Sign in

Heritage People

@heritagepeople.bsky.social
223 followers 619 following 57 posts

Connecting global cultural heritage - Tangible & Intangible. Things that should be remembered; and things that should not be forgotten. @colleenwood.bsky.social and @woodac.bsky.social

PostsRepliesMedia
Heritage People @heritagepeople.bsky.social · 21/06/2026
Last week, One Nation's Pauline Hanson addressed the National Press Club, arguing against multicultural Australia. “We are a multiracial society, but we must be monocultural,” she said. This led us to consider where we, as Heritage People, stand on the issue. open.substack.com/pub/heritage...
open.substack.com
Why We Are Against the Monoculture
A stand... and an explanation
031
Heritage People @heritagepeople.bsky.social · 13/06/2026
apnews.com/article/trum... orders Trump administration to restore National Park changes at sites that 'disparaged' US
apnews.com
Judge orders Trump administration to restore National Park changes at sites that 'disparaged' US
A federal judge has ordered the Trump administration to restore sites changed under an executive order that sought to eliminate “inappropriate content” at national museums, parks and landmarks.
021
Heritage People @heritagepeople.bsky.social · 12/06/2026
First wattle blossoms of the season in our garden. Lots of buds! It looks like it will be a great display this year.
Early wattle blossoms in an Australian garden.
011
Heritage People @heritagepeople.bsky.social · 09/06/2026
#Indonesia’s UNESCO ICH submission for the Culture of Tempe caught our eye. Next time you pass tempe in the shop, remember: it may be more than a great food source. It may also be a living expression of everyday Indonesian culture. We wish Indonesia every success! ich.unesco.org/en/files-202...
ich.unesco.org
Files 2026 under process - UNESCO Intangible Cultural Heritage
The table below presents the list of files being treated for the 2026 cycle that are to be examined by the Committee at its twenty-first session in November/December 2026. This list includes nominations for the Urgent Safeguarding List or the Representative List, and proposals for the Register of Good Safeguarding Practices. The nomination files submitted by the States Parties are published by the...
021
Heritage People @heritagepeople.bsky.social · 08/06/2026
“Thank you" to @museum-week.org for arranging a wonderful 2026 program! And to all whom we have met, peace and hope until we meet again. #MuseumWeek #Gratitude
Square Heritage People graphic in warm cream, terracotta, teal, olive, and parchment tones. At the top left, the heading reads “Field Notes from Heritage People.” Large central text says: “Thank you to the Museum Week team and to all who joined in, followed, and engaged with the program.” Below it, smaller text reads: “Stories of Country, Community and Continuity.” The design includes layered heritage-style collage elements: leafy branches, abstract circular forms, an old map, a stone archway looking out toward the sea, a handwritten document, a luggage tag with a leaf illustration, patterned textile, and a black-and-white photograph of people gathered beneath a tree. The words “Heritage People” appear in the lower right corner.
041
Heritage People @heritagepeople.bsky.social · 07/06/2026
Day 7 of #MuseumWeek is a day of #hope. Where have you seen a museum exhibit that shows us not just how we were, but how we are? Perhaps even how we might be? open.substack.com/pub/heritage... #MWHope
A Heritage People quote card on a warm cream, paper-textured background. On the left is a collage of heritage-themed objects: an open book, a black-and-white photograph of a coastal place, handwritten paper, a blue catalogue card, a small botanical card, and part of a dark vase. An orange curved shape runs along the bottom. On the right, large serif text reads: “A museum that shows us, ‘This is the way we were,’ may do so in hope that we will see something of how we now are.” Beneath the quote is “#MWHope”. “Heritage People” appears near the bottom.
031
Reposted by Heritage People
Museo de Altamira @museodealtamira.bsky.social · 07/06/2026
Para la antropóloga Margaret Mead el primer signo de civilización en la humanidad es un fémur fracturado y sanado. 🤕Esto indica que alguien cuidó a la persona herida hasta su recuperación. Con esta esperanzadora idea terminamos la #MuseumWeek, dedicada hoy a la #EsperanzaMW. @museum-week.org
Ilustración de Yolanda González.
041
Heritage People @heritagepeople.bsky.social · 07/06/2026
For Day 7 of #MuseumWeek, we are thinking about the hope a visitor may bring when they enter a museum, gallery, heritage place, archive, memorial, or small garden of memory. What hopes do you carry on your museum visits? open.substack.com/pub/heritage... #HopeMW #TheImaginativeVisitor
A Heritage People title card with a warm cream paper background and layered collage elements including leaves, an archway, a vintage photograph, an open book, map fragments, handwritten paper, and orange, green, and blue abstract shapes. Centred serif text reads: “The Imaginative Visitor” with a dividing line beneath, followed by “Hope of Recognition.” The words “Heritage People” appear at the bottom.A Heritage People quote card on a warm cream paper-textured background with botanical and heritage-themed collage elements. Large italic serif text reads: “The best stories do more than reflect us back to ourselves. They enlarge the self that listens.” Decorative details include leaves, orange and green abstract shapes, a small archway, a dark blue vase, a cup, a vintage photograph, map fragments, and paper textures. The words “Heritage People” appear at the bottom.
011
Reposted by Heritage People
Barnsley Museums @barnsleymuseums.bsky.social · 05/06/2026
Day 5 of #MuseumWeek is linked to #WorldEnvironmentDay We're resharing our Julie's Bicycle article from 2024: "Barnsley Museums wants to take sustainable, biodiverse and environmentally friendly approaches in our work, to benefit our venues and the wildlife that live there...
Two people work together outdoors, planting a young tree. One person steadies the tree while the other digs with a shovel. They are surrounded by grass and trees in a park-like setting.Two people working outdoors, cutting branches from leafless bushes with saws and loppers. One person is kneeling, the other is standing, both wearing gloves and warm clothing. Tools are scattered on the ground nearby.A natural art sculpture made of woven branches forms several circular shapes, displayed outdoors in a green forest with trees and a log fence in the background.A handwritten note on a heart-shaped tag tied to woven sticks reads, "I will put water out for bees with a bit of sugar in it." The background is blurred with natural brown and green tones.
193
Heritage People @heritagepeople.bsky.social · 06/06/2026
Today is #QueenslandDay in our part of the world--the day when we celebrate separation and independence from the colony of New South Wales in 1859. The photos are from "The Courier Mail" 1965 & 1966 Annuals and project images of how the State viewed itself 60 years ago.
Queensland Annual 1966 cover

Alt text:
Cover of Queensland Annual 1966, showing a smiling woman framed by bright red bottlebrush flowers, with bold turquoise and yellow magazine lettering.Lamington National Park rainforest

Alt text:
Scanned magazine page showing a mist-shrouded rainforest track in Lamington National Park, Queensland, with a walker beside the massive trunk of an ancient Antarctic beech tree.Kerry Valley autumn landscape

Alt text:
Scanned magazine image of the Kerry Valley south of Beaudesert, Queensland, showing autumn-coloured European trees, dry grassland, rolling hills, blue sky, and clouds.
021
Reposted by Heritage People
Stromness Museum @stromnessmuseum.bsky.social · 10/05/2026
Here’s our Museum Climate Change Exhibitions and Outreach Officer Katy Firth doing some maintenance on the #shooglyholm floating sculpture by artist Jenny Pope yesterday. 🌊 🤿 Find out more about the buoyant sculpture and its underwater bug hotel mooring on our website: shorturl.at/YRFQO 🦀🪸
A diver next to the floating sculpture on the sea surface Close up of the floating sculpture on the sea surface Close up of the floating sculpture under the sea surface Long shot of the floating sculpture under the sea surface
1104
Reposted by Heritage People
Stromness Museum @stromnessmuseum.bsky.social · 05/06/2026
A lovely day to look out to sea and #ShooglyHolm, the floating sculpture atop a marine habitat mooring that highlights climate change and the marine environment, using citizen science to creatively cope with eco anxiety. ℹ️: tinyurl.com/3kzbrpjp #MuseumWeek #Museums4ThePlanet #WorldEnvironmentDay
A photo of the backs of two people sat at the edge of Stromness Museum pier on a sunny day, looking out to sea and the Shoogly Holm floating sculpture.
062
Reposted by Heritage People
Old Treasury Building @oldtreasurymelb.bsky.social · 05/06/2026
The Rare Book Week program is LIVE! We're so excited to be presenting 'Making Public Histories: Why Republics Die'. rarebooksmelbourne.com
rarebooksmelbourne.com
Rare Book Week - Rare Books Melbourne
Melbourne Rare Book Week 2026 is a free, city-wide festival celebrating the written, printed and illustrated word. Talks, exhibitions, tours and more.
053
Heritage People @heritagepeople.bsky.social · 05/06/2026
Is fire a feature of your environment? It is of ours. We call them "bushfires". Do you have a different name for them? This site on the Scenic Rim Story Trail records one of the stories that reflect the natural world of the Scenic Rim. arcg.is/14Lai #Museums4ThePlanetMW #MuseumWeek
Screen shot of Shared Fire Artwork story on the Scenic Rim Story Trail. The image includes a wide view of the artwork and a geolocation with short text interpreting the artwork, The substantive content can be found on the link provided.
121
Heritage People @heritagepeople.bsky.social · 05/06/2026
For #Museums4ThePlanetMW, we’re looking to connect with museums, heritage places and living-heritage practitioners in our part of the world: SE Qld, Australia, the near Pacific and Asia-Pacific. What environments — physical, social, cultural or political — are shaping your work? #MuseumWeek
Image of the outside of a small museum with verandah in subtropical environment overlooking hills and water. The text reads, "Sharing our part of the world. Care for place. Care for people. Care for memory. There is a blackboard on which is chalked "Heritage People".
011
Heritage People @heritagepeople.bsky.social · 04/06/2026
This article comes from our companion project, "Field Notes from Post-Law Peacemaking". It examines an accord-building framework in the context of Brisbane's Barrambin / Victoria Park Olympic stadium conflict. open.substack.com/pub/andrew26... #Heritage4Peace #Museums4PeaceMW #MuseumWeek
open.substack.com
The Imaginative Mediator IM/024A: Barrambin / Victoria Park and Discord in Active Fields of Conflict
A Working Brief exploration of a current conflict
000
Heritage People @heritagepeople.bsky.social · 04/06/2026
Back in primary school, it was common to be given a composition exercise designed to stretch the imagination. A common task was something like this: "Write a composition entitled, 'I am a Penny.' Imagine the story a penny would tell if it could talk. Two pages." #IfObjectsCouldSpeakMW #MuseumWeek
Decorative Heritage People title card on a warm cream background with layered botanical and heritage-themed collage elements. A stone archway, open book, ceramic pot, black-and-white landscape photograph, handwritten papers, map fragments, fabric texture, leaves, and curved rust, green, and teal shapes frame the title: “The Imaginative Visitor — Close Enough to See Well.” The words “Heritage People” appear at the bottom.Decorative Heritage People quote card on a warm cream background with botanical collage elements in olive green, rust orange, dark teal, and parchment tones. Leaves, paper textures, a small pot, a black-and-white landscape photograph, and a small stone archway frame the central quotation: “The imaginative visitor stands in a different place. The imaginative visitor notices differently.” The words “Heritage People” appear at the bottom.Decorative Heritage People quote card with a warm cream background and layered collage elements in rust orange, olive green, dark teal, and parchment tones. Botanical sprigs, dotted patterns, map-like paper, a stone archway, a blue ceramic pot, a cup, and a small landscape photograph frame the central quotation: “The imaginative visitor allows the place, object, ritual, or story to exert pressure on the imagination.” The words “Heritage People” appear at the bottom.Decorative Heritage People quote card on a warm cream background with layered leaves, fabric texture, a rust-orange circle, dark teal and olive shapes, a small pot, a black-and-white landscape photograph, and a small archway. The central quotation reads: “The imaginative visitor is not someone who escapes the rigour of significance, but someone who allows rigour and imagination to work together. Not to invent meaning, but to attend carefully until relationship becomes visible.” The words “Heritage People” appear at the bottom.
200
Reposted by Heritage People
Cape Ann Museum @capeannmuseum.bsky.social · 03/06/2026
It’s #MuseumWeek, an annual event when museums share themed content to promote cultural institutions around the world. For today’s theme of #Museums4PeaceMW, we offer one artist’s response to times of war that acknowledges both conflict experienced and peace hoped for.
131
Reposted by Heritage People
Ontario Museum Association @museumsontario.bsky.social · 03/06/2026
As we celebrate #MuseumWeek, we are highlighting the important role museums play in fostering understanding and connection. By preserving diverse perspectives, challenging biases, and encouraging meaningful dialogue, museums help us learn from the past and work towards a more peaceful future.
011
Reposted by Heritage People
Old Treasury Building @oldtreasurymelb.bsky.social · 02/06/2026
Museums tell stories of not only conflict but the constant struggle for peace. Most of our exhibitions share stories of the everyday Australians who campaigned for a peaceful world. Swinging 60s includes protest ephemera, showing the ways people have fought for peace. #Museums4PeaceMW #MuseumWeek
Two aprons. The left one is white and has written on it, 'UAW end violence and poverty'. The second is a dark blue and has white lettering UAW. UAW is the Union of Australian Women.Four button badges, they are: top left, white badge with 'no conscripts to vietnam', top right, black backgroun with orange writing that says 'Bye Bye Bolte'. bottom left is yellow with black writing 'Drop Holt on Hanoi', and the final bottom right is a white badge is 'let my people go' in deep blue.Three stickers (never used). The top says 'Release all who fight the draft !!!' from the Campaign for Peace in Vientam. The middle says 'these companies make money from the Vietnam war. General Electric, Dunlop, Kodak. Don't let them make money from you'. The bottom is bright red and says 'make love not war'.
052
Heritage People @heritagepeople.bsky.social · 03/06/2026
Day 3 of #MuseumWeek invites us: “…to share what their collections, exhibitions, and programs say about peace, past, fragile, or still to be built.” This field note offers a few of our thoughts open.substack.com/pub/heritage... #Heritage4Peace #MuseumsAndConflict #CultureForPeace #MemoryAndPeace
open.substack.com
What Museums May Teach the Imaginative Visitor About Peace
A Field Note
031
Heritage People @heritagepeople.bsky.social · 02/06/2026
On Day 2 of #MuseumWeek "museums are invited to share their visions of what is coming: ... imagined futures rooted in present realities." It seems to us that developments reminiscence technologies may hold a few lessons here. #AIFuturesMW
021
Heritage People @heritagepeople.bsky.social · 02/06/2026
This piece probably won't excite many following #MuseumWeek. But we're having a go at identifying some of the more mundane uses of #AI in the context of changes taking place in Australian #privacy law later this year. www.linkedin.com/posts/herita... #AIinPracticeMW #HumanAndAIMW #AIandHeritageMW
Heritage People infographic titled “ADM in Museum Privacy Policies”. It explains that from 10 December 2026, Australian APP entities using personal information in automated decision making may need extra privacy policy content. The infographic summarises what policies should cover, two inventory questions, museum operations to check, and priority areas such as security, children’s programs, First Nations and culturally sensitive access, employment and volunteering, accessibility, complaints, donor screening, and ticketing. Substantive content is contained in the linked article on LinkedIn.
021
Reposted by Heritage People
Barnsley Museums @barnsleymuseums.bsky.social · 01/06/2026
Well that's awkward 😳 When you ask a chatbot to recommend UK Museums to follow on Bluesky and it doesn't think to recommend Barnsley Museums 😩 Not the start to #MuseumWeek we hoped for if we're being honest #AIMuseumsMW
2163
Heritage People @heritagepeople.bsky.social · 01/06/2026
We are a heritage writing practice grounded in cultural care, writing from the perspective of the Imaginative Visitor. Here’s a brief sketch of how we notice. open.substack.com/pub/heritage... And here is how AI has found a place at our workbench. #AIinPracticeMW #HumanAndAIMW #AIandHeritageMW
Heritage People infographic titled “How We Use AI,” explaining that AI is used as a dialogic studio assistant for thinking, testing, drafting, editing, planning, scheduling, and accessibility support. The image emphasises that AI does not replace judgement, scholarship, lived experience, professional care, or ethical responsibility, and concludes: “AI has a place at our workbench, where its use can be guided by human craft, judgement, and care.”
032
Heritage People @heritagepeople.bsky.social · 01/06/2026
Greetings from Heritage People. We are joining #MuseumWeek, this year, from Yugambeh country in S. E. Queensland's Scenic Rim. We acknowledge and pay our respects to the elders and traditional owners and custodians of these lands--the bearers of memory and story.
022
Heritage People @heritagepeople.bsky.social · 30/05/2026
Cooking our cakes this weekend in preparation for #MuseumWeek.
021
Heritage People @heritagepeople.bsky.social · 29/05/2026
Government talking tough on Brisbane Olympic site development. www.abc.net.au/news/2026-05...
abc.net.au
Qld government to push ahead with Victoria Park demolition amid heritage challenges
Excavators and fencing began appearing at the Brisbane park earlier this week, but the federal government has not yet assessed challenges under the Aboriginal and Torres Strait Islander Heritage Prote...
011
Heritage People @heritagepeople.bsky.social · 24/05/2026
What changes when we visit a museum or heritage place not as custodians, but as attentive guests? We’re wondering whether visiting itself can become a form of care. open.substack.com/pub/heritage...
open.substack.com
From Custodianship to Visiting
Close Enough to See Well
032
Heritage People @heritagepeople.bsky.social · 18/05/2026
On International Museum Day, we celebrate all who work in museums and heritage places, and we say, “Thank you.” At their best, museums create spaces of hospitality in which memory, place, story, and difference can be encountered and appreciated with care.
Square Heritage People graphic in warm cream, ochre, teal, and olive tones. At the top left is the title “Field Notes from Heritage People.” Large central text reads: “Thank you to all who work in museums & heritage places, conserving stories that should be remembered and stories that must not be forgotten.” Beneath it is the phrase “Stories of Country, Community and Continuity.” The design includes layered heritage-themed imagery: an arched stone doorway looking out to trees and water, handwritten archival papers, a luggage tag with a leaf illustration, leafy branches, abstract circular patterns, and a small black-and-white archival-style photograph of people gathered outdoors beneath a tree. The overall effect is reflective, companionable, and attentive to cultural memory.
030
Heritage People @heritagepeople.bsky.social · 13/05/2026
This note launches a new thread in our writing project: "The Imaginative Visitor." We consider how questions may arise from the places, objects, stories, and practices we visit. What early lessons still shape the way you look at objects, places, and stories? open.substack.com/pub/heritage...
A 1944 Australian penny showing kangaroo. The penny is held in a wrinkled hand. The caption reads: "A Penny for Your Thoughts. The Imaginative Visitor: IV/001"
010
Reposted by Heritage People
Andy C. Wood @woodac.bsky.social · 10/05/2026
Another Matteo fragment. #OneDipOfThePen sunburntspeculations.com/2026/05/10/m...
Alt text: A contemplative image shows a bearded man in a dark coat and hat seated on a weathered wooden bench beside a river or waterfront, looking toward unseen passing ferries. Overlaid handwritten text reads: “Matteo sits on the weathered bench and watches the passing ferries. He does not notice the thin metal plaque pressing against his back, preserving memory of Kay and Sophie and their lasting friendship.” The image is softly lit and reflective in tone, with the hashtags “#OneDipOfThePen” and the name “Andy C. Wood” included in the corners.
011
Reposted by Heritage People
Museum of Homelessness @ourmoh.bsky.social · 07/05/2026
We are doing a lunchtime talk for the National Archives today www.eventbrite.co.uk/e/working-wi...
eventbrite.co.uk
Working with records for social justice
This session will reflect on how archival records and archives-led initiatives have supported communities affected by social inequalities.
183
Heritage People @heritagepeople.bsky.social · 08/05/2026
What could it mean to write about heritage not simply as commentary, but as a practice of care? Beginning with a recent reflection on Welcome to Country and ANZAC Day, this Field Note considers how heritage writing can become more than commentary or advocacy. open.substack.com/pub/heritage...
open.substack.com
Heritage Writing as an Intentional Practice of Care
Resolution and Invitation
000
Heritage People @heritagepeople.bsky.social · 06/05/2026
First meditation on heritage writing as a companionable practice of care. Let us attend these small gardens of memory—you and I. Let us wander with care through their fertile beds. For from the smallest plot may grow the richest fruit.
Illustrated Heritage People image on a warm cream, paper-textured background. On the left, layered earth-toned garden shapes, leaves, an archway or threshold, curved linework, and small seed-like marks suggest memory, place, growth, and cultural care. On the right appears the verse:

“Let us attend these small gardens
of memory—you and I.

Let us wander with care
through their fertile beds.

For from the smallest plot
may grow the richest fruit.”

The verse is credited to Andy C. Wood, with “Heritage People” at the bottom.
010
Heritage People @heritagepeople.bsky.social · 06/05/2026
We are coming to view “Welcome to Country” as a participatory language of public remembrance and repair. Remembrance is never neutral or distant. It draws us into a community of memory and may oblige us to face uncomfortable questions. open.substack.com/pub/heritage...
Heritage People quote graphic showing an open notebook and pencil on the left against a warm collage background, with a large italic quotation on the right reading: “In the logic of ceremony, welcome does not make a person a stranger. It makes them a guest capable of relationship and affirms belonging.”
031
Heritage People @heritagepeople.bsky.social · 04/05/2026
We are looking forward to #MuseumWeek in June. What do you think is the best social platform for participation? Does anyone participate across more than one platform? Would love to hear your thoughts.
Heritage People social media graphic with a warm collage background of archival papers, an open book, a black-and-white coastal photograph, a blue catalogue card, and burnt-orange abstract shapes. Large text asks, “What is the best social platform for participating in Museum Week?” with “Heritage People” in small text at the bottom right.
251
Heritage People @heritagepeople.bsky.social · 04/05/2026
How can heritage writing become a companionable practice of care? That’s the question we’re exploring this month at Heritage People. If you’re also working in museums, heritage, memory, place, public history, or cultural care, we’d love to hear your thoughts.
Warm paper-textured Heritage People quote card. Text reads: “How can heritage writing become a companionable practice of care?” The design includes a leafy branch, orange sun-like circle, faint map, rolling landscape shapes, and a small teapot.
000
Heritage People @heritagepeople.bsky.social · 02/05/2026
We've been thinking, this past week, about the place of the Welcome to Country in our solemn remembrance of ANZAC Day. The Welcome to Country asks hard questions of us. But we need not feel importuned by those questions. They're part of what remembrance asks of us. open.substack.com/pub/heritage...
Textured Field Notes from Heritage People quote graphic with a passage about Welcome to Country, layered earth-toned landscape shapes, a winding path, botanical detail, manuscript fragments, and the subtitle “Sacred Forms in Secular Spaces.” The quote reads, "“Welcome to Country is not an ornamental addition to ANZAC Day. It is an act of heritage interpretation. It interprets the place in which remembrance occurs. It reminds the gathered community that national memory is always emplaced. It asks: whose land, whose grief, whose service, whose silence, whose continuity, whose belonging?”
010
Heritage People @heritagepeople.bsky.social · 02/05/2026
7 months ago, we told the story of the first public library established in Hobart in 1825. Here is the same story differently imagined by Sunburnt Speculations. andycwood.substack.com/p/deborah?r=...
andycwood.substack.com
"Deborah"
A woman gives a book to a library
000
Heritage People @heritagepeople.bsky.social · 18/09/2025
Every 19th Sept. we remember, discover and connect to our time with the Wesley Hobart Museum in Tasmania. This year marks the 200th anniversary of the Wesleyan Library - considered by some to have been Australia's first public library. @unitingchurchau.bsky.social heritageppl.com/2025/09/18/r...
heritageppl.com
Remembering the Wesleyan Library: 200 Years after Its Establishment at Hobart Town
In January 2012 the Wesley Hobart Museum produced a Significance Assessment, researched and authored with the assistance of Colleen Wood and Andrew Wood, and compiled by Veronica Macno, consultant.…
010
Reposted by Heritage People
Richard Manley-Tannis @p3rlucidus.bsky.social · 14/06/2025
The Spark we bear is a holy pilgrimage As the Universe learns through our choices & experiences revealing a fundamental truth that Love persists _________________ Inspired by the Soul’s unique & sacred journey … #MicroPoetry #140Characters #UCCan #ShineOn adeaconsmusing.ca
033
Reposted by Heritage People
Nova Scotia Museum @novascotiamuseum.bsky.social · 07/06/2025
Museums are incredible places for connection with family & friends – where stories spark conversations & shared discoveries create lasting memories. Start a new tradition with the people who matter most. #museumweek #togethermw #novascotia #visitnovascotia
081
Heritage People @heritagepeople.bsky.social · 04/06/2025
Games, eh? The Day 3 theme for #MuseumWeek2025. So, this morning @colleenwood.bsky.social and @woodac.bsky.social decided to play charades. We got as far as "Two Words - Title - First Word". After that, it went quickly downhill and ended in hysterics! 🏛️📅 Can you guess? Please share your attempt.
000
Heritage People @heritagepeople.bsky.social · 03/06/2025
Our thoughts on the #MuseumWeek2025 Day 2 theme - #Movement - turned to #dance in our Asia Pacific region. So, we did a quick check on the @unesco.org #ICH lists. Wow! Such treasures preserved right within in vibrant communities and now protected for the future! ich.unesco.org/en/lists?tex...
ich.unesco.org
Browse the Lists of Intangible Cultural Heritage and the Register of good safeguarding practices - UNESCO Intangible Cultural Heritage
The Committee meets annually to evaluate nominations proposed by States Parties to the 2003 Convention and decide whether or not to inscribe those cultural practices and expressions of intangible heritage on the Convention’s Lists. By clicking on the inscribed elements listed below, you can discover the nominations, photos and videos, together with Committee decisions and evidence of communi...
010
Heritage People @heritagepeople.bsky.social · 03/06/2025
In 🌏 🦘 #MuseumWeek2025 has moved on to Day 2 - #movement. One of the best things about participating this year is catching up with old friends and finding new friends who've made the move from other platforms to @bsky.app It's still pretty quiet over here but we do love reading your posts! 🙂
010
Reposted by Heritage People
Old Treasury Building @oldtreasurymelb.bsky.social · 02/06/2025
It's day 1 of #MuseumWeek! Today looks at AI and its use in and by Museums. We've found a large increase in referrals to our website by AI, how are you using it? #AIMuseumsMW
041
Reposted by Heritage People
Ashmolean Museum, Oxford @ashmoleanmuseum.bsky.social · 18/05/2025
Happy International Museum Day! We’re sharing some details of the Alfred Jewel, one of the most popular objects in our collection.
214931
Reposted by Heritage People
Oxford Social Sciences Division @socsci.ox.ac.uk · 03/04/2025
Are you an experienced researcher at @ox.ac.uk or Oxford Brookes University interested in leading a policy-engaged research agenda that will have meaningful local impact, reducing inequalities across Oxfordshire? Check out the Local Policy Lab's latest call: socsci.ox.ac.uk/chief-scient...
Are you an experienced researcher, passionate about policy engagement and keen to make a difference in Oxfordshire? The Local Policy Lab is seeking to appoint 3 Chief Scientific Advisors. Find out more and apply by 7 May! Logos of Oxford University, Oxfordshire County Council, and Oxford Brookes University
057
Reposted by Heritage People
Royal Albert Memorial Museum & Art Gallery @rammuseum.bsky.social · 03/04/2025
#Opencall for artists! We're looking to commission a Devon/Cornwall-based artist to run a series of 7 workshops with a selection of community groups, working with diverse communities to create textile artworks exploring stories of place. Find out more + apply >>> rammuseum.org.uk/jobs/#artist...
a young girl drawing at a table in one of RAMM's meeting rooms
088