When Inspector Maigret says crisply to a witness that ‘No one is a suspect and everyone is’, it feels more like a philosophical observation than an explanation of police procedure. There is something ...

Against a backdrop of domestic murder, Minotaur director Andrey Zvyagintsev rages against the Russian regime. This time, they won’t mistake the message.

François Ozon’s adaptation of the 1942 novella L’Etranger passionately honours the original text while bringing a contemporary perspective to its themes of empire and race

A stubborn grandmother flees a fascist retirement camp in Gabriel Mascaro's stunner, a master class in making inspired high-concept science fiction on the cheap.

Hollywood favourite Paul Feig (Bridesmaids, Ghostbusters) on The Housemaid, a thriller that redefines sex and suspense with his signature wit and precision. Japan's submission for Best International ...

Sydney Film Festival celebrates the incredible life and legacy of David Stratton AM, as we honour his passing announced today by his family.

Philippa Hawker speaks with the prolific critic, screenwriter, and director about his latest art world-set feature, the intuitive turns in his career, and collaborating with auteurs including Jacqu…

You will care deeply about what happens to an asylum seeker preparing for a crucial interview in this very human story.

Abou Sangare won a Cesar award for his debut performance in The Story of Souleymane, but he’d prefer to stick to his dream job.

mberto Eco said of Alexandre Dumas’s novel The Count of Monte Cristo (1846) that ‘it is one of the most exciting novels ever written and on the other hand, it is one of the most badly written novels o...

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Guillaume Canet and Alba Rohrwacher are electric together in award-winning writer/director Stéphane Brizé's achingly tender new romance about two former lovers who unexpectedly cross paths in a sleepy...

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