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Cass Milne

@cassmilne.bsky.social
123 followers 303 following 82 posts

I was on the veranda of a vast estate, a palazzo of some fantastic proportion. @cass_milne on Twitter. letterboxd.com/Cassmilne My Substack, Unconscious Corridors: Signals Through Culture cassmilne.substack.com

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Cass Milne @cassmilne.bsky.social · 19/02/2026
The Mets as a secular church. Harvey Keitel as a fallen believer. And a city where miracles only happen in baseball. I wrote about Abel Ferrara and Catholicism. An essay for anyone already pining for Opening Day. cassmilne.substack.com/p/queens-of-...
cassmilne.substack.com
Queens of Suffering and Miracle Mets: Catholic Noir in Bad Lieutenant
Bad Lieutenant, Directed by Abel Ferrara, 1992
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Matty! @mattythemouse.bsky.social · 31/01/2026
Like, this is what DEVO had to say about Whip It, lol
Lyrics

The lyrics of "Whip It" are disjointed and nonsensical. (121 For example, its central theme revolves around the ability to solve one's problems by "whipping it"; other lines include motivational statements like "go forward, move ahead" and "it's not too late" [121 Casale wrote the lyrics, which were intended to satirize American optimism. He took inspiration from communist propaganda posters and Gravity's Rainbow by Thomas Pynchon, a 1973 novel that contains satirical limericks about capitalist can-do clichés. 131 Casale incorporated lyrics that would sound like motivational clichés if taken out of context. 14] Ultimate Classic Rock critic Dave Swanson interpreted the lyrics as being "an observation...on the struggles of the
common man, woman and mutant." [15]Mothersbaugh offered a different
interpretation of the lyrics, saying they were written in the form of a subtle pep talk for United States President Jimmy Carter during
the 1980 presidential election. The members of Devo supported Carter and feared the Republican candidate Ronald Reagan would win the election. 16] Mothersbaugh jokingly once said in an interview: "Come on Jimmy, get your shit together". (17) Huey notes that despite the song's novelty, there are violent undertones in the lyrics. He describes the process of whipping it to solve one's problems as "a sardonic portrait of a general, problematic aspect of the American psyche: the predilection for using force and violence to solve problems, vent frustration, and prove oneself to others". (12]
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Jay Babcock @jaywbabcock.bsky.social · 04/02/2026
"32 live performances of Sonic Youth’s 'The Diamond Sea' plunderphoniclly orchestrated by John Oswald (of Grateful Dead 'Grayfolded' fame) – providing two distinctly new experiences of the classic track from Washing Machine."
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Cass Milne @cassmilne.bsky.social · 01/02/2026
Just finished. Delillo's short, clipped, and staccato sentences containing a great sense of rhythm propel the pace masterfully. The analytical style plus haywire lyricism creates a surreal juxtaposition that ushers historical footnotes into a grander narrative of hyper-reality.
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Monorail Music @monorailmusic.bsky.social · 23/01/2026
Sister Irene O'Connor's Fire of God's Love is going down a storm here today! First authorised reissue of this holy grail since 1976; the album restored and remastered. Sincere, soulful, and unconsciously psychedelic. reissue made with loads of love: monorailmusic.com/product/fire...
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Cass Milne @cassmilne.bsky.social · 21/01/2026
boxd.it/cKFGP3 I argue that Inherent Vice is the stronger Pynchon adaptation while emphasizing how obverse and reverse forces existing within individual’s souls reflects the duality of our flawed world, and that internal contradictions lead to the decaying of all things.
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A ★★★★★ review of Inherent Vice (2014)
Inherent Vice and the Dual Soul of the California Ideology Many have speculated that the Inherent Vice’s narrator Sortilège (Joanna Newsom), is not an actual flesh and blood being, but rather an incar...
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Kroba @kingkroba.bsky.social · 17/01/2026
Pere Ubu
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Cass Milne @cassmilne.bsky.social · 11/01/2026
R.I.P to Bob Weir, one of the most unusual rhythm guitarists in rock. I saw him once do an excellent version of the Beatles Tomorrow Never Knows with the back up of Wilco in Nashville, and I owe him something because my Dead Head parents named me after one of his songs.
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Cass Milne @cassmilne.bsky.social · 10/01/2026
boxd.it/czh9af I laud Kurosawa's stunning blocking and spacing, while exploring how he viewed hatred, resentment, and inner emptiness as their own forms of poverty. I also make connections to Fritz Lang's M and Bong Joon Ho and David Fincher's modern procedurals.
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A ★★★★★ review of High and Low (1963)
Akira Kurosawa’s place in the cannon is so secure that it is easy to take him for granted. He is best remembered for samurai epics set in Japan’s feudal past but High and Low is a skillfully made adap...
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bort @crushbort.bsky.social · 06/01/2026
i was the only home whose cable didn’t go out when the sopranos finale aired and it showed tony looking up and seeing two guys walk into the restaurant holding hands. then it cut back to tony shrugging, which you have to understand in 2007 was a very powerful statement
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Patrick Cosmos @veryimportant.lawyer · 06/01/2026
he looks like a faded guy from an 80s punk band getting upset at Zorak
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Peter Labuza @labuzamovies.com · 06/01/2026
all time great email reply, rip
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Cass Milne @cassmilne.bsky.social · 06/01/2026
I explore Miyazaki's quietly subversive world without heroes and villains, and laud the translucent ardor of his water color palette. boxd.it/cufDLh
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A ★★★★★ review of My Neighbor Totoro (1988)
My Neighbor Totoro is quietly subversive for the way it depicts a world without villains or the strains of violence typically found in both Western and Japanese animation. Hayao Miyazaki eschews formu...
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Cass Milne @cassmilne.bsky.social · 06/01/2026
R.I.P Béla Tarr (21 July 1955 – 6 January 2026) boxd.it/bZBxjr
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A ★★★★★ review of Satantango (1994)
With the possible exception of Roy Andersson's The Living trilogy, no directors oeuvre feels more like the end of the world than the work of Bela Tarr. Satantango is essentially a cathedral to moral d...
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Cass Milne @cassmilne.bsky.social · 04/01/2026
I engage with Bergman's themes of fractured identity and dream logic while connecting its influence to Lynch's Mulholland Drive and Altman's Three Women. boxd.it/cr84uJ
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A ★★★★★ review of Persona (1966)
In the absence of meaning we wrestle with identity, but what if there is no self? Perhaps our personas are mental projections made up of our hopes and fears. The idea of a fractured self sounds schizo...
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Colin McGowan @csmcgowan.bsky.social · 03/06/2025
It remains one of the wildest things in the world that Disney paid late-career Hunter S. Thompson to write despairing columns about the sickening depravity of American empire and, to a slightly lesser extent, Skip Prosser's Wake Forest. www.espn.com/page2/s/thom...
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bakoon @bakoon.bsky.social · 03/01/2026
smoking marijuana and reading my manga in this ball
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Jesse Hawken @jessehawken.bsky.social · 03/01/2026
I recommend people watch WALKER by Alex Cox. Forgive the trailer, they had to market it somehow, but it’s a minor miracle that Universal Pictures even theatrically released such a strong indictment of US foreign policy in Latin America at all. It’s on Internet Archive youtu.be/XImi7fT7-J0
youtu.be
Official Trailer - WALKER (1987, Ed Harris, Richard Masur, Marlee Matlin, Alex Cox)
YouTube video by Trailer World
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Cass Milne @cassmilne.bsky.social · 03/01/2026
A character study of people living on the edge that becomes a deglamorized crime film--call it Bonnie and Clyde by way of Bresson. The line three hamburgers no garbage on them is worth the price of admission alone. boxd.it/cpmpfv
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A ★★★★★ review of Wanda (1970)
The line three hamburgers no garbage on them is worth the price of admission alone. Director Barbara Loden's Wanda challenges our assumptions of what type of people can be the subject of the stories w...
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Cass Milne @cassmilne.bsky.social · 02/01/2026
boxd.it/cokDr3 I engage with the themes of elemental nature, transience, and the importance of humanism and mercy in Kenji Mizoguchi's painterly Sansho the Bailiff.
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A ★★★★★ review of Sansho the Bailiff (1954)
Perhaps the greatest film of all time, but too heart wrenching to watch regularly. In Sansho the Bailiff humanist ideals are challenged by a cruel world. Brutal practices such as slavery and having on...
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Cass Milne @cassmilne.bsky.social · 31/12/2025
boxd.it/cl4P5f I dissect Bernardo Bertolucci's The Conformist, and give nods to its psychological understanding of Fascism, the alienating nature of Mussolini's architecture, and praise the sophisticated cinematography that would influence the Godfather films.
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A ★★★★★ review of The Conformist (1970)
Young director Bernardo Bertolucci's time as a disciple of Pier Pasolini and Sergio Leone, along with Italian cinema's openness to experimentation certainly aided his ability to create this highly sty...
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Cass Milne @cassmilne.bsky.social · 28/12/2025
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A ★★★★★ review of Black Narcissus (1947)
"Color consultants" working for Technicolor used to advise, or rather yet, regulate how filmmakers could stylize their films, preferring a more natural look--but directors Powell and Pressburger went ...
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Cass Milne @cassmilne.bsky.social · 26/12/2025
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A ★★★★★ review of M (1931)
M is a film with no central protagonist and rather it presents a story about a single antagonist versus society's systems of justice. Director Fritz Lang built the essential tropes of both the police ...
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Cass Milne @cassmilne.bsky.social · 24/12/2025
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A ★★★★★ review of Slacker (1990)
Robert Bresson's L'Argent is a clear influence on Richard Linklater's Slacker, specifically in its episodic nature, schematic structure and use of interconnected characters. There is no central protag...
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Cass Milne @cassmilne.bsky.social · 22/12/2025
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A ★★★★★ review of L'Argent (1983)
This loose adaption of Tolstoy's "The Forged Coupon" follows a minor act of forgery that creates an avalanche of spiritual malaise, destroying innocent lives in the process and exposing the capitalist...
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Cass Milne @cassmilne.bsky.social · 20/12/2025
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A ★★★★★ review of Stranger Than Paradise (1984)
An essential work to understanding the DNA of American independent film. Like Bresson and Ozu, Jarmusch favors simplicity and purity. He took inspiration from the DIY ethos of punk rock, and particula...
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Cass Milne @cassmilne.bsky.social · 19/12/2025
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A ★★★★★ review of Drifting Clouds (1996)
A new color TV set bought on credit transmits dire news from around the world to a couple's apartment--it's detached nature, representing the mediated world makes us feel pacified to the gargantuan sy...
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Cass Milne @cassmilne.bsky.social · 18/12/2025
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A ★★★★★ review of The Bitter Tears of Petra von Kant (1972)
The Bitter Tears of Petra Von Kant tells the story of a domineering and successful fashion designer Petra( Margit Carstensen) who desperately falls for a younger model Karin( Hanna Schygulla) who does...
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Cass Milne @cassmilne.bsky.social · 16/12/2025
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A ★★★★★ review of Stroszek (1977)
A German new wave classic largely set in America. Stroszek tells the story of a man named Bruno( Bruno S.) who is released from prison and barely makes a living as a street musician playing the glocke...
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Cass Milne @cassmilne.bsky.social · 15/12/2025
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A ★★★★★ review of Deep End (1970)
Deep End makes other coming of age stories look formulaic. Set in London, but largely filmed in Munich, the film centers on a teenage boy Micheal( John Moulder Brown) who develops an infatuation that ...
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Cass Milne @cassmilne.bsky.social · 13/12/2025
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A ★★★★★ review of Vivre Sa Vie (1962)
Vivre Sa Vie tells the story of Nana ( Anna Karina) a Parisian record store clerk and mother desiring fame from acting but whose life falls apart into prostitution and poverty after her marriage unrav...
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Cass Milne @cassmilne.bsky.social · 12/12/2025
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A ★★★★★ review of 24 Hour Party People (2002)
This humorous film inventively blurs the lines of the mockumentary and bio-pic genre with the combination of fictionalized elements, dramatizations of rumors and urban legends, meta-commentary, and th...
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Cass Milne @cassmilne.bsky.social · 11/12/2025
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A ★★★★★ review of Naked (1993)
Mike Leigh's Naked depicts a post-Thatcher Britain inhabited by pale pasty faced individuals subsisting on the welfare state who lack families, relationships, homes, and jobs. Their only possessions s...
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Cass Milne @cassmilne.bsky.social · 10/12/2025
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A ★★★★★ review of A Brighter Summer Day (1991)
A Brighter Summer Day has the novelistic richness of character and setting of a Tolstoy novel. Edward Yang renders Taiwan’s militarized culture with a slow culmination of details, capturing the the ex...
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Cass Milne @cassmilne.bsky.social · 09/12/2025
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A ★★★★★ review of Satantango (1994)
With the possible exception of Roy Andersson's the Living trilogy, no film feels more like the end of the world than Satantago. The film captures a muddy and rain soaked world of moral despair. Based ...
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Cass Milne @cassmilne.bsky.social · 08/12/2025
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A ★★★★★ review of The Prisoner (1967)
James Bond meets 1984 with the absurdity of Kafka. This 1960s British cult classic follows the kidnapping of secret agent Number Six( Patrick McGoohan) and his imprisonment on an undisclosed coastal V...
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Cass Milne @cassmilne.bsky.social · 07/12/2025
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A ★★★★★ review of Safe (1995)
"Are You Allergic to the 20th Century"? Safe creates a frisson within the spectator by transforming the mundane into something uncanny and deeply disturbing. Static long shots allow the scenes to brea...
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Cass Milne @cassmilne.bsky.social · 06/12/2025
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A ★★★★★ review of Videodrome (1983)
David Cronenberg has continuously and unflinchingly explored what it means to be human. In Videodrome all of his major themes are present: technology as an extension of both the mind and physicality, ...
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Good Boy @goodboy.bsky.social · 05/12/2025
Yeh Inherent Vice is good
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Cass Milne @cassmilne.bsky.social · 05/12/2025
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A ★★★★★ review of Carlos (2010)
Rather than using a traditional score, this Cold War saga focusing on the rise and fall of Carlos ‘the Jackal’ Ramirez heavily features post-punk songs from the 70s and 80s to not only mark transition...
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Cass Milne @cassmilne.bsky.social · 30/11/2025
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A ★★★★★ review of The Butcher (1970)
This review may contain spoilers. Visit the page to bypass this warning and read the review.
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Cass Milne @cassmilne.bsky.social · 29/11/2025
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A ★★★★★ review of Seconds (1966)
Apparently, in 1966 this film haunted Brian Wilson of the Beach Boys so bad that he did not attend another movie theater until 1982's E.T. the Extra-Terrestrial was released. Wilson arrived at the the...
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Cass Milne @cassmilne.bsky.social · 28/11/2025
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A ★★★★★ review of Caché (2005)
This existential and epistemological thriller works as a parable about modern terrorism, xenophobia, and colonial guilt from France's conquests in Algeria. The opening shot of the film displays an ext...
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Cass Milne @cassmilne.bsky.social · 27/11/2025
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A ★★★★★ review of Songs from the Second Floor (2000)
Ironically, the movie opens with the image of a man in a tanning bed, and I say ironically because the rest of the inhabitants of this world are so ghostly white that they look like they are zombies w...
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Cass Milne @cassmilne.bsky.social · 25/11/2025
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A ★★★★★ review of PlayTime (1967)
Jacques Tati meticulously constructed an expensive citywide set (a character in it's own right) on the outskirts of Paris to create this leisurely paced, whimsical, and visually brilliant film that wo...
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Cass Milne @cassmilne.bsky.social · 22/11/2025
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A ★★★★★ review of Le Samouraï (1967)
Jean-Pierre Melville( a hero of the French Resistance) and Sergio Leone similarly reconstructed American genre films through a highly stylized European lens--transforming pulp fiction into high art. L...
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Cass Milne @cassmilne.bsky.social · 20/11/2025
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A ★★★★★ review of Elevator to the Gallows (1958)
Elevator to the Galllows is a sly but clear commentary on France's colonial involvement in Algeria and Indochina and the moral rot of contemporary France. This innovative and essential noir and precur...
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Cass Milne @cassmilne.bsky.social · 20/11/2025
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A ★★★★★ review of Wise Blood (1979)
John Huston's adaptation of Flannery O'Conner's Wise Blood prefigures the regionalism, dark humor, gothic violence, and the spiritual inquiries of the grotesque and flawed individuals of the Coen brot...
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Cass Milne @cassmilne.bsky.social · 20/11/2025
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A ★★★★★ review of Cutter's Way (1981)
Ivan Passer's neo-noir Cutter's Way is one of the best films of the 1980s but it really belongs to the 1970s cinema of paranoia and dread like Klute, Winter Kills, Chinatown, Night Moves, Nashville, T...
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Cass Milne @cassmilne.bsky.social · 20/11/2025
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A ★★★★★ review of Petulia (1968)
Richard Lester's "Petulia" belongs alongside Antonioni’s “Eclipse” and Resnais’ “Last Year at Marienbad" for exposing the soul sickness, impatience, and every day irritation of modern life. A relative...
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