iiinova — where your digital self keeps evolving

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mattie lubchansky @mattielubchansky.com · 02/10/2026

READING SOMEONE SAYING LICHTENSTEIN WAS A TALENTLESS HACK PIECE OF SHIT: oh yea absolutely READING SOMEONE LAYING OUT IN CONVINCING TERMS WHY HIS WORK IS INTERESTING: oh right forgot about that READING A DIFFERENT PERSON CALLING HIM A HACK: fuck him READING ANOTHER ARGUMENT ABOUT WHY HE'S GOOD: oh y

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Sardonicus @sardonicus.eu · 30/09/2026

'The Victor’ Winsor Mccay, 1914

skeleton holding a sword aloft as it stands on a corpse strewn field
a bat flies past the moon behind

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Sajan @planetsmudge.bsky.social · 27/09/2026

my 40x180cm painting about destroying a data centre, accompanied by it's title. Thanks everyone that came by to see it this weekend, I loved seeing the different reactions it elicited!

long painting of a monolithic data center being lifted and gutted by various spirits. The title is a furious four paragraphs long, i'll type it out when I post details.

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Wallace Polsom @wallacepolsom.bsky.social · 23/09/2026

Mike Mignola, “The Sabbath” (2026), watercolour on illustration board, 38.2 x 46.4 cm.

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joão ruas @feralkid.bsky.social · 18/09/2026

st christopher II - pencil on paper

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Retro Cabeza @retrocabeza.bsky.social · 16/09/2026

COMIX 2000 en Internet Archive 👀 Histórico libraco de 2000 páginas editado por L'Association en 1999 con 324 historietas mudas (sin palabras) de autores de 29 países. archive.org/details/comi...

archive.org

Comix 2000 (L'Association)

Comix 2000 is a monumental 2,000-page silent comic anthology published in December 1999 by the influential French independent publisher L'Association. Created to mark the turn of the millennium, it br...

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𝔻𝕖𝕖𝕡 𝕋𝕙𝕠𝕥 @thatsgoodweb.bsky.social · 05/09/2026

John Collier, The Devil Skating When Hell Freezes Over, 1894

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J. L. Westover @mrlovenstein.bsky.social · 03/09/2026

YOU DON'T "CONSUME" ART MOTHERFUCKER. YOU EXPERIENCE IT. YOU FEEL IT. YOU ENGAGE WITH IT. YOU WRESTLE WITH IT. YOU LIVE IT. ART ISN'T A LITTLE MORSEL YOU GOBBLE UP.

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barinky @barinky.net · 07/06/2026

𝆕

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Guggenheim Collection @guggenheim.bsky.social · 31/08/2026

Religious Fluke by Robert Rauschenberg, 1962 botfrens.com/collections/212/conten…

Solomon R. Guggenheim Museum, New York
Gift, Andrew Powie Fuller and Geraldine Spreckels Fuller Collection, 1999

Art © Robert Rauschenberg Foundation/Licensed by VAGA, New York, NY

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Laerte @laertecoutinho.bsky.social · 26/08/2026

Tira de 2017 - saiu na Folha @folha.com

Tira em 4 quadrinhos.
1) Mulher de lenço na cabeça, com uma pá, cavando um buraco. A seu lado, um ceiular.
2) O celular toca, ela olha.
3) Ela atende e fala com alguém: “Tou aqui, cavando a minha sepultura. E você?”
4) Em outro lugar, outra mulher fala ao celular enquanto carrega uma pilha de troncos e galhos pra juntar num monte de lenha. Ela responde: “…erguendo a minha pira funerária.”

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Stu Horvath @stuhorvath.com · 14/08/2026

I don't think the cover to any book I own gives me the willies quite the way this one does. www.vintagerpg.com/2026/08/mons...

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La vida en viñetas @lavidaenvinetas.bsky.social · 14/08/2026

Maginel Wright Enright

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James Corcoran @jamescorcoran78.bsky.social · 14/08/2026

The Ghost Who Walks….

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choo @choodraws.bsky.social · 06/08/2026

gutted

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La vida en viñetas @lavidaenvinetas.bsky.social · 06/08/2026

César Sebastián

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Laerte @laertecoutinho.bsky.social · 05/08/2026

Tira de 2016. Saiu na Folha @folha.com

Tira em 4 quadrinhos.
1) Mulher junto a um animal - um cavalo cuja cabeça é de um galo. Mulher diz: “Você é mistura de galo e cavalo.” - o animal responde: “Genética.”
2) Mulher continua: “E fala.” - o animal responde: “Fonética.”
3) Mulher fala: “E não para quieto.” - o animal, galopando, diz: “Cinética.”
4) Mulher, sozinha, comenta: “Mas que bicho metido.”

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Rachel Deering @racheldeering.bsky.social · 02/08/2026

‘She herself is a haunted house. She does not possess herself; her ancestors sometimes come and peer out of the windows of her eyes and that is very frightening.’ ~ Angela Carter, The Bloody Chamber and Other Stories #SpookySunday 🖼️ Elizabeth Shippen Green Elliott, 1902.