iiinova — where your digital self keeps evolving

Tony Schumacher @tonyschumacher.bsky.social · 02/04/2025

Can't believe it's three years since a passing cloud gave me a thumbs up.

Reposted by Tony Schumacher

Greg Jenner (Historian) @gregjenner.bsky.social · 04/03/2025

There’s a lovely new exhibition at the V&A Museum in London that aims to inspire kids through the aesthetics of #Egyptology — Having cowritten my own children’s book about Ancient Egypt with Dr Campbell Price, I spoke to the exhibition’s curator, Benjamin Hinson, for this month’s V&A magazine

ALL THE FUN OF THE PHARAOHS
V&A MAGAZINE - SPRING 2025

The 1999 film The Mummy, contemporary fashion, DC superheroes and 2.000-year-old artefacts all feature in a new exhibition Making Egypt at Young V&A this month. The show aims to give creative inspiration to kids by exploring how ancient Egypt has influenced visual culture.

Also aimed at young people is Greg Jenner's new book series, Totally Chaotic History, launched last year with its debut book Ancient Egypt Gets Unruly! The podcaster and long time consultant for the BBC's award-winning Horrible Histories series, Jenner is adept at getting people excited by the past - his BBC Radio 4 history podcast You're Dead to Me pairs academics with comedians and fully supports pop-cultural references. He shared a video call with Benjamin Hinson, an Egyptologist, curator in the V&A's Asia department and lead on Making Egypt, to explore how pharaohs fascinate us

Their conversation has been edited.

GREG JENNER: “Tell me
about the exhibition's inspiration and its genesis.”

BENJAMIN HINSON: “The V&A has always had a big collection of ancient Egyptian material; it was set up to inspire artists and designers, and ancient Egypt was considered the origin of a lot of the crafts that the museum was concerned with.
So the starting point for the exhibition was: how do we tell a story about Egypt that is both uniquely "V&A* and that captures young minds?
We wanted it to be a jumping-off point for young people who might want to become a fashion designer or a jeweller, to see these amazing examples of creativity inspired by Egypt and hopefully come away with ideas of their own.”

GREG: “And the ancient Egyptians are amazingly exciting, exotic and glamorous, and they have this beautiful stuff. In the UK curriculum, you study them at the age of seven. So they're your first entrance to history; your gateway drug to the past. But it is also this extraordinary civilisation that defies logic - it's so vast and long. One fact that always blows people's minds is that Cleopatra is closer to the
iPhone than she was to the pyramids: she lived around 2,000 years ago and the Great Pyramid is 4,500 years old. here were 25 dynasties and countless pharaohs but this huge canvas often becomes essentialised into three or four names such as Hatshepsut or Tutankhamun. Ramses the Great and Cleopatra are around 1,200 years apart - it's like saying Lady Gaga and Alfred the Great are contemporaries!

BH: “Explaining this has been one of the interesting challenges for us because it isn't a social history or an archaeology show. We didn't want to rely on those few famous names to get people through the door but, in a show aimed at eight to 12-year-olds, how do you still get across that these are objects from a vast swathe of time where society and style changes? That's partly why we start the exhibition with the Nile: it is one constant across this huge period. We explore the importance of water in stories and the idea of creation and the meaning that the Egyptians gave to different associated with the river. The importance of water socially and religiously never really changes.”

GJ: “My book is telling the story of ancient Egypt at 100 miles an hour, to give a sense of all the discontinuities and ruptures because the way that we teach Ancient Egypt is homogenised,
generalised and compressed It takes Egyptology seriously; the joke is that I'm getting confused and lost. And my co-author, Egyptologist Campbell Price, is in the margins, scribbling on my homework and correcting me.”

GREG: “the human body and animals were represented and also the use of colour: gorgeous turquoises, the gold; that notion of Egypt as a land of sand and soil, the dark earth and the water. It's this incredible palette that lends itself so easily to artists, creatives, Hollywood stylists, fashion designers. It catches your eye immediately and yet has a kind of elegance to it.

GJ: And actually there are several periods in this history where we as historians don't really know what's happening.
There are civil wars, you've got the Sudanese influence coming in; there's the
Babylonian period. But it's just not in our brains or in our culture. You only make sense of ancient Egypt when you start at the beginning and understand where things came from and why they were created or by whom.
Why was linen the go-to fabric? Well, it's strong, clean and simple to manufacture. It's pure, too, so it's used in religious and death ceremonies as a symbolic thing, It has functionality but also meaning.

вн: This show explains why objects are how they are, and acknowledges that they can have multiple functions - practical and religious. Just because this is an exhibition for children, that doesn't mean you should patronise or simplify. There haven't really been many exhibitions on ancient Egypt specifically targeted at young audiences and we felt we had a real chance to think, for instance, how do you introduce decolonisation to an eight-year-old? There will be a trail based on the Osiris myth (the god's body was dismembered). Visitors have to find his limbs throughout the gallery and at each point learn a fact about excavation, why objects are in museums, how they left Egypt. Young people know and care about these issues because they hear them in the news and are increasingly switched on.

Gj: The thing I really wanted to do in my book is explain to kids why we historians have changed our minds: why do we no longer think Hatshepsut was a bad queen? Why have we come around to a new way of thinking? Campbell has a theory that mummification was about transformation rather than preservation.
Each generation of historians comes with fresh questions to the same evidence.
And sometimes the world we live in now inspires us to look again at what we think
we knew about the past. I think it's wonderful that your exhibition is going to set kids off on that journey.

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Tony Schumacher @tonyschumacher.bsky.social · 28/02/2025

#Newsnight should be ashamed having a liar such as Carla Sands on. Just bare faced lies.

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Tony Schumacher @tonyschumacher.bsky.social · 28/02/2025

Starmer trying to be Trump's friend is absolutely doomed. There's nothing to be gained by tying yourself to a man who has no understanding of loyalty. The only hope for the UK is to align with the EU and to be part of a united opposition to a tyrannical USA.

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Tony Schumacher @tonyschumacher.bsky.social · 28/02/2025

I noticed this stuff too and I have to ask, why is it on there anyway? It feels like we're going backwards as a society sometimes. They'll be setting up Gladiator auditoriums soon. www.theguardian.com/technology/2...

theguardian.com

Meta apologises over flood of gore, violence and dead bodies on Instagram

Users of Reels report feeds dominated by violent and graphic footage after apparent algorithm malfunction

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Tony Schumacher @tonyschumacher.bsky.social · 03/02/2025

I should clarify that I'm not a policy advisor for world governments, but shouldn't we all just stop selling stuff to the USA and instead sell it to each other? His tariffs won't work if nothing is coming in, and the stuff he needs to kickstart US manufacturing they'll have to import so...

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Tony Schumacher @tonyschumacher.bsky.social · 28/01/2025

www.theguardian.com/technology/2... None of this is real money though is it? All these billionaires... It's all just made up figures. There one minute, gone the next, back again the minute after. The tragedy is that our pensions are tied to all this bullshit.

theguardian.com

Tech billionaires lost almost $100bn in stock market selloff sparked by DeepSeek

Nvidia saw $600bn of its market value disappear, while its CEO, Jensen Huang, saw his net worth drop by nearly $21bn

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Tony Schumacher @tonyschumacher.bsky.social · 21/01/2025

Elon got a bit excited last night didn't he?

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Reposted by Tony Schumacher

Greg Jenner (Historian) @gregjenner.bsky.social · 17/01/2025

If you love history, check out this fab new book by the brilliant young historian Luke Pepera - it’s the story of Africa, through half a million years! www.waterstones.com/book/motherl...

waterstones.com

Motherland by Luke Pepera | Waterstones

Buy Motherland by Luke Pepera from Waterstones today! Click and Collect from your local Waterstones or get FREE UK delivery on orders over £25.

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Tony Schumacher @tonyschumacher.bsky.social · 15/01/2025

The inability to add a pdf to Google Wallet will never ever not irritate me.

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Reposted by Tony Schumacher

Steve Doherty @stevedoherty.bsky.social · 14/01/2025

Please consider signing this petition to save audio drama on BBC Radio 3 chng.it/tTtKDGDzjS

chng.it

Sign the Petition

Save Audio Drama at the BBC

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Tony Schumacher @tonyschumacher.bsky.social · 14/01/2025

There's a human on The Clangers and I'm not sure I'm ready for that.

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Reposted by Tony Schumacher

Jim Burke @barcajim3.bsky.social · 09/01/2025

Imagine sacking Dyche now. If they'd done it before Christmas there would have been loads of door jobs available. Sad

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Reposted by Tony Schumacher

Dr Gillian Kenny @medievalgill.bsky.social · 06/01/2025

It’s Nollaig na mBan or Women’s Christmas in Ireland. Traditionally it was a day off for women who had worked to make Christmas great for their families. Nowadays it’s also a time to remember + celebrate women. So here’s a funny podcast on Gráinne O Malley I was in. www.bbc.co.uk/programmes/p...

bbc.co.uk

BBC Radio 4 - You're Dead to Me, Grainne O’Malley

Greg Jenner takes us to 16th-century Ireland to meet pirate queen Grainne O’Malley.

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Reposted by Tony Schumacher

Ian Brumpton @ianbrumpton.bsky.social · 06/01/2025

Couple of opps for new comedy writers coming up. Firstly Sitcom Mission, which has a good track record. Enter with a 15m sitcom script (And yes the Beeb do commission 15m sitcoms now & then). Open now & enter by 27th Apr - so bags of time to write one 😃 www.comedy.co.uk/sitcom_missi...

comedy.co.uk

Sitcom Mission entry details - BCG Pro

Details on how to enter the Sitcom Mission competition, including rules, guidelines and the entry form.

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Reposted by Tony Schumacher

Ian Brumpton @ianbrumpton.bsky.social · 06/01/2025

Secondly over on R4 their sketch show ‘DMs Are Open’ is back for a new series, it has a slightly revised format now, but it’s still open to new unagented writers. It’s a brilliant place to get your first writing credits if you can write comedy sketches. www.bbc.co.uk/programmes/a...

bbc.co.uk

BBC Radio 4 Extra - DMs Are Open - Submit Your Ideas

Privacy Notice for submissions to DMs Are Open

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Tony Schumacher @tonyschumacher.bsky.social · 31/12/2024

Listen, I'm probably going to be asleep at midnight due to being old and the father of a three and a bit year old, so let me say it now to you and mean it sincerely: Happy New Year.

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Tony Schumacher @tonyschumacher.bsky.social · 29/12/2024

I don't particularly dislike Man City, but it was great when they were losing wasn't it? #motd

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Tony Schumacher @tonyschumacher.bsky.social · 17/12/2024

I'm not sure there's anything more irritating than switching on your car ignition and you Bluetooth belting out the same song on Spotify automatically every time you get in the car.

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Reposted by Tony Schumacher

Russel D McLean/R.D. McLean @russeldmclean.bsky.social · 26/11/2024

Choose 20 books that have stayed with you or influenced you. One book per day for 20 days, in no particular order. No explanations, no reviews, just covers. Day 3:

The cover of THE PHANTOM TOLLBOOTH by Norman Juster -- a stylised drawing of a young boy talking to a large dog who has a clock on the side of his body.

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Tony Schumacher @tonyschumacher.bsky.social · 26/11/2024

I'm on #MorningLive in a minute. Wish I'd polished my boots. My old dad would be furious.

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Reposted by Tony Schumacher

Jonathan Edward Durham @thisone0verhere.bsky.social · 19/11/2024

Yes, libraries are invaluable for their collections and public services they offer, but also social contact without the expectation to interact with anyone or spend any money is so important to so many people

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Tony Schumacher @tonyschumacher.bsky.social · 19/11/2024

What a beauty of a book this is. It's about so much more than football and highly recommended.

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