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Kim McNeill •📚🌿☕️

@joiedevivre9.bsky.social
1.3K followers 634 following 2.9K posts

avid reader w/focus on womxn writers • virgo sun sagittarius moon • my library is an archive of longings • feminist #NYRBWomen26 #SundaySarton #AContinuation Pacific Coast • joiedevivre9.com

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Kim McNeill •📚🌿☕️ @joiedevivre9.bsky.social · 3h
Happy @dorothyproject.bsky.social pub day!! 🎉💛🎉💛
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Kim McNeill •📚🌿☕️ @joiedevivre9.bsky.social · 17h
New from Kate Zambreno! Scheduled for publication next May from @haymarketbooks.org. It sounds great & it's available for pre-order. "A craft book against a 'craft' divorced from political & material realities." bookshop.org/p/books/agai...
AGAINST NONFICTION by Kate Zambreno

A manifesto in lectures about the material conditions and absurdities of being a writer and adjunct professor under capitalism--by turns funny, angry, despairing, and hopeful--from a writer who "has invented a new form" (Annie Ernaux).

In the spring of 2025, Heroines and Drifts author Kate Zambreno taught a weeklong nonfiction "craft" lecture at Columbia University, thinking through the crises of the adjunct loop in the United States and the question of labor and writing in publishing and the university. This project became more absurd, and more urgent, as the Trump administration quickly turned to authoritarianism and the university became complicit with the administration, creating a dystopian and paranoid atmosphere in which students were kidnapped from university housing and student protestors were expelled. How can we study together and create under such conditions?

The resulting essays are funny, angry, often in despair, and somehow also full of optimism as to the future of writing, even amidst the collapse of the institutions meant to support writers and students. Zambreno engages with texts including Sofia Samatar's Opacities, Fred Moten and Stefano Harney's The Undercommons, Noémi Lefebvre's The Poetics of Work, Heike Geissler's Seasonal Associate, and Samuel Delaney's Times Square Red, Times Square Blue.

A craft book against a "craft" divorced from political and material realities, Against Nonfiction is for anyone trying to write and make art in impossible times.
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Kim McNeill •📚🌿☕️ @joiedevivre9.bsky.social · 21h
#NYRBWomen26 A conversation w/translator Bonnie Huie: "Art that depicts firsthand pain & suffering is essential to freedom of thought, which is also why it offends sensibilities. NoaC is not about how 'it gets better'; it’s about living in permanent wartime." worldliteraturetoday.org/2020/summer/...
worldliteraturetoday.org
Exploring Translated Lit’s Ecosystem: A Conversation with Bonnie Huie, by Veronica Esposito
Veronica Esposito interviews Bonnie Huie, whose translations include Qiu Miaojin’s Notes of a Crocodile, which won the Lucien Stryk Asian Translation Prize and was longlisted for the PEN Translation P...
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Kim McNeill •📚🌿☕️ @joiedevivre9.bsky.social · 05/10/2026
Tomorrow is release day for @dorothyproject.bsky.social and both books are currently 25% off at nyrb.com!! I’m so excited to read these!
BLUE SUNSET by Denise Rose Hansen

At a conference somewhere in Europe, Maja meets the Author. Haunted by a recent tragedy, she leaves with him unexpectedly to his home on the Italian coast, where she wanders into the rhythms of his life, observing the world through the lens of his days. Yet everywhere over their new and tender intimacy hangs the knowledge that soon she will have to return home to Copenhagen, site of her devastating loss. With echoes of Virginia Woolf and Ann Quin, Denise Rose Hansen paints with spare, deft lyricism the complicated landscape of grief and yearning that Maja crosses over on her journey toward something new.WHAT REMAINS by Brais Lamela (Translated from the Galician by Jacob Rogers)

Shifting between the intimate present and the archival past, New York City and the remote mountains of Negueira de Muñiz, Galician writer Brais Lamela’s award-winning debut novel follows a young scholar’s journey into the forgotten history of the Franco regime, uncovering both the past and the still-present afterlife of a forced resettlement project in the Galician countryside of the 1960s.
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Kim McNeill •📚🌿☕️ @joiedevivre9.bsky.social · 05/10/2026
#NYRBWomen26 “MAUVAIS SANG is a film. Not another Godard movie. A more youthful French film. Its male protagonist is built like a lizard and clearly has traces of crocodile in his blood.” (p25) — Qiu Miaojin, NOTES OF A CROCODILE (tr. Bonnie Huie)
Juliette Binoche & Denis Levant in Leos Carax’s MAUVAIS SANG
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Remedios Varo @remediosvaro.bsky.social · 19/09/2026
Abut botfrens.com/collections/69/content…
"Abut" by Remedios Varo presents an enigmatic scene where a ghostly figure and luminous presence engage amidst a surreal architectural setting. Varo's distinctive use of fantastical elements and dreamlike environments reflects her interest in alchemy, magic, and the subconscious.
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Kim McNeill •📚🌿☕️ @joiedevivre9.bsky.social · 03/10/2026
“People in this city are manufactured & canned, raised for the sole purpose of taking tests & making money. The 18-year-old me went through the high-grade production line & was processed in 3 years, despite the fact that I was pure carrion inside.” — Qiu Miaojin, NOTES OF A CROCODILE #NYRBWomen26
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Kim McNeill •📚🌿☕️ @joiedevivre9.bsky.social · 03/10/2026
I started October’s #NYRBWomen26 this morning! I’ve been wanting to read Qiu Miaojin’s NOTES OF A CROCODILE for awhile.🐊 I’ve been so bad about posting lately, but I’m feeling refreshed from September’s travels & will try to do better.
Morning tablescape with NOTES OF A CROCODILE by Qiu Miaojin and ALL THE VIOLET TIARAS by Jean Menzies.#NYRBWomen26 page guide for NOTES OF A CROCODILE by Qiu Miaojin.
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Kim McNeill •📚🌿☕️ @joiedevivre9.bsky.social · 03/10/2026
I’m home from a fabulous trip to London & so grateful to have spent some quality time with my mum & to get to meet up twice(!) with @jacquiwine.bsky.social. There were so many highlights, here are a few —> 🧵
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JacquiWine @jacquiwine.bsky.social · 27/09/2026
Beautiful day with @joiedevivre9.bsky.social and her mum yesterday. Another trip to the ANA MENDIETA exhibition at Tate Modern, lunch at the Barbican, a screening of Jules Dassin’s RIFIFI, and a visit to St Dunstan in the East church garden. Love #London!
Imágen de Yágul
1973, printed 1991* Photograph, C-print on paper
Mendieta created Imágen de Yágul at the archaeological site of Yagul, in Oaxaca, Mexico. She spent the summer of 1973 in Oaxaca with artists from the University of lowa's Intermedia programme. In an interview, she describes making the work in an ancient open tomb that was covered in weeds and grasses - that growth reminded me of time... The analogy was that I was covered by time and history:
Mendieta later considered Imágen de Yágul to be the first of her Silueta Series.
Estate of Ana Mendieta
X109920Untitled: Silveta Series
1976, printed 1991
Photograph, C-print on paper
Estate of Ana Mendieta
X101653Screen 1 at the Barbican. A member of the programming team is introducing the film, RIFIFI, which screened as part of the 
Lawrence Abu Hamdan and Earshot:..
* Repercussions programme. St Dunstan in the East Church Garden
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JacquiWine @jacquiwine.bsky.social · 24/09/2026
Back at the Dulwich Picture Gallery today for a trip to this terrific photography exhibition - this time with lovely @joiedevivre9.bsky.social and her mum, Margaret, who are over from Seattle! #Art #ArtSky #London
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Radz Pandit @radzpandit.bsky.social · 02/09/2026
Sharing The New Yorker's article on Caroline Blackwood whose book CORRIGAN is the #NYRBWomen26 book for September. @joiedevivre9.bsky.social
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Kim McNeill •📚🌿☕️ @joiedevivre9.bsky.social · 03/09/2026
Two gems.💛
Two gems: THEORY FOR MOVING HOUSES by Renee Gladman and FISH OUT OF WATER by Claire Louise-Bennett
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eileen chengyin chow @chowleen.bsky.social · 01/09/2026
She remembered it was August and they say August brings bad luck. But September would arrive one day like an exit. And September was for some reason a lighter and more transparent month. Clarice Lispector (trans. Katrina Dodson) #everynightapoem #september as ever, for my favorite month
red door with latticed peep hole and hand-shaped door knocker (our house in macanet)
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New York Review Books @nyrb-imprints.bsky.social · 01/09/2026
Big day in NYRB HQ, Diane Williams's new collection, I Liked Rex, is out. If you haven't read her work: it is made up of tiny, coruscating tales which are among the most tender, funny, peculiar, and searching works in all of contemporary literature.
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Kim McNeill •📚🌿☕️ @joiedevivre9.bsky.social · 01/09/2026
#NYRBWomen26 #SundaySarton It’s September!!!!!!!!
CORRIGAN by Caroline Blackwood (September’s #NYRBWomen26 book) & AFTER THE STROKE by May Sarton (September’s #SundaySarton book).Page guide for CORRIGAN by Caroline Blackwood. #NYRBWomen26Page guide for AFTER THE STROKE by May Sarton. #SundaySarton
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Gaijin "Jiangshi" Rando @gaijinrando.bsky.social · 23/08/2026
Viva in Agnes Varda's LIONS LOVE (1969) Viva was BOTD in 1938
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Kim McNeill •📚🌿☕️ @joiedevivre9.bsky.social · 01/08/2026
We watched IDENTIKIT (1974, aka THE DRIVER’S SEAT) last night & this film is bonkers in the best kind of way! Now, I need to read Muriel Spark’s book.
Photo of Elizabeth Taylor in the film IDENTIKIT. Photo of Elizabeth Taylor in the film IDENTIKIT. Photo of Elizabeth Taylor in the film IDENTIKIT. Photo of Elizabeth Taylor in the film IDENTIKIT.
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Rachel Deering @racheldeering.bsky.social · 01/08/2026
Happy August. 🖼️ Eugène Grasset
Woman in yellow in garden amongst sunflowers, pond with lily pads in foreground. She carries a basket.
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Magda Birkmann @magdarine.bsky.social · 01/08/2026
Now that we've all seen the WICKER trailer, may I also interest you in a brilliant little novella about a bored wife having an affair with a fish/frog monster called Larry who loves avocados?
Rachel Ingalls, Mrs Caliban
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Kim McNeill •📚🌿☕️ @joiedevivre9.bsky.social · 30/07/2026
“The form in my life is to keep my center strong & not dispersed…I am at my desk from 3 to 4 hours every day…It has to be the morning, before one’s mind is all cluttered up, when the door to the subconscious is still open…” — May Sarton, A Self-Portrait #SundaySarton 👇
Tablescape with a vase of lavender, a candle, seashells & the book MAY SARTON: A SELF-PORTRAIT
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Thomas Liam @thomasliam300.bsky.social · 27/07/2026
#NYRBWomen26 The Sweet Dove Died "Yet, when one came to think of it, the only flowers that were really perfect were those, like the peonies that went so well with one’s charming room, that possessed the added grace of having been presented to oneself." Finished. I'm sad now.
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Kim McNeill •📚🌿☕️ @joiedevivre9.bsky.social · 27/07/2026
#NYRBWomen26 - Don’t miss this thoughtful thread 🧵 from @sediziosevoci.bsky.social about Barbara Pym & THE SWEET DOVE DIED.
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Kristin J. Boldon @kjboldon.bsky.social · 22/07/2026
Couldn't stop/had to finish The Sweet Dove Died by Barbara Pym. This is only my 2nd Pym (I've read Excellent Women 2x) but I see potential hallmarks: a fascination with furniture, flowers, pretty conniving women as villains, and a dry biting wit about characters and social situations. #NYRBwomen26
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Thomas Liam @thomasliam300.bsky.social · 23/07/2026
#NYRBWomen26 ‘I shall always love you,’ James went on, hardly making things better, for ‘always’ had such a final sound about it; it might just as well have been ‘never’.
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Radz Pandit @radzpandit.bsky.social · 27/07/2026
Here's another Barbara Pym novel I loved - THE SWEET DOVE DIED. A dark, beautifully written tale of ageing, loneliness, and possessive love, laced with flashes of Pym's trademark wit. Read this for #NYRBWomen26. readersretreat2017.wordpress.com/2026/07/27/t...
readersretreat2017.wordpress.com
The Sweet Dove Died – Barbara Pym
The Sweet Dove Died by Barbara Pym is a dark yet poignant tale of loneliness, aging, and possessive love laced with doses of Pym's trademark wit.
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Kim McNeill •📚🌿☕️ @joiedevivre9.bsky.social · 25/07/2026
Indeed! #BookClubRetreat
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Kim McNeill •📚🌿☕️ @joiedevivre9.bsky.social · 24/07/2026
Starting August 1st! #NYRBWomen26 Page guide to come early next week!
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Kim McNeill •📚🌿☕️ @joiedevivre9.bsky.social · 08/07/2026
“The only author Owens regularly cited as an influence was Flannery O’Connor, but it is Shirley Jackson, one of O’Connor‘s American contemporaries, that comes to mind most when reading FOR THE LOVE OF WILLIE.” — from the intro by Heather Parry #NowReading
Morning tablescape with a copy of FOR THE LOVE OF WILLIE by Agnes Owens.
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Kim McNeill •📚🌿☕️ @joiedevivre9.bsky.social · 08/07/2026
We watched an early film by Hou Hsiao-Hsien last night, A SUMMER AT GRANDPA’S (1984). It has such a beautiful rhythm to it. Intimately observed from the children’s perspective, it’s said to be an inspiration for MY NEIGHBOR TOTORO. Highly recommend!
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Kim McNeill •📚🌿☕️ @joiedevivre9.bsky.social · 07/07/2026
The original dust jacket for CHEERFUL WEATHER FOR THE WEDDING by Julia Strachey was designed by Duncan Grant. The book was published by Hogarth Press in September 1932. #NowReading
First edition of CHEERFUL WEATHER FOR THE WEDDING by Julia Strachey, dust jacket designed by Duncan Grant.
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Thomas Liam @thomasliam300.bsky.social · 03/07/2026
#SundaySarton Writings on Writing
Writings on Writing quote
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Kim McNeill •📚🌿☕️ @joiedevivre9.bsky.social · 07/07/2026
Kate Zambreno’s Obsessions in the latest issue of @brickliterary.bsky.social. 💛
From BRICK: A Literary Journal 117 — OBSESSIONS (p62):

KATE ZAMBRENO
- Winter candle formations
- Studying Deleuze seminars or thinking about Adrian Piper reading Kant
- Planning another sleep performance
- Researching buildings in NYC
- Silky shorts/knee-high boots
- Dried flowers from Union Square market
- Hayahisa Tomiyasu photographing a ping-pong table over a year
- Watching a blizzard in bed with my childrenCurrent issue of BRICK: A Literary Journal and CHEERFUL WEATHER FOR THE WEDDING by Julia Strachey
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Kim McNeill •📚🌿☕️ @joiedevivre9.bsky.social · 07/07/2026
“To grow old is to wrap ourselves up well so we can wander warmly through our own private catacombs.” Translated by Derek Coltman, foreword by Deborah Levy, this little book is unique & poignant, poetic & heartbreaking. I definitely want to read more of Leduc’s writing.
THE LADY AND THE LITTLE FOX FUR by Violette Leduc
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Kim McNeill •📚🌿☕️ @joiedevivre9.bsky.social · 05/07/2026
The Summer Catalogue is out for one of my favorite London bookshops, John Sandoe Books!! 💫 (I’ve added several titles to my wishlist.) johnsandoe.com/product-cate...
johnsandoe.com
Summer Books 2026 Archives
We put together these lists four times a year, combing publishers’ catalogues for the best new books, from the biggest imprints to tiny independent presses.
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nora 🍐 @pear-jelly.bsky.social · 04/07/2026
I often feel that Pym is a little mean-spirited towards her aging single female protagonists. I read that she wasn’t too happy about her singlehood & loved being in love, I wonder if there are some complicated self-deprecating feelings behind all her spinsters. Need to read this biog! #nyrbwomen26
Cover of The Adventures of Miss Barbara Pym by Paula Byrne
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christina500 @christina500.bsky.social · 03/07/2026
In the more flattering light of the converted oil lamps she seemed younger than in the daylight, or if not exactly young, then of no particular age. 17 C3 The Sweet Dove Died #BarbaraPym Been waiting to read this with #NYRBWomen26 ! (Bought this lovely former Wallington Library book awhile ago.)
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Kim McNeill •📚🌿☕️ @joiedevivre9.bsky.social · 04/07/2026
“Leonora liked to think of her life as calm of mind, all passion spent, or, more rarely, as emotion recollected in tranquillity.” (p16) #NyRBWomen26
THE SWEET DOVE DIED by Barbara Pym
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Kim McNeill •📚🌿☕️ @joiedevivre9.bsky.social · 04/07/2026
Mina Loy’s Lamp Shop: “Loy designed the lamps herself, using antique bottles from her bottle collection as the lamp base … inspired by the oceans, celestial maps, and the natural world … The lamps sold well: Loy advertised them as “L’Ombre féerique” (fairy shadows)“ mina-loy.com/chapters/sur...
Art et Industrie (May 1928) p. 59Mina Loy (seated) and Peggy Guggenheim (standing) in Loy’s lamp shop, Laurence Vail paintings on wall, ca. 1926. Photo by George Rinhart/Corbis via Getty Images.
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Radz Pandit @radzpandit.bsky.social · 02/07/2026
Starting Barbara Pym's THE SWEET DOVE DIED for #NYRBWomen26.
THE SWEET DOVE DIED by Barbara Pym.
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nora 🍐 @pear-jelly.bsky.social · 02/07/2026
Joining in with #nyrbwomen26 July read 📖 this will be my 2nd Pym (after Excellent Women), slightly apprehensive as I’ve not felt in the mood for my midcentury ladies lately. Hope this will get me back on track #booksky
Holding a copy of The Sweet Dove Died by Barbara Pym against a pale pink rose bush.
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JacquiWine @jacquiwine.bsky.social · 02/07/2026
My thoughts on Barbara Pym's THE SWEET DOVE DIED, the current read for @joiedevivre9.bsky.social's #NYRBWomen26 Top-tier Pym. A charming, poignant, beautifully written novel about the narrowing opportunities for love as we age & lose our lustre. #BookSky 💙📚 jacquiwine.wordpress.com/2025/03/02/t...
jacquiwine.wordpress.com
The Sweet Dove Died by Barbara Pym
I love Barbara Pym, an author whose gentle explorations of unrequited love amongst the genteel middle-classes are both charming and quietly poignant. She creates an idiosyncratic yet oddly recognis…
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Kim McNeill •📚🌿☕️ @joiedevivre9.bsky.social · 02/07/2026
✨June Reading Wrap-Up ✨ It was another chaotic work month, but a blissful month of reading on my back porch & on a blanket near the lake. So many 4 & 5 star reads!
- EASTBOUND by Maylis de Kerangal (reread for book club)
- QUEEN by Birgitta Trotzig
- LITTLE LABORS by Rivka Galchen
- SUN CITY by Tove Jansson
- RIVERWORK by Lisa Robertson
- THEY by Helle Helle
- ALL ABOUT LOVE by bell hooks
- WITHOUT TERMINUS by Chaun Webster
- NEWCOMER CAN'T SWIM by Renee Gladman
- MY YEAR WITH GERTRUDE STEIN by Deborah Levy
- LION by Sonya Walger 
- THE PALM HOUSE by Gwendoline Riley
- RECOVERING by May Sarton
- SAID THE DEAD by Doireann Ni Ghriofa
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Kim McNeill •📚🌿☕️ @joiedevivre9.bsky.social · 01/07/2026
New month, next up for #NYRBWomen26 & #SundaySarton… Here are the page guides. More info at www.joiedevivre9.com
- THE SWEET DOVE DIED by Barbara Pym
- WRITINGS ON WRITING by May Sarton
- MAY SARTON: A SELF-PORTRAIT#NYRBWomen26 page guide for THE SWEET DOVE DIED by Barbara Pym#SundaySarton page guide for WRITINGS ON WRITING by May Sarton
and MAY SARTON: A SELF-PORTRAIT
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Kim McNeill •📚🌿☕️ @joiedevivre9.bsky.social · 01/07/2026
#NYRBWomen26 Day 1 of Pym!!!!
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Kim McNeill •📚🌿☕️ @joiedevivre9.bsky.social · 29/06/2026
A CARAFE, THAT IS A BLIND GLASS. A kind in glass and a cousin, a spectacle and nothing strange a single hurt color and an arrangement in a system to pointing. All this and not ordinary, not unordered in not resembling. The difference is spreading. —Gertrude Stein, Tender Buttons
Morning tablescape with TENDER BUTTONS by Gertrude Stein
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Kim McNeill •📚🌿☕️ @joiedevivre9.bsky.social · 27/06/2026
“The experience of duration in reading became its own mystical pleasure. Did love ever arrive? Poetry arrived, and what is the difference.” — Lisa Robertson, Riverwork
Morning tablescape with copies of RIVERWORK by Lisa Robertson & THEORY FOR MOVING HOUSES by Renee Gladman
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Kim McNeill •📚🌿☕️ @joiedevivre9.bsky.social · 24/06/2026
“Birgitta Trotzig had her own pantheon. Dostoevsky, Simone Weil, Nelly Sachs, St. John of the Cross … helped her to develop what she called her ‘poetics of the margins.’ … brewing a language at once sonorously laconic, a primal scream of stone & Fire & Water” 4columns.org/sandhu-sukhd...
Birgitta TrotzigQUEEN by Birgitta Trotzig (tr. Saskia Vogel)
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Kim McNeill •📚🌿☕️ @joiedevivre9.bsky.social · 22/06/2026
“[My] novels, if I think in musical terms, are the symphonies and the journals are the sonatas. The poems then are songs.” — May Sarton, RECOVERING, 13 September 1979 #SundaySarton
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Kim McNeill •📚🌿☕️ @joiedevivre9.bsky.social · 21/06/2026
“Yesterday was like a dream of June, cool, clear, all the greens sparkling and the ocean deep blue, and quiet. I felt strangely happy all day.” — May Sarton, RECOVERING, 8 June 1979 #SundaySarton
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