Robert Joseph
@robertgjoseph.bsky.social
423 followers 531 following 321 posts
Senior Lecturer in the Department of Communication at the University of Dayton. Focus on cinematic geography, American independent cinema, mediations of hell and the apocalypse, and other things. On Letterboxd at boxd.it/iB7b.
![“Second point, shooting it with almost exclusively 50-millimeter or 65-millimeter lenses, which is the most comparable to the human eye—and only shooting from the point of view of a human being that’s present in this space. There are no cameras on gurney wheels going in the hallway. There’s no cameras on the ceiling looking down from a God point of view. You are limited to the perspective of a participant. You can look away, but you can’t leave, and it becomes an endurance test for you to stay on your feet as long as we’re on our feet. Which [brings me to my] third point: real time. Real time has an aggregate sense of tension that you don’t get in any other form of storytelling. What happened before is happening now, and these two things are going to add up to the next thing. And if we throw more ingredients into this cooker and keep ratcheting it up, it’s going to pop.”](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:guthikarwozoldkzhueivkl6/bafkreihklvhtymho7wpemo5mj2f7xaiq6ulvfvcwnzo6hjstg3wixzgesy)
