Oversimplified literary remakes miss the point of the works they are adapting.

Call it the anti-coming-of-age story.

To promote his new movie, the actor has thrown all caution to the wind.

In Die My Love, a struggling new mom loves her child—but can’t stand anyone else.

“The Mastermind” is far more successful as a character study than as a heist movie.

"After the Hunt" seems to reckon with cancel culture, before revealing where its true interest lies.

A new film argues that, in an era of rising authoritarianism, audiences have become too numb to the speculative force of “1984.”

The surrender of America’s elites

The most exciting films heading to theaters through the end of the year

Francis Ford Coppola’s recent road show for "Megalopolis" is an attempt to dictate its legacy—and a misunderstanding of how fandom works.

The best “Star Wars” story in years challenged the classic good-and-evil dichotomy.

Making the film “Warfare” was an exercise in exposure therapy for the veterans whose memories it reconstructs.

“Sinners” has made a splash at the box office, but analysts want to focus on the money it isn’t making.

Streamers such as Zack “Asmongold” Hoyt have more influence than ever. What are they really saying?

The administration has downplayed the importance of the text messages inadvertently sent to The Atlantic’s editor in chief.

Bong Joon Ho’s first film after Parasite is another satire, this time with a delirious sci-fi veneer.

The Oscars host was silly and serious by turns—and delightfully in control of the evening.

Artists are transforming the pop culture they can’t stand into impressive original works of their own.

The new film Hard Truths is an astonishingly sensitive portrait of a perpetual grump.

The Palisades Fire is destroying places that I’ve loved.

How do I get over this anxiety?

"The Substance" is one of several recent films skewering the industry’s relationship to older female performers.

"The Substance" is one of several recent films skewering the industry’s relationship to older female performers.

The Netflix hit’s second season can’t quite break out of its own vicious cycle.