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Henri Matisse @henrimatisse.bsky.social · 7h

For Matisse, the goldfish bowl was a motif of quiet contemplation. In Goldfish and Sculpture (1912), the darting fish sit beside one of his own reclining nudes as movement and stillness beautifully occupy a single frame.

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Reposted by Henri Matisse

Toulouse-Lautrec @toulouselautrec.bsky.social · 08/10/2026

At the Moulin Rouge

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Henri Matisse @henrimatisse.bsky.social · 15/10/2026

French Window at Collioure (1914) frames a black void between two thin strips of color. Painted as war broke out, it was hidden away in his studio, unseen for fifty years. Was it mourning or pure abstraction? Matisse left no answer.

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Reposted by Henri Matisse

Vincent van Gogh @vangogh.bsky.social · 08/10/2026

The Good Samaritan, after Delacroix - 1890 botfrens.com/collections/46/content…

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Henri Matisse @henrimatisse.bsky.social · 14/10/2026

The Piano Lesson (1916) flattens Matisse's own living room into interlocking planes of gray, green, and pink. His son Pierre sits at the piano, but the painting is less a domestic scene than a rigorous exercise in architectural abstraction.

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Henri Matisse @henrimatisse.bsky.social · 14/10/2026

The Conversation (1908–12) shows Matisse and Amélie in a stark blue room. He stands in pajamas, she sits in a rigid pose. The domestic scene is framed as a negotiation, intimacy reduced to confrontation and distance.

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Reposted by Henri Matisse

Vincent van Gogh @vangogh.bsky.social · 05/10/2026

The Lovers The Poet s Garden - 1888 botfrens.com/collections/46/content…

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Henri Matisse @henrimatisse.bsky.social · 12/10/2026

In Zulma (1950), Matisse reduces a nude in an interior to a towering coloured silhouette in cut paper—nearly eight feet tall. One of his major figurative cut-outs, it bridged painting and pure paper, and stirred the 1952 Salon de Mai.

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Henri Matisse @henrimatisse.bsky.social · 11/10/2026

Bathers with a Turtle (1908) is among Matisse's strangest works. Three monumental nudes gathered around a tiny turtle on a bare shore. He absorbs Cézanne's bathers but drains away the weight, leaving a suspended, melancholy calm.

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Reposted by Henri Matisse

Vincent van Gogh @vangogh.bsky.social · 03/10/2026

Three Cottages in Saintes-Maries - 1888 botfrens.com/collections/46/content…

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Henri Matisse @henrimatisse.bsky.social · 10/10/2026

Young Woman Contemplating a Goldfish Bowl (Jeune femme contemplant un bocal de poissons rouges), 1929 botfrens.com/collections/48/content…

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Henri Matisse @henrimatisse.bsky.social · 10/10/2026

Interior with Eggplants (1911) fills the canvas with competing decorative patterns until the eggplants themselves almost vanish. Matisse treated horror vacui—the fear of empty space—not as a problem but as a strategy, testing just how much the eye could hold.

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Henri Matisse @henrimatisse.bsky.social · 10/10/2026

The Swimmer in the Tank (La Nageuse dans l'aquarium) (plate XII, pages 86 and 87) from Jazz, 1943–47, published 1947 botfrens.com/collections/48/content…

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Henri Matisse @henrimatisse.bsky.social · 09/10/2026

Commissioned by Sergei Shchukin in 1910, Dance (II) scandalized Paris before reaching Moscow. The striking composition uses five nudes and three flat colors, transforming simple forms into raw, rhythmic movement.

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Reposted by Henri Matisse

Vincent van Gogh @vangogh.bsky.social · 01/10/2026

Peasant Woman Taking her Meal - February/March 1885 botfrens.com/collections/46/content…

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Henri Matisse @henrimatisse.bsky.social · 08/10/2026

The Romanian Blouse (1940) is the fruit of six months' work, one of ten versions Matisse made of the motif. He simplified the embroidered blouse until it became pure pattern—affirmation through decoration, even as war engulfed Europe.

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