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peter honeyman

@peterhoneyman.a2mi.social.ap.brid.gy
189 followers 6 following 1.5K posts

red-diaper baby, draft dodger, professor emeritus, senior citizen 🌉 bridged from ⁂ a2mi.social/@peterhoneyman, follow @ap.brid.gy to interact

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peter honeyman @peterhoneyman.a2mi.social.ap.brid.gy · 8h
@peterwyrm it means my parents were commies
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Reposted by peter honeyman
bartcopp.mastodon.social.ap.brid.gy @bartcopp.mastodon.social.ap.brid.gy · 13h
In case I'm not the only one who noticed a distinct decrease in quality (and quantity) of search results in Google Scholar (few relevant hits, not finding papers even if I paste the full title in the search bar) and had mentally almost given up on it: it's […] [Original post on mastodon.social]
Google Scholar search results (not logged in/private mode) for 'Retrofitting Fine Grain Isolation in the Firefox Renderer'. A total of a completely implausible '9 results', none of which are the paper with the search query as its title.Google Scholar results for 'Retrofitting Fine Grain Isolation in the Firefox Renderer', this time when logged in. While it only shows 2 hits, those 2 hits are the paper with this as title, and its extended arXiv version. Clicking through on the 'Showing the best results for this search. See all results' results in 'About 346 results', many of which at least on first sight appear to be relevant
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peter honeyman @peterhoneyman.a2mi.social.ap.brid.gy · 19/10/2026
spectacular
A 2-by-5 grid of ten close-up selfies of an older man with a bald head, wild white hair at the sides, and a white mustache and soul patch, wearing a black hooded sweatshirt. In every shot he looks straight at the camera with raised, slightly furrowed brows and a flat, deadpan expression. Only his glasses change. Behind him is a cozy living room with exposed red brick, a bright red abstract painting on a blue-gray wall, a shelf of small figurines, and holiday lights and greenery.

Top row, left to right: thin, nearly rimless rectangular frames with a dark top bar; large round honey-amber tortoiseshell frames; small gold ovals with dark brown tinted lenses; thin burgundy-and-gold oval wire frames; slim silver rectangular frames.

Bottom row, left to right: browline frames with dark tortoiseshell tops and lighter metal bottoms; tiny rimless round glasses; round frames with a thick matte-black upper arc; round gold frames with rose-brown tinted lenses; round gold wire frames with one clear lens and one dark gray lens, giving a one-eyed, winking look.

ALT by Claude
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Reposted by peter honeyman
peter honeyman @peter.honeyman.org · 18/10/2026
S Ashley & W Washington under a blue sky
Street corner in downtown Ann Arbor on a sunny autumn afternoon, under a deep, cloudless blue sky. A three-story red brick building with a flat, bracketed cornice stands at the intersection, its upper floors lined with tall arched windows. A red metal fire escape climbs the left side. At street level, an orange-trimmed storefront with arched glass panes wraps the corner, with red patio umbrellas and café tables on the sidewalk to the left. Next door, a slightly newer brick building has a dark green awning and a hanging sign reading "Grizzly Peak," with black umbrellas outside. Cars are parked along the curb, including a white Camaro and a dark sedan. On the far left, a pedestrian in a green jacket with a backpack crosses the street. Newer, modern apartment buildings, one with a curved silver facade, sit in the background. The shadow of a lamppost falls across the foreground crosswalk.

ALT by Claude
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peter honeyman @peterhoneyman.a2mi.social.ap.brid.gy · 18/10/2026
we got the window seat at the old town
Late-afternoon sun is pouring through the window, with a starburst flare just above the right edge of the frame and a golden glow washing over the glass. The window itself is a little smudged and spotted, which catches the light and adds to the warm haze.

Outside is the corner of Liberty and Ashley, with a "No Turn on Red" sign and a "First St Detour" sign in orange. Traffic lights hang from a mast arm over the crosswalk, and a bare-branched tree with a few yellow leaves stands in the foreground, so it's clearly late fall. Beyond the intersection you can see the Fleetwood Diner's neon sign, tucked under the glare on the right.

Red Campari umbrellas shade the sidewalk patio tables, and a few diners sit at one table while three people stand chatting beside them. A red SUV is parked at the left edge of the frame.

Inside, the frame is dark wood trim with a rumpled red curtain gathered on a rod across the bottom. A small "Please Don't Touch" sign dangles from the window, and at the bottom right the table holds condiments (ketchup, mustard, and bottles). A chalkboard sign advertising an "Espresso Martini" peeks up at the lower center, and a hand holding a phone is faintly reflected at the left.

The overall feel is a cozy, lived-in tavern view of a quiet Ann Arbor autumn evening, with warm light inside and a cool blue sky beyond.

ALT by Claude
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Reposted by peter honeyman
John Manoogian III @jm3.trunk.lol.ap.brid.gy · 17/10/2026
you could actually take every transportation engineer in your city with degrees and accolades and replace them with fed up bike guys with zero experience and they’ll end traffic violence and make streets safer in like 12 hours
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peter honeyman @peterhoneyman.a2mi.social.ap.brid.gy · 16/10/2026
A chocolatier is opening up on Liberty, where Kilwin’s used to be. And it looks like a Middle Eastern restaurant is opening across the street, formerly TAQ. So an ice cream parlor becomes a sweet shop, and a taco joint a shawarma shop. Even trades.
Street-level photo of a terracotta-red brick storefront with a large brown sign reading “QUIX CHOCOLATE,” a small crown emblem between the two words. A tree with bright yellow autumn leaves stands at the left, partly covering the sign, and a black globe street lamp stands at center. Two large display windows hold dark brown posters with the word “QUIX” in an elegant serif typeface, “Belgian Chocolates” beneath it, and the text “Coming soon! Made in Michigan,” plus “Now hiring” with a website and Instagram handle. Between the windows is an orange-framed wooden door with glass panes and a window air conditioner above it; farther right is a bright blue door and a window with colorful artwork inside. On the sidewalk are a blue accessible-parking sign, a green parking pay post, and a pair of tall no-parking signs at the right edge. Golden fallen leaves blanket the street and gutter, and chalk lettering on the curb reads “FREE PALESTINE.” A red-brick building with a painted mural is visible at far right. The scene is an overcast autumn day.

ALT by ClaudePhoto of the street-level facade of a building with gray-painted brick and a stone base. A white banner above the entrance reads “Alloush Grill” in black cursive script. Below it, black-framed windows and a glass door are covered on the inside with brown kraft paper, hiding the interior, a sign that the space is being prepared for opening. Small gold lettering on the door glass reads “106 E Liberty St, Ste 120.” In front, a blue stepladder leans against the stone base. On the sidewalk sit two gray buckets, a white bucket with a red lid, a bag of building material, a mixing drill, a long-handled tool, and a yellow extension cord stretching across the pavement. At left, the mossy trunk of a tree with a few yellow leaves rises into the frame, and a security camera is mounted on the wall beside it. A second camera is fixed at right under the upper windows. Overcast daylight, late autumn.

ALT by Claude
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peter honeyman @peterhoneyman.a2mi.social.ap.brid.gy · 16/10/2026
@nickapos that’s a good way of looking at it
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peter honeyman @peterhoneyman.a2mi.social.ap.brid.gy · 16/10/2026
i’m just going to listen to john coltrane all night if that’s ok #nowplaying
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peter honeyman @peterhoneyman.a2mi.social.ap.brid.gy · 16/10/2026
It was a fun way to read a challenging novel, but it must have more than doubled the time I spent on the book. Yet my understanding and appreciation of it was multiplied many times over. There’s a reason this guy won the Nobel Prize. 3/3
A hardcover with a yellow cover lies open on a wooden café table, showing page 209 at the start of chapter “Twelve.” In the foreground is the foam of a cappuccino. Behind the book are a folded paper napkin, a dark cap, and a wood-paneled wall with a potted plant and black wooden chairs. A section of weathered red-painted wall is visible on the left.

ALT by Claude
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peter honeyman @peterhoneyman.a2mi.social.ap.brid.gy · 16/10/2026
Fortunately, this time, I had a lit-crit droid by my side, who made sure I didn’t miss a thing! Golding, so careful and understated with his words, and so erudite, especially on matters of Christian practice (where I am at a bit of a disadvantage), demands close […] [Original post on a2mi.social]
A closed, mustard-yellow library hardcover lies on a white marble counter, its cover labeled “GRAD 828 G6215sp 1964.” Beside it is a cappuccino in a white cup and saucer. Through the window behind, scaffolding frames a brick-paved street with a parked dark hatchback, a parking meter, and a small tree in front of city buildings.

ALT by Claude
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peter honeyman @peterhoneyman.a2mi.social.ap.brid.gy · 16/10/2026
I read William Golding’s The Spire, a hardcover borrowed from the grad library’s third floor stacks. It’s a Serious Book by a Serious Author. When I read it 25 years ago, I followed the story but got many of the characters confused, missed most of the carnal and […] [Original post on a2mi.social]
A hardcover copy of William Golding’s The Spire lies open to its title page (Harcourt, Brace & World, New York) on a dark wood table. In the foreground, slightly out of focus, is a white cup of cappuccino on a saucer, with a swirl of milk foam.

ALT by Claude
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peter honeyman @peterhoneyman.a2mi.social.ap.brid.gy · 15/10/2026
@oclsc.bsky.social call him adolf
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peter honeyman @peterhoneyman.a2mi.social.ap.brid.gy · 15/10/2026
@dwallach @mattblaze oh yes, massalin, i remember. insanely brilliant.
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peter honeyman @peterhoneyman.a2mi.social.ap.brid.gy · 13/10/2026
@Nonilex lock her up
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peter honeyman @peterhoneyman.a2mi.social.ap.brid.gy · 13/10/2026
@tomjennings i’m laughing inside. or crying idk.
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peter honeyman @peterhoneyman.a2mi.social.ap.brid.gy · 13/10/2026
the view of here
Late-night selfie taken from a low angle, with me in the lower right corner and an wall of books rising behind me. I’m bald with wisps of gray hair at the sides, wearing dark-framed rectangular glasses and a gray mustache, and I have a calm, slightly deadpan expression. I’m in a dark sweater, and my face is lit by the soft glow of a screen.

The real star is the floor-to-ceiling white bookcase, packed with paperbacks, hardcovers, and leather-bound volumes. A white rolling ladder slants across the left side against an exposed brick wall, and a black rail runs along the upper shelves. Two cubbies are lit up like stage sets: one glows yellow and holds a row of miniature Dutch canal houses (KLM business class trans-Atlantic trophies), the other glows deep blue with twinkling multicolored string lights around a curved brown wooden nude sculpture.

Lower down, you can spot a few identifiable spines (War and Peace, a Tom Wolfe title, The Secret Life of Circuits by @lcamtuf) and a Cass Technical High School 1970 yearbook on the right. A framed portrait of Einstein sits beside a dark bust on a pedestal, with a small pair of 3D viewers nearby. At the bottom left, shelves of vinyl records lean over a turntable and a small amp, set into a white cabinet.

The overall mood is cozy, scholarly, and a little whimsical: a serious library with playful lighting, caught at an hour when all is quiet.

ALT by Claude
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peter honeyman @peterhoneyman.a2mi.social.ap.brid.gy · 13/10/2026
midnight and all’s well
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peter honeyman @peterhoneyman.a2mi.social.ap.brid.gy · 11/10/2026
@threebodybot boingboing.net/2026/10/09/an-atlas-…
boingboing.net
An atlas of periodic solutions to the three-body problem
The three-body problem remains unsolved—we can't generally predict the motion of three bodies for all starting conditions using regular maths—but there are many solutions showing periodic orbits given _specific_ conditions. Three Body Orbits is a beautiful "atlas" animating 3,942 of them. > Three point masses attracting each other under Newtonian gravity have no general closed-form solution. Almost every starting arrangement ends in a chaotic dance and, eventually, an escape. Hidden in that chaos are periodic solutions: arrangements where all three bodies return, after one period, to exactly the positions and velocities they started with. This site collects the ones that have been found and published, and lets you watch each of them run. The atlas divides solutions into 41 families which share a shape and a topology, "each traced back to the paper that found it," and has a 'battle' mode for comparing them. There's a leaderboard; currently Moth region HS.417 and Rosette 5:9 are neck-and-neck up top, with the minimalist Brouke-Boggs S34 and the ribbonlike Yin-Yang III.12.Aα among the front-runners. Least liked is II.C.44, which soon ends up a flat scribble in the visualizer. Be sure to check out Free-fall F1 and Gear inside oval. You can "kick" the orbits to mess up the pattern, but some are resistant to light gravitational nudges. You can even make your own one. Henri Poincaré showed that the three-body problem cannot be solved with standard mathematical operations more than a century ago, proving that small variations in deterministic systems lead to wildly divergent results and standing among the mathematicians who inspired chaos theory. Where each of them would stand now is impossible to predict. **Previously:** • Watch the trailer for the upcoming animated adaptation of The Three-Body Problem • China's own live-action adaptation of The Three Body Problem is live now, with English subs • N-body simulation of the gravitational collapse of Spongebob Squarepants
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peter honeyman @peterhoneyman.a2mi.social.ap.brid.gy · 11/10/2026
@jschauma if they DID take a compilers course and the year was 1979 to 1982, they took it from ME!
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peter honeyman @peterhoneyman.a2mi.social.ap.brid.gy · 11/10/2026
#a2council 🤔
mastodon.green
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peter honeyman @peterhoneyman.a2mi.social.ap.brid.gy · 10/10/2026
@jef i hate those damn locks
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peter honeyman @peterhoneyman.a2mi.social.ap.brid.gy · 10/10/2026
@jm3 no, CRISP vs. standing in a separate line for each course at Waterman Gym. (yes, I am that old!)
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peter honeyman @peterhoneyman.a2mi.social.ap.brid.gy · 09/10/2026
Free lunch Friday with the faculty and the topic du jour was not AI, it was 1) how to proctor exams, now that we are allowed to proctor exams, and 2) an hour-long presentation on MENTORING, including a dramatic presentation by the Center for Research on Learning and Teaching Players. (They are […]
a2mi.social
Original post on a2mi.social
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peter honeyman @peterhoneyman.a2mi.social.ap.brid.gy · 08/10/2026
not good at all. more like 722 deaths in the family.
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peter honeyman @peterhoneyman.a2mi.social.ap.brid.gy · 08/10/2026
@jschauma what do they do with all that money?
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peter honeyman @peterhoneyman.a2mi.social.ap.brid.gy · 07/10/2026
i ran into a theory prof, asked if anything she was working on was on the list. “no, they’re not hard enough.”
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peter honeyman @peterhoneyman.a2mi.social.ap.brid.gy · 07/10/2026
oh. i see. scottaaronson.blog/?p=10169
scottaaronson.blog
The Mathocalypse
Last night my 9-year-old son was taunting my wife, complexity theorist Dana Moshkovitz, as follows: “mommy, I heard you got cooked! I heard that a robot solved the math problem you worked on …
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peter honeyman @peterhoneyman.a2mi.social.ap.brid.gy · 07/10/2026
@rsalz AFAICT CS theory died
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peter honeyman @peterhoneyman.a2mi.social.ap.brid.gy · 07/10/2026
especially the theory faculty, all ashen
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peter honeyman @peterhoneyman.a2mi.social.ap.brid.gy · 07/10/2026
free lunch wednesday and i find my cs colleagues are all FREAKING OUT 🤔
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peter honeyman @peterhoneyman.a2mi.social.ap.brid.gy · 06/10/2026
@rsalz you say that 256-byte SHA3 digest [or 256 coin flips or whatever] has very high entropy because it is extremely hard to predict, but doesn’t this just beg the question? you could as easily have said that 256 coin flips are very hard to predict because they have high entropy?
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peter honeyman @peterhoneyman.a2mi.social.ap.brid.gy · 06/10/2026
@SteveBellovin i was unusually fatigued for a day. lemme know how it goes for you.
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peter honeyman @peterhoneyman.a2mi.social.ap.brid.gy · 05/10/2026
everyone needs a little more music in their life!
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peter honeyman @peterhoneyman.a2mi.social.ap.brid.gy · 05/10/2026
headed to the post office to mail some tapes (and one crappy tape player) to some friends in ann arbor and LA (and a stranger in ferndale)
A white-painted ledge against an old red brick wall, above a scuffed black floor. On the left sits a box for an "odeo" cassette player (AM/FM radio, recorder) with a cheerful pink plastic Walkman knockoff on the front and retro red, green and gold stripes down the side. Perched on top of the box and arranged around it are four clear cassette cases, each with a hand-painted J-card.

Top left, lying sideways: a field of greens in three vertical bands. There's dense forest-green brushwork like fish scales, a paler lime strip of short strokes, and dark green dabs marching over yellow like a crop row seen from a plane.

Top right, also sideways, the loudest of the bunch: a collage. Orange "$50" bank currency straps, one pasted upside down, bracket the corners. A vintage engraving of a reclining, twisting figure in green ink sits beside patches of red with green polka dots and navy with purple dots. Over it all is a slab of thick yellow paint that half-buries a typewritten poem. It opens with "typewriters. Enter this white room" and keeps drifting through lines about touch, mastery and blindness.

Bottom center, upright: hot pink and turquoise marbled together like a poured lava lamp, splotched with red and flecked with gold. A scrap of printed type peeks out along the top edge.

Bottom right, upright: deep ultramarine impasto churning like a night sea, slashed by rows of black diagonal dashes. Moody, heavy, and the best of the four.

ALT by Claude
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peter honeyman @peterhoneyman.a2mi.social.ap.brid.gy · 05/10/2026
@0xabad1dea seen in ann arbor
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peter honeyman @peterhoneyman.a2mi.social.ap.brid.gy · 04/10/2026
@jef i had a vernor’s float yesterday (we call it a boston cooler hereabouts)
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peter honeyman @peterhoneyman.a2mi.social.ap.brid.gy · 02/10/2026
corktown
This is a wide-angle, upward-looking shot dominated by sky. The top two-thirds is a sweep of wispy cirrus cloud that ends in a crisp, diagonal edge, with clean deep blue below it. A heavy black utility cable cuts across the top of the frame, along with a mast arm holding a hanging streetlight.

On the left is the C·P·A Building, a narrow five-story masonry building with a dentiled cornice, rows of small rosette ornaments, and a thin antenna on the roof. Almost every window is covered in weathered plywood, and only two still show glass or open frames. The wide lens makes it lean dramatically. At street level the arched bays are boarded up and covered with red-and-white "Vote Early" and "Built to Fight Back" posters. A green corner sign names the building, and green "Michigan" street signs hang nearby.

To the right, Michigan Avenue runs off toward an overpass lined with orange construction barrels. A white Ford Transit van and a white minivan are heading toward the camera beneath span-wire traffic lights (green) with "left turn only" signs. The right edge shows a grassy lot, trees just starting to turn yellow, a rusted-steel sculpture beside a low "Corktown" sign, a blank black billboard, and a distant white church steeple. The overall feel is bright early-autumn midday light over a half-vacant stretch of the neighborhood, with the boarded-up landmark set against a big sky.

ALT by Claude
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peter honeyman @peterhoneyman.a2mi.social.ap.brid.gy · 01/10/2026
@PaulWermer i have seen some agrivoltaics studies. seems like “it depends.” www.indiawaterportal.org/agricultur… doaj.org/article/fcb445889554496180… […]
a2mi.social
Original post on a2mi.social
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peter honeyman @peterhoneyman.a2mi.social.ap.brid.gy · 01/10/2026
i think about this a lot
Table comparing 160 acres farmed (corn, soy, wheat) versus leased to a solar developer, before income tax.

Income per acre: farming nets about $30–$200 after all costs; solar pays $300–$1,000, averaging $500–$700 nationally.

Total for 160 acres: farming about $5,000–$32,000; solar about $48,000–$160,000, or $80,000–$112,000 at the national average.

Best case: farming, a strong-price year on top soil; solar, $800–$2,500 per acre (up to $400,000) near tight transmission capacity, which is rare.

Stability: farming is volatile with prices, yields and input costs; solar is fixed once built, but only if the project is built.

Annual escalator: none for farming; typically 1.5%–2.5% for solar.

Your costs: farming means seed, chemicals, machinery, fuel, labor and land; solar is almost nothing, plus $500–$2,000 for an attorney review.

Before construction: solar pays only a small option fee, $10 to a few hundred dollars per acre, and many projects never get built.

Contract length: farming is one season; solar is 25–35 years, often with extensions.

ALT by Claude
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peter honeyman @peterhoneyman.a2mi.social.ap.brid.gy · 01/10/2026
oh hooray a doctoral student who i looooooove (because he is an absolute genius and a monster at research) invited me to be on his committee!!! oh frabjous day!!!!! #EmeritusJoy #AintDeadYet
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peter honeyman @peterhoneyman.a2mi.social.ap.brid.gy · 29/09/2026
sometimes shitty film and a shitty camera get it right #polaroid #photography
Black-and-white Polaroid of a young child with short, tousled blond hair, looking down with eyes nearly closed. The image is soft and blurred, as if the child moved during the exposure. The child wears a sleeveless dress with a bold floral pattern in dark and white. Behind them is a weathered brick wall with a string of café lights sagging across it and a multi-paned window at upper right. The right side of the frame is washed out to a pale cream glow, and small swirled chemical artifacts mark the print. A white starburst-like stain sits in the upper left corner.

ALT by ClaudeExtreme close-up Polaroid of a child's face, heavily blurred and overexposed so the image looks dreamlike. The child looks downward, with a dark smudge where the eyes are and the nose and mouth softly visible. Wisps of blond hair fall in dark, feathery streaks across the top and right of the frame. At lower left, a geometric diamond-lattice pattern on the child's clothing is the sharpest detail in the picture. Most of the frame fades to bright, creamy white, with faint rainbow-like chemical swirls near the bottom edge.

ALT by ClaudeBlack-and-white Polaroid of two stuffed animals sitting side by side on a tiled surface, both out of focus. In the foreground at left is a large, dark, plush teddy bear looking up and to the right, with a pale muzzle and dark nose. Beside it sits a smaller plush tiger with dark stripes on its arms, legs and tail, its head tilted upward as if watching something. Behind them, blown-out highlights show a white bucket or pot and other indistinct objects. The right side of the frame glows nearly white, and pale swirls of chemical residue mark the print.

ALT by Claude
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peter honeyman @peterhoneyman.a2mi.social.ap.brid.gy · 29/09/2026
RE: mastodon.social/@Robinbannks/117349… #nowplaying ! #steviewonder #songsinthekeyoflife
Songs in the Key of Life came out September 28, 1976, exactly 50 years ago. I’m holding up the gatefold sleeve, with its warm orange-and-amber sunburst of concentric, ragged-edged rings around a small pen-and-ink portrait at the center. The title curves along the inner ring and Stevie Wonder's name in flowing script below it. A round sticker in the upper left reads "Collector's Album, Includes Two Records, A Something's Extra Bonus Record, 24-Page Lyric Booklet." That's the original double LP plus the bonus 7-inch EP, which was the whole point of the "collector's album" pitch. [I have lost the booklet and EP #alas]

Behind it, the turntable is in the middle of playing one of the discs, with a yellow-and-red Tamla label visible and the tonearm resting on the record. The player looks like a Marantz full-automatic. To the left, a shelf is stuffed with records and 45s, and up top there's a City of Ann Arbor, Michigan medallion among some challenge coins on the ledge.

ALT by Claude
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Reposted by peter honeyman
Bruce Sterling @bruces @bruces.mastodon.social.ap.brid.gy · 27/09/2026
*Neal Stephenson making his extensive case for hand-writing fiction with pen and paper. nealstephenson.substack.com/p/writi…
nealstephenson.substack.com
Writing by Hand is Good for your Brain - Here's how to do it
Because I am known to write using a fountain pen on paper, a number of people have pointed me to this post and its underlying research. I won’t rehash what is said in those sources, but the gist of it is that when you write things down by hand you’re recruiting more of your brain, which is a good thing.
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peter honeyman @peterhoneyman.a2mi.social.ap.brid.gy · 27/09/2026
[sportsball] karma
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peter honeyman @peterhoneyman.a2mi.social.ap.brid.gy · 22/09/2026
1,500-day streak on duolingo! et pourtant, je parle 🗣️ encore comme un bébé 👶🏽 #alas
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Reposted by peter honeyman
sporksmith :unicycle: :rust: @sporksmith.hachyderm.io.ap.brid.gy · 18/09/2026
What a legend www.purdueexponent.org/campus/1-whe…
newspaper clipping from the Indianapolis news, July 7 1990. "one-wheel rider faces two charges"newspaper clipping from March 1992. "swordsman finds the law is his foil"
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peter honeyman @peterhoneyman.a2mi.social.ap.brid.gy · 16/09/2026
RE: mathstodon.xyz/@johndcook/117280366… @threebodybot
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peter honeyman @peterhoneyman.a2mi.social.ap.brid.gy · 16/09/2026
@todd i bookmark often, but it's write-only
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peter honeyman @peterhoneyman.a2mi.social.ap.brid.gy · 14/09/2026
i just sent a colleague a slack DM "you are my favorite professor ❤️"
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