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Saw this in a theater last night and it was a transcendent experience. Highly recommend

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Isaac Feldberg @isaacfeldberg.bsky.social · 5h

I have looked upon Ken Russell’s THE DEVILS in all its uncensored, sacrilegious glory. As the restoration hits theaters, here is my deep dive on the desecration and resurrection of an unholy masterpiece, for @letterboxd.social, featuring interviews with those involved. Quite proud of this feature.

letterboxd.com

Behold the Holy Grail: the scandal, suppression and salvation of Ken Russell’s The Devils • Journal • A Letterboxd Magazine

As The Devils returns to theaters worldwide 55 years later with a newly restored, uncensored version, Isaac Feldberg explores the desecration and resurrection of Ken Russell’s maligned masterpiece.

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Isaac Feldberg @isaacfeldberg.bsky.social · 5h

letterboxd.com

Behold the Holy Grail: the scandal, suppression and salvation of Ken Russell’s The Devils • Journal • A Letterboxd Magazine

As The Devils returns to theaters worldwide 55 years later with a newly restored, uncensored version, Isaac Feldberg explores the desecration and resurrection of Ken Russell’s maligned masterpiece.

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Daniel Radosh @radosh.bsky.social · 12/10/2026

My kid has started a Letterboxd list called Killer Sweaters for films where the killer wears a great sweater and they've asked me to throw it out to Bluesky for more because "that's the kind of thing those weirdos like to do"

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sampsey.bsky.social @sampsey.bsky.social · 19/09/2026

Terrific conversation about #BlackZombie w/ director @mayaannik.bsky.social & @isaacfeldberg.bsky.social for Letterboxd! 💙

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Isaac Feldberg @isaacfeldberg.bsky.social · 19/09/2026

Honestly my favorite kind of movie.

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Isaac Feldberg @isaacfeldberg.bsky.social · 10/09/2026

“All of your neural synapses explode.” A blast to speak with Na Hong-jin, about the evolution of how he depicts violence and stages chase sequences across THE CHASER, THE YELLOW SEA, THE WAILING, and now his bugnuts HOPE — plus, why he idolizes William Friedkin, for @letterboxd.social.

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Isaac Feldberg @isaacfeldberg.bsky.social · 10/09/2026

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Isaac Feldberg @isaacfeldberg.bsky.social · 02/09/2026

Lola Petticrew on FURIOUS, kind of undeniably the best performance on television recently (with Quincy Tyler Bernstine a close second)

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One Heat Minute Productions @ohmpods.bsky.social · 01/09/2026

Great to look at, like its stars, but THE DOG STARS doesn't dig into the corners of the world it creates. Listen to the latest #OneHotTake with @isaacfeldberg.bsky.social and @oneblakeminute.bsky.social :

open.spotify.com

ONE HOT TAKE: The Dog Stars w/ Isaac Feldberg

One Heat Minute Productions · Episode

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Isaac Feldberg @isaacfeldberg.bsky.social · 22/08/2026

A joy to speak with Alexander Ullom about what’s eating Gen-Z and how his new horror-thriller IT ENDS also reflects the arrival of new distribution routes in independent cinema.

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Phil Nobile Jr. @philnobilejr.bsky.social · 23/08/2026

One of the smartest, hardest working people on the scene. Congrats to @letterboxd.social!

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Mitchell Beaupre @mitchellbeaupre.bsky.social · 23/08/2026

Couldn’t be more pleased to officially have Isaac join the @letterboxd.social team after the joy of many years working with him as a contributor. 🫶

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Isaac Feldberg @isaacfeldberg.bsky.social · 23/08/2026

Surreal. Thrilled and grateful to share exciting news — I’m joining Letterboxd as senior editor for Journal.

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Letterboxd @letterboxd.social · 20/08/2026

As Neon unleashes It Ends in US theaters, writer-director Alexander Ullom reflects with Isaac Feldberg on his buzzy thriller’s scenic route to release and optimism in the face of nihilism. boxd.it/3kc

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Isaac Feldberg @isaacfeldberg.bsky.social · 22/08/2026

I hope everyone sees COYOTE VS. ACME and think as they’re laughing their asses off and having a completely great time about how bizarre it is that Warner Bros. Discovery didn’t want it to ever be seen. boxd.it/fXFIIJ

boxd.it

A ★★★★ review of Coyote vs. Acme (2026)

Like, one of the most purely delightful films of the year, as visually ingenious as it is clever and quick-witted, never neglecting the entertainment value of the Looney Tunes even as it weaponizes th...

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Isaac Feldberg @isaacfeldberg.bsky.social · 22/08/2026

A joy to speak with Alexander Ullom about what’s eating Gen-Z and how his new horror-thriller IT ENDS also reflects the arrival of new distribution routes in independent cinema.

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Letterboxd @letterboxd.social · 03/08/2026

As Hadestown: The Musical becomes a summer box-oﬀice sensation, original Broadway principals Reeve Carney, Amber Gray and Eva Noblezada discuss the ﬁlming of its live capture, their intertwined love stories and Greek mythology’s enduring resonance. boxd.it/3hW

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Isaac Feldberg @isaacfeldberg.bsky.social · 22/08/2026

“There just isn’t a structure. There’s not “get a job, get a house,” etc. It’s truly just an infinite scroll.” IT ENDS is upon us. For @letterboxd.social, I spoke with Alex Ullom about existential road films, Don Hertzfeldt, the liminality of now, and much more. boxd.it/3kc

boxd.it

Road to Nowhere: Alexander Ullom on It Ends’ existential horror and Gen-Z ennui • Journal • A Letterboxd Magazine

As Neon unleashes It Ends in US theaters, writer-director Alexander Ullom reflects with Isaac Feldberg on his buzzy thriller’s scenic route to release and optimism in the face of nihilism.

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Chase 'Hutch' Hutchinson 📽️ @eclectichutch.bsky.social · 14/08/2026

Update via @isaacfeldberg.bsky.social: Claire Denis’ THE FENCE will be available to stream next Friday, August 21, on Sundance Now/AMC+. While not without flaw, I recommend seeing it for the performance of Isaach De Bankolé alone 📽️

A screenshot of a post from Isaac Feldberg that reads "🚨 Claire Denis’s new film THE FENCE, with Isaach de Bankolé, Tom Blyth, Mia McKenna-Bruce, and Matt Dillon—which just finished a weeklong theatrical run at IFC Center—will officially have its US streaming premiere next Friday, August 21, on Sundance Now/AMC+" with a still from the film where Isaach De Bankolé holds a jacket over his shoulder while looking through a wired fence that surrounds a site where his character's brother died.

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Isaac Feldberg @isaacfeldberg.bsky.social · 28/07/2026

I had the immense joy of sitting across from Kiyoshi Kurosawa in person at Cannes and speaking with this master filmmaker about moral codes, social contracts, eyelines and the dynamics they express, and the influence of classic jidaigeki on THE SAMURAI AND THE PRISONER, for @ebertvoices.bsky.social.

rogerebert.com

Advance to Paradise, Retreat to Hell: Kiyoshi Kurosawa on “The Samurai and the Prisoner”

The filmmaker breaks down his latest film's links to classic Japanese cinema, and the Buddhist teachings at its center.

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RogerEbert.com @ebertvoices.bsky.social · 07/08/2026

"You have to just keep going—to keep making films, as many as possible—but also never waste your time on bullshit, because there’s a lot of it." @isaacfeldberg.bsky.social spoke to Kent Jones about LATE FAME:

rogerebert.com

A Man of Letters: Kent Jones on "Late Fame"

The critic turned filmmaker talks about working within other people's sensibilities and his own memories of SoHo.

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Isaac Feldberg @isaacfeldberg.bsky.social · 03/08/2026

“I always get asked, ‘Why do you turn around?’ And I always answer, ‘So you don’t have to.’” With HADESTOWN a box-office smash, I asked three of its original Broadway principals—Reeve Carney, Eva Noblezada and Amber Gray—to discuss their experiences filming it, for @letterboxd.social: boxd.it/3hW

boxd.it

Way Down: Reeve Carney, Amber Gray and Eva Noblezada on Hadestown: The Musical’s theatrical triumph • Journal • A Letterboxd Magazine

As Hadestown becomes a summer box-office sensation, original Broadway principals Reeve Carney, Amber Gray and Eva Noblezada discuss the filming of its live capture, their intertwined love stories and ...

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Isaac Feldberg @isaacfeldberg.bsky.social · 03/08/2026

It’s pretty extraordinary what they achieved there — they all clearly understood their vision of that character inside and out, to be able to improvise so effectively.

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Isaac Feldberg @isaacfeldberg.bsky.social · 03/08/2026

Thanks for reading it, Christy — such a fascinating moment to see it perform so well in movie theaters, and I was grateful these three took some time to talk to me about it.

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Isaac Feldberg @isaacfeldberg.bsky.social · 03/08/2026

In which Reeve and Eva reveal which cast member coined the “Reeva” portmanteau, memories of André De Shields doing V-sit planks are shared, and much more, for @letterboxd.social:

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Isaac Feldberg @isaacfeldberg.bsky.social · 03/08/2026

boxd.it

Way Down: Reeve Carney, Amber Gray and Eva Noblezada on Hadestown: The Musical’s theatrical triumph • Journal • A Letterboxd Magazine

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Isaac Feldberg @isaacfeldberg.bsky.social · 30/07/2026

“For my generation, as a post-sexual-liberation generation, lust or sexual desire is the catalyst. It’s the trigger.” I spoke to Gregg Araki about I WANT YOUR SEX’s blurring of intimacy and artifice, the panopticon’s chilling effect on sexual discovery, and the shock success of HEATED RIVALRY.

rogerebert.com

Desire Is the Catalyst: Gregg Araki on "I Want Your Sex"

The director talks about the intersection of artifice and intimacy in his filmmaking and the sexual desire he prays still burns inside Gen-Z audiences.

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Isaac Feldberg @isaacfeldberg.bsky.social · 28/07/2026

rogerebert.com

Advance to Paradise, Retreat to Hell: Kiyoshi Kurosawa on “The Samurai and the Prisoner”

The filmmaker breaks down his latest film's links to classic Japanese cinema, and the Buddhist teachings at its center.

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Letterboxd @letterboxd.social · 27/07/2026

As Wet Hot American Summer celebrates 25 years of talking cans, talent shows and one unforgettable last day of camp, Mark Asch catches up with writer-director David Wain and writer-star Michael Showalter to discuss the making of an absurdist cult-comedy classic. boxd.it/3gY

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Letterboxd @letterboxd.social · 21/07/2026

As a new box set of his work arrives from the Criterion Collection, Mike Mills speaks with Mitchell Beaupre about his feelings-forward approach to ﬁlmmaking and the experience-based histories and hearts behind Beginners, 20th Century Women and C’mon C’mon. boxd.it/3gu

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Isaac Feldberg @isaacfeldberg.bsky.social · 28/07/2026

Lovely performance from Claire Foy in this occasionally special adaptation of a book I’d recommend to anyone.

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Jessica Ritchey @jmritchey.bsky.social · 24/07/2026

If you're good faith curious about an Ancient Greek adaptation made in Greece with a Greek cast, Iphigenia (1977) is very good. And makes a bracing chaser to Nolan's Odyssey. youtu.be/5jD-IuhwLmk?...

youtu.be

Iphigenia (1977)| Oscar-Nominated| Full Length Movie based on Euripides' Tragedy| English Subtitles

YouTube video by GREEK CINEMA

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Isaac Feldberg @isaacfeldberg.bsky.social · 24/07/2026

“Cinema can only take you so far in what it tells you... I wanted to make something that was about inspiring internal narratives within the audience.” I interviewed the great Nicolas Winding Refn out of the Cannes premiere of HER PRIVATE HELL, for the summer print edition of @fangoria.bsky.social.

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Isaac Feldberg @isaacfeldberg.bsky.social · 23/07/2026

HER PRIVATE HELL: Classic Refn in its surrealistic, neon-streaked fugue of seduction and violence, the connective tissue binding narrative strands remaining dreamily opaque until the film’s third act brings them together in gory, melodramatic fashion. More mournful than it is hopeful, a death dream.

letterboxd.com

A ★★★★ review of Her Private Hell (2026)

A pleasure to moderate two Q&As with NWR in Chicago for this. Classic Refn in its surrealistic, neon-streaked fugue of seduction and violence, the connective tissue binding its narrative strands rema...

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Isaac Feldberg @isaacfeldberg.bsky.social · 21/07/2026

THE WAILING: Na’s bumbling-cop mystery fades into a scarier sense of encroaching doom and helplessness. A huge reason the film works as much as it does is that Kwak Do-won carries a massive arc while maintaining a look of beleaguered horror that anticipates and mirrors the audience’s.

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Isaac Feldberg @isaacfeldberg.bsky.social · 17/07/2026

“The collective memory and experience of my generation was the ritual of going to see a ﬁlm. You would take a bath, ﬁnish your meal and walk to the cinema as if gathering around a temple.” — Tsai Ming-liang Still in disbelief I was able to speak with this master filmmaker, for @letterboxd.social.

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Isaac Feldberg @isaacfeldberg.bsky.social · 17/07/2026

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Letterboxd @letterboxd.social · 17/07/2026

Watchlist This! Our picks of under-the-radar gems from this month’s new releases. This edition includes uproarious summer comedies, achingly personal documentaries and coming-of-age stories by visionary female filmmakers. boxd.it/3fQ

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Grant Sharples @grantsharpies.bsky.social · 13/07/2026

Last month, I hung out with Michael Angelakos on his tour bus to discuss the next chapter of Passion Pit. He showed me a bunch of new music, explained his reasons for stepping away for a while, and how he learned to look beyond himself www.pastemagazine.com/music/passio...

pastemagazine.com

Passion Pit’s next chapter: "I didn't think I'd ever feel excited about this"

Paste Magazine is your source for the best music, movies, TV, comedy, videogames, books, comics, craft beer, politics and more. Discover your favorite albums and films.

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Isaac Feldberg @isaacfeldberg.bsky.social · 13/07/2026

Seeing Kyle Edward Ball's SKINAMARINK on opening night at @musicboxtheatre.bsky.social remains a highlight of recent moviegoing experiences.

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Isaac Feldberg @isaacfeldberg.bsky.social · 13/07/2026

POSSESSION. IN THE MOUTH OF MADNESS. EVENT HORIZON. THE PIANO. DEAD CALM. JURASSIC PARK. HUNT FOR RED OCTOBER. UNTIL THE END OF THE WORLD. SLEEPING DOGS. Sam Neill was a magnetic presence, a great actor who could do anything, knew it, and so did it all with complete integrity and without fear. RIP.

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