Yuval Abraham and Rachel Szor (part of the Oscar-winning collective behind No Other Land), have returned with NAZA. Now playing in theaters, and soon to follow online, it is another striking piece of…

Written by Eric Zhu "Drawing a line from interpersonal voyeurism to the hyper-surveilled present, the way Harari explores murky historic precedents to Daniel and Malia’s conundrum are some of "The Unknown’s” most terrifying ellipses. On the cinematic side, Harari evokes both the experience of..."

Movie review of Aaron Sorkin's 'The Social Reckoning' starring Mikey Madison and Jeremy Allen White. An entertaining (though flawed) screed against Facebook's role in the deterioration of American soc...

A lot of time has passed since the Social Network landed; the sequel feels almost as tired as all of us are.

Eric reports from the New York Film Festival on Double Freedom, Lisandro Alonso’s a quasi-remake of his 2001 debut, La Libertad.

Aaron Sorkin revisits Facebook with strong performances but little new insight in this disappointing Social Network companion.

Screenings of the five nominated films for the Seattle Film Critics Society's 2026 Pacific Northwest Filmmaking Award.

Our ranked list of the 175+ best horror movies of the 2020s so far, from Weapons and The Substance to Sinners, Titane and Talk to Me. Updated throughout the decade.

Today on the podcast, Liam and Chase sit down with A.S. Hamrah, film critic at N+1 and author of two works of criticism, The Earth Dies Streaming and Algorithm of The Night, as well as a collection of...

Allen Almachar reviews The Social Reckoning, from writer/director Aaron Sorkin and starring Mikey Madison, Jeremy Allen White & Jeremy Strong.

The last film by Yasujiro Ozu is a gently heartbreaking story about a man’s dignified resignation to life’s shifting currents and society’s modernization.

A film review of 'Big Girls Don't Cry' directed by Paloma Schneideman and starring Ani Palmer as part of our Sundance 2026 coverage.

Written by Taylor Baker "I cannot recall any other instance when a film adapting a novel made itself less credible and more contrived and vapid by simply putting the original author's own words on the screen. It serves to bludgeon the audience over the head with what..."

Eric reports from the New York Film Festival on Ana Vaz’s beautiful new feature, Hanabi.

Eric reports from the New York Film Festival on The Diary of a Chambermaid, Radu Jude’s most sentimental tale yet.

Mia Moore Marchant is an artist, actor, and filmmaker who grew up in Hoquiam, Washington, before moving to Los Angeles in 2018. She’s worked on a variety of hit celebrity podcasts and interview progra...

Stephen Chow's first movie in seven years sure is a motion picture of some kind.

Aaron Sorkin writes and directs the sequel to The Social Network, and the absence of David Fincher is felt in every inert frame of The Social Reckoning.

CHRONOVISOR (Kevin Walker and Jack Auen, USA, 2026, 99 minutes) Sailin' away on the crest of a wave /  It's like magic /  Oh, rollin' and ri...

NIGHTBORN / Yön Lapsi  (Hanna Bergholm, Finland/Lithuania/France/UK, 2026, 92 mins) "Fuck London."--a sentiment a father will come to regret...