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Arden Boshier

@aboshier.bsky.social
173 followers 365 following 73 posts

writer, editor of @derwent-press, really into modernism, blogging on substack as Moments of Being

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Reposted by Arden Boshier
ANU Press @anupress.bsky.social · 03/03/2026
Issue 31 of ‘Lilith' comes at a time when feminist history feels both urgent and under threat. From rising fascism to cuts in academic freedom, history and gender studies are being slashed, while scholars face growing precarity. Register your interest: doi.org/10.22459/LFH...
ANU Press Coming Soon: Cover image of 
Lilith: A Feminist History Journal: Number 31
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Arden Boshier @aboshier.bsky.social · 24/07/2025
really trying to believe I can have a new life
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Arden Boshier @aboshier.bsky.social · 09/07/2025
bfi player my beloved <3
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Arden Boshier @aboshier.bsky.social · 07/07/2025
so depressed all I can do is listen to old lana on repeat
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Arden Boshier @aboshier.bsky.social · 05/07/2025
terrible week. consoling myself with rosewater and honey latte. have never found another coffee shop on this level
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Arden Boshier @aboshier.bsky.social · 29/06/2025
why is every modernist archive in america
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Arden Boshier @aboshier.bsky.social · 27/06/2025
can't help it that i do my best work to taylor swift
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Arden Boshier @aboshier.bsky.social · 17/06/2025
win!! www.theguardian.com/politics/202...
theguardian.com
MPs vote to decriminalise abortion in step forward for reproductive rights
Amendment to crime and policing bill will change law to end prosecution of women who terminate pregnancies
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Arden Boshier @aboshier.bsky.social · 15/06/2025
new essay out on ulysses! rheaborden.substack.com/p/a-case-for...
rheaborden.substack.com
A Case for Ulysses (1922)
Why I can't help loving James Joyce
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Arden Boshier @aboshier.bsky.social · 14/06/2025
how did I not know Joan Baez has an album with an excerpt from Portrait of the Artist as a Young Man in it !! Wild
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Arden Boshier @aboshier.bsky.social · 11/06/2025
revising my novel kind of summer
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Arden Boshier @aboshier.bsky.social · 10/06/2025
trying to take a more "fuck it, sure" and less "fuck it all" approach to life
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Jean Rhys @msjeanrhys.bsky.social · 08/06/2025
Of course, as soon as a thing has happened it isn’t fantastic any longer, it’s inevitable. The inevitable is what you’re doing or have done. The fantastic is simply what you didn’t do.
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Arden Boshier @aboshier.bsky.social · 08/06/2025
dreamed last night I was having an interview for a PhD programme lol
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The Derwent Press @derwent-press.bsky.social · 06/06/2025
The Derwent Press is open for submissions! Send in your art and writing with a midlands theme here: forms.gle/2c7sabjYbd58...
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Jean Cocteau @jeancocteau.bsky.social · 28/05/2025
Untitled www.wikiart.org/en/jean-cocteau/unt…
Untitled
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Shane Darcy @shanedarcy.bsky.social · 27/05/2025
'The UK must impose sanctions on the Israeli government and its ministers and consider suspending it from the UN to meet its “fundamental international legal obligations'" 800+ lawyers, academics and retired senior judges, incl former supreme court justices www.theguardian.com/world/2025/m...
theguardian.com
UK must impose sanctions on Israel to meet legal obligations, say more than 800 lawyers
Exclusive: Letter to PM signed by retired supreme court justices among others says lack of action will imperil international legal system
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Arden Boshier @aboshier.bsky.social · 27/05/2025
I love listening to bob dylan because he is simultaneously one of the world's greatest songwriters and one of the world's pettiest people
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Arden Boshier @aboshier.bsky.social · 24/05/2025
started Ulysses the other day because I see nothing but lean little books in bookshops and have read lots of short things lately so I have been craving a big, complicated book. This is a great success because in terms of big and complicated it cannot possibly disappoint me
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Arden Boshier @aboshier.bsky.social · 21/05/2025
new essay went up on Sunday on the writer who has been obsessing me since december open.substack.com/pub/rheabord...
open.substack.com
An Introduction to Hilda Doolittle
a mostly-forgotten modernist and a recent favourite of mine
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Arden Boshier @aboshier.bsky.social · 17/05/2025
just discovered I can get the paris review via my library app !!!
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Arden Boshier @aboshier.bsky.social · 17/05/2025
I feel like you really don't choose your favourite books, they pick you
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Rabih Alameddine @rabihalameddine.bsky.social · 17/05/2025
The shoes Humphrey Bogart used during scenes with Ingrid Bergman in Casablanca in 1942
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EMILY WILSON @emilyrcwilson.bsky.social · 17/05/2025
This beautiful new metrical verse translation of the Aeneid, by Scott McGill and Susannah Wright, with introduction by me, will be available in August. You can pre-order now!
cover of "The Aeneid by Virgil", gold and dark blue, showing Roman image of wounded warrior Aeneas with his weeping son, Astyanax/ Iulus.
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Arden Boshier @aboshier.bsky.social · 17/05/2025
had never previously understood why ppl in the 80s thought that 80s fashion looked good but I watched an hour of kate bush performances and it makes sense now.
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Arden Boshier @aboshier.bsky.social · 11/05/2025
found an artist on spotify (eleri ward) whose catalogue is mostly folk acoustic covers of sondheim's best pieces. I feel so targeted
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Arden Boshier @aboshier.bsky.social · 10/05/2025
finally embarking on The Autobiography of Alice B. Toklas. so far: very funny. has someone done an edition illustrated with the relevant paintings yet? I keep having to stop to look them up because it's all so exciting
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David Hayden @seventydys.bsky.social · 10/05/2025
Desiring truth Virginia Woolf, ‘Monday or Tuesday’
Monday or Tuesday
Lazy and indifferent, shaking space easily from his wings, knowing his way, the heron passes over the church beneath the sky. White and distant, absorbed in itself, endlessly the sky covers and uncovers, moves and remains. A lake? Blot the shores of it out! A mountain? Oh, perfect - the sun gold on its slopes. Down that falls. Ferns then, or white feathers, for ever and ever -
Desiring truth, awaiting it, laboriously distilling a few words, for ever desiring - (a cry starts to the left, another to the right. Wheels strike divergently. Omnibuses conglomerate in conflict) - for ever desiring - (the clock asseverates with twelve distinct strokes that it is midday;' light sheds gold scales; children swarm) - for ever desiring truth. Red is the dome; coins hang on the trees; smoke trails from the chimneys; bark, shout, cry 'Iron for sale' - and truth?
Radiating to a point men's feet and women's feet, black or gold-encrusted - (This foggy weather - Sugar? No, thank you - The commonwealth of the future) - the firelight darting and making the room red, save for the black figures and their bright eyes, while outside a van discharges, Miss Thingummy drinks tea at her desk, and plate-glass preserves fur coats -
Flaunted, leaf-light, drifting at corners, blown across the wheels, silver-splashed, home or not home, gathered, scattered, squandered in separate scales, swept up, down, torn, sunk, assembled - and truth?
Now to recollect by the fireside on the white square of marble. From ivory depths words rising shed their blackness, blossom and penetrate.
Fallen the book; in the flame, in the smoke, in the momentary sparks - or now voyaging, the marble square pendant, minarets beneath and the Indian seas, while space rushes blue and stars glint - truth? or now, content with closeness?
Lazy and indifferent the heron returns; the sky veils her stars; then bares them.
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Arden Boshier @aboshier.bsky.social · 05/05/2025
every time I go on substack I see half a dozen essays with titles which could have come out any time in the past 250 years: "Why don't men read novels?" "Why do women read so many novels?" "Why are novels so narcissistic?" "Why are novels so bad now?" "Why are people so mean about bad novels?"
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Arden Boshier @aboshier.bsky.social · 05/05/2025
if anyone has £500 to spare and a thing for modernism, first edition of Hilda Doolittle is for sale
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Arden Boshier @aboshier.bsky.social · 04/05/2025
New essay up!! Exploring faulty memory in Woolf's the years (1937) rheaborden.substack.com/p/forgetfuln...
rheaborden.substack.com
Forgetfulness in The Years
The Years (1937) is one of the least widely read of Virginia Woolf’s novels, a strange blend of the lyrical and the historical novel.
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Arden Boshier @aboshier.bsky.social · 03/05/2025
essay coming out tomorrow on my substack abt woolf's 'The Years', a strange, lyrical historical novel & how it engages in selective memory. really enjoyed this one :)
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Arden Boshier @aboshier.bsky.social · 01/05/2025
balancing job applications with literary submissions is stressful (2x rejection) but at least it keeps the soul alive
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Arden Boshier @aboshier.bsky.social · 25/04/2025
read howards end without knowing anything about it was absolutely thrilling & I would recommend this to everyone. I love it when a book makes me gasp and make weird faces in public
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Arden Boshier @aboshier.bsky.social · 22/04/2025
have just finished reading The Years (1937) & although it's not as good as some of her other works (a high bar), it does feel like I've learnt a lot about Woolf herself in the process, her thoughts about the times she lived through & some of her preoccupations
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Arden Boshier @aboshier.bsky.social · 20/04/2025
new essay out on steppenwolf & thinking you're mad open.substack.com/pub/rheabord...
open.substack.com
Fictions of Madness in Steppenwolf
The idea of madness has an influence on the psyche almost equal in scope, if not in type, to mental illness itself.
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Dive Into Discovery @diveintodiscovery.bsky.social · 12/04/2025
On April 12, 1955, Dr. Jonas Salk’s polio vaccine was declared safe and effective. It marked a turning point in medical history and Salk—refusing to patent it—gave his cure freely, famously saying “Could you patent the sun?” #StayCurious #Skystorians #DiveIntoDiscovery
Jonas Salk and the Ethics of the Polio Vaccine

This black-and-white photograph captures Dr. Jonas Salk in the lab, carefully examining a syringe containing the inactivated polio vaccine he developed in the early 1950s. Dressed in a crisp white lab coat and dark tie, Salk looks intently at the vial with a calm but focused demeanor, symbolizing both scientific rigor and moral clarity. The image is overlaid with powerful text that reads, “Jonas Salk chose not to patent his 1955 polio vaccine, making it more affordable for the millions of people who needed it.” Below, it continues, “As a result, he missed out on earning an estimated US$7 billion. Thank you, Dr. Salk (1914–1995).” This snapshot and caption encapsulate one of the most defining moments in 20th-century medical ethics. At the height of the polio epidemic, when fear gripped parents and iron lungs filled hospital wards, Salk’s vaccine arrived as a scientific miracle. But it was his refusal to monetize that miracle that cemented his legacy. 

When asked who owned the patent, Salk famously replied, “The people. Could you patent the sun?” In an age often defined by profit and patents, this act of selflessness made him a global hero. The photograph speaks not only to the success of the vaccine itself, which slashed polio cases by 90% within a few years, but also to a moment when medical advancement was driven by a sense of responsibility rather than reward. His work helped to eradicate a disease that had once left tens of thousands of children and adults paralyzed each year. Today, Salk’s decision is studied as a benchmark in public health leadership, representing the highest ideals of scientific discovery. This image, both humble and historic, invites viewers to consider not just what we invent—but why we invent it, and for whom. Through it, Salk’s enduring message of shared humanity lives on.The Moment the World Breathed Easier – Polio Vaccine Declared a Triumph

This historic black-and-white photograph captures a poignant moment in medical history: a nurse holding up a front-page newspaper for a polio-stricken patient in an iron lung. The bold headline reads, “Vaccine ‘Triumph’ Ends Polio Threat,” signaling to the world that the nightmare of polio was finally coming to an end. The man, partially encased in the cylindrical machine that breathes for him, gazes with quiet astonishment at the paper. This machine—a staple of polio wards in the mid-20th century—represented both life and limitation. The nurse, standing at his bedside with a proud, comforting smile, holds more than news; she holds a moment of national catharsis. Taken on April 12, 1955—the day Dr. Jonas Salk’s vaccine was officially declared “safe, effective, and potent”—the image encapsulates the mix of hope, relief, and disbelief that swept the country. 

On this day, bells rang across cities, churches held special prayers, and classrooms erupted in celebration. Parents had lived in fear of a disease that paralyzed or killed thousands of children each year, with outbreaks forcing the closure of pools, parks, and even entire towns. The polio vaccine trial was the largest in U.S. history, involving over a million children—dubbed the “Polio Pioneers.” For those already battling the disease, like the man in this photo, the news was bittersweet: salvation had arrived too late for them but in time for the next generation. The image illustrates not only a medical milestone but the emotional release of a society delivered from one of its most dreaded public health crises. It marks a cultural turning point in which modern science visibly and powerfully triumphed over fear. Framed by the rigid lines of the hospital room and the soft human interaction between nurse and patient, the image immortalizes a day when hope became headline—and when science delivered on its promise to protect the vulnerable.A Generation Shaped by Polio—And Saved from It

This touching image shows a young girl in a dress standing on crutches, gazing into a full-length mirror. The reflection shows her smiling face, but also the physical burden she bears—metal braces on her legs, a painful reminder of the lasting effects of polio. The scene is both tender and heartbreaking: her small frame is dwarfed by the mirror, yet her spirit shines through. Captured in the early 1950s, this image represents a generation of children forced to navigate formative years under the shadow of a crippling disease. Polio struck indiscriminately, often paralyzing victims overnight. It especially targeted children, robbing them of the ability to walk, play, or grow without pain. For many, wheelchairs and leg braces became as common in the home as toys. Despite the impact on mobility, polio survivors like this young girl displayed remarkable resilience. The photograph also reflects how medical interventions—while life-saving—were not always curative. Before the vaccine, care often meant managing disability, not preventing it. 

This is what made Dr. Jonas Salk’s vaccine announcement on April 12, 1955, so momentous. It wasn’t just about eradicating a virus—it was about sparing millions of children from a future filled with braces, crutches, and physical therapy. This girl, peering at herself with a quiet blend of strength and innocence, could have been any child in America during the polio era. Her image is a stark contrast to the celebration that followed the vaccine’s success, and a reminder of what was at stake. Polio wasn’t a distant threat; it was a daily fear, visible on playgrounds, in classrooms, and in rehabilitation centers. This moment frozen in time reflects the emotional and physical toll of a disease now almost entirely eliminated from the globe. It also underscores why April 12 remains a powerful milestone—not just in science, but in the fight for every child’s right to a whole and healthy life.Iron Lungs and the Frontlines of a Forgotten Epidemic

This haunting image depicts a hospital ward filled wall-to-wall with iron lungs—massive cylindrical ventilators used to keep polio patients alive when the virus paralyzed their respiratory muscles. Each child lies inside a metallic chamber, their heads exposed while the rest of their bodies remain encased. Nurses move quietly between the rows, adjusting settings, checking vital signs, and offering what little comfort they can. The scale of the scene is staggering: dozens of these life-saving machines occupy every corner, a mechanical forest born of desperation and necessity. In the pre-vaccine era, polio was one of the most feared diseases in the world. It spread swiftly, striking the healthy without warning and often leaving victims paralyzed or dependent on machines like these for survival. For patients who couldn’t breathe on their own, the iron lung was their last line of defense—a rhythmic pump that mimicked the act of breathing through negative pressure.

Introduced in the 1920s and perfected in the 1930s, iron lungs became a defining image of the polio epidemic. For many children, living inside one for weeks—or even months—was the only path to recovery. Some patients spent years in these devices, their lives reduced to the confines of a tube, surrounded by the hum of machinery and the diligent care of medical staff. This photo captures a world that once was: one where innovation struggled to keep pace with disease, and where entire wards became monuments to both human vulnerability and medical perseverance. It also highlights what was at stake on April 12, 1955, when Dr. Jonas Salk’s polio vaccine was declared safe and effective. The iron lung, once a symbol of survival, soon became obsolete. This image reminds us of the true scale of that victory—not just in lives saved, but in lives unburdened. A whole generation was spared this metallic captivity because one man believed health should never be patented
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Arden Boshier @aboshier.bsky.social · 11/04/2025
long train journey is apparently the ideal place to meditate on the structural changes you need to make to your novel. I think the terror of hurtling through mountain tunnels is helping
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womensartbluesky.bsky.social @womensartbluesky.bsky.social · 10/04/2025
Argentina born Italian painter Leonor Fini at one point had 23 cats. The Surrealist painter would often depict the creatures in her work and even share her dining table with her many felines #WomensArt
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Arden Boshier @aboshier.bsky.social · 05/04/2025
next substack article may have to be my first negative one lol
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The Guardian @theguardian.com · 05/04/2025
‘What was their crime?’ Families tell of shock over IDF killing of Gaza paramedics
theguardian.com
‘What was their crime?’ Families tell of shock over IDF killing of Gaza paramedics
Relatives who waited agonising week before bodies were found speak of passion that drove Red Crescent workers • Our aid workers were brutally killed and thrown into a mass grave in Gaza. This must never happen again Gaza is one of the most dangerous places in the world to be a civilian now that Israeli forces have resumed their military campaign with even more ferocity, but for the first responders who rush towards the wreckage of bombed buildings, the risks are multiplied many times over. The 15 paramedics and rescue workers whose bodies were found last weekend in a bulldozed pit outside Rafah knew they were putting their lives in peril to try to save others, but they could not have been prepared for what awaited them in the early hours of 23 March. Continue reading...
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Sarah Parker @profsarahparker.bsky.social · 20/03/2025
You can now register for the Amy Lowell and Her Imagist Networks Symposium, taking place in London on Fri 23 May: www.eventbrite.co.uk/e/amy-lowell... Please share and promote to your modernist networks!
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Moudhy Al-Rashid (she/her) @moudhy.bsky.social · 04/04/2025
Cuneiform was a writing system used from ~3000 BCE to ~100 CE in ancient Mesopotamia. Like the characters in this post can be used to write other languages (e.g., French), cuneiform was also used to write many languages. Here are some open access resources for learning cuneiform and its languages.
Detail from a large stone relief that is very light brown in colour. It shows 7 lines of cuneiform text that has been carved into the stone.
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Jennifer Ashby @jenniferashby.bsky.social · 03/04/2025
A previously unpublished photograph of Mina Loy turns up for sale in Belgium (if anyone has a spare 12,000 euros...)
A side profile portrait of a woman. She has her hair neatly tied in a bun and is wearing a sheer white top. An earring dangles down.
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Arden Boshier @aboshier.bsky.social · 01/04/2025
every time I see ppl in the papers saying young people are acting so weirdly I think abt how almost everyone I know is either doing a PhD (if they're lucky) or unemployed & desperately searching for a job (despite usually having a masters degree). cannot recommend being in your 20s rn
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Richard Baker @bakerart.bsky.social · 30/03/2025
Cambridge St John's Street with close-up of figures, watercolour and Indian ink. #art #watercolour #stjohnscollege
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Irish Literary Times @irishlittimes.bsky.social · 01/04/2025
In 1922, under the heading "The Scandal of Ulysses", The Sporting Times paper reviewed the complete edition of James Joyce's novel Ulysses just published in Paris.
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womensartbluesky.bsky.social @womensartbluesky.bsky.social · 30/03/2025
Käthe Kollwitz, #Mother and Daughter, 1919, woodcut #womensart
Print in black and white and half shadow featuring the upper half of a sleeping woman and child, the woman has her arm over her child
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Arden Boshier @aboshier.bsky.social · 28/03/2025
omg just found the gertrude stein caedmon recordings this is so cool
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