Police say alleged offences could have been committed ‘knowingly or unknowingly’ on behalf of a foreign state

The conductor Robert Ames is departing from the LCO. He talks to Hugh Morris about sleeping rough in London and the need for a "mentality shift" around class.

Musgrave, whose 1977 opera “Mary, Queen of Scots” is opening at the San Francisco Opera, has spent a long career searching for the “dramatic abstract.”

Verdi’s Requiem out of Cleveland, Missy Mazzoli’s “Breaking the Waves” out of Houston and a fresh approach to art song are among our selections.

Music journalist, critic, editor and copywriter based in London.

A journalist, he was the first Japanese person to enter space, joining a Soviet crew as part of a spectacular $35 million ratings stunt in 1990.

Misinformation caused groups of people to gather at The Marriott Hotel

The masterful ​Harrow MC behind the year’s funniest, most inventive UK rap debut explains how his parents sparked his ravenous outlook – and why he’s wrestling his peers

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On his first visit to London in 1851, Hector Berlioz attended several chamber music concerts at The Musical Union, a subscription series run by impresario John Ella. His dispatches from the city were ...

Sarah Davachi’s “The Will of Tongues” is a collection of music that refuses extremes and requires undivided attention.

Sarah Davachi’s “The Will of Tongues” is a collection of music that refuses extremes and requires undivided attention.

Joseph Havlat’s thoughtfully programmed “Sinner, Don’t Let This Harvest Pass” spirals out from Schumann’s enigmatic “Ghost Variations.”

Now, more than ever, we need to back our nation’s outstanding creativity and culture

Small cruise ship rescued skiff in south-east Alaska even though Meta billionaire’s $300m megayacht was closer

The New Orleans native is a three-time Grammy winner at the top of his game – and is now using his instinctive style to celebrate the resilience and clarity of Katrina survivors

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The Cambridge academic has rightly now resigned. But that won’t end the targeting of senior black figures or the lazy way institutions promote faux equality, says Guardian columnist Jason Okundaye

Christina Waters delivers a blistering review of Sarah Hennies’ The Grain House, premiered at the 2026 Cabrillo Festival’s Defiant Dreams concert.

Music publications Revolver and Goldmine have also been gutted by owners Veeps and Live Nation