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THE UPRISING Review: Brooding Andrew Garfield Leads a Semi-Enthralling Medieval Epic
For a brief, not-quite-shining moment, Paul Greengrass’ (Captain Phillips, United 93, the Jason Bourne series) latest film, The Uprising, bore a subtitle added by studio marketers, “The Rise of Robin Hood,” only to remove it after howls of outrage from the Terminally Online. They claimed, not without justification or cause, that the Robin Hood mythos had been adapted and re-adapted so many times in every possible medium as to lose all relevance or, at a minimum, any possible novelty or freshness. Luckily for them and for any moviegoers venturing out of the oppressive heat into their local multiplex to see The Uprising, Greengrass’ film doesn’t retell the overly-familiar Robin Hood’s story for the 357th time, but instead focuses on a well-documented period in...
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