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Zach Vasquez

@zvasquez.bsky.social
143 followers 97 following 17 posts

Writer. Bylines: Guardian, Crooked Marquee, Noir City Fangoria, more. Fiction: Vautrin, Tough, Mystery Tribune, more.

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Reposted by Zach Vasquez
Crooked Marquee @crooked-marquee.bsky.social · 07/10/2026
“‘Begotten’ is an art film in the truest sense,” @zvasquez.bsky.social writes, and the result “looks like no film that’s come before or since.” buff.ly/JsG6TSP
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Crooked Marquee @crooked-marquee.bsky.social · 04/09/2026
Of all the films of Richard Fleischer, @zvasquez.bsky.social writes, the Mia Farrow-fronted ‘See No Evil’ “might be the most deserving of rediscovery.” crookedmarquee.com/see-no-evil-...
crookedmarquee.com
See No Evil at 55: A Forgotten Proto-Slasher Gem — Crooked Marquee
A new biography and retrospectives of journeyman director Richard Fleischer should bring new eyeballs to his masterful but underseen 1971 thriller.
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Crooked Marquee @crooked-marquee.bsky.social · 03/09/2026
Of all the films of Richard Fleischer, @zvasquez.bsky.social writes, the Mia Farrow-fronted ‘See No Evil’ “might be the most deserving of rediscovery.” crookedmarquee.com/see-no-evil-...
crookedmarquee.com
https://crookedmarquee.com/see-no-evil-at-55-a-forgotten-proto-slasher-gem/
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Crooked Marquee @crooked-marquee.bsky.social · 25/08/2026
"Profound, profane, ridiculous, hideous, and utterly original." @zvasquez.bsky.social looks back at outsider auteur extraordinaire Duke Mitchell and his long-lost gonzo masterpiece, “Gone with the Pope.” crookedmarquee.com/long-live-th...
crookedmarquee.com
Long Live the Duke: The Insanity of Gone with the Pope — Crooked Marquee
Duke Mitchell's gonzo exploitation masterwork was once thought lost and unsalvageable. Now, it's widely available to see. But are you ready for it?
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Jason Bailey @jasondashbailey.com · 09/08/2026
Reeeeeal good deep-dive by @zvasquez.bsky.social here
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Crooked Marquee @crooked-marquee.bsky.social · 18/07/2026
“‘The Trojan Women’ is, on paper, exactly what they’ve been clamoring for,” @zvasquez.bsky.social of ‘The Odyssey”’s right-wing critics, “a traditionally classic and faithful adaptation of a related work of antiquity made by an actual Greek person.”
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Crooked Marquee @crooked-marquee.bsky.social · 16/07/2026
The late great American character actor Harry Dean Stanton was born 100 years ago. To honor his legacy, @zvasquez.bsky.social looks back on some of his smallest, yet most impactful roles.
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Crooked Marquee @crooked-marquee.bsky.social · 15/07/2026
The late great American character actor Harry Dean Stanton was born 100 years ago today. To honor his legacy, @zvasquez.bsky.social looks back on some of his smallest, yet most impactful roles.
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Crooked Marquee @crooked-marquee.bsky.social · 14/07/2026
Before ‘McCabe and Mrs. Miller’ and ‘Deadwood,’ Jacques Tournier's ‘Canyon Passage’ used the frontier mining camp as a microcosm for America, in all its violence and glory. On its 80th anniversary, @zvasquez.bsky.social looks back at this underrated Western classic.
crookedmarquee.com
Classic Corner: Canyon Passage — Crooked Marquee
Eighty years after its initial release, Jacques Tournier's underrated ensemble Western is ripe for canonization.
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Jason Bailey @jasondashbailey.com · 15/07/2026
In loving tribute to Harry Dean on what would have been his 100th, here's @zvasquez.bsky.social on some of his best cameos: crookedmarquee.com/one-scene-ki...
crookedmarquee.com
One Scene King: Harry Dean Stanton at 100 — Crooked Marquee
As we celebrate what would have been the iconic character actor's 100th birthday, it's his smallest roles that often left the largest impression.
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Crooked Marquee @crooked-marquee.bsky.social · 11/07/2026
Before ‘McCabe and Mrs. Miller’ and ‘Deadwood,’ Jacques Tournier's ‘Canyon Passage’ used the frontier mining camp as a microcosm for America, in all its violence and glory. On its 80th anniversary, @zvasquez.bsky.social looks back at this underrated Western classic. buff.ly/t93HV1A
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Crooked Marquee @crooked-marquee.bsky.social · 03/06/2026
“Bleak Week acts as a kind of immersion therapy, one that, for me at least, can actually produce positive mental health effects,” @zvasquez.bsky.social writes. “These are bleak, despairing times we live in, and often, the only way out is through.”
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Jason Bailey @jasondashbailey.com · 02/06/2026
Hey gang, @zvasquez.bsky.social wrote about Bleak Week!
crookedmarquee.com
The Most Wonderful Time of the Year: Five Years of Bleak Week — Crooked Marquee
The Los Angeles-based film fest celebrating "the cinema of despair" expands globally, bringing arthouse audiences together in shared misery.
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Crooked Marquee @crooked-marquee.bsky.social · 13/05/2026
“‘Pete Kelly’s Blue’s is not some ‘so-bad-it’s-good’ camp curio,” @zvasquez.bsky.social writes. “It’s the type of psychotronic mind-melter that’s best stumbled upon late at night on TV. But it is also legitimately and intentionally gorgeous, funny, moving, exciting, and strange.”
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Jason Bailey @jasondashbailey.com · 24/05/2026
Also read @zvasquez.bsky.social! crookedmarquee.com/peckinpahs-e...
crookedmarquee.com
Peckinpah’s Elegy: Pat Garrett and Billy the Kid at 50 — Crooked Marquee
A look back at Sam Peckinpah’s violent but meditative “definitive statement” on the Western.
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Jason Bailey @jasondashbailey.com · 12/05/2026
Today at @crooked-marquee.bsky.social: @zvasquez.bsky.social goes long on PETE KELLY'S BLUES and moves it to the top of my watchlist.
crookedmarquee.com
Pizza, Guns and Cornets: On Pete Kelly’s Blues — Crooked Marquee
A forgotten '50s musical noir melodrama is an unexpected gonzo masterpiece that deserves rediscovery and cult classic status.
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Crooked Marquee @crooked-marquee.bsky.social · 12/05/2026
“‘Pete Kelly’s Blue’s is not some ‘so-bad-it’s-good’ camp curio,” @zvasquez.bsky.social writes. “It’s the type of psychotronic mind-melter that’s best stumbled upon late at night on TV. But it is also legitimately and intentionally gorgeous, funny, moving, exciting, and strange.” buff.ly/aKX9Ro6
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Crooked Marquee @crooked-marquee.bsky.social · 05/05/2026
Bill Duke's ‘A Rage in Harlem’ is a flawed but fascinating work of Black neo-noir from the early '90s. Thirty-five years after its initial release, @zvasquez.bsky.social looks at it as both its own film and as an adaptation.
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Jason Bailey @jasondashbailey.com · 05/05/2026
Today at @crooked-marquee.bsky.social, a RAGE IN HARLEM anniversary piece from @zvasquez.bsky.social that's so good, it made me wanna revisit for the first time since theatrical: crookedmarquee.com/for-love-of-...
crookedmarquee.com
For Love of Imabelle: Bill Duke’s A Rage in Harlem at 35 — Crooked Marquee
Bill Duke's adaptation of Chester Himes's iconic crime novel remains a minor but important work in the canon of neo-noir cinema.
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Crooked Marquee @crooked-marquee.bsky.social · 12/03/2026
“Who wants to live forever? This was the question that was on several filmmakers' minds 40 years ago this March,” @zvasquez.bsky.social writes. “The answer: only monsters and punks.”
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Crooked Marquee @crooked-marquee.bsky.social · 12/02/2026
“By the berserk third act, both they and the motel where they’ve holed up have undergone monstrous transformations, and they find themselves trapped in a tinfoiled hell more frightening than anything in ‘The Exorcist,’” @zvasquez.bsky.social writes of William Friedkin’s “Bug”:
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Crooked Marquee @crooked-marquee.bsky.social · 16/01/2026
“Lynch, who passed away one year ago at the age of 78, was not as prolific a producer as, say, Martin Scorsese,” @zvasquez.bsky.social writes. “But the films he attached his name to are a fascinating if mixed lot, each one reminiscent of or directly connected to his own filmography.”
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Crooked Marquee @crooked-marquee.bsky.social · 15/01/2026
“Lynch, who passed away one year ago at the age of 78, was not as prolific a producer as, say, Martin Scorsese,” @zvasquez.bsky.social writes. “But the films he attached his name to are a fascinating if mixed lot, each one reminiscent of or directly connected to his own filmography.”
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Crooked Marquee @crooked-marquee.bsky.social · 08/01/2026
The San Gabriel Valley has a long history with Hollywood, but it rarely finds itself the subject of films shot within its borders. For the release of the dark new indie drama “Rosemead,” SGV local @zvasquez.bsky.social argues that it’s overdue for its closeup. crookedmarquee.com/the-other-va...
crookedmarquee.com
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Crooked Marquee @crooked-marquee.bsky.social · 09/01/2026
The San Gabriel Valley has a long history with Hollywood, but it rarely finds itself the subject of films shot within its borders. For the release of the dark new indie drama “Rosemead,” SGV local @zvasquez.bsky.social argues that it’s overdue for its closeup. crookedmarquee.com/the-other-va...
crookedmarquee.com
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Crooked Marquee @crooked-marquee.bsky.social · 18/12/2025
The characters brought to life by Benicio Del Toro “feel guarded in a way that lends them mystery,” @zvasquez.bsky.social writes, “even as we never get the sense that he’s holding anything back.”
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Zach Vasquez @zvasquez.bsky.social · 17/12/2025
Wrote about my favorite living actor for @crooked-marquee.bsky.social
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Crooked Marquee @crooked-marquee.bsky.social · 24/10/2025
“Nebraska,” the album at the center of the new “Springsteen: Deliver Me From Nowhere,” is “already deeply connected to American cinema, perhaps more so than any other album in the annals of rock n’ roll,” @zvasquez.bsky.social writes. crookedmarquee.com/springsteen-...
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Jason Bailey @jasondashbailey.com · 23/10/2025
DELIVER ME FROM NOWHERE stinks but it inspired this very good piece by @zvasquez.bsky.social!
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Crooked Marquee @crooked-marquee.bsky.social · 23/10/2025
“Nebraska,” the album at the center of the new “Springsteen: Deliver Me From Nowhere,” is “already deeply connected to American cinema, perhaps more so than any other album in the annals of rock n’ roll,” @zvasquez.bsky.social writes. crookedmarquee.com/springsteen-...
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MidCenturyCinema @midcenturycinema.bsky.social · 28/09/2025
BOTD Jim Thompson!! MCCT5 JT/film 5)Série noire 4)Getaway 3)Coup/Torchon 2)After Dark, My Sweet 1)Grifters @fantomas2go.bsky.social w/key bio More @mollsotov.bsky.social: nebraskapublicmedia.org/en/news/news... @zvasquez.bsky.social / @crooked-marquee.bsky.social: crookedmarquee.com/inside-the-f...
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Crooked Marquee @crooked-marquee.bsky.social · 20/09/2025
David Fincher’s brilliant serial-killer drama ‘Seven’ debuted 30 years ago. But @zvasquez.bsky.social doesn’t want to write about that. He wants to write about all the movies that ripped it off:
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Crooked Marquee @crooked-marquee.bsky.social · 16/09/2025
“Given how indebted ‘Saw’ is to ‘Seven,’” @zvasquez.bsky.social writes, “I think its more than fair to say that the former is the true progenitor of torture porn, loathe as those of us who love it but can’t stand that category are to admit it.” crookedmarquee.com/copycat-kill...
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Crooked Marquee @crooked-marquee.bsky.social · 15/09/2025
David Fincher’s brilliant serial-killer drama ‘Seven’ debuted 25 years ago. But @zvasquez.bsky.social doesn’t want to write about that. He wants to write about all the movies that ripped it off: crookedmarquee.com/copycat-kill...
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Crooked Marquee @crooked-marquee.bsky.social · 13/09/2025
For its ongoing re-release, @zvasquez.bsky.social looks back at ‘Who Killed Teddy Bear?’, a little-known but highly influential '60s cult classic neo-noir of psycho-sexual menace. crookedmarquee.com/classic-corn...
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Gilbert Martinez @gilpym.bsky.social · 13/08/2025
Some essential film critics/writers to read/follow: @katiewalshstx.bsky.social @aheartofgould.bsky.social @bilgeebiri.bsky.social @roxana-hadadi.bsky.social @brndnstrssng.bsky.social @jasondashbailey.com @812filmreviews.com @oldfilmsflicker.bsky.social @carlosfilm.bsky.social @zvasquez.bsky.social
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Crooked Marquee @crooked-marquee.bsky.social · 11/08/2025
The late, great Stuart Gordon was born on this day in 1947. @zvasquez.bsky.social pays tribute to his late period: crookedmarquee.com/the-fascinat...
crookedmarquee.com
The Fascinating Provocations of Stuart Gordon's American Trilogy — Crooked Marquee
The late filmmaker was best known for horror and sci-fi, but his final three films straddled the line between horror, noir, and pitch-black comedy.
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Crooked Marquee @crooked-marquee.bsky.social · 02/08/2025
“Mixing the more traditional murder mystery elements of gialli with the supernatural drama of his Three Mothers trilogy, Argento creates a movie that, even by his usual batsh*t standards, flies by the seat of its pants,” @zvasquez.bsky.social writes of PHENOMENA: crookedmarquee.com/classic-corn...
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Crooked Marquee @crooked-marquee.bsky.social · 07/08/2025
“One month after ‘Back to the Future’ hit theaters, audiences were treated to back-to-back teen comedies that similarly focused on beleaguered eggheads and blended teenage comedy with science fiction,” @zvasquez.bsky.social writes. crookedmarquee.com/everybody-wa...
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Crooked Marquee @crooked-marquee.bsky.social · 02/07/2025
“What makes ‘Dirty Work’ stand out from the pack, what ensured its status as a cult classic even as it was bombing at the box office, was the singular comedic stylings of its star and co-writer,” @zvasquez.bsky.social writes. crookedmarquee.com/dirty-work-a...
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Crooked Marquee @crooked-marquee.bsky.social · 26/06/2025
“While less ideologically shaky than the ‘Dirty Harry’ movies, ‘Walking Tall’ is still very much a reactionary and authoritarian film,” @zvasquez.bsky.social writes. “It is also, as with so many cop/vigilante movies of its day, completely awesome.” crookedmarquee.com/walking-tall...
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Film Noir Foundation @noirfoundation.bsky.social · 06/06/2025
The print edition of @noircitymag #43 is now available from Amazon: www.amazon.com/dp/B0FBX91D66 Zach Vasquez breaks down David Lynch’s seminal neo noir contributions; Eddie Muller revisits, and reconsiders, "The Big Heat", and much more! @eddiemuller.bsky.social #noiralley @tcmparty.bsky.social
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Crooked Marquee @crooked-marquee.bsky.social · 04/06/2025
With the release of his latest feature, "The Phoenecian Scheme," Wes Anderson continues to follow in the footsteps of the greatest of all auteurs, Federico Fellini. crookedmarquee.com/the-unexpect...
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Zach Vasquez @zvasquez.bsky.social · 04/06/2025
Now available: digital version of the latest Noir City magazine, featuring my cover story on the noir legacy of David Lynch. It was a great honor to write about my hero’s work in my favorite genre. Print edition coming soon. surl.li/zxbglk @noirfoundation.bsky.social
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Zach Vasquez @zvasquez.bsky.social · 03/06/2025
Watching The Swimmer at my bar, realizing how good a double feature this would make with After Hours. Day/night Suburban nightmare/urban nightmare WASP/New York ethnic NO ONE GETS LAID
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Zach Vasquez @zvasquez.bsky.social · 29/05/2025
Opening page of my upcoming Noir City cover story on David Lynch:
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Zach Vasquez @zvasquez.bsky.social · 27/05/2025
Extremely excited to share that I wrote the cover story for the upcoming issue of Noir City. It was a great honor to be able to pay tribute to the noir legacy of my hero, David Lynch. Can’t wait to see it in print! @noirfoundation
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Crooked Marquee @crooked-marquee.bsky.social · 15/05/2025
“One of the reasons that ‘Possession’ is so deeply loved, the reason I hold it as my favorite film of all time, is because of how deeply personal and singular a work of art—art, not content—it is,” @zvasquez.bsky.social writes:
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Jason Bailey @jasondashbailey.com · 14/05/2025
When @zvasquez.bsky.social asks to write about POSSESSION, you let him write about POSSESSION
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Crooked Marquee @crooked-marquee.bsky.social · 03/05/2025
“‘Crossroads,’ like ‘Sinners,’ embraces the myth of the tramping musician in all of its rugged individualism,” @zvasquez.bsky.social writes. “You’ve got to follow your muse, even if she brings you face to face with the devil.” crookedmarquee.com/dancing-with...
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