translation
Apply by 31 August 2026
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National Centre for Writing @writerscentre.bsky.social · 24/07/2026
🎉Applications are OPEN for Emerging Translator Mentorships 2026–27! Mentees receive six months of personal mentoring with a mentor in their language or field, as well as invitations to industry events for their professional and creative development.
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Lawrence Schimel @lawrenceschimel.bsky.social · 16/07/2026
Congrats @kotrynagaranasvili.bsky.social on this #graphicnovel excerpt translation from Lithuanian at @wwborders.bsky.social (with the whole book forthcoming next year from Scotland Street Press)! 👏🏽👏🏽🎉🎉 wordswithoutborders.org/read/article... #xl8 #comics #worldkidlit #kidlit #booksky
wordswithoutborders.org
Girl with a Gun: Lithuania, 1947 - Words Without Borders
In this excerpt from an award-winning graphic novel, a plucky ten-year-old must fend for herself after being separated from her family.
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Reposted by Kotryna Garanasvili
Words Without Borders & WWB Campus @wwborders.bsky.social · 14/07/2026
Today on WWB: a graphic novel excerpt about a girl trying to deliver an important package during the Soviet occupation of Lithuania. Read Lina Itagaki & Marius Marcinkevičius’s “Girl with a Gun: Lithuania, 1947” (tr. Kotryna Garanasvili): buff.ly/NLppEEv
A darkened panel from “Girl with a Gun: Lithuania, 1947” with the text “Graphic Literature. ‘Girl with a Gun: Lithuania, 1947’ By Lina Itagaki & Marius Marcinkevičius, translated from Lithuanian by Kotryna Garanasvili” and the WWB logo.A panel from “Girl with a Gun: Lithuania, 1947” depicting a child gazing at a desolate yard with the text “Graphic Literature” and the WWB logo.
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Reposted by Kotryna Garanasvili
British Centre for Literary Translation @bcltuea.bsky.social · 27/05/2026
Join Charlotte Whittle, Jeremy Tiang and Robin Myers for a discussion of life and work as a writer-translator 💫 📅 Wednesday 3 June 2026 ⏲️ 4.30 - 6.00pm (BST) 📍 Online To find out more and register: www.bclt.org.uk/events/Liter...
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Kotryna Garanasvili @kotrynagaranasvili.bsky.social · 27/03/2026
This year’s Emerging Translator Mentorship showcase is coming up! 8 mentees, 8 mentors, 8 languages on 31 March. Winners of the mentorship will read their brilliant new translations of lit from all around the world 🇳🇱🇳🇴🇸🇦🇱🇹🇫🇴🇮🇳🇵🇱🇰🇷 Hosted by @writerscentre.bsky.social, online&free to join – see you there 🧡
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Reposted by Kotryna Garanasvili
Ruth Martin @dances-with-voles.bsky.social · 10/03/2026
London Book Fair wildlife report: two pigs, but so far zero indoor pigeons. Do better tomorrow, pigeons!
Two (presumably overheating) people dressed in big furry costumes as Peppa Pig and whoever that other one is.
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Reposted by Kotryna Garanasvili
American Literary Translators Association @littranslate.bsky.social · 12/03/2026
🗓️ Happening in one week! Don't miss this (free!) event we are so pleased to partner on with the Fine Arts Work Center: "Human Translators in the Age of AI," feat. Chenxin Jiang, Shelley Fairweather-Vega, Ian Giles, Umair Kazi & Kristen Renee Miller. Learn more and register here: buff.ly/zzGTHgf
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The Bookseller @thebookseller.com · 12/03/2026
Attendees of this year’s London Book Fair, held 10th to 12th March at London Olympia, have described the fair as “high energy” and “really busy” and a reminder that “books are a place where people have refuge” 👇 #LBF
ebx.sh
London Book Fair 2026: Publishers hail ‘high energy, confident’ fair but feel absence of Middle East trade
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Reposted by Kotryna Garanasvili
English PEN @englishpen.bsky.social · 11/09/2025
We’re delighted that English PEN & @writerscentre.bsky.social are collaborating again this year to highlight and promote events and activities taking place across the UK and online in celebration of International Translation Day 2025. #ITD2025 View the programme ⤵️ www.englishpen.org/translation/...
englishpen.org
ITD 2025 – Nationwide Programme - English PEN
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Kasia Szymanska @kaszyma.bsky.social · 09/09/2025
👊🏻Join me for this 'Translation as Activism' workshop at the 2025 Manchester Literature Festival 👊🏻 @mcrlitfest.bsky.social manchesterliteraturefestival.co.uk/events/trans... 🤜🏻10 free tickets can be claimed by MMU (@manmetuni.bsky.social) & UoM (@uomhums.bsky.social) students ➡️📧 zoe@englishpen.org
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Brian Bergstrom @brianbergstrom.bsky.social · 31/08/2025
Jeremy Tiang really hits the nail on the head here (as would be expected). Translation is caught between two forms of capitalist exploitation: using a per-word freelance structure to provide a bare minimum fee, and playing on its artistic nature to compel free ancillary labor alongside
Tiang: As Maureen alluded to, when we sign a contract, we get paid for our translations. But, in fact, we’re also doing a lot of other labor that is expected but not compensated. This can start way before the contract is signed. Many of us are pitching books to publishers, and to do that, we have to be reading wisely. We have to be making contact with authors and publishers to make sure that the rights are available. We have to do sample translations and synopses, for free, and we have to email them to publishers that we have taken care to build relationships with. All of this is unpaid until a publisher accepts the book, at which point you are negotiating for money after having done a lot of labor. And then there is, as Adam has pointed out, a power differential where the only power the translator has is to say, “This is what I would like.”

Beyond that, all you can do is accept what you’re offered or walk away. In one sense, you’re being paid for the labor of your translation. But in another sense, you’re an all-around concierge who, in my case because many of my authors do not speak English, is expected to translate emails between the author and the publisher, to act as a kind of go-between: an agent, a rights agent, and a publicist all in one. We do what has to be done in order to get the translation to market, and often we are the only person in the equation with access to both languages and both cultures and both literary scenes, so we’re the only person who can do this work. But it’s not in our contracts, and we’re not getting paid for it. But it’s what has to happen to keep everything running.Tiang: Honestly, any kind of disruptive solution would be great. I am someone who makes the majority of my income from literary translation, even though my language isn’t particularly in demand. I do this by pitching a lot, generating a lot of my own work, never taking a day off, not sleeping. And that’s not really sustainable. The question for someone like me, who is relatively established and working constantly translating three to four books a year, is: Should I not be making a living? The fact that I am not suggests a problem with sustainability in the industry. It can’t just be people with outside sources of income. But I will say that this conversation has been hugely generative, and I’m going to suggest we start a group chat and continue it.
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Kotryna Garanasvili @kotrynagaranasvili.bsky.social · 11/08/2025
APPLY: Lithuanian is one of the languages of the wonderful Emerging Translator Mentorship @writerscentre.bsky.social this year, and I’m v happy to return as a mentor. Please share this opportunity with people interested in translation, literature and languages ✍️📚🇱🇹 Deadline: 31 Aug. Link below!
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Kotryna Garanasvili @kotrynagaranasvili.bsky.social · 10/07/2025
I had a wonderful time leading a dialect translation workshop @bristoltranslates.bsky.social. It was so active with over 100 participants in the Zoom room, and their contributions have been simply brilliant! Dialect sparks the best kinds of conversations. Great to see & meet you all 📚✍️💙
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The Society of Authors @societyofauthors.bsky.social · 11/03/2025
Member and former chair of the Translators Association Vineet Lal will be welcoming emerging translators at The Literary Centre at 10 today with @rebeccadewald.bsky.social , Nasim Luczaj & Dr Kotryna Garanasvili. #LBF25
londonbookfair.co.uk
Sessions Details
Useful Links
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Kotryna Garanasvili @kotrynagaranasvili.bsky.social · 07/04/2025
Meet the future of literary translation: the winners of this year’s Emerging Translator Mentorship will read from their brilliant work in this live showcase, hosted by @writerscentre.bsky.social 📚✍️🎤 9 mentees, 9 mentors, 8 languages, on 10 April! More details&booking here: tinyurl.com/4kbct5zv
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Gonzalo Fernández Gómez @gonzalofergo.com · 05/02/2025
Un traductor literario hace mucho más que traducir textos. La lista de tareas es casi abrumadora. Este excelente artículo de @kotrynagaranasvili.bsky.social basado en una encuesta demuestra, sin embargo, que el común de los lectores tiene una idea demasiado básica de lo que implica nuestro trabajo.
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Michele Hutchison @michehut.bsky.social · 04/02/2025
www.thebookseller.com/comment/tran... it's hard not to get jaded with this kind of invisible unpaid workload.
thebookseller.com
Translation adjacent
Translators do so much more than translation – and we need the industry's help.
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Reposted by Kotryna Garanasvili
Marina Rullo @marinarullo.bsky.social · 03/02/2025
"Translators are the Clark Kent of the publishing industry." @kotrynagaranasvili.bsky.social on the @the-bookseller.bsky.social explores how the work of literary translators is perceived by readers. #literarytranslation www.thebookseller.com/comment/tran...
thebookseller.com
Translation adjacent
Translators do so much more than translation – and we need the industry's help.
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Reposted by Kotryna Garanasvili
Words Without Borders & WWB Campus @wwborders.bsky.social · 30/01/2025
In "The Bookseller," a lovely abridged version of Kotryna Garanasvili's recent WWB essay "Translation-adjacent"! www.thebookseller.com/comment/tran...
thebookseller.com
Translation adjacent
Translators do so much more than translation – and we need the industry's help.
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Reposted by Kotryna Garanasvili
Charlène Busalli @charlenebusalli.bsky.social · 30/01/2025
Great article by @kotrynagaranasvili.bsky.social about the various things literary translators actually do www.thebookseller.com/comment/tran...
thebookseller.com
Translation adjacent
Translators do so much more than translation – and we need the industry's help.
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Reposted by Kotryna Garanasvili
Beth Hickling-Moore (she/her) 🍉 @bethangharad.bsky.social · 06/01/2025
@kotrynagaranasvili.bsky.social on everything we translators do that goes above and beyond actual translating. Nailed it, Kotryna. Thanks for advocating for the amazing work we all do! 👏 @wwborders.bsky.social
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Lawrence Schimel @lawrenceschimel.bsky.social · 20/12/2024
Great essay by @kotrynagaranasvili.bsky.social on all the unpaid/unackowledged things that befall translators in addition to and beyond translating itself. #xl8 #langsky
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Anna Gunin @annagunin.bsky.social · 22/12/2024
An excellent piece on misperceptions around what the job of literary translator involves. By @kotrynagaranasvili.bsky.social. wordswithoutborders.org/read/article...
wordswithoutborders.org
Translation-adjacent - Words Without Borders
Just how broad is a translator's remit? Kotryna Garanasvili calls for "translation-adjacent" tasks to be duly acknowledged.
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Words Without Borders & WWB Campus @wwborders.bsky.social · 19/12/2024
Today on WWB: Kotryna Garanasvili on “translation-adjacent” tasks, from pitching to editing—and on the necessity of acknowledging this labor. Read her essay here: buff.ly/3Daeols
Pencils and shavings scattered over a surface with the quote “Translation-adjacent tasks are a mission, and it’s translators who very often end up with this mission. Why? Well, if anything, because no one else is willing to take it on. Even if they are, they won’t necessarily be able to do it” and the text “'Translation-adjacent' by Kotryna Garanas
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