Critic and programmer Flavia Dima joins the pod to discuss the classic communist-era cinema that inspired the Romanian New Wave.

Critics Blake Williams, Mark Peranson, Flavia Dima, Daniel Kasman, Öykü Sofuoglu, Vadim Rizov, and Pedro Emilio Segura Bernal discuss films from the first weekend of Cannes 2025, including Oliver Laxe

Critics Blake Williams, Daniel Kasman, Jordan Cronk, Vadim Rizov, Pedro Emilio Segura Bernal, and Elena Lazic discuss films from the first two days of Cannes 2025, including Christopher McQuarrie's Mi

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de Flavia Dima - În fața unor schimbări de atitudini ale circuitului festivalier față de chestiunea genocidului din Gaza, trei scurtmetraje experimentale din selecția Visions du Réel oferă o alternati...

What is new in these posthumous films is the amount of access they offer into Godard’s working process, his thinking about films, and his working relationship to his collaborators in the last two deca...

La photojournaliste palestinienne, héroïne d’un documentaire sélectionné à Cannes en mai prochain, a été tuée le mercredi 16 avril dans le bombardement de sa maison familiale...

The UK Supreme Court has ruled the legal definition of a woman excludes trans women.

Welke krachten bedreigen de vrijheid van filmmakers? Filmkrant verzamelt in een serie internationale bijdragen hoe politieke en economische krachten inwerken op de nationale filmwereld. Deze maand: Ro...

„Dacă dorești să acționezi ca mediator, este extrem de contraproductiv să vrei să prescrii orice rezultat.” Declarația de mai sus, fă...

I can only take so much messiah talk in science fiction, especially when it’s coming from Javier Bardem and Timothée Chalamet, both of whom I generally like, but here all I could think about was that ...

Postcommunist Romania is manifestly a postcensorship society, a society in which everything is permissible and therefore explicit, lurid, cheap. Watching Bad Luck Banging, a film as pornographic as th...