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David Wright

@davwright.bsky.social
1.2K followers 1.1K following 158 posts

Researching and teaching about creative industries and cultural policy at the Centre for Cultural and Media Policy Studies, SCAPVC, University of Warwick. warwick.ac.uk/fac/arts/scapvc/ccmps… If you want me, I'll be at the cricket.

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David Wright @davwright.bsky.social · 12/09/2026
It was a bit weird that it took John Curtice to drop this truth bomb in the Today piece on this earlier, as opposed to the BBC correspondent.
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David Wright @davwright.bsky.social · 30/08/2026
Excellent. Bit of a long walk to the gag at the end but worth it. 3*
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Mariana Mazzucato @mazzucatom.bsky.social · 28/08/2026
New research position: bringing arts and culture to the centre of the economy. Research Fellow at UCL IIPP, working with me and the team, and partners in the UK and Brazil on how cultural value is measured, governed and funded. Closes 11 September ➡️ www.ucl.ac.uk/work-at-ucl/...
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Times Higher Education (THE) @timeshighered.bsky.social · 28/08/2026
AI policies are repeating every mistake of plagiarism policies: AI use is being framed as a binary of permitted or cheating, when for second-language writers it is a question of learning, says Özgür Çelik ow.ly/MhSY50ZG4rN
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David Wright @davwright.bsky.social · 20/08/2026
Both have taken on something of an existential air for me.
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David Wright @davwright.bsky.social · 20/08/2026
After a near two decade career teaching and researching a range of topics at a top ranked global university, the question I'm asked most - and which I still struggle to answer - is 'Does the word count include the bibliography?'
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Margot Finn @eicathomefinn.bsky.social · 19/08/2026
'A Russell Group university will no longer use ubiquitous anti-cheating tools provided by Turnitin because of concerns that the company might use students’ work to train artificial intelligence.' Maybe time for UK universities to develop and commercialise their own tools?
timeshighereducation.com
Southampton dumps Turnitin over use of students’ work to train AI
Academic integrity giant denies accusations as university declines to renew contract in favour of ‘other options’
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Endless Screaming @infinitescream.bsky.social · 06/08/2026
AAAAAAAAAAAAAAAAAAAAHHHHHHHHHHHHHHHH
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The Wicker Dan @oddballuk.bsky.social · 27/06/2026
Nottingham Puppet Festival today Only saw a few acts because of work but it was still fun, the heat showed a little mercy and everything seemed a big hit with kids
Two people in costumes (so not technically puppets) hugging each other. The one facing away is covered in a costume made from strips of white, yellow and red fabric. The one facing the camera is in blue with bits of red and wearing a head with blue antlers and a large black mouth held open in an expression of awe.
A large bee lady puppet controlled by someone hidden in the lower body. The bee lady has a black hat and is waving her arms.A large tree/plant giant with grassy hair and beard and dandelions growing from its scalp. Controlled by a man inside and two women outside manipulating the arms.A large, mechanical looking green parrot puppet on a moveable base with someone sat inside to move the wings from below.
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David Wright @davwright.bsky.social · 22/06/2026
This is what I want to hear when Burnham gets off that train youtu.be/vgI9hjRzmq0?...
youtu.be
Do you intend to abolish first class rail travel?
YouTube video by Tom Cleaver
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David Wright @davwright.bsky.social · 14/06/2026
Tune!
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David Wright @davwright.bsky.social · 22/05/2026
The wild west indeed. I never understood the confidence with which such scores are treated, or the investment them. If the criteria are clear and panel reviewers are trained, trusted and have time to do things properly, it is a massive waste of time and money.
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David Wright @davwright.bsky.social · 17/05/2026
And here's a link to the book it is in www.jstor.org/stable/j.ctt...
jstor.org
From Codex to Hypertext: Reading at the Turn of the Twentyfirst Century on JSTOR
The start of the twentyfirst century has brought with it a rich variety of ways in which readers can connect with one another, access texts, and make sense of w...
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David Wright @davwright.bsky.social · 17/05/2026
Given the Guardian best books brouhaha, here's a thing I wrote (in 2012!) about lists and literary taste. Still kind of stands up. The history bit is interesting if I say so myself 🤔 wrap.warwick.ac.uk/id/eprint/51...
wrap.warwick.ac.uk
Literary taste and list culture in a time of "endless choice" - WRAP: Warwick Research Archive Portal
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David Wright @davwright.bsky.social · 12/05/2026
And also showcases heritage craft skills and boosts the textile industry.
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David Wright @davwright.bsky.social · 12/05/2026
No shade on the research itself which no doubt is careful and rigorous on its terms but I always find coverage of studies like this a bit depressing. As if we're only allowed beautiful things when there is a grimly utilitarian reason. www.theguardian.com/science/2026...
theguardian.com
Arts and cultural engagement ‘linked to slower pace of biological ageing’
Research from UCL suggests visiting art galleries or museums, singing and painting can help improve health outcomes
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David Wright @davwright.bsky.social · 22/04/2026
Add to this the 'political nerds like me find this stuff interesting, ho-ho...' framing as if our institutions and their processes aren't things we are supposed to bother our heads with.
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David Wright @davwright.bsky.social · 22/04/2026
And people say this platform is in decline.
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Tom Gauld @tomgauld.bsky.social · 21/04/2026
My latest cartoon for @newscientist.com
Three cool scientists introduce their work "Our new theory has been submitted to a peer-reviewed journal, but we feel its depths and intricacies are best appreciated on the limited-edition vinyl release."
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David Wright @davwright.bsky.social · 19/04/2026
God bless the cultural intermediaries, I say.
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David Wright @davwright.bsky.social · 29/03/2026
media.tenor.com
a cartoon of a man asking if someone sleeps in a racing car
ALT: a cartoon of a man asking if someone sleeps in a racing car
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David Wright @davwright.bsky.social · 25/03/2026
We conclude with reflections on what the evidence tells us. Notably, it indicates that challenging conditions of creative work are not inevitable. If states consider the creative economy important, then there are routes to supporting this work and these workers. www.taylorfrancis.com/chapters/edi...
taylorfrancis.com
Conclusion | 22 | Supporting Creative and Cultural Work in Europe | Da
This concluding chapter summarizes the arguments, evidence, and analysis presented in the previous chapters. It focusses on how questions of definition and
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Liz McFall @allartmarkets.bsky.social · 28/03/2026
This makes me happy and incredibly sad for what we let go … for how impossible it would be to set up anything with the intellectual, pedagogic, democratic vision of the OU now www.bbc.co.uk/news/article...
bbc.co.uk
Milton Keynes statue honours Open University founder
The statue celebrates the life of an MP who was behind the creation of the university.
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David Wright @davwright.bsky.social · 25/03/2026
Out today, from editors Bård Kleppe, Jaka Primorac, Mikka Pyykkönen and me. The book combines cross-national writing teams and focussed case studies across Europe to examine the rhetoric and reality of creative work. A contents thread 👇 www.taylorfrancis.com/books/edit/1...
taylorfrancis.com
Creative and Cultural Work in Europe | Bård Kleppe, Jaka Primorac, Mii
This book gathers evidence and case studies from various parts of Europe and across the different sectors that comprise the creative industries, including the
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David Wright @davwright.bsky.social · 27/03/2026
Can we be entirely sure he hasn't been replaced by a bot?
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Professor Peter Matthews @urbaneprofessor.bsky.social · 27/03/2026
I think we need to do an edgy, single-take Netflix drama, set in a school in the north of England, about the online radicalisation of Nick Robinson
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David Wright @davwright.bsky.social · 25/03/2026
Thanks to our contributors, reviewers and to @bookseditorial.bsky.social and team at @routledgebooks.bsky.social for their help. If you work at a university, why not order a copy for your library? And if you don't, and you want to read anything, drop me a line. www.taylorfrancis.com/books/edit/1...
taylorfrancis.com
Creative and Cultural Work in Europe | Bård Kleppe, Jaka Primorac, Mii
This book gathers evidence and case studies from various parts of Europe and across the different sectors that comprise the creative industries, including the
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David Wright @davwright.bsky.social · 26/03/2026
Moisturise.
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David Wright @davwright.bsky.social · 25/03/2026
Thanks to our contributors, reviewers and to @bookseditorial.bsky.social and team at @routledgebooks.bsky.social for their help. If you work at a university, why not order a copy for your library? And if you don't, and you want to read anything, drop me a line. www.taylorfrancis.com/books/edit/1...
taylorfrancis.com
Creative and Cultural Work in Europe | Bård Kleppe, Jaka Primorac, Mii
This book gathers evidence and case studies from various parts of Europe and across the different sectors that comprise the creative industries, including the
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David Wright @davwright.bsky.social · 25/03/2026
We conclude with reflections on what the evidence tells us. Notably, it indicates that challenging conditions of creative work are not inevitable. If states consider the creative economy important, then there are routes to supporting this work and these workers. www.taylorfrancis.com/chapters/edi...
taylorfrancis.com
Conclusion | 22 | Supporting Creative and Cultural Work in Europe | Da
This concluding chapter summarizes the arguments, evidence, and analysis presented in the previous chapters. It focusses on how questions of definition and
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David Wright @davwright.bsky.social · 25/03/2026
Finally, @michaelparzer.bsky.social examines the challenges faced by artists who have experienced migration. Using data collected in Austria, the chapter focusses on the role of recognition in 're-starting' an artistic career in a new country. www.taylorfrancis.com/chapters/edi...
taylorfrancis.com
Navigating Symbolic Boundaries | 21 | Migrants' Artistic Practices and
Migrants and their descendants are increasingly shaping the cultural landscape of many European cities across multiple fields such as music, theatre,
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David Wright @davwright.bsky.social · 25/03/2026
Next, Višnja Kisić, Miikka Pyykkönen & Goran Tomka challenge the view of creative work as immaterial and emphasise its environmental impacts. To address this, they advocate an ‘ecological turn', supporting collective, locally rooted creative practices. www.taylorfrancis.com/chapters/edi...
taylorfrancis.com
Ecologically Sustainable Creative Work? | 20 | Rethinking Cultural Pol
This chapter explores the role of creative work in the green transition, focussing on how cultural policies shape its relationship with ecological
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David Wright @davwright.bsky.social · 25/03/2026
Then, Heidi Ashton, Chris Bilton and I use the emergence - and implementation of - policy demands for Basic Income for artists to reflect on how the state might see creative work - and work in general - in the contemporary economy. www.taylorfrancis.com/chapters/edi...
taylorfrancis.com
Universal Basic Income and the Future of (Creative) Work | 19 | Creati
This chapter uses the emergence of policy proposals for Universal Basic Income (UBI) for artists to contribute to debates about the value of creative work. The
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David Wright @davwright.bsky.social · 25/03/2026
In 'Creative Labour as Platform Work', Heidi Ashton & Jaka Primorac examine how the demands of platform-mediated cultural production often contribute to precariousness, intensify existing inequalities, and add to unpaid labour demands for visibility. www.taylorfrancis.com/chapters/edi...
taylorfrancis.com
Creative Labour as Platform Work | 18 | Structural Inequalities and Di
The chapter examines the evolving nature of work in the cultural and creative sectors within the global platform economy, highlighting in what ways online
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David Wright @davwright.bsky.social · 25/03/2026
Katja Praznik's chapter on labour organizing among freelance artists in Slovenia and Croatia underscores the need for worker agency and collective action, rather than advocacy alone, in changing the conditions of creative work. www.taylorfrancis.com/chapters/edi...
taylorfrancis.com
How to Move Things with Unions? | 17 | Labour Organizing of Art Worker
The chapter examines labour organizing among art workers in the post-Yugoslav context, focussing on Slovenia and Croatia, where freelance art workers, facing
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David Wright @davwright.bsky.social · 25/03/2026
Next, @trust1970.bsky.social identifies 'the commons' and 'commonism' as routes to address the precarization of 'The Creative Middle Class'. www.taylorfrancis.com/chapters/edi...
taylorfrancis.com
The Creative Middle Class | 15 | Between Neoliberalism and Commonism |
Over the last decade, the concept of the creative class has gained substantial recognition, celebrated by academics, policymakers, and industry leaders.
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David Wright @davwright.bsky.social · 25/03/2026
Jaka Primorac examines film and labour legislation from the socialist era in Yugoslavia and into present-day Croatia. She argues that the globalised film industry needs a safety net for workers vulnerable to the unstable, project-based nature of their work. www.taylorfrancis.com/chapters/edi...
taylorfrancis.com
The Trajectory of Film Work as Precarious Project Work | 14 | From Org
This chapter explores the precarious nature of film labour, using Croatia as a case study to examine how the project-to-project approach has become deeply
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David Wright @davwright.bsky.social · 25/03/2026
Next up, Miikka Pyykkönen focuses on policy initiatives that attempt to address the specific challenge of free-lance creative work, in Finland and elsewhere around Europe. www.taylorfrancis.com/chapters/edi...
taylorfrancis.com
From Precarity to Security? | 13 | How Can Cultural Policies Tackle th
As is well known, self-employed workers in the creative industries, such as freelancers and sole entrepreneurs, face many challenges in their work and working
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David Wright @davwright.bsky.social · 25/03/2026
In 'Building Creative Careers through Working Relations' Mari Torvik Heian and @aasnevje.bsky.social analyse the Norwegian Artists Assistant Scheme as a practical route to ease the route from training to professional practice. www.taylorfrancis.com/chapters/edi...
taylorfrancis.com
Building Creative Careers through Working Relations | 12 | The Case of
Pursuing a career as an artist is inherently challenging; however, the competition is particularly intense and unpredictable within the visual arts sector.
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David Wright @davwright.bsky.social · 25/03/2026
Next, Heidi Ashton, Chris Bilton and I consider UK welfare policy as cultural policy. We contrast the welfare schemes of the 80s and 90s, which artists were able to use to subsidise their work, with the far tighter conditions of Universal Credit. www.taylorfrancis.com/chapters/edi...
taylorfrancis.com
Welfare Policy as Cultural Policy in the UK | 11 | From Enterprise All
This chapter considers how welfare policies constitute an alternative form of cultural policy, allowing cultural workers to develop creative skills and
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David Wright @davwright.bsky.social · 25/03/2026
Then, Joaquim Ruis-Ulldemolins analyses support for the creative industries in Barcelona. The chapter highlights the challenges for regional authorities in taking on the role of job creator in such sectors in ways that are accountable to their publics. www.taylorfrancis.com/chapters/edi...
taylorfrancis.com
Barcelona Creation Factories | 10 | Improving the Support for Creative
Within the framework of the creative city, cultural policy has been aimed at increasing the capacity of cultural sectors to generate cultural value in the form
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David Wright @davwright.bsky.social · 25/03/2026
In 'Oh my God, what have I done all day?' Chris Bilton and Miikka Pyykkönen use interviews with artists in Finland and the UK to identify the limitations of terms like 'input', 'output' and 'productivity in understanding creative work. www.taylorfrancis.com/chapters/edi...
taylorfrancis.com
“Oh My God, What Have I Done All Day?” | 8 | Challenges of Measuring t
This chapter considers the experiences of freelance creative workers in the UK and Finland following the Covid-19 pandemic, highlighting some challenges in
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David Wright @davwright.bsky.social · 25/03/2026
Next up, Ieva Zemīte and Kristaps Ancāns use case studies of artists from Latvia, Romania and the UK to evaluate the role of social networks and cultural capital in early career development and preparing artists for a precarious labour market. www.taylorfrancis.com/chapters/edi...
taylorfrancis.com
Patterns in Artists' Careers | 7 | Adapting to Uncertainty, Opportunit
This research offers a case study-based analysis with theoretical conclusions on the dynamics of artistic career development, focusing on the period between
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David Wright @davwright.bsky.social · 25/03/2026
In 'Closing the Gap', Bård Kleppe and Mari Torvik Heian draw on Norwegian data spanning nearly two decades to examine how cultural policies impact gender differences in income in artistic professions. Disparities persist, but this is a solvable problem. www.taylorfrancis.com/chapters/edi...
taylorfrancis.com
Closing the Gap? | 6 | Gender Differences in Norwegian Artists' Work a
This chapter examines gender differences in work and income among Norwegian artists, drawing on four extensive quantitative studies conducted between 2006 and
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David Wright @davwright.bsky.social · 25/03/2026
Then, Goran Tomka and Višnja Kisić analyse the experience of creative workers in the Balkans during Covid-19. The challenges faced, and the variety of coping strategies they deployed indicate a need to re-think how such workers are trained and supported. www.taylorfrancis.com/chapters/edi...
taylorfrancis.com
On the Heterogeneity of Creative Work | 5 | Exploring Effects of the C
This chapter discusses varying ways in which cultural workers have experienced and been influenced by the COVID-19 pandemic. It is based on the data collected
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David Wright @davwright.bsky.social · 25/03/2026
Next, Simone Wesner and I use Arendt's concepts of 'work' and 'labour' to understand the motivations of visual artists in Germany. A key theme of the book is whether creative work is 'different' from other types of work - and the policy implications if it is. www.taylorfrancis.com/chapters/edi...
taylorfrancis.com
Creativity and the ‘Work' of Art | 4 | Visual Artists' Perspectives |
The policy drive to conceive of the creative economy as a site of job creation has meant that distinctive elements of different forms of creative work have been
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David Wright @davwright.bsky.social · 25/03/2026
In 'Measuring Matters', Bård Kleppe, Jaka Primorac, and Heidi Ashton evaluate creative economy jobs data from Norway, Croatia and the UK. The chapter examines the 'what' and 'why' of measurement in different territories with different policy priorities. www.taylorfrancis.com/chapters/edi...
taylorfrancis.com
Measuring Matters | 3 | Mapping Cultural and Creative Work in Europe |
The chapter analyzes how cultural and creative work is mapped in Europe. Firstly, it critically assesses currently available data on the European Union level,
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David Wright @davwright.bsky.social · 25/03/2026
Out today, from editors Bård Kleppe, Jaka Primorac, Mikka Pyykkönen and me. The book combines cross-national writing teams and focussed case studies across Europe to examine the rhetoric and reality of creative work. A contents thread 👇 www.taylorfrancis.com/books/edit/1...
taylorfrancis.com
Creative and Cultural Work in Europe | Bård Kleppe, Jaka Primorac, Mii
This book gathers evidence and case studies from various parts of Europe and across the different sectors that comprise the creative industries, including the
135
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Margot Finn @eicathomefinn.bsky.social · 21/03/2026
Fully-funded AHRC Collaborative Doctoral PhD Studentship at UCL and the V&A: 'Invisible Hands: Migrant Labour and British Craft in the 18th Century' Ignore the 'top ten' hype; focus on the ace resources, environment and support. Deadline 15 April. #Skystorians
ucl.ac.uk
UCL – University College London
UCL is consistently ranked as one of the top ten universities in the world (QS World University Rankings 2010-2022) and is No.2 in the UK for research power (Research Excellence Framework 2021).
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David Wright @davwright.bsky.social · 21/03/2026
...one of that's just 'okay' produced by someone working in difficult circumstances, or even writing in a second language but following guidance in good faith.
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