By Fargo Nissim Tbakhi TERROR COUNTER is a debut collection of poems which acts against the many languages—interpersonal, legal, literary, rhetorical—constricting the lives and meanings of…

An inside look at the publication process for the author’s latest novel.

Three years after its pivot to AI, the writing is on the wall for BuzzFeed. The company said there's "substantial doubt" it can keep going.

Jacques Roubaud, Ian Monk, Daniel Levin Becker, Marcel Bénabou, Anne F. Garréta and Hervé Le Tellier      When members of the Oulipo convened in New York, Bookworm was there to record this…

Author William H. Gass discusses the evolution and style of his thirty-years-in-the-making new novel, finally published this month.

Scenes from a city under siege

Thus the three dominant justifications of art in our time, as a strategy of self-knowledge, as means of therapy, as a road to empathy, are thrown out with the soiled bathwater.

IT’S 2025, and the turn to genre is old news.

Jon Repetti considers Jeremy Rosen’s “Genre Bending: The Plasticity of Form in Contemporary Literary Fiction.”

Brutalism, an architectural movement associated with state power and science fiction, is perpetually misunderstood – yet it has left an indelible imprint on popular culture.

Review 31 is an online literary review.

The sailor is a figure of subjectivity in and as flux, aspiring to the condition of the ever-changing sea.

Jon Repetti returns to the scene of writing in Catherine Lacey’s new novel “The Möbius Book.”

Review 31 is an online literary review.

On Danzy Senza's 'Colored Television'