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Tommy Craggs

@tcraggs22.bsky.social
9.4K followers 1.4K following 53 posts

Writer and editor. Late of "Game Theory With Bomani Jones" on HBO, Mother Jones (no relation), HuffPost, Slate, Gawker Media, Deadspin, etc. Subscribe to @flaminghydra.com. Email: tcraggs22@gmail.com.

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Reposted by Tommy Craggs
patrick @redford.bsky.social · 30/09/2026
SF and Oakland are more different during this tech boom than during either previous one. Why? For the great @oaklandreviewofbooks.org www.oaklandreviewofbooks.org/the-great-vi...
oaklandreviewofbooks.org
The great vibes divergence
Why does San Francisco feel so weird during this tech boom while Oakland is more or less still Oakland?
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Tommy Craggs @tcraggs22.bsky.social · 25/09/2026
This is about how great tech critics are made and how they’re sometimes unmade, and for a few hundred words it’s also about a guy named Dick Pick.
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J.D. Connor @jdconnor.bsky.social · 18/09/2026
Spending a beeeeyootiful weekend with @flaminghydra.com gang. Cover stars @tomscocca.bsky.social @lukeoneil47.bsky.social @mariabustillos.com and @tcraggs22.bsky.social
Cover of Flaming Hydra print edition
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Oakland Review of Books @oaklandreviewofbooks.org · 16/09/2026
The Oakland designer who gave us the spinning "lol nothing matters" gif died this summer.
oaklandreviewofbooks.org
Why Cat Frazier matters
The late designer and Animated Text creator made the word go 'round.
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Tommy Craggs @tcraggs22.bsky.social · 15/09/2026
That's my name next to "Gawker Made Me a Communist," and if you'd like to read it in magazine form you can subscribe here flaminghydra.com/magazine-wor...
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Lili Loofbourow @lililoofbourow.bsky.social · 12/09/2026
one day you look up and twenty-five years have zipped by since you started the thing. and you're different, and the world has thinned. and yet here we are. and here it all is. so here we go. some personal news: substack.com/home/post/p-...
substack.com
Muchos años después
We were all slightly different people 20 years ago.
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Marthine Satris @msatris.bsky.social · 04/09/2026
I am reading this and MY GOD IT'S SO GOOD. I didn't edit it or know about it until it pubbed as I am but a lowly ORB calendar contributor but WOW WOW WOW this entire piece. It will suck you in.
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Oakland Review of Books @oaklandreviewofbooks.org · 01/09/2026
Belatedly: From "The Heart of Rock & Soul." Among the best 800 words of pop music criticism ever written.
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SOLDIER BOY, The Shirelles
Produced by Luther Dixon; Written by Luther Dixon and
Florence Green
Scepter 1228
1962
Billboard: #1 (3 weeks)
Down at the bus stop you'd see them every morning, books clutched to their car coats, high-rise bouffants frosted in the early chill, wearing too much makeup and already, at fifteen or sixteen, a few too many pounds. I did not know their names and you can be certain they didn'tknow mine. These weren't girls who paid attention to guys their own age; they'd given up on scoring with the jocks or any of the inside crowd and the rest of us were, well, not worth so much as a glance.
Not because they were snobs; because they teared the names that
"smart kids" would call them, which began and ended in the catchall designation, "slut."
So I'll never know for certain if the scraps of conversation you'd pick up from sitting near them told the whole story, or whether i's really fair to fill in many details. But if you watched and listened, you heard stories that implied an experience no guy of my acquaintance could have boasted, a matter-of-fact knowingness about sex and men and the world at large that the college-bound among us didn't yet suspect. These girls might as well already have been women, because their lives were already laid out for them around a narrow set of alternatives: hasty postgraduation marriage and too many pregnancies too soon or else a job at Kroger's or wherever else they needed a checkout clerk, some job you might be able to get without even a diploma.
Or getting knocked up and having the guy ditch her. Or getting knocked up and deciding to have a still-illegal abortion with the risk of being ruined or killedLiving in those mid-America tank towns back then, you knew all sorts of stories like those, just like you knew the stories of their boy-friends, including the one summed up in that line that goes zipping by in "Born in the U.S.A.": "Got in a little hometown jam, so they put a rifle in my hand." Off they went, and after a while, you began to notice that not all of them came back. But mostly they did, and while it would be obscene to argue that that was worse, it would be unfair to exaggerate how much.
By the time they were juniors, maybe a little earlier, certainly before they graduated, a lot of those bouffant girls at the bus stop would have boyfriends serving somewhere overseas, most likely in Germany or a quiescent Korea, where bullets did not fly but nights were long and temptations many. Because the barriers between us were huge, Im guessing again, but maybe they were just devoted pen pals, not doing so well in the high school social scene and so transferring their need to be needed to more distant objects. A lot of these same girls were the first to catch on to the Beatles, and the first to go really mad for one or another of the guys, the ultimate sexual unobtainables. Some of them had already figured that game out before the British Invasion, and they were the most loyal fans of local rock groups, often better ones than the style-setters at school listened to.
But sometimes, I suspect, those girls had real relationships with guys "in the service," not just paper ones, and their lonely nights musthave been especially bereft because it was hard enough to land a guy, let alone worry about his existence a continent and an ocean away.
Reputations are easy to come by and hard to get rid of, especially in your own mind. And so (I'm guessing again) they fretted.
I mention all this because everything I've ever read about "Soldier Boy" treats its enormous popularity as a mystery. Written on the spot in the studio and recorded in the final few minutes of a session, it strikes other critics and historians as perfunctory and tossed off, its unison harmonies and the unison instrumental break shared by organ and guitar insufficiently elaborated.
But whenever I've heard "Soldier Boy," it's made me think of those girls and their boyfriends, each of them lost and confused in a world that they not only didn't understand very well but which manifestly did not like them. And so they found each other, and so they were dragged apart, and so they wondered and pledged and pleaded: "In this whole world, you can love but one girl / Let me be that one girl / For I'll be true to you."
Somehow, in a barracks or a bedroom, those sweetly voiced lines must have helped a few million heads lay more comfortably upon their pillows. And so there's no mystery at all, really, except how so many people can stand right before our eyes and not be seen. Or heard.
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Frankenbert Graveyardko @albertburneko.bsky.social · 31/08/2026
this is such a funny blog
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Tommy Craggs @tcraggs22.bsky.social · 25/08/2026
This story should be read on its own merits and also as part of Jess's body of work on the punishment beat, which she has covered for years with a mix of simple humanity and outrage
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patrick @redford.bsky.social · 19/08/2026
The Oakland Review of Books launch party promises to be the East Bay literary event of the summer; be there Or Else
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Megan Wachspress @meganwachspress.bsky.social · 08/08/2026
If you're in the Bay and you want to party with the literary journal hated by El Cerrito NextDoor and shadow-banned by r/Oakland this is where it's at.
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Oakland Review of Books @oaklandreviewofbooks.org · 29/07/2026
The first McDonalds in Oakland and the building Boots Riley used as Jackie's Chicken in *I Love Boosters*: "Between the Eastmont Town Center and Evergreen Cemetery, a broken down fast food joint is a relic of the moment things went bad in the Deep East": www.oaklandreviewofbooks.org/dead-at-mcdo...
oaklandreviewofbooks.org
Dead at McDonald's
Between the Eastmont Town Center and Evergreen Cemetery, a broken down fast food joint is a relic of the moment things went bad in the Deep East.
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Helena Fitzgerald @hellafitzgerald.bsky.social · 22/07/2026
for the great @oaklandreviewofbooks.org, I wrote about the On the Calculation of Volume novels, why I find them so bizarrely compelling, and what it might have to do with our favorite new american proverb www.oaklandreviewofbooks.org/maybe-it-wil...
oaklandreviewofbooks.org
Maybe it will happen today
Solvej Balle monitors the situation.
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Tommy Craggs @tcraggs22.bsky.social · 10/07/2026
I wrote this a couple years ago about Caitlin Clark, whose fame had already become, to borrow a phrase, the modality in which class and race and gender get lived in the WNBA. defector.com/who-made-cai...
Yet the league partisans are correct in their impulse to identify something normal, something structural to the WNBA working itself out here. What's happening is a kind of class polarization among the players. Clark’s celebrity is now the terrain on which her colleagues have mounted a resistance to the league’s respectability regime—to the very idea of the Good White Girl, which was always above all a means of differentiating and therefore controlling the workforce, the WNBA’s answer to the NBA’s Greedy Thug. This goes some way toward explaining, for instance, the loose campaign afoot in the media and even among her fellow players to pressure Clark into disavowing the bad parts of her fandom. It is an effort to enlist her in the project of refusing, as Paige Bueckers did a couple years ago, the shitty dividend paid out to the women who conform to Good White Girlhood.
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Oakland Review of Books @oaklandreviewofbooks.org · 24/06/2026
Are rumors of a leftist LitRPG genre more than fantasy? Corley Miller read the Dungeon Crawler Carl series to find out: www.oaklandreviewofbooks.org/dungeon-craw...
oaklandreviewofbooks.org
Left in the dungeon
Are rumors of a leftist LitRPG genre more than fantasy? On the "Dungeon Crawler Carl" phenomenon.
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Oakland Review of Books @oaklandreviewofbooks.org · 12/06/2026
Boots Riley made a movie about how to make art for yourself.
Highlighted text in a screenshot: "I really like that it’s also a movie about how to make art for yourself, in a world where you might have a job, and in which almost literally every space is, in fact, a site of work and commerce—where even your actual goddamn apartment is a literal chicken restaurant that makes you want to eat chicken—but also in which ultimately the thing that makes you come alive, and not be sad, and feel alone, is precisely the extent to which you can figure out how to live a life not defined by the imperatives to produce a certain kind of value."
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Colin Dickey @colindickey.com · 09/06/2026
I wrote a thing about Backrooms, Us, the underground labyrinths of the Bay Area where I grew up, AI slopplegangers, and what's really lurking underneath Silicon Valley. It's my first for @oaklandreviewofbooks.org, and I think you'll really enjoy it.
oaklandreviewofbooks.org
The Undervalley
Why is the Bay Area emerging as the preeminent setting for underground labyrinth horror?
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Dan Ancona @danancona.bsky.social · 04/06/2026
This is a phenomenal article and in light of the story this tells, it makes the Trump admin's actions vastly more infuriating. It's not just a giveaway to his friends, it's close to a declaration of war on the people who live here.
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Oakland Review of Books @oaklandreviewofbooks.org · 05/06/2026
Alcatraz wants you to imagine it is a relic from a time before prisons were "reformed." But travel nine miles north and you'll find cell blocks in use that look exactly like those preserved in the island's museum. They're at San Quentin.
oaklandreviewofbooks.org
Prison tours
What Left in the Bay’s “Radical History of Alcatraz” teaches a college instructor at San Quentin about the spectacle of prison reform on the bay.
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Oakland Review of Books @oaklandreviewofbooks.org · 28/05/2026
THANKS EVERYONE!
Our subscription campaign goal was to get to 250 founding members, and we are DELIGHTED TO SAY THAT WE BLASTED PAST IT, to (at present) 259! Thank you SO MUCH to everyone who's contributed to making this rickety little thing we were building out of scraps and stolen time into something that, ok, we're still building out of that, but now we actually have some money. More importantly, we have a level of certainty about the near future that lets us plan and build in ways we couldn't have before. THANK YOU! Now, does that mean we don't need more members? Of course not: 250 is the floor for what we want to do, but the ceiling is quite a bit higher than that, and every dollar you give us will continue to go to hardworking writers in compensation for them writing things. So if you want to be the person that puts us over the top, EVEN MORER? Well, here you go, slam that subscribe button.
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maya goldberg-safir @roughnotes.bsky.social · 19/05/2026
The first installment of ‘Lavender Scare’ just dropped!! What's that, you ask? A new column from Rough Notes, home to bold, unapologetic & experimental coverage of the Golden State Valkyries & the WNBA from a sociological + queer perspective. Because women's basketball changes everything:
wnbaroughnotes.substack.com
Introducing: 'Lavender Scare' from Rough Notes
A new way to keep Valkyries + WNBA coverage bold & unapologetic.
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lindsey adler @lindseyadler.bsky.social · 12/05/2026
This is the longest story I have ever written. It is also the most meaningful. It will go out in The Small Bow's newsletter tomorrow. You can read it here now: www.thesmallbow.com/p/consider-t...
thesmallbow.com
Consider the Sister
Amy Wallace has spent two decades guarding the human her brother was—against a world that prefers David Foster Wallace as a puzzle.
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patrick @redford.bsky.social · 06/05/2026
The stuff the @oaklandreviewofbooks.org has been pumping out has been incredible. Subscribe now!
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Malice Walker @humblecore.bsky.social · 04/05/2026
A thoughtful if infuriating read on what it’s like in the alleged progressive bastion of the East Bay. Reminds me why I get so annoyed when folks say we need a strong local conservative party to keep the local Democratic party in check — we have that, they just also consider themselves Democrats.
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Oakland Review of Books @oaklandreviewofbooks.org · 30/04/2026
If you count the first calendar we did as the beginning of ORB, which we do, then today is our one-year anniversary of being An Actual Thing! One full ORBIT around the sun!
media.tenor.com
a computer generated image of the earth and moon in orbit
ALT: a computer generated image of the earth and moon in orbit
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Oakland Review of Books @oaklandreviewofbooks.org · 27/04/2026
Does Lake Merritt smell? The answer isn't so simple.
oaklandreviewofbooks.org
Oakland funk
How to smell Lake Merritt.
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Oakland Review of Books @oaklandreviewofbooks.org · 21/04/2026
"These fancams are the work of what I call the the Center for Surveilling Unwitting Players via Guerrilla Investigative Reporting by Lesbians, aka SUPGIRL, for which a member requires no training. The only requirement is the ability to see in gay."
oaklandreviewofbooks.org
The guerrilla investigators of WNBA queerness
The league may be out of the glass closet, but fans are more obsessed than ever with cracking the sapphic code.
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Rick Paulas @rickpaulas.bsky.social · 19/04/2026
Actually have been waiting for a piece like this about Oakland’s sideshows for quite some time. Got to give it up to @oaklandreviewofbooks.org on this. www.oaklandreviewofbooks.org/sideshow-his...
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Oakland Review of Books @oaklandreviewofbooks.org · 15/04/2026
"Cult nonfiction presumes that a cult is an aberration, a pocket of strangeness on the margins of society that fools are lured into, into which readers are given an opportunity to peek...But is the structure of a startup so incompatible with a cult?" www.oaklandreviewofbooks.org/riding-nicol...
oaklandreviewofbooks.org
Riding Nicole's wave
In Ellen Huet’s “Empire of Orgasm,” growth is the real cult we meet along the way (and no one is immune to being touched by the spectacle)
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Oakland Review of Books @oaklandreviewofbooks.org · 14/04/2026
One (anonymous) woman's account of navigating the "sexual marketplace" of Silicon Valley ca. 2015, as the rich tech dudes were beginning to get a little fashy.
oaklandreviewofbooks.org
I was a Silicon Valley sex pet
It was 2015. Something was shifting in the tech industry, and I felt it in the bedroom.
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Oakland Review of Books @oaklandreviewofbooks.org · 13/04/2026
By "Anonymous"
oaklandreviewofbooks.org
I was a Silicon Valley sex pet
It was 2015. Something was shifting in the tech industry, and I felt it in the bedroom.
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Oakland Review of Books @oaklandreviewofbooks.org · 12/04/2026
We asked Alex Werth, author of “On Loop: Black Sonic Politics in Oakland,” to make a playlist of songs and sounds that he thinks are characteristic of Oakland in some way. Here’s a thread, pulled from this piece: www.oaklandreviewofbooks.org/black-sonic-...
oaklandreviewofbooks.org
Black sonic politics in Oakland, in nine sounds
A playlist.
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Rahawa Haile @rahawahaile.bsky.social · 10/04/2026
“…the most pointed lesson in the book is that art draws its power from the resistance of its medium and the traces of creative labor left behind. It’s why you would use an oscillator that can’t maintain pitch rather than a digital filter that pretends it can’t.” @oaklandreviewofbooks.org is so good
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Tommy Craggs @tcraggs22.bsky.social · 08/04/2026
A lot of people have asked what the Oakland Review of Books is. One good answer is that ORB is the opposite of whatever these guys have become. Give a thought to subscribing, won't you? www.oaklandreviewofbooks.org#/portal/signup
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Oakland Review of Books @oaklandreviewofbooks.org · 08/04/2026
Read the article about the history of Oakland's sideshows that everyone at r/OaklandCA (that's the reactionary Oakland subreddit) absolutely hated: www.oaklandreviewofbooks.org/sideshow-his...
oaklandreviewofbooks.org
The noise about sideshows
The screeching moral panic over the sideshow hides what it really is: an event, shaped by cops and capital flight, where Oakland youth fight for a place to play.
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Oakland Review of Books @oaklandreviewofbooks.org · 06/04/2026
Cops and media go the other kind of dumb at the sideshow.
oaklandreviewofbooks.org
The noise about sideshows
The screeching moral panic over the sideshow hides what it really is: an event, shaped by cops and capital flight, where Oakland youth fights for a place to play.
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Oakland Review of Books @oaklandreviewofbooks.org · 05/04/2026
Among the myriad benefits of being an ORB subscriber--including at the "pay nothing, get everything" level--is that we send out a "Sunday Reading" on Sundays, with links to things to read (thus the name): www.oaklandreviewofbooks.org/email/0c8775...
oaklandreviewofbooks.org
Far too much Sunday reading
During the first week of our Six Week Senses of Oakland subscription drive!!!!!1111, we published a bunch of great stuff: Cole Hersey found the Lake Merritt monster, Maya Weeks found microplastics, Aa...
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Malice Walker @humblecore.bsky.social · 02/04/2026
Subscribe to ORB! It is cool and interesting and local (in the not annoying way) if you become a member and ever run into me IRL you can be like, “hey, I subscribe to ORB and I enjoy it” and I can be like, “me too!”
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Oakland Review of Books @oaklandreviewofbooks.org · 01/04/2026
"The existence of aquatic “cryptids,” creatures unrecognized by mainstream science, requires a cloudy body of water to suspend our disbelief. Without this opacity, legends of these creatures would eventually go extinct..." www.oaklandreviewofbooks.org/theres-a-mon...
oaklandreviewofbooks.org
There’s a monster in Lake Merritt
A return to the lake’s original state would mean dismantling the city of Oakland itself. Do we want to see the monster, or let it live on as a legend?
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Oakland Review of Books @oaklandreviewofbooks.org · 31/03/2026
Our subscription drive is making progress! We added 25 new Founding Members in the last 24 hours, 1/10 of the way to our goal of 250! Only 142 to go!
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Oakland Review of Books @oaklandreviewofbooks.org · 31/03/2026
It was also about the loss of Black power in Oakland, and how "Oakland" has come to represent "a place that was going to become something but didn’t."
oaklandreviewofbooks.org
The most words ever written about “Freaky Tales”
A not-too-short love letter to “a love letter to 1980s Oakland.”
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Oakland Review of Books @oaklandreviewofbooks.org · 31/03/2026
"Freaky Tales" deserved better than to have been unwatched and forgotten. It was about Oakland in the 1980s, sort of, but it was also about the U.S. in the 2020s and the simple necessity of fucking up Nazis.
oaklandreviewofbooks.org
The most words ever written about “Freaky Tales”
A not-too-short love letter to “a love letter to 1980s Oakland.”
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Maria Bustillos @mariabustillos.com · 27/03/2026
We have so many good ones! Here are ten: 'Who Made Caitlin Clark a Good White Girl?' @tcraggs22.bsky.social flaminghydra.com/who-made-caitlin-clark-a-good-white-girl/ 'Taking What Comes' @parkermolloy.com flaminghydra.com/taking-what-comes/ 1/
flaminghydra.com
Who Made Caitlin Clark a Good White Girl?
It was something like five years before she was born that the moral panic over Caitlin Clark began. This was 1997, the year the WNBA debuted. The NBA was bleeding from the teeth to lock out its worker...
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Timothy Burke @bubbaprog.xyz · 25/03/2026
six months to the day after my charges were dismissed, the Department of Justice was granted yet another extension to file their appeal of that dismissal. timburkelegalfund.org
In the
United States Court of Appeals
For the Eleventh Circuit
____________________
No. 25-13969 ____________________
UNITED STATES OF AMERICA,
Plaintiff-Appellant,
versus
TIMOTHY BURKE,
Defendant-Appellee.
____________________
Appeal from the United States District Court
for the Middle District of Florida
D.C. Docket No. 8:24-cr-00068-KKM-TGW-1 ____________________
ORDER:
The motion for an extension of time to and including April
21, 2026 to file Appellant’s initial brief is GRANTED, with the appendix due 7 days after the filing of the brief.
/s/ Barbara Lagoa
UNITED STATES CIRCUIT JUDGE
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Oakland Review of Books @oaklandreviewofbooks.org · 18/03/2026
"In the end there is no response to the fact of inequality, because to a man of humanity that fact is—in the word we all most associate with Shawn—inconceivable."
oaklandreviewofbooks.org
Wealth of Recriminations
Wallace Shawn's caustic monologue about capitalism and complicity gets an ingenious staging at Clio's Books.
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Tommy Craggs @tcraggs22.bsky.social · 16/03/2026
On "Squad Assembles" movies in general, which are secretly about full employment, and on "Sinners" in particular, which moves the Squad Assembles movie to Jim Crow Clarksdale and does something radical with the genre in the process.
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Rahawa Haile @rahawahaile.bsky.social · 16/03/2026
Hard agree. It also feels like a good time to re-up Aaron Bady's incisive essay on Sinners for the @oaklandreviewofbooks.org. www.oaklandreviewofbooks.org/sinners-one-...
A paragraph from the linked piece by Aaron Bady that reads "But what makes Sinners hit so hard for me, right now, is that it’s about the creative economy at a time when it feels so hard to make art for YOUR people, in a contextually appropriate time and place, out of your and your people’s pain and struggle. Even if you do that—say, if you make Fruitvale Station—you can still wake up one day and find yourself doing CGI with Kevin Feige. And then you find yourself losing individual control, or the ability to say “this is done”; you will find the thing you made absorbed into a totalizing omniconsciousness, endless and deathless, Wakanda Forever, whether you like it or not. You will find yourself thinking about the moment you said yes to it, the moment you invited it in the door."
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maya goldberg-safir @roughnotes.bsky.social · 13/03/2026
"I don’t think the NBA really cares... If the WNBA vanished, I don’t think Adam Silver would lose any sleep over that. If the NBA vanished, I think Adam Silver would crawl into a ball & cry himself to sleep." @wagesofwins.bsky.social is the expert WNBA economist that ESPN *won't* tell you about:
wnbaroughnotes.substack.com
Rough Notes: The Wrong Side Of History with David Berri
Confronting the reality of the WNBA's CBA negotiations.
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