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jonathan mackris

@feuilladist.bsky.social
333 followers 162 following 261 posts

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Reposted by jonathan mackris
David Hudson @dwhdaily.bsky.social · 23/05/2026
Aren’t these great? Designs by Macha Makeïeff and Paper ! Tiger ! A new restoration of MON ONCLE premieres in Cannes today, and the Tati series hits French theaters later this summer.
Poster for Jacques Tati’s MON ONCLE. Poster for Jacques Tati’s PLAYTIME.Poster for Jacques Tati’s MONSIEUR HULOT'S HOLIDAY.Poster for Jacques Tati’s JOUR DE FÊTE.
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Reposted by jonathan mackris
matteoB @matteob.bsky.social · 30/03/2026
just finished watching the trilogy Angela’s Diaries: Two Filmmakers (2018-2025) by Yervant Gianikian and Angela Ricci Lucchi...what an incredible way to close their career as a couple..."archive as a work, work as an archive"
Gianikian and Ricci Lucchi standing next to an ad for their scented films in U.S. at the end of the 1970s or beginnings of 1980s
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jonathan mackris @feuilladist.bsky.social · 09/01/2026
Shiguehiko Hasumi and Yoshida Kiju on the start of Yoshida's film career
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jonathan mackris @feuilladist.bsky.social · 05/01/2026
I can't believe I haven't seen this before - footage of Orson Welles' 1936 all-Black staging of Macbeth, from the WPA newsreel We Work Again
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Reposted by jonathan mackris
matteoB @matteob.bsky.social · 03/01/2026
"down with thieves!"
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jonathan mackris @feuilladist.bsky.social · 02/01/2026
Continued the tradition of looking at painting on my birthday - this time at the Legion of Honor in SF, where James Stewart trails Kim Novak in Vertigo
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jonathan mackris @feuilladist.bsky.social · 18/11/2025
A Chaplin impersonator in Naruse's Husband and Wife (1953)
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jonathan mackris @feuilladist.bsky.social · 15/11/2025
Very excited to be speaking with Marta Mateus about António Reis and Margarida Cordeiro and their beautiful Trás-os-Montes (1976) tonight, 7PM at @bampfa.bsky.social bampfa.org/event/tras-o...
bampfa.org
Trás-os-Montes
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jonathan mackris @feuilladist.bsky.social · 09/11/2025
No question it's this
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Reposted by jonathan mackris
David Hudson @dwhdaily.bsky.social · 01/11/2025
Still impressed by this series of posters for a 2018 Peter Watkins retrospective presented by Wolf Kino in Berlin.
The key idea throughout the series: A black-and-white cropped still from a Watkins film stamped in the middle with a single word. Aggressive font, red, all caps. Here: Radical.Controversial.Relevant.Subversive.
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Reposted by jonathan mackris
Gerard-Jan Claes @gerardjanclaes.bsky.social · 28/10/2025
Actor Ahmed Ahmedpoor, known for his role as Mohamed Reza Nematzadeh in Abbas Kiarostami’s Where Is the Friend’s House (1987), passed away last Thursday at the age of 46. ❤️
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jonathan mackris @feuilladist.bsky.social · 27/10/2025
Brenez: "John Ford is certainly the inventor of the form, when at the end of Fort Apache (1948), we learn that the entire story we have witnessed exists in order to criticize a painting exhibited in Washington"
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jonathan mackris @feuilladist.bsky.social · 25/10/2025
footage of the aftermath of the 1982 bombing of Lebanon, edited by Carolee Schneemann in 1983/2006
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jonathan mackris @feuilladist.bsky.social · 22/10/2025
my most anticipated book release of the month
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jonathan mackris @feuilladist.bsky.social · 19/10/2025
Claire Simon, Marie-Claude Treilhou, and Alain Guiraudie in Treilhou's Un petit cas de conscience (2002)
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jonathan mackris @feuilladist.bsky.social · 01/10/2025
Poster on my wall
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Reposted by jonathan mackris
Sabzian @sabzian.bsky.social · 15/09/2025
New in our Screening Room: Adrian Martin's recorded introduction to Raúl Ruiz’s City of Pirates (1983), initially presented in the context of our Serge Daney programme at ICA London. → sabzian.be/screening-room/la-ville-des-pirates-introduction
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jonathan mackris @feuilladist.bsky.social · 11/09/2025
Rereading The American Cinema for the first time in maybe 8 years and am once again asking for a collected edition of Sarris's writing from Library of America
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jonathan mackris @feuilladist.bsky.social · 04/09/2025
Extremely grateful to Miguel and the editors at Taipai for publishing this Spanish translation of my essay on Godard's posthumous films
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jonathan mackris @feuilladist.bsky.social · 01/09/2025
Chaplin, Georgia Hale, Eduard Tisse, and Eisenstein
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jonathan mackris @feuilladist.bsky.social · 31/08/2025
Georgia Hale recounts Josef von Sternberg's reaction to hearing that Chaplin loved The Salvation Hunters
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jonathan mackris @feuilladist.bsky.social · 30/08/2025
In 1963, the editors at Cahiers du cinema asked some of their contributors to list the top ten American films of the sound era. Here are some of the ballots
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jonathan mackris @feuilladist.bsky.social · 24/06/2025
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Reposted by jonathan mackris
Carlos Cano @segobrigense.bsky.social · 23/06/2025
miguelmarias.blogspot.com/2025/06/bais...
miguelmarias.blogspot.com
Baisers volés (François Truffaut, 1968)
«El arte podría ser una mueca. Tú lo reduces a no ser más que una ventana abierta por la que entra la vida.» (Paul Éluard) La novia vest...
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jonathan mackris @feuilladist.bsky.social · 23/06/2025
I really want to go to this but the screening starts at 10PM and goes until 2 in the morning....
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Reposted by jonathan mackris
laurentktz.bsky.social @laurentktz.bsky.social · 21/06/2025
Coming soon at the ICA in London (no details yet): In Focus: Serge Daney (29 August–4 September), a ten-film programme exploring the legacy of the influential critic in collaboration with @sabzian.bsky.social
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jonathan mackris @feuilladist.bsky.social · 19/06/2025
Back on Bluesky to heap praise on @dcairns.bsky.social 's great essay on Midnight for Criterion www.criterion.com/current/post...
criterion.com
Midnight: The Game of Love
Mitchell Leisen’s marvelously chic and brilliantly constructed screwball classic revolves around a heroine who flounders through a succession of complications but always manages to come out ahead.
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jonathan mackris @feuilladist.bsky.social · 03/06/2025
The Cinémathèque française is currently running a retrospective of John Stahl. I didn't realize he had such an extensive silent career, almost none of which appears to be available online. Does anyone know about these? Are they as good as his sound films?
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jonathan mackris @feuilladist.bsky.social · 15/05/2025
Footage of the UN Palestinian refugee camps in 1949, taken by the Quaker society the American Friends Service Committee
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jonathan mackris @feuilladist.bsky.social · 14/05/2025
@dagscott.bsky.social I'm curious if you know the answer to this. I was under the impression that The Smiling Lieutenant was lost until the 90s, but I just came across this listing at PFA from 1980. Do you know anything about this?
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jonathan mackris @feuilladist.bsky.social · 13/05/2025
My partner interviewed André Téchiné, whose films are currently showing at L'Alliance Française in NYC, for @screenslate.bsky.social www.screenslate.com/articles/sph...
screenslate.com
Like a Sphinx: André Téchiné on His Collaborations with Catherine Deneuve
A quintessential product of the nouvelle vague, the director and screenwriter André Téchiné began his career as a critic at Cahiers du cinéma. He started to make his own films after working as an assi...
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jonathan mackris @feuilladist.bsky.social · 06/05/2025
I'm planning to teach a course on romantic comedy in the fall, which will include three films by Ernst Lubitsch. I'm curious - what three would others choose?
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Reposted by jonathan mackris
laurentktz.bsky.social @laurentktz.bsky.social · 05/05/2025
New Serge Daney translation: two hours of discussion with Jacques Rivette (1989). Thanks to Ted Fendt. sergedaney.blogspot.com/2025/05/micr...
sergedaney.blogspot.com
Microfilms: Jacques Rivette
From September 1985 to July 1990, Serge Daney hosted a weekly radio show called Microfilms . Ted Fendt just gifted this blog the translated ...
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jonathan mackris @feuilladist.bsky.social · 02/05/2025
Sylvain George last night @bampfa.bsky.social
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jonathan mackris @feuilladist.bsky.social · 28/04/2025
My interview with Sylvain George is now live on @screenslate.bsky.social @screenslatesf.bsky.social www.screenslate.com/articles/poi...
screenslate.com
“The Point is to Make the Contemporary Visual Order Tremble”: An Exchange with Sylvain George
What follows is an interview with Sylvain George, one of the most important documentary filmmakers working in France today. The occasion is the start of “No Border,” the first multi-day retrospective ...
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jonathan mackris @feuilladist.bsky.social · 24/04/2025
I wrote about Godard's posthumous films for @sabzian.bsky.social www.sabzian.be/text/the-las...
sabzian.be
The Last Things Before the Last, Jonathan Mackris, 2025
What is new in these posthumous films is the amount of access they offer into Godard’s working process, his thinking about films, and his working relationship to his collaborators in the last two deca...
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jonathan mackris @feuilladist.bsky.social · 19/04/2025
Jean Narboni on the relationship of the post-68 Cahiers critics to Bazin: “It’s like Hegel and Marx, that’s it. We tried to stand him on his feet”
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jonathan mackris @feuilladist.bsky.social · 19/04/2025
Brecht (and Fritz Kortner) on a dinner party at Chaplin's in 1945, where he discussed his plans for Monsieur Verdoux
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Reposted by jonathan mackris
David Hudson @dwhdaily.bsky.social · 13/04/2025
It’s been a little over a year and a half since the last issue appeared, and I was beginning to wonder ... But Outskirts Film Magazine Nº3 is now available for pre-order — outskirtsmag.com A bit more on what’s inside — www.instagram.com/p/DIYs5nEK5h...
The cover of Outskirts Film Magazine Nº3 features an image from Vittorio De Seta’s I DIMENTICATI (1959)In various fonts, Outskirts offers “a taster of what’s inside”: a dossier on Vittorio De Seta, an interview with Francis Ford Coppola, and articles on the Vietnamese Film Institute, Mexican and Japanese wrestling cinema, Shimizu Hiroshi, and Lucía Seles
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jonathan mackris @feuilladist.bsky.social · 12/04/2025
Godard on receiving an "special" Palme d'or for Image Book: "I wrote to Thierry Frémaux to tell him it was a catastrophe"
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jonathan mackris @feuilladist.bsky.social · 07/04/2025
Margot Adler on the December '64 occupation of Sproul Hall at Berkeley: "There were rooms available for studying. There was a Chanukah service and folk dancing. In another room, they showed Charlie Chaplin's film The Rink."
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jonathan mackris @feuilladist.bsky.social · 05/04/2025
Godard in 2019 on his relationships with Rivette, Truffaut, and Rohmer in the 50s
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jonathan mackris @feuilladist.bsky.social · 05/04/2025
"Eric Rohmer by his friend trufo"
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jonathan mackris @feuilladist.bsky.social · 30/03/2025
Serge Daney on Mark Donskoy: "Because he believes in the final blossoming of life, he focuses on everything that smothers it. [...] One common theme throughout the films, and the filmmaker's major preoccupation: only when things are lost or yet to be gained do they truly exist"
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jonathan mackris @feuilladist.bsky.social · 18/03/2025
"One speaks of Cézanne's apples the way one speaks of Hitchcock's bottles of Bordeaux in Notorious" - Godard
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jonathan mackris @feuilladist.bsky.social · 09/03/2025
Deleuze on movie theaters
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jonathan mackris @feuilladist.bsky.social · 05/03/2025
Many people talk about Ici et ailleurs or Notre musique when talking about Palestine in Godard's cinema, but not mentioned enough is that the last film he and Miéville completed, Sang titre (2019), was made as a tribute to the people of Gaza and Ramallah
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Reposted by jonathan mackris
Aneela انیلہ 🇵🇸🍁 @anee1a.bsky.social · 04/03/2025
www.bfi.org.uk/sight-and-so...
bfi.org.uk
The cinema of the Palestinian revolution
Celluloid Liberation Front reflects on a recent programme of international film art from the era of Palestinian armed resistance.
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jonathan mackris @feuilladist.bsky.social · 02/03/2025
Rereading this in preparation for a lecture on Summer Interlude next week - there are maybe four or five others essays as influential on how I think about film as this one
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