An interview with the filmmaker of the wild, bizarre, hypnotic hand-drawn animated short.

The emphasis here is on gameplay, fast and furious and the right kind of frustrating.

This new series version of Carrie White is visceral, searing, and provocative.

Director Reed Van Dyk and stars Boyd Holbrook, Hiam Abbass, and Kenneth Branagh on Atonement.

That wry juxtaposition allows the show to critique our modern age while still focusing on timeless aspects of the human condition: love, loss, and yearning.

A preview of this year's Busan International Film Festival

The soul of “Minotaur” and its implicit targets are irreducibly Russian.

An assassin show that feels like it was Mad Libs-ed into existence.

On two mesmerizingly abstract films from this year's New York Film Festival.

A promising set-up gives way to repetitive nonsense.

Benefits from extensive footage of the attempt as it was unfolding, as well as interviews with those who survived.

It looks bland, doesn’t make much sense, and takes its time getting you to places you’ve been several times before.

The film captures the complexity and importance of intention and the willingness to try and try again.

It's a good movie with some great scenes. Many people will love it, and they won't be wrong. But it feels like a missed opportunity.

When it gives its characters space to breathe, it can be remarkable drama, anchored by two of the best performances of the year.

Funny and devastating.

In leaning so hard into self-critique, Almodóvar sometimes forgets to include the element that makes his best films so invigorating to watch: A sense of passion.

“Gears of War: E-Day” is the best the series has been in a long, long time.

Scout digs deep into the heart of Pittsburgh for this month's Unloved.

The show appeals most when it leans into the food-themed action.

An interview with the legendary writer/director on the eve of the Criterion release of one of his best films.

“NAZA” stands as an ontological survey of state-sponsored violence.

It adds necessary depth and shading to Cathy’s story, thanks to star Florence Pugh’s complicated, layered lead performance.

It adds necessary depth and shading to Cathy’s story, thanks to star Florence Pugh’s complicated, layered lead performance.

It’s fun while it runs, and it gives its central performers plenty of chances to show their acting chops.

New titles on Blu-ray and streaming services include special editions of The Secret Agent, Nouvelle Vague, Go, and Tequila Sunrise, among new hits.

“NAZA” stands as an ontological survey of state-sponsored violence.

It’s excruciatingly painful that this languid, self-satisfied film doesn’t work.

A blend of stealth mechanics and puzzle-solving make the first two chapters of “Townfall” truly engaging. And then the air comes out of the tires.

An interview with the director and stars of A24's newest hit.

A report on the now-open Lucas Museum in L.A.

The show appeals most when it leans into the food-themed action.

“Minus Zero” doesn’t quite reach the miraculous highs of its predecessor, but the old boy still has plenty of bite.

Although it gets stronger as the season unfolds, “War” takes too long to get its gears turning.

“Minus Zero” doesn’t quite reach the miraculous highs of its predecessor, but the old boy still has plenty of bite.

Michael Mann's masterpiece hits differently given the recent drama at 60 Minutes.

Chaz Ebert on two great 2026 films that she saw at the Toronto International Film Festival.

A preview of early highlights and anticipated titles from this year's NY Film Festival.

An interview with Twiggy and the director of the new movie about her.

Rinko Kikuchi is radiant in the film.

In this light, charming comedy, two siblings who've lived alone for thirty years resist eviction to the mainland.

An act of reclamation of emotional truth from the grip of fascism and the burying tide of history.

A hackneyed blend of true-crime drama and banal biopic tropes.

Screenwriter Tom Dean doesn’t seem to know how to write distinct characters with interiority or personalities beyond hackneyed clichés.

A diligent, but ultimately staid genre pastiche that banks hard on its stolid young lead’s charisma.

A film that wholeheartedly believes in the power of its story and message.

An inspiring story of Twiggy’s extraordinary resilience through difficult times.

Boyle and his collaborators take a few jarring creative shortcuts and by-passes, but pull off most of what they attempt.