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Amy Nicholson

@theamynicholson.bsky.social
51K followers 629 following 659 posts

Film critic of the LA Times and host of the podcast Unspooled. Say hello with your favorite movie and why -- or a picture of a standard poodle. IG/Letterboxd: @theamynicholson

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Amy Nicholson @theamynicholson.bsky.social · 29/09/2026
Tom Cruise has dangled from cliffs, skyscrapers and planes, but oil magnate Digger Rockwell is his riskiest role in eons. He opens DIGGER lounging in a bed soaked with cat pee, tempting an elderly feline named Maggie to lick wet chow from his gnarled pinkie nail. www.latimes.com/entertainmen...
latimes.com
Review: Tom Cruise destroys Earth in 'Digger,' a messy climate satire that occasionally strikes gold
Director Alejandro González Iñárritu teams up with a prosthetics-swaddled Cruise for a bleak comedy about a Texan oil driller who triggers the end of the world.
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Amy Nicholson @theamynicholson.bsky.social · 25/09/2026
It's all happening. Uncool people getting to talk ALMOST FAMOUS. Ok, ok @sepinwall.bsky.social is part of the uncool in the coolest way
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Amy Nicholson @theamynicholson.bsky.social · 24/09/2026
Shot in grainy pixels and fuzzy pastels with a full-tilt Pattinson lurching around, face powdered to look like WEAPONS' Aunt Gladys, PRIMETIME is TO CATCH A PREDATOR through a fun house mirror — or maybe a mirror in the carnival’s port-a-potty behind the fun house www.latimes.com/entertainmen...
latimes.com
Review: Even the film grain feels filthy in Robert Pattinson's skin-crawling 'Primetime'
Everyone's a creep in Lance Oppenheim's nightmarish take on NBC's pedophile-hunting 'To Catch a Predator.' The film’s a mess but you can't look away.
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Amy Nicholson @theamynicholson.bsky.social · 17/09/2026
Peter Farrelly has a fighting chance of getting nominated for an Oscar again. And you've gotta see Julianne Moore play the worst actress in New Jersey. www.latimes.com/entertainmen...
latimes.com
Underdogs are a film festival's best friend — especially when it's Toronto
Stories about actors risking life and limb to succeed became the thematic rallying call at this year's TIFF. Some of them may be rewarded during awards season.
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Will Harris @willharrisinva.bsky.social · 17/09/2026
Extremely recommended: this week's episode of UNSPOOLED, in which @theamynicholson.bsky.social and past Letting Them Talk guest @julieklausner.bsky.social discuss one of my all-time favorite bizarro flicks, BEYOND THE VALLEY OF THE DOLLS...and, yes, of *course* I own the Criterion edition Blu-ray!
podcasts.apple.com
Beyond the Valley of the Dolls (with Julie Klausner)
Podcast Episode · Unspooled · September 17 · 1h 20m
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Amy Nicholson @theamynicholson.bsky.social · 17/09/2026
This is Unspooled's special guest episode with Julie Klausner and it freaks me out!
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Amy Nicholson @theamynicholson.bsky.social · 13/09/2026
So far at TIFF, I've liked a taxidermy tragi-musical, a '60s Detroit soul scene thriller, a microbudget time travel romance, a period piece kinda about The Onion, and Jay Baruchel as a stunt driver who yells at Evel Knievel that "Canadians are God’s chosen people." www.latimes.com/entertainmen...
latimes.com
At Toronto, hunting for the next 'Obsession' on the banks of Lake Whatever
Fewer big Hollywood movies seem to have been invited to the film festival this year, but there are still interesting and ambitious indies worth toasting.
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Amy Nicholson @theamynicholson.bsky.social · 11/09/2026
IF I GO WILL THEY MISS ME is part of that burgeoning school that’s neither neo-realist nor magical-realist, but passionate-realist — finding wonder where others see only poverty and despair. (See also Sean Baker’s THE FLORIDA PROJECT and RaMell Ross’ NICKEL BOYS.) www.latimes.com/entertainmen...
latimes.com
Review: A gorgeous must-see, the Watts-shot 'If I Go Will They Miss Me' is aglow with fantasy
Journalist-turned-filmmaker Walter Thompson-Hernandez won Sundance with a short that transplanted Greek mythology to Watts. Now it's a lyrical feature.
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Amy Nicholson @theamynicholson.bsky.social · 09/09/2026
I love the Lucas Museum as a tour of how to think like a filmmaker. From Egyptian sculptures to samurai helmets, Norman Rockwell to Diego Rivera, his inspirations are everywhere. And upclose, the original Star Wars costumes are so simple, they're inspiring, too. www.latimes.com/entertainmen...
latimes.com
Review: What can a 'Star Wars' fan expect at the Lucas Museum? Vehicles, costumes and maybe some inspiration
'Star Wars' fans will find much to love, including costumes, props--and inspiration--at the Lucas Museum of Narrative Art.
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Amy Nicholson @theamynicholson.bsky.social · 03/09/2026
This off-kilter rom-com about exes doesn’t judge Dakota Fanning for going out with half of Anchorage. She’s enacting the No. 1 piece of advice I give all my straight, single female pals suffering from go-nowhere serial monogamy: Date a minimum of three men. www.latimes.com/entertainmen...
latimes.com
Review: In 'The Sun Never Sets,' dating in Alaska is messy but the views are gorgeous
Former mumblecore auteur Joe Swanberg makes a welcome return in a shaggy, realistic rom-com about jealousy and poor judgment starring Dakota Fanning.
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Amy Nicholson @theamynicholson.bsky.social · 31/08/2026
PROPELLER ONE WAY NIGHT COACH at Hollywood Forever Introduced by John Travolta in a red beret. Perfect Sunday.
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Amy Nicholson @theamynicholson.bsky.social · 28/08/2026
Best Tom Cruise performance? Impossible choice. Personal favorite most enjoyable Tom Cruise performance? Don't bite my head off but it's gotta be Lestat.
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Amy Nicholson @theamynicholson.bsky.social · 28/08/2026
Ridley Scott's THE DOG STARS is an uncomplicated yarn about a post-apocalyptic survivor man prying open his heart and nudging other hard nuts to do the same. Jacob Elordi's Hig may be the most perfect guy alive -- not that he’s got much competition. www.latimes.com/entertainmen...
latimes.com
Review: Familiar to a fault, Ridley Scott's postapocalyptic 'The Dog Stars' finds the genre in need of new tricks
A likable Jacob Elordi, Margaret Qualley, Josh Brolin and Guy Pearce star in Ridley Scott's lax adaptation of Peter Heller's poetic pandemic thriller.
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Amy Nicholson @theamynicholson.bsky.social · 26/08/2026
“Coyote vs. Acme” speaks volumes without saying a word. Next to the opening Warner Bros. logo, there’s an asterisk that reads, “A wholly owned subsidiary of the Acme Corporation.” As in, the bad guys of the film. www.latimes.com/entertainmen...
latimes.com
Review: Fanged and funny, 'Coyote vs. Acme' gives audiences the last — and loudest — laugh
Dave Green's tone-perfect Looney Tunes resurrection combines classic cartoon stars with humans Will Forte and John Cena as combative lawyers in a case against Amazon — er, Acme.
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Amy Nicholson @theamynicholson.bsky.social · 21/08/2026
I’ve been wrestling with Jason Statham for a decade and I’m finally conceding defeat. The superb screen star doesn’t respect his own strengths. I used to think I was rooting on his side for better material. MUTINY convinced me that he’s content to be a dull brute. www.latimes.com/entertainmen...
latimes.com
Review: All aboard 'Mutiny' for an ocean of carnage and a puddle of originality
Jason Statham's charm is lost at sea in this rote and lazy action-thriller from the director of Gerard Butler's 'Plane' about a bodyguard on a cargo ship.
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Amy Nicholson @theamynicholson.bsky.social · 19/08/2026
IT ENDS, a microbudget marvel by 20-something writer-director Alexander Ullom, has a straightforward premise that expands in your imagination. This has been a phenomenal year for discovering fresh talent. www.latimes.com/entertainmen...
latimes.com
Review: Inventive and inspiring, 'It Ends' brings 'Backrooms' into the backwoods
It's been a standout summer for young directors and fresh ensembles. Make way for Alexander Ullom’s otherworldly debut about the longest roadtrip ever.
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Amy Nicholson @theamynicholson.bsky.social · 14/08/2026
To fellow fans of Ben Stiller's THE SECRET LIFE OF WALTER MITTY: You are not alone. It flopped. But it's now #134 on the Letterboxd films with the most fans. Join us on 8/25 at the Los Feliz 3 for the big screen celebration it deserved. www.americancinematheque.com/now-showing/...
americancinematheque.com
Unspooled Presents THE SECRET LIFE OF WALTER MITTY - American Cinematheque
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Amy Nicholson @theamynicholson.bsky.social · 13/08/2026
“The Wrong Girls” is the right comedy if you want to unplug your brain and laugh. The jokes are as tailored to Kristen Stewart and Alia Shawkat as Chanel couture, be they zany schemes, spacey freak-outs or a sly middle finger flashed with 818-tatted knuckles www.latimes.com/entertainmen...
latimes.com
Review: 'The Wrong Girls' is the summer's most gloriously stupid stoner comedy
The slacker comedy stars Kristen Stewart and Alia Shawkat as baked roommates in trouble. Directed by Dylan Meyer, it doesn't blaze new trails — but who cares?
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Amy Nicholson @theamynicholson.bsky.social · 12/08/2026
A suburb blips into the Cretaceous period and the movie theater teleports four decades to 1982. If only this type of four-quadrant filmmaking didn’t have to cosplay as a begotten relic — if it could take courage from these dinosaurs and thrive in our modern times. www.latimes.com/entertainmen...
latimes.com
Review: Wife finds a way in the Spielberg-poached dino-mayhem of 'The End of Oak Street'
Indie auteur David Robert Mitchell of "It Follows" drops his own signature for an ’80s-style family adventure, zapping dinosaurs into a idyllic suburb.
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Amy Nicholson @theamynicholson.bsky.social · 07/08/2026
It is a VERY good weekend to see a movie. Heck, it's good enough to go old school and just show up and buy a ticket to whatever's playing next.
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Amy Nicholson @theamynicholson.bsky.social · 06/08/2026
A strange thing about Jane Schoenbrun is that even when I haven’t liked their work, I’ve left the theater certain that I just watched what will be someone else’s favorite film of all time. Now they’ve essentially sliced out their soul and smeared it onscreen. Bravo. www.latimes.com/entertainmen...
latimes.com
Review: A bravura slasher with heart and guts, 'Teenage Sex and Death at Camp Miasma' cuts deep
Horror becomes a doorway to sexual liberation in Jane Schoenbrun's meta-thriller starring Hannah Einbinder and an emboldened Gillian Anderson.
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Amy Nicholson @theamynicholson.bsky.social · 06/08/2026
This affectionately sleazy biopic is a portrait of Anthony Bourdain as a snotty 19-year-old Vassar student who doesn’t know an oyster knife from his ego. Miraculously, it’s the most heartwarming comedy of the year. www.latimes.com/entertainmen...
latimes.com
Review: In 'Tony,' a surly, snobby teenaged Anthony Bourdain learns the recipe for becoming a man
Matt Johnson's funny, biting biopic of the future star chef is stuffed with the teen wastrel's blood and vomit. It still goes down like a smooth treat.
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Amy Nicholson @theamynicholson.bsky.social · 05/08/2026
Mentally swapping in Benicio del Toro in THE PHOENICIAN SCHEME as Odysseus and I love it.
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Amy Nicholson @theamynicholson.bsky.social · 04/08/2026
In the spirit of Zeus’ law, I’m honored to welcome Emily Wilson to the land of film criticism. As she’s learned, it’s an adventure that sails smack into islands of musky internet trolls and clashes with cinematic and literary titans. I'm here to broker a truce. www.latimes.com/entertainmen...
latimes.com
Yes, Emily Wilson, Odysseus has been changed for the movie. Deal with it
Critical swords are clashing, but there's a way to cut through the debate and really talk about how we review art.
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Amy Nicholson @theamynicholson.bsky.social · 31/07/2026
Recorded right before the news about Kavinsky 💔 Crank up that soundtrack
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Amy Nicholson @theamynicholson.bsky.social · 30/07/2026
You can map the millennium’s sexual pessimism on Wilde’s films: the needy online dater in “Her,” the scheming honey pot in “Richard Jewell,” the compromised tradwife in “Don’t Worry Darling.” This and “The Invite” hint at a fresh appreciation for naked vulnerability www.latimes.com/entertainmen...
latimes.com
Review: Provocative and sly, 'I Want Your Sex' celebrates the fine art of sloppy mistakes
A return to features after 12 years, Gregg Araki's ticklish comedy about a bad boss spanking her employee stars Olivia Wilde and Cooper Hoffman.
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Amy Nicholson @theamynicholson.bsky.social · 30/07/2026
BRAND NEW DAY is burdened by the plot needs of the MCU. But Cretton seizes small moments to put his stamp on this installment. Just as Zendaya’s aspirationally chill MJ insists she won’t work for some “soulless corporation,” he’s quietly made a humanist super-flick www.latimes.com/entertainmen...
latimes.com
Review: 'Spider-Man: Brand New Day' finds its nimble hero tangled by franchise upkeep
Marvel is showing its age, but Tom Holland highlights the humanity of a lovelorn, workaholic Spider-Man whose arachnid hormones are surging.
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Amy Nicholson @theamynicholson.bsky.social · 28/07/2026
Can you like THE ODYSSEY while struggling with what Nolan tweaks? Absolutely. Let's hash that out with smart and funny USC Classics professor Lucas Herchenroeder on a special episode of Unspooled. podcasts.apple.com/us/podcast/t...
podcasts.apple.com
The Odyssey (with Lucas Matthew Herchenroeder)
Podcast Episode · Unspooled · July 25 · 1h 4m
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Amy Nicholson @theamynicholson.bsky.social · 26/07/2026
Oh THAT'S why I always thought the horse had wheels
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Amy Nicholson @theamynicholson.bsky.social · 23/07/2026
This is America
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Amy Nicholson @theamynicholson.bsky.social · 23/07/2026
HER PRIVATE HELL will be some moviegoers’ public one. Both times I’ve seen it, a fraction of the audience has walked out. This, I suspect, suits Nicolas Winding Refn just fine. To him, mass appeal is for rubes. www.latimes.com/entertainmen...
latimes.com
Review: Hot faces fill the erotic thriller 'Her Private Hell,' but the plot is never in focus
'Drive' director Nicolas Winding Refn's first feature in a decade finds him still fixated on sizzling neon and chilly characters. He's got his kinks.
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Joshua Rothkopf @joshuarothkopf.bsky.social · 15/07/2026
Our @theamynicholson.bsky.social finds THE ODYSSEY a "monument to movie craft" — "one that engraves marvelous images onto the ancient oral poem" even as it sacrifices some of its hero's moral complexity: "Nolan refuses to tremble before the canon." Her review: www.latimes.com/entertainmen...
latimes.com
Review: Christopher Nolan’s 'The Odyssey' is a mighty Trojan horse of his thematic obsessions
Generously sized and steered toward realism, the director's take on Odysseus is epically satisfying, even if it skimps on the character's ego and lust.
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Amy Nicholson @theamynicholson.bsky.social · 15/07/2026
Tell me, Christopher Nolan, when did it first rosy-fingered dawn on you that your favorite type of protagonist — a tormented sinner-hero — was a specialty of the ancient Greeks? www.latimes.com/entertainmen...
latimes.com
Review: Christopher Nolan’s 'The Odyssey' is a mighty Trojan horse of his thematic obsessions
Generously sized and steered toward realism, the director's take on Odysseus is epically satisfying, even if it skimps on the character's ego and lust.
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Amy Nicholson @theamynicholson.bsky.social · 09/07/2026
The uncanny valley is right between the Rock's silicone-padded pecs. We see so many intimate angles of them that I got distracted trying to find his nipples. www.latimes.com/entertainmen...
latimes.com
Review: The titanically misguided live-action remake of 'Moana' is missing the heart in its ocean
Never enchanting or magical, this wan redo from 'Hamilton' director Thomas Kail of the beloved 2016 Disney animated movie is totally lost at sea.
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Amy Nicholson @theamynicholson.bsky.social · 08/07/2026
GAIL DAUGHTRY AND THE CELEBRITY SEX PASS is a screwball joy. The tourism board should study how David Wain sells a tacky California vacation. Hollywood Boulevard hasn’t looked this fetchingly sleazy since PRETTY WOMAN. www.latimes.com/entertainmen...
latimes.com
Review: We're off to see a great screwball comedy in 'Gail Daughtry and the Celebrity Sex Pass'
The deliriously zany ensemble comedy stars Zoey Deutch as a small-town sweetheart who flies to Los Angeles hoping to sleep with Jon Hamm.
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Amy Nicholson @theamynicholson.bsky.social · 03/07/2026
Christmas in July
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Amy Nicholson @theamynicholson.bsky.social · 03/07/2026
TEAM AMERICA: WORLD POLICE? Eff yeah. www.latimes.com/entertainmen...
latimes.com
10 must-watch movies that capture America in times of profound change
From classic dramas like 'The Grapes of Wrath' and 'Nashville' to a John Carpenter sci-fi nightmare, these movies articulate a shifting national mood.
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Amy Nicholson @theamynicholson.bsky.social · 01/07/2026
I’ll admit I snorted at TikToks of teens gussied up in suits to see a Minions movie. After watching MINIONS & MONSTERS, I understand. It treats kids with the same respect that Charlie Chaplin did their great-grandparents. Subconsciously, fans are returning the favor. www.latimes.com/entertainmen...
latimes.com
Review: 'Minions & Monsters' is a daffy summer comedy over 100 years in the making
A 'Minions' prequel, clever and funny, rewinds to the silent era to showcase the classic Hollywood movies that inspired its manic yellow horde.
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Amy Nicholson @theamynicholson.bsky.social · 28/06/2026
The best Jordan Peele movie
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Amy Nicholson @theamynicholson.bsky.social · 26/06/2026
The best weapon in the “Jackass’” arsenal isn’t the taser, the beehive or the booby-trapped latrine. It’s the explosion of relief when a prank ends. It’s a shame that for the first time in two and a half decades of cringe comedy, the guffaws feel forced. www.latimes.com/entertainmen...
latimes.com
Review: They're finally too old for it in the middling clip reel 'Jackass: Best and Last'
After four gross-out features that occasionally reached cinematic greatness, Johnny Knoxville and the gang gather for a hasty and underwhelming final hurrah.
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Amy Nicholson @theamynicholson.bsky.social · 24/06/2026
I’d love to see Milly Alcock’s Supergirl in a grotty, silly “Animal House”-style comedy, out-drinking a galaxy of alien squids. She even passes out on a toilet with aplomb. www.latimes.com/entertainmen...
latimes.com
Review: A hot mess, 'Supergirl' has a rowdy spirit but a too-terrestrial plot
Craig Gillespie directs the louche party girl, played by Milly Alcock, in a spinoff sequel that thrives on chaos but settles for convention.
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Amy Nicholson @theamynicholson.bsky.social · 22/06/2026
This dork finally made it to a World Cup game.
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Amy Nicholson @theamynicholson.bsky.social · 18/06/2026
THE DEATH OF ROBIN HOOD is tedious spin on a Wolverine movie Jackman has already made. During a week when the canted economy just created its first trillionaire, I can’t fathom why Sarnoski felt we needed this amoral, apathetic version of Robin Hood now. www.latimes.com/entertainmen...
latimes.com
Review: Dour and dull, 'The Death of Robin Hood' steals our time to give to the gloom
Promising director Michael Sarnoski misses the bulls-eye with this violent, dreary take on the 13th century renegade. Even Hugh Jackman can't save it.
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Amy Nicholson @theamynicholson.bsky.social · 18/06/2026
Once more, the toys are horrified to face their obsolescence. Kids get older; a plastic T. rex stays the same age range. “I can’t go through this again,” Jessie the cowgirl says. Neither can I, but here we are. www.latimes.com/entertainmen...
latimes.com
Review: AI meets angst in 'Toy Story 5,' in which the gang and the plot feel obsolete
The fifth entry finds the series pulling the same old heartstrings as Jessie, Buzz and Woody once again feel irrelevant. So does the franchise.
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American Cinematheque @amcinematheque.bsky.social · 12/06/2026
We loved seeing all the MIDSOMMAR fans dress up for our ‘Bleak Week’ screening at the Egyptian 🌼🌞🌼 Watching the Director’s Cut in a sold out, members-only crowd followed by a Q&A with Ari Aster & Amy Nicholson? Perfect.
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Amy Nicholson @theamynicholson.bsky.social · 11/06/2026
THE FURIOUS: In five years, Keanu Reaves will be brawling like this. (Although after decades of popularizing advancements in fisticuffs, he’s earned the right to relax.) www.latimes.com/entertainmen...
latimes.com
Review: Get knocked out by the innovative fighting style of 'The Furious,' the future of action cinema
Ignore the rote kidnapped child plot and gape at the creative fight choreography in this Asian action spectacular, which could kick off a revolution.
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Amy Nicholson @theamynicholson.bsky.social · 10/06/2026
Decades after Steven Spielberg unveiled his signature shot — a face amazed at wonders we can’t see — he seems wearied by his awareness that today’s moment of revelation would look like a person staring down at their phone. latimes.com/entertainmen...
latimes.com
Review: In Steven Spielberg's 'Disclosure Day,' the aliens are here — but the wonderment isn't
Emily Blunt and Josh O'Connor race around the Midwest trying to expose UFOs in a hectic adventure that lacks intelligent life.
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Amy Nicholson @theamynicholson.bsky.social · 05/06/2026
The sixth SCARY MOVIE is as lazy, dumb and offensive as the rest. But Regina Hall and Anna Faris are hilarious, as is Teyana Taylor in the cleverest opener since Drew Barrymore answered the phone. I’d watch six more with her. But like Hall & Faris, she deserves better www.latimes.com/entertainmen...
latimes.com
Review: The new 'Scary Movie' is cringey, crass and salvaged only by its devoted cast
The sixth installment of the spoof series is actually the best one yet (not a huge compliment), with daffy turns by stars Anna Faris and Regina Hall.
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Amy Nicholson @theamynicholson.bsky.social · 04/06/2026
As He-Man, Nicholas Galitzine's himbo charm gets him through this silly, fan-service-y reboot unharmed. (Whew! The rising actor has real potential.) Bizarrely, Jared Leto's plummy, baritone Skeletor voice is the best thing he's done in years. www.latimes.com/entertainmen...
latimes.com
Review: Muscling past a flat script, a big-screen 'Masters of the Universe' embraces its own silliness
Powered by copious sarcasm, 'Bumblebee' director Travis Knight and star Nicholas Galitzine modernize the ’80s macho man as sensitive and self-aware.
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Amy Nicholson @theamynicholson.bsky.social · 29/05/2026
For ten minutes, POWER BALLAD is a platonic rom-com about two dissatisfied artists enjoying a banger of a bonding session. Then it's a total bummer. www.latimes.com/entertainmen...
latimes.com
Review: 'Power Ballad' is a one-scene wonder with a terrific start and a sloppy second act
Paul Rudd and Nick Jonas have great creative chemistry in 'Once' director John Carney's latest musical. Pity this punishingly cruel comedy keeps them apart.
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