In Alejandro G. Iñárritu’s conceptually elaborate apocalyptic farce, hectoring satire and visual sublimity fight to a draw.

Opera singers rarely make successful transitions to movie acting, but Maria Callas did—in Pier Paolo Pasolini’s “Medea,” from 1969.

Logline: “A guy not particularly fond of fresh air or crowds enters a nightmare universe full of the kind of outdoor spaces that give introverts panic attacks.”

In chronicling the making of “Girls,” Lena Dunham’s memoir reveals the cost of moving from the freedom of independent filmmaking to the corporate demands of television.

The novel, by Bradford Ropes and published in 1932, reads less like fiction than like a documentary about the lives of New York’s theatre people.

Nicholas Colia's feature directorial debut is a funny story with strong cast, including Melanie Lynskey, Owen Teague, and Everett Blunk.

Ars brevis; vita longa

033: I really loved this one. A young woman Isabelle becomes friends with a girl at work, and her infatuation with a married man starts to bubble over both of their lives. It’s beautifully filmed, and...

The ‘Golden girls of Eastbourne’ first crossed paths more than 50 years ago. They recall flammable feather head-dresses, wardrobe malfunctions and topping the bill over the Beatles