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kenoma.bsky.social

@kenoma.bsky.social
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last ding-dong of doom

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kenoma.bsky.social @kenoma.bsky.social · 31/08/2026
Reminder, for folks in the business of comparing literatures, to propose to this ACLA panel trying to figure out what Exemplarity and Comparability amount to - abstracts due Sep 22
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Contemporaries at Post45 @atpost45.bsky.social · 14/08/2026
New cluster, new cluster!! 🚨💡 💌 💫 💌 💡 Come to post45.org/contemporari... to read "Asian American Mass Culture," edited by Leland Tabares and Timothy K. August! post45.org/sections/con...
post45.org
Contemporaries – Post45
Post45 seeks to reinvigorate the erstwhile convention of academic critics not only describing past traditions but also actively intervening in current tastes. It provides a forum for writers to conver...
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Sarah Brouillette @sarahbrouillette.bsky.social · 07/08/2026
The introduction to my book is now available online, thanks @dukepress.bsky.social 🫶 The official pub date is in October www.dukeupress.edu/content-mach....
tinyurl.com
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All Grim Prints @allgrim.bsky.social · 05/08/2026
Just crossed $500! Win it! Fuck ICE! donorbox.org/marxopoly-ag...
donorbox.org
Marxopoly Against ICE | All Grim Prints (Powered by Donorbox)
I’m Adam Ahlgrim of www.allgrimprints.shop. I decided to raffle off this hand-made Marx Monopoly board to help raise a bit of money to support the Immigrant Defenders Law Center. Fascism is sickening ...
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kenoma.bsky.social @kenoma.bsky.social · 31/07/2026
Exemplarity and Comparability seminar at ACLA next year: how do we pick our examples, and how do we decide what to compare? Chaired by Alya Ansari and Carson Welch, abstracts due end of August: www.acla.org/seminar/c983...
Exemplarity and Comparability
Organizers: Carson Welch, Alya Ansari
The selection of "cases" is a fundamental aspect of literary criticism. As early as 1952, Erich Auerbach observed that choosing a proper Ansatzpunkt is an important task for...
Keywords: exemplarity, comparison,
Criticism, Method, judgement
Date Submitted: June 24, 2026•ACLA
American Comparative Literature Association
This seminar scrutinizes the process by which we make claims on the basis of exemplarity or comparability. These claims are at once aesthetic and conceptual: aesthetic, in the sense that what leads us to single out a set of passages for scrutiny or comparison is often, effectively, our intuition; conceptual, to the extent that what justifies a selection is the coherence of the argument built around it. We would like to explore more rigorously the nature of these judgments which quietly undergird the field's critical practice.
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Pavel Andrade @pavelandrade.com · 30/07/2026
Combined and uneven modernism seminar for the upcoming ACLA. In person, U of Houston, 20-23 May, 2027. How do peripheral literatures register, model, and think the historical and material configurations of the world system? www.acla.org/seminar/f2f2...
acla.org
View Seminar | American Comparative Literature Association
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kenoma.bsky.social @kenoma.bsky.social · 26/07/2026
Lefevere hours! scholar.google.com/citations?vi...
Power and the canon, or: How to rewrite an author
into a classic
André Lefevere
Summary
The article sets out to describe various modes of rewriting such as interpretation, commen-
tary and anthologyzing as instruments serving the stability of the literary system. Tradition-
ally, interpretation and commentary were to remain true to the 'Book' and to prescribed
hermeneutic procedures. Since the authority of the text is being discarded in modern
pluralistic interpretative practices, it has become clear that authority of interpretation rests
in the power, vested in the various literary corporations, which in their turn are dependent
on institutionalized educational bodies protecting cultural interests. It is argued that sys-
tems theory allows for the description of the constraints determining rewriting. Defining the
subordinate position of the literary expert to the powers regulating the system and drawing
upon the tendency to self-maintenance which characterizes systems, it is made clear why
rewriting tends to censure and reduce the original text to the norms of a given time and
audience. This is illustrated with reference to the English rewriting of Heine, the reception
of Blake as well as other examples from various literatures. Rewriting is seen as a powerful
force in introducing, evaluating and establishing literary identities. The rewritten text tends
to become the canon even as it freezes the original in terms of its own dominant values.
The rewritten rather than the original text establishes and maintains literature as a system.
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kenoma.bsky.social @kenoma.bsky.social · 24/07/2026
Cultural Critique's special issue on "Marxism, Form, and Futurity" now up online, essays by @annakornbluh.bsky.social @kqandrews.bsky.social @cphiliphaines.bsky.social and then some muse.jhu.edu/issue/57283
Table of Contents reading:
Editorial Statement
1 Liam Kruger, Oded Nir, and Christian P. Haines
Marxism, Form, and Futurity: An Introduction
21 Anna Kornbluh A Very Special Relationship:
Capitalism and the Novel Form
34 Oded Nir Utopian Allegory and the Return of Futurity
in Itay Meirson’s The 90- Minute War
49 Liam Kruger The Location of Critique
68 Kimberly Quiogue Andrews Disciplinarity’s
Temporal Forms
80 Mitch R. Murray Undead Academia:
On the Campus Novel of Decline
97 Phillip E. Wegner A Future Worthy of Her Spirit:
Reproductive Futurism and the Neoliberal University
in Kazuo Ishiguro’s Klara and the Sun
114 Brittany Murray Caring Badly: Reproductive Labor,
Aesthetic Autonomy, and Futurity in Leïla Slimani’s
Chanson Douce
130 Brent Ryan Bellamy (Energy Heterotopia):
The Case of Trouble on Triton

Marxism, Form,
and Futurity

141 Caren Irr Bridging the Metabolic Rift with
Tom Comitta’s The Nature Book
154 Christian P. Haines Marxism and Human Form
169 Books Received
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Dennis Hogan @dennismhogan.bsky.social · 17/07/2026
Many faculty have been sounding the alarm about the problems generative AI poses for student learning. Strangely, some higher ed administrations seem have emerged as major AI boosters. Why? As I write in the latest @hedgehogreview.bsky.social it's a labor story: hedgehogreview.com/issues/the-f...
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kenoma.bsky.social @kenoma.bsky.social · 25/06/2026
Timothy Mo's Insular Possession -- it's not just a paperwork book, but very substantially a paperwork book
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kenoma.bsky.social @kenoma.bsky.social · 12/06/2026
Intro to Nick Brown’s autonomy for the avatar/terminator bit, Sarah B on rise and fall of English novel, Christine Okoth on peripheral labour, Paul Nadal on remittance fiction!
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kenoma.bsky.social @kenoma.bsky.social · 26/05/2026
Bloom v Wynter is thematically fun! Wynter also goes well with Johnson’s “using people“ — a critic unafraid of getting rough with their transitional objects
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kenoma.bsky.social @kenoma.bsky.social · 26/05/2026
Schwarz’s “misplaced ideas” or “objective form,” Brouillette and Clover on aesthetic autonomy as bourgeois fetish, Lukacs on narrate/describe, Appiah on poco v. pomo, Wynter title essay in we must sit down and talk about a little culture!
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kenoma.bsky.social @kenoma.bsky.social · 17/02/2026
though, also, Fran Hoepfner has the useful genre/running bit of "movies about grad school"
letterboxd review of tenet by fran hoepfner reading "just fully weeping with laughter. absolute nonsense. finally someone has made a movie about grad school"
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kenoma.bsky.social @kenoma.bsky.social · 17/02/2026
Novel of ideas sun, campus novel rising: Drive My Car Campus novel sun, novel of ideas rising: A Serious Man
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Tommy Craggs @tcraggs22.bsky.social · 13/02/2026
Was not counting on being moved by any "Infinite Jest"-at-30 essays. And but then @pauline2k.bsky.social performed a tour de force of reparative reading. This is so lovely! www.oaklandreviewofbooks.org/infinity-plu...
oaklandreviewofbooks.org
Infinity Plus One
You’d never mistake one of his sentences for anyone else’s. At a time when the worst thing you could be was a poser, Wallace was obviously and overtly himself.
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Annie McClanahan @anniemcc.bsky.social · 05/02/2026
My book is now available for pre-order!
zonebooks.org
Beneath The Wage: Tips, Tasks, and Gigs in the Age of Service Work - Zone Books
Zone Books
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kenoma.bsky.social @kenoma.bsky.social · 18/01/2026
Yamamoto in DeWitt's The Last Samurai!
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kenoma.bsky.social @kenoma.bsky.social · 13/01/2026
Brandon Taylor calls himself one (which is not necessarily the same as being one, but): theadroitjournal.org/issue-thirty...
theadroitjournal.org
Issue Thirty-Eight: Campbell Campbell & Thomas Wee: A Conversation with Brandon Taylor
Visit the post for more.
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Anna Kornbluh @annakornbluh.bsky.social · 13/01/2026
new issue of MEDIATIONS! "Transitions" globalization, commodity form, financialization, development and so many genres thereof mediationsjournal.org
mediationsjournal.org
Mediations : Journal of the Marxist Literary Group
The journal of the Marxist Literary Group. Publishes cultural theory, critical history, philosophy, literary criticism, and reviews. Issued twice yearly.
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kenoma.bsky.social @kenoma.bsky.social · 05/01/2026
I think this is part of the story that Emre proposes to tell in her "Post-Discipline" book, whenever that comes out -- but there's a walkthrough in her Helen DeWitt essay for NLH: muse.jhu.edu/pub/1/articl...
From 1880 to 1920, institutions of higher education
reformed themselves along the lines of the German model, replacing
generalist scholars with specialist “investigators” who clustered around
particularized fields of expertise.7 Much of what we accept as the normal
organization of the academy today emerged during this time: the unit
of the department took on “connotations of disciplinary specialization
and administrative autonomy,” Graff explained; administrators founded
journals and university presses to ensure that academic research had a
means of dissemination and an audience; universities established gradu-
ate programs as a formalized credentialing process, with field-specific
courses and a doctoral dissertation; and a network of department chairs,
deans, provosts, and presidents rapidly proliferated to oversee all these
intricate and interrelated developments.8 The bureaucratic subdivision
of the university proceeded “in an astonishingly short period of time
and with relatively little variation from one institution to another,” Vey-
sey observed, with the process gaining in intricacy and reach over the
twentieth century and all the way up to the present day.9 It impressed
onto the figure of the scholar a relatively delimited disciplinary affilia-
tion—the antithesis of the polymath, who, in retrospect, would appear
to modern intellectuals as a dilettante, an amateur, or a philistine.The second development, related to the first, is the precipitous de-
cline of classical and vernacular language education. What Albert S.
Cook described in his 1898 MLA presidential address, “The Province
of English Philology,” as “the estrangement of the study of language
from that of literature” was a process that had started decades before
with the separation of the Latin and Greek languages, oratory, rhetoric,
linguistics, and forensics (along with mathematics, logic, and theology)
from the teaching of the modern languages and literatures as a college
subject.10 Modern languages and literatures subsequently split off into
individual language departments, including English, which ascended
to prominence through the postwar period.11 By the 1960s, the separa-
tion between English and non-English languages and literatures was
institutionalized in the MLA by sub-dividing it into the Association for
Departments of English (ADE) and the Association for Departments
of Foreign Languages (ADFL, which recently rebranded as the ALD).
The sub-division of the organization made transparent “the division be-
tween those who teach English and those who teach foreign languages,”
Michael Holquist observed in “Why We Should Remember Philology”:
“Members of the ADE are more often than not, on their campuses, the
moving force in the textual humanities, with all the implications of that
fact, not just as cultural capital but for tenured slots, salaries, graduate
stipends, and funds for development (i.e., money!).”12 The ADFL had
more members, but these members had seen disproportionately shrink-
ing enrollments in their language courses and a growth in the number
of literature courses they taught in English translation. Administrators,
Holquist observed, had responded by converting “formerly independent
departments” into “larger and more homogenized units,” “formed by
combining erstwhile departments into such institutionally mandated
gerrymanders as German-Slavic-Chinese or the all-pu…The final development is the feminization of language education
subsequent to its estrangement from the study of literature. By feminiza-
tion I mean, first, the fact of gender in the demographic composition
of language teachers across the school system; they have been, and
continue to be, overwhelmingly female-identifying.14 But I also mean
the devaluation of the labor of teaching relative to research in the
contemporary Anglophone university. Like teachers of grammar and
composition (which they often also are), language educators were treated
as members of a lower-level, preparatory, and technical work force and
were described as the feminized “handmaid” to the masculine “master”
that is literary criticism.15 Their teaching was, and is, regularly allocated
to graduate students, adjunct faculty, or non-tenure track professors, who were paid at lower rates and had comparatively little, if any, job security.
This devaluation secured what Sianne Ngai has described as “contingent
labor’s articulation with female labor”—that is, the alignment of the work
performed by contingent employees in the school with the unwaged work
performed by domestic or affective laborers in the home.16 Language
education made the interarticulation of labor and gender especially ap-
parent because, for scholars and policy makers alike, the proper domain
of language education often shifted. Sometimes language education took
place in the home, where it was treated as the responsibility of unwaged
caregivers. Other times, it took place in the school, where it was treated
as the responsibility of waged teaching professionals.
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kenoma.bsky.social @kenoma.bsky.social · 05/01/2026
Article version/kernel of that monograph here: www.cambridge.org/core/journal...
cambridge.org
“What Is a Classic?”: International Literary Criticism and the Classic Question | PMLA | Cambridge Core
“What Is a Classic?”: International Literary Criticism and the Classic Question - Volume 125 Issue 4
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kenoma.bsky.social @kenoma.bsky.social · 05/01/2026
Mukherjee kicks this around re Eliot and Coetzee, Conrad and Said in her "What is a Classic?" www.sup.org/books/litera...
sup.org
What Is a Classic? | Stanford University Press
What Is a Classic? revisits the famous question posed by critics from Sainte-Beuve and T. S. Eliot to J. M. Coetzee to ask how classics emanate from postcolonial histories and societies. Exploring def...
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kenoma.bsky.social @kenoma.bsky.social · 02/01/2026
...but idk if I'm ready to concede that my impatience with Lerner, Oyler is JUST wanting to reassert the prestige of better-disguised (more time and skill expensive) research and curation)
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kenoma.bsky.social @kenoma.bsky.social · 02/01/2026
(which: not so far removed from "my kid could paint that" philistinism, but if RR wants to focus on the work of the curatorial subject then a desire for Distinctive how-did-they-do-that curation makes sense, at least as an attempt at reasserting a kind of prestige...
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kenoma.bsky.social @kenoma.bsky.social · 02/01/2026
small, but: I get that the Manov critique of Oyler's borrowing from wikipedia looks, to Ruby, like small potatoes relative to Melville -- but the difference is that it's trivially easy to trace Oyler's steps, so that "well then what did I need Oyler for" feeling isn't nothing
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kenoma.bsky.social @kenoma.bsky.social · 29/10/2025
my hotter take here is split the difference and drop both for Kim
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kenoma.bsky.social @kenoma.bsky.social · 29/10/2025
Fleming? I hear you on HoD slog but it grounds so much of what follows, Achebe/Roy especially
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Rosa Press @rosa-collective.bsky.social · 18/08/2025
Rosa Press has collated a folio of tributes in memory of our friend Joshua Clover. Please read pieces by @lalouverouge.bsky.social @sarahbrouillette.bsky.social @charmainechua.bsky.social Oki Sogumi, Mark Steven, @andrew-brooks.bsky.social + @alorange.bsky.social here: rosapress.net/joshua-clove...
rosapress.net
Joshua Clover, 1962–2025 – Rosa Press
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kenoma.bsky.social @kenoma.bsky.social · 16/08/2025
*ten minute sound bath*
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kenoma.bsky.social @kenoma.bsky.social · 16/08/2025
Reading Big Swiss in coffee shops has yielded consistent gushing from baristas
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Alex Zucker @alexzucker.bsky.social · 28/06/2025
Clear-eyed, strategic analysis from @emanabdelhadi.bsky.social at @thedrift-mag.bsky.social: "I’m not sure that the [pro-Palestine] movement has saved a single life, and that’s extremely sobering. It speaks to the fact that we don’t live in a democracy; + www.thedriftmag.com/we-will-not-...
thedriftmag.com
“We Will Not Win on Our Own”
In April 2024, Columbia’s administration brought in the New York Police Department to dismantle the tents that had been set up by pro-Palestinian protesters occupying the university’s South Lawn.
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kenoma.bsky.social @kenoma.bsky.social · 28/04/2025
joshuaclover.substack.com/p/song-of-th...
joshuaclover.substack.com
song of the day
boys of summer, style, last time for everything
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kenoma.bsky.social @kenoma.bsky.social · 28/04/2025
last time for everything
The song lists a series of things that you will do for the last time. The examples are universal but sort of dudely, wide-ranging but white as fuck, and steeped in small town nostalgia: using a fake ID, making out in a car, asking SuperCuts for a mullet, last time for everything. What distinguishes these from things you do for the first time is not that it’s the last time but that you do not know it’s the last time when it’s happening. You think you will come back to this beach, have another summer, feel this love a second time. You won’t, last time for everything. This is what the boys of summer don’t yet know, and it is about them.

Lit by heartland virtue, the song seems sort of sentimental and possibly boring. Then it scales up. At the end of the second verse, Paisley remembers “Watching Glenn Frey sing “Already Gone” at the Forum in LA.” Run the chorus, now gone dark: “last call, last chance, last song, last dance.” Frey was already gone two years. There’s a last breath for everyone. But we still don’t know what’s coming. We find out 100 seconds later.That could be it but it isn’t. With 21 seconds left, already too late for anything new to happen, after an almost bored “last time for everything,” we arrive at the final enumeration, there’s a last item for everything, “…hearing Prince sing “Purple Rain,”” but this he sings with a sudden abandon, breaking into falsetto that heads for the heavens as it trails off and I want to assure you it is the first Black reference in the entire song and you suddenly recognize that this is not a blind spot but a strategy, that the song’s naïveté and predictability and invocation of the fucking Eagles were all a long and patient way to make it okay for country to talk about this, except that all talk ends there, there’s a last line for everything, and it is at this moment that you can hear how the guitar’s rolling arpeggio has been calling down “Purple Rain” the whole time, since the very beginning, and that the song is the first great elegy for the last great star.

It’s heartbreaking. Prince is dead and Glenn Frey is dead and Don Henley is the “Boys of Summer” guy. Your tomb is Paisley Park or the Hotel California or it’s Eighties Radio. Henley is there, “Boys of Summer” was the last time for him, the last song he made that mattered, he is there looking backward from the autumn of 1984 from which he would not escape, suspended there between never go out of style and already gone.
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