Thirty years into their career, the Toronto downtempo veterans enter an expansive new era with their ninth studio album, which they’ll debut at Venus Fest on Sept.

Thirty years into their career, the Toronto downtempo veterans enter an expansive new era with their ninth studio album, which they’ll debut at Venus Fest on Sept.

Thirty years into their career, the Toronto downtempo veterans enter an expansive new era with their ninth studio album, which they’ll debut at Venus Fest on Sept.

Your daily dose of the best music, film and comedy news, reviews, streams, concert listings, interviews and other exclusives on Exclaim!

Slipstreams can be avenues of momentum through which artists, scenes, and collective initiatives can transcend their regular working conditions

Loveless, an artist-run collective dedicated to the alt-rock subgenre, will host its second annual music festival on July 25 and July 26.

Loveless, an artist-run collective dedicated to the alt-rock subgenre, will host its second annual music festival on July 25 and July 26.

Your daily dose of the best music, film and comedy news, reviews, streams, concert listings, interviews and other exclusives on Exclaim!

Looking for some new music? Here are six Canadian albums worth checking out, carefully curated by the New Feeling crew and The Grind’s music contributors…

The Montreal- and Toronto-based band’s third LP finds them at home between worlds…

Growing up in rural Scotland, brothers Michael and Marcus Eoin Sandison experienced a formative stoke of serendipity when their father took

To mark the release of 'Inferno,' we're going through the duo's discography, including albums, EPs and other releases

The Montreal- and Toronto-based band’s third LP finds them at home between worlds…

Rae Spoon on why they’re returning to their country roots, the genre’s fraught relationship to marginalized communities, and their queered cover of the class (im)mobility anthem “Friends In Low Places”

Tom Beedham highlights Victoria's thriving music scene in the latest edition of Yes In My Backyard.

This issue's theme traces seismic shifts in music, culture, and identity—where pressure sparks both sound and change.

Tom Beedham highlights Victoria's thriving music scene in the latest edition of Yes In My Backyard.

This issue's theme traces seismic shifts in music, culture, and identity—where pressure sparks both sound and change.

The Exclaim Questionnaire

A major bank sells its shares in Elbit Systems, in one of Canada’s biggest BDS victories to date

From university labs to home-built studios, A Nation of Tinkerers charts the evolution of Canadian electronic music.

Spotify and Anna's Archive

From the closing of the Dakota Tavern and the Velvet Underground to the launch of Rogers Stadium, the city’s live music scene underwent major changes last year.

From the closing of the Dakota Tavern and the Velvet Underground to the launch of Rogers Stadium, the city’s live music scene underwent major changes last year.

Cooperatives have always been more than a business model, they’re an experiment in how we might live, work, and create differently together.

On the occasion of our fifth anniversary, New Feeling features editor Tom Beedham considers the historical circumstances that produced the co-op and our place in the growing cooperatively organized la...

Tom Beedham unpacks the ambiguous utopia of the Vancouver skramz band’s album, "all you are is we."

On the occasion of our fifth anniversary, New Feeling features editor Tom Beedham considers the historical circumstances that produced the co-op and our place in the growing cooperatively organized la...

Boycotts of Israel and institutions supportive of the occupation of Palestine were a fringe activity just a couple years ago. But artists across the country have made them impossible to ignore.

Budget 2025 featured talk of “generational investments” and proclaimed a headline number of $1 trillion in combined new public and private investment over five years. Yet no one seems particularly ins...

Toronto's Long Winter kicked off its 2025–2026 season this past weekend, and organizers have now revealed the lineup for the forthcoming

The Toronto industrial provocateurs collapse the distance between performer, pest and possessed crowd.

Five years ago, we launched New Feeling with a simple but important idea: music criticism can be worker-led, community-funded, and accountable to the people who make and love music. We started small, ...