'Good Boy' is a loving tribute to the bond between dog and human, and it's also an engrossing horror movie. That's a win-win in our book.

Ronan Day-Lewis's 'Anemone' is a swell mess: Uneven, frequently gorgeous, and slowly paced, featuring a dynamic performance by his father.

Kathryn Bigelow's 'A House of Dynamite' is let down by an aggressively inert narrative and the unintended effects of the director's style.

In light of recent box office drubbings, it’s somewhat poetic that 'The Smashing Machine' is Dwayne Johnson's big return to the multiplex.

Bob Odenkirk's upper lip isn't the only thing strange in Ben Wheatley's 'Normal.' There's also the Yakuza and Henry Winkler.

Jessie Buckley and Paul Mescal give two of the most accomplished and moving performances of the decade. Grab the tissues.

Go see 'No Other Choice'. Seriously, just fucking go to it when it comes out on Christmas Day. You won’t be sorry.

In light of recent drubbings, it’s somewhat poetic that 'The Smashing Machine' is Dwayne Johnson's big return to the multiplex.

'Roofman' is a rare pleasure: A big-hearted true crime picture with legitimate depth and soul. Oh, and humor. What a hoot.

'The Christophers' is a lovely tribute to the process of creative evolution via how, rightly or wrongly, an audience engages with an artist’s work

'Ann Lee' is spiritually inert, its passions reserved for aestheticization and accuracy rather than insight.

There are a fair number of frustrating things about Potsy Ponciroli’s new film 'Motor City' -- often by design.

Palme d'Or and Best Picture-winning director Sean Baker chats with us about sexploitation, Letterboxd, and his first Criterion purchases.

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This seminar will cover the film's production history and reception, while also offering a brief overview of Vera Chytilova's and co-writer Ester Krumbachová careers. We will also explore how Daisies ...

Anonymity has always been a major component of the Daft Punk ethos. Thomas Bangalter and Guy-Manuel de Homem Christo kept their faces hidden under robot helmets for years, allowing them to go about th...

Alex Scharfman's 'Death of a Unicorn' has a high-concept premise that's brought to the screen in a truly terrible fashion.

'Opus' is a wonderfully entertaining film, and, as far as the Boston vs. Cambridge angle is concerned, both leads are amazing.