David Wright @davwright.bsky.social · 12/09/2026It was a bit weird that it took John Curtice to drop this truth bomb in the Today piece on this earlier, as opposed to the BBC correspondent. 000
David Wright @davwright.bsky.social · 30/08/2026Excellent. Bit of a long walk to the gag at the end but worth it. 3* 020
Reposted by David WrightMariana Mazzucato @mazzucatom.bsky.social · 28/08/2026New research position: bringing arts and culture to the centre of the economy. Research Fellow at UCL IIPP, working with me and the team, and partners in the UK and Brazil on how cultural value is measured, governed and funded. Closes 11 September ➡️ www.ucl.ac.uk/work-at-ucl/... 11111
Reposted by David WrightTimes Higher Education (THE) @timeshighered.bsky.social · 28/08/2026AI policies are repeating every mistake of plagiarism policies: AI use is being framed as a binary of permitted or cheating, when for second-language writers it is a question of learning, says Özgür Çelik ow.ly/MhSY50ZG4rN 041
David Wright @davwright.bsky.social · 20/08/2026Both have taken on something of an existential air for me. 010
David Wright @davwright.bsky.social · 20/08/2026After a near two decade career teaching and researching a range of topics at a top ranked global university, the question I'm asked most - and which I still struggle to answer - is 'Does the word count include the bibliography?' 110
Reposted by David WrightMargot Finn @eicathomefinn.bsky.social · 19/08/2026'A Russell Group university will no longer use ubiquitous anti-cheating tools provided by Turnitin because of concerns that the company might use students’ work to train artificial intelligence.' Maybe time for UK universities to develop and commercialise their own tools?timeshighereducation.comSouthampton dumps Turnitin over use of students’ work to train AIAcademic integrity giant denies accusations as university declines to renew contract in favour of ‘other options’ 722593
Reposted by David WrightEndless Screaming @infinitescream.bsky.social · 06/08/2026AAAAAAAAAAAAAAAAAAAAHHHHHHHHHHHHHHHH 24911
Reposted by David WrightThe Wicker Dan @oddballuk.bsky.social · 27/06/2026Nottingham Puppet Festival today Only saw a few acts because of work but it was still fun, the heat showed a little mercy and everything seemed a big hit with kids 011
David Wright @davwright.bsky.social · 22/06/2026This is what I want to hear when Burnham gets off that train youtu.be/vgI9hjRzmq0?...youtu.beDo you intend to abolish first class rail travel?YouTube video by Tom Cleaver 000
David Wright @davwright.bsky.social · 22/05/2026The wild west indeed. I never understood the confidence with which such scores are treated, or the investment them. If the criteria are clear and panel reviewers are trained, trusted and have time to do things properly, it is a massive waste of time and money. 020
David Wright @davwright.bsky.social · 17/05/2026And here's a link to the book it is in www.jstor.org/stable/j.ctt...jstor.org From Codex to Hypertext: Reading at the Turn of the Twentyfirst Century on JSTOR The start of the twentyfirst century has brought with it a rich variety of ways in which readers can connect with one another, access texts, and make sense of w... 000
David Wright @davwright.bsky.social · 17/05/2026Given the Guardian best books brouhaha, here's a thing I wrote (in 2012!) about lists and literary taste. Still kind of stands up. The history bit is interesting if I say so myself 🤔 wrap.warwick.ac.uk/id/eprint/51...wrap.warwick.ac.uk Literary taste and list culture in a time of "endless choice" - WRAP: Warwick Research Archive Portal 100
David Wright @davwright.bsky.social · 12/05/2026And also showcases heritage craft skills and boosts the textile industry. 010
David Wright @davwright.bsky.social · 12/05/2026No shade on the research itself which no doubt is careful and rigorous on its terms but I always find coverage of studies like this a bit depressing. As if we're only allowed beautiful things when there is a grimly utilitarian reason. www.theguardian.com/science/2026...theguardian.comArts and cultural engagement ‘linked to slower pace of biological ageing’Research from UCL suggests visiting art galleries or museums, singing and painting can help improve health outcomes 131
David Wright @davwright.bsky.social · 22/04/2026Add to this the 'political nerds like me find this stuff interesting, ho-ho...' framing as if our institutions and their processes aren't things we are supposed to bother our heads with. 0110
Reposted by David WrightTom Gauld @tomgauld.bsky.social · 21/04/2026My latest cartoon for @newscientist.com 121215313
David Wright @davwright.bsky.social · 29/03/2026media.tenor.coma cartoon of a man asking if someone sleeps in a racing carALT: a cartoon of a man asking if someone sleeps in a racing car 020
Reposted by David WrightDavid Wright @davwright.bsky.social · 25/03/2026We conclude with reflections on what the evidence tells us. Notably, it indicates that challenging conditions of creative work are not inevitable. If states consider the creative economy important, then there are routes to supporting this work and these workers. www.taylorfrancis.com/chapters/edi...taylorfrancis.comConclusion | 22 | Supporting Creative and Cultural Work in Europe | DaThis concluding chapter summarizes the arguments, evidence, and analysis presented in the previous chapters. It focusses on how questions of definition and 102
Reposted by David WrightLiz McFall @allartmarkets.bsky.social · 28/03/2026This makes me happy and incredibly sad for what we let go … for how impossible it would be to set up anything with the intellectual, pedagogic, democratic vision of the OU now www.bbc.co.uk/news/article...bbc.co.ukMilton Keynes statue honours Open University founderThe statue celebrates the life of an MP who was behind the creation of the university. 1254
Reposted by David WrightDavid Wright @davwright.bsky.social · 25/03/2026Out today, from editors Bård Kleppe, Jaka Primorac, Mikka Pyykkönen and me. The book combines cross-national writing teams and focussed case studies across Europe to examine the rhetoric and reality of creative work. A contents thread 👇 www.taylorfrancis.com/books/edit/1...taylorfrancis.comCreative and Cultural Work in Europe | Bård Kleppe, Jaka Primorac, MiiThis book gathers evidence and case studies from various parts of Europe and across the different sectors that comprise the creative industries, including the 135
David Wright @davwright.bsky.social · 27/03/2026Can we be entirely sure he hasn't been replaced by a bot? 010
Reposted by David WrightProfessor Peter Matthews @urbaneprofessor.bsky.social · 27/03/2026I think we need to do an edgy, single-take Netflix drama, set in a school in the north of England, about the online radicalisation of Nick Robinson 1243
Reposted by David WrightDavid Wright @davwright.bsky.social · 25/03/2026Thanks to our contributors, reviewers and to @bookseditorial.bsky.social and team at @routledgebooks.bsky.social for their help. If you work at a university, why not order a copy for your library? And if you don't, and you want to read anything, drop me a line. www.taylorfrancis.com/books/edit/1...taylorfrancis.comCreative and Cultural Work in Europe | Bård Kleppe, Jaka Primorac, MiiThis book gathers evidence and case studies from various parts of Europe and across the different sectors that comprise the creative industries, including the 033
David Wright @davwright.bsky.social · 25/03/2026Thanks to our contributors, reviewers and to @bookseditorial.bsky.social and team at @routledgebooks.bsky.social for their help. If you work at a university, why not order a copy for your library? And if you don't, and you want to read anything, drop me a line. www.taylorfrancis.com/books/edit/1...taylorfrancis.comCreative and Cultural Work in Europe | Bård Kleppe, Jaka Primorac, MiiThis book gathers evidence and case studies from various parts of Europe and across the different sectors that comprise the creative industries, including the 033
David Wright @davwright.bsky.social · 25/03/2026We conclude with reflections on what the evidence tells us. Notably, it indicates that challenging conditions of creative work are not inevitable. If states consider the creative economy important, then there are routes to supporting this work and these workers. www.taylorfrancis.com/chapters/edi...taylorfrancis.comConclusion | 22 | Supporting Creative and Cultural Work in Europe | DaThis concluding chapter summarizes the arguments, evidence, and analysis presented in the previous chapters. It focusses on how questions of definition and 102
David Wright @davwright.bsky.social · 25/03/2026Finally, @michaelparzer.bsky.social examines the challenges faced by artists who have experienced migration. Using data collected in Austria, the chapter focusses on the role of recognition in 're-starting' an artistic career in a new country. www.taylorfrancis.com/chapters/edi...taylorfrancis.comNavigating Symbolic Boundaries | 21 | Migrants' Artistic Practices andMigrants and their descendants are increasingly shaping the cultural landscape of many European cities across multiple fields such as music, theatre, 100
David Wright @davwright.bsky.social · 25/03/2026Next, Višnja Kisić, Miikka Pyykkönen & Goran Tomka challenge the view of creative work as immaterial and emphasise its environmental impacts. To address this, they advocate an ‘ecological turn', supporting collective, locally rooted creative practices. www.taylorfrancis.com/chapters/edi...taylorfrancis.comEcologically Sustainable Creative Work? | 20 | Rethinking Cultural PolThis chapter explores the role of creative work in the green transition, focussing on how cultural policies shape its relationship with ecological 100
David Wright @davwright.bsky.social · 25/03/2026Then, Heidi Ashton, Chris Bilton and I use the emergence - and implementation of - policy demands for Basic Income for artists to reflect on how the state might see creative work - and work in general - in the contemporary economy. www.taylorfrancis.com/chapters/edi...taylorfrancis.comUniversal Basic Income and the Future of (Creative) Work | 19 | CreatiThis chapter uses the emergence of policy proposals for Universal Basic Income (UBI) for artists to contribute to debates about the value of creative work. The 120
David Wright @davwright.bsky.social · 25/03/2026In 'Creative Labour as Platform Work', Heidi Ashton & Jaka Primorac examine how the demands of platform-mediated cultural production often contribute to precariousness, intensify existing inequalities, and add to unpaid labour demands for visibility. www.taylorfrancis.com/chapters/edi...taylorfrancis.comCreative Labour as Platform Work | 18 | Structural Inequalities and DiThe chapter examines the evolving nature of work in the cultural and creative sectors within the global platform economy, highlighting in what ways online 100
David Wright @davwright.bsky.social · 25/03/2026Katja Praznik's chapter on labour organizing among freelance artists in Slovenia and Croatia underscores the need for worker agency and collective action, rather than advocacy alone, in changing the conditions of creative work. www.taylorfrancis.com/chapters/edi...taylorfrancis.comHow to Move Things with Unions? | 17 | Labour Organizing of Art WorkerThe chapter examines labour organizing among art workers in the post-Yugoslav context, focussing on Slovenia and Croatia, where freelance art workers, facing 110
David Wright @davwright.bsky.social · 25/03/2026Next, @trust1970.bsky.social identifies 'the commons' and 'commonism' as routes to address the precarization of 'The Creative Middle Class'. www.taylorfrancis.com/chapters/edi...taylorfrancis.comThe Creative Middle Class | 15 | Between Neoliberalism and Commonism |Over the last decade, the concept of the creative class has gained substantial recognition, celebrated by academics, policymakers, and industry leaders. 100
David Wright @davwright.bsky.social · 25/03/2026Jaka Primorac examines film and labour legislation from the socialist era in Yugoslavia and into present-day Croatia. She argues that the globalised film industry needs a safety net for workers vulnerable to the unstable, project-based nature of their work. www.taylorfrancis.com/chapters/edi...taylorfrancis.comThe Trajectory of Film Work as Precarious Project Work | 14 | From OrgThis chapter explores the precarious nature of film labour, using Croatia as a case study to examine how the project-to-project approach has become deeply 100
David Wright @davwright.bsky.social · 25/03/2026 Next up, Miikka Pyykkönen focuses on policy initiatives that attempt to address the specific challenge of free-lance creative work, in Finland and elsewhere around Europe. www.taylorfrancis.com/chapters/edi...taylorfrancis.comFrom Precarity to Security? | 13 | How Can Cultural Policies Tackle thAs is well known, self-employed workers in the creative industries, such as freelancers and sole entrepreneurs, face many challenges in their work and working 100
David Wright @davwright.bsky.social · 25/03/2026In 'Building Creative Careers through Working Relations' Mari Torvik Heian and @aasnevje.bsky.social analyse the Norwegian Artists Assistant Scheme as a practical route to ease the route from training to professional practice. www.taylorfrancis.com/chapters/edi...taylorfrancis.comBuilding Creative Careers through Working Relations | 12 | The Case ofPursuing a career as an artist is inherently challenging; however, the competition is particularly intense and unpredictable within the visual arts sector. 111
David Wright @davwright.bsky.social · 25/03/2026Next, Heidi Ashton, Chris Bilton and I consider UK welfare policy as cultural policy. We contrast the welfare schemes of the 80s and 90s, which artists were able to use to subsidise their work, with the far tighter conditions of Universal Credit. www.taylorfrancis.com/chapters/edi...taylorfrancis.comWelfare Policy as Cultural Policy in the UK | 11 | From Enterprise AllThis chapter considers how welfare policies constitute an alternative form of cultural policy, allowing cultural workers to develop creative skills and 100
David Wright @davwright.bsky.social · 25/03/2026Then, Joaquim Ruis-Ulldemolins analyses support for the creative industries in Barcelona. The chapter highlights the challenges for regional authorities in taking on the role of job creator in such sectors in ways that are accountable to their publics. www.taylorfrancis.com/chapters/edi...taylorfrancis.comBarcelona Creation Factories | 10 | Improving the Support for CreativeWithin the framework of the creative city, cultural policy has been aimed at increasing the capacity of cultural sectors to generate cultural value in the form 100
David Wright @davwright.bsky.social · 25/03/2026In 'Oh my God, what have I done all day?' Chris Bilton and Miikka Pyykkönen use interviews with artists in Finland and the UK to identify the limitations of terms like 'input', 'output' and 'productivity in understanding creative work. www.taylorfrancis.com/chapters/edi...taylorfrancis.com“Oh My God, What Have I Done All Day?” | 8 | Challenges of Measuring tThis chapter considers the experiences of freelance creative workers in the UK and Finland following the Covid-19 pandemic, highlighting some challenges in 100
David Wright @davwright.bsky.social · 25/03/2026Next up, Ieva Zemīte and Kristaps Ancāns use case studies of artists from Latvia, Romania and the UK to evaluate the role of social networks and cultural capital in early career development and preparing artists for a precarious labour market. www.taylorfrancis.com/chapters/edi...taylorfrancis.comPatterns in Artists' Careers | 7 | Adapting to Uncertainty, OpportunitThis research offers a case study-based analysis with theoretical conclusions on the dynamics of artistic career development, focusing on the period between 100
David Wright @davwright.bsky.social · 25/03/2026In 'Closing the Gap', Bård Kleppe and Mari Torvik Heian draw on Norwegian data spanning nearly two decades to examine how cultural policies impact gender differences in income in artistic professions. Disparities persist, but this is a solvable problem. www.taylorfrancis.com/chapters/edi...taylorfrancis.comClosing the Gap? | 6 | Gender Differences in Norwegian Artists' Work aThis chapter examines gender differences in work and income among Norwegian artists, drawing on four extensive quantitative studies conducted between 2006 and 100
David Wright @davwright.bsky.social · 25/03/2026Then, Goran Tomka and Višnja Kisić analyse the experience of creative workers in the Balkans during Covid-19. The challenges faced, and the variety of coping strategies they deployed indicate a need to re-think how such workers are trained and supported. www.taylorfrancis.com/chapters/edi...taylorfrancis.comOn the Heterogeneity of Creative Work | 5 | Exploring Effects of the CThis chapter discusses varying ways in which cultural workers have experienced and been influenced by the COVID-19 pandemic. It is based on the data collected 100
David Wright @davwright.bsky.social · 25/03/2026Next, Simone Wesner and I use Arendt's concepts of 'work' and 'labour' to understand the motivations of visual artists in Germany. A key theme of the book is whether creative work is 'different' from other types of work - and the policy implications if it is. www.taylorfrancis.com/chapters/edi...taylorfrancis.comCreativity and the ‘Work' of Art | 4 | Visual Artists' Perspectives |The policy drive to conceive of the creative economy as a site of job creation has meant that distinctive elements of different forms of creative work have been 100
David Wright @davwright.bsky.social · 25/03/2026In 'Measuring Matters', Bård Kleppe, Jaka Primorac, and Heidi Ashton evaluate creative economy jobs data from Norway, Croatia and the UK. The chapter examines the 'what' and 'why' of measurement in different territories with different policy priorities. www.taylorfrancis.com/chapters/edi...taylorfrancis.comMeasuring Matters | 3 | Mapping Cultural and Creative Work in Europe |The chapter analyzes how cultural and creative work is mapped in Europe. Firstly, it critically assesses currently available data on the European Union level, 100
David Wright @davwright.bsky.social · 25/03/2026Out today, from editors Bård Kleppe, Jaka Primorac, Mikka Pyykkönen and me. The book combines cross-national writing teams and focussed case studies across Europe to examine the rhetoric and reality of creative work. A contents thread 👇 www.taylorfrancis.com/books/edit/1...taylorfrancis.comCreative and Cultural Work in Europe | Bård Kleppe, Jaka Primorac, MiiThis book gathers evidence and case studies from various parts of Europe and across the different sectors that comprise the creative industries, including the 135
Reposted by David WrightMargot Finn @eicathomefinn.bsky.social · 21/03/2026Fully-funded AHRC Collaborative Doctoral PhD Studentship at UCL and the V&A: 'Invisible Hands: Migrant Labour and British Craft in the 18th Century' Ignore the 'top ten' hype; focus on the ace resources, environment and support. Deadline 15 April. #Skystoriansucl.ac.ukUCL – University College LondonUCL is consistently ranked as one of the top ten universities in the world (QS World University Rankings 2010-2022) and is No.2 in the UK for research power (Research Excellence Framework 2021). 04837
David Wright @davwright.bsky.social · 21/03/2026...one of that's just 'okay' produced by someone working in difficult circumstances, or even writing in a second language but following guidance in good faith. 110