Reposted by Matt Waldram
Dolly Parton invested the royalties she earned for writing ‘I Will Always Love You’ in Nashville’s Black community www.washingtonpost.com/arts-enterta...
"This is the house that Whitney built" - DP
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Matt Waldram
@mattwaldram.bsky.social
751 followers 438 following 566 posts
Writer, idiot, has bad knees. Believes in carbs, monsters, and scrumping. He/him.
![A cropped screenshot of an article section titled "Gary Larson cartoon incident" from a Tumblr page. The text describes a controversy involving a Far Side cartoon and Jane Goodall.
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Gary Larson cartoon incident
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In 1987 Gary Larson published a Far Side cartoon of two chimpanzees grooming, in which one discovers a blonde hair and says, "Conducting a little more 'research' with that Jane Goodall tramp?"[127] The Jane Goodall Institute called the cartoon an "atrocity" in a letter drafted by its lawyers to Larson and his syndicate. Goodall, who was in Africa at the time, later found the cartoon amusing.[128]
She went on to name it her favourite depiction of herself in pop culture.[129] Larson offered profits from sales of a shirt featuring the cartoon to the Jane Goodall Institute.[130]
Goodall wrote the preface to The Far Side Gallery 5, detailing her version of the controversy.[131] She praised Larson's creative ideas, which often compare and contrast the behaviour of humans and animals.
In 1988 Larson visited Goodall's research facility in Tanzania.[128] While there, he was attacked by a chimpanzee named Frodo.[127][132]](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:qdtwslusias4dnfmqydvudsq/bafkreiab4xelozcgki2mm2n3wwq5vdhbvve7v76enl6wbonavz6gjc2p7u)
![Himid has lived in Britain for more than seven decades, grown up here, been educated here, built a life and a career here
- and yet the question of what "here" actually means, of who gets to belong and who is merely tolerated, has never left her work. "We do a thing, Magda and I, if we're booking a table on the phone, I will always do it," says Himid, whose RP-ish English has little trace of either London or Lancashire. "But when we go to a place we don't know, I always want Magda [who was born in Poland and is white] to go first. She signifies one thing visually and I signify another thing audibly. Together, we are incredibly belonging and unbelonging."](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:yhbp52uzo4vsn5hlkbrfvxoq/bafkreieix4etf3ysmqh3q7byirpq77phrqnu46njn466psddyk46qhi46i)
![“Second point, shooting it with almost exclusively 50-millimeter or 65-millimeter lenses, which is the most comparable to the human eye—and only shooting from the point of view of a human being that’s present in this space. There are no cameras on gurney wheels going in the hallway. There’s no cameras on the ceiling looking down from a God point of view. You are limited to the perspective of a participant. You can look away, but you can’t leave, and it becomes an endurance test for you to stay on your feet as long as we’re on our feet. Which [brings me to my] third point: real time. Real time has an aggregate sense of tension that you don’t get in any other form of storytelling. What happened before is happening now, and these two things are going to add up to the next thing. And if we throw more ingredients into this cooker and keep ratcheting it up, it’s going to pop.”](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:guthikarwozoldkzhueivkl6/bafkreihklvhtymho7wpemo5mj2f7xaiq6ulvfvcwnzo6hjstg3wixzgesy)
