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Dr Izzy Wisher

@izzywisher.bsky.social
3.9K followers 510 following 126 posts

Early prehistoric art expert and cognitive archaeologist. 8th Renfrew Fellow @cam-archaeology.bsky.social & JRF @homertoncollege.bsky.social

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Reposted by Dr Izzy Wisher
Paige Madison @fossilhistory.bsky.social · 09/09/2026
🚨🚨 Denisovans in southwestern China. I repeat: Denisovans in southwestern China! 🏺🧪
sciencenews.org
Newfound fossils are spilling Denisovan secrets
Teeth and bone fragments unearthed in a cave in China, along with animal bones and stone tools, help paint a picture of Denisovan life.
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Dr Izzy Wisher @izzywisher.bsky.social · 05/09/2026
Very bold claims and (it seems) no scientific publication to support it (+ unconvincing/poor images in the press article, and nothing really to suggest the marks photographed are Palaeolithic in age). Curious to know what others think about this…
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Dr David S Anderson @dsaarchaeology.bsky.social · 10/07/2026
Original Tweet from @Mantia: What’s something that seems obvious within your profession, but the general public seems to misunderstand?

Quote tweet from @hwitteman: That $35 that scientific journals charge you to read a paper goes 100% to the publisher, 0% to the authors. If you just email us to ask for our papers, we are allowed to send them to you for free, and we will be genuinely delighted to do so.
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Dr Rebecca Wragg Sykes @lemoustier.bsky.social · 24/06/2026
🏺 🧪 Thoughts on new Naledi info: - if results are correct it doesn't mean all individuals there are female, just sampled teeth - if there is strong female bias it's interesting but cultural burial is not the first thing I'd be thinking about - nobody comments on weirdness when 💀 samples are all ♂️
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Dr Izzy Wisher @izzywisher.bsky.social · 15/06/2026
So… exciting job news 🎉 Very happy to announce I’ll soon be joining the McDonald Institute for Archaeological Research! Over the next 3 years, I’ll be exploring how artistic traditions changed over the Palaeo-Meso transition - did art play an active, adaptive role in response to climate changes?
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Dr Izzy Wisher @izzywisher.bsky.social · 02/06/2026
Had the surreal experience today of receiving a lovely email from @douglarkin.bsky.social about how my Aeon article inspired his band to make a song about cave art! I *highly* recommend (although I’m biased) giving it a listen here: cuppajoeband.bandcamp.com/album/k-vart
cuppajoeband.bandcamp.com
K-Vart, by Cuppa Joe
14 track album
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Alice Roberts @profaliceroberts.bsky.social · 24/05/2026
John Schofield of York University on the value of archaeology - it’s not just about the past. theconversation.com/six-reasons-...
theconversation.com
Six reasons to save archaeology from funding cuts
The government plans to cut university subsidy for teaching archaeology by 50%, yet it’s never been more relevant to society.
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Antiquity Journal @antiquity.ac.uk · 21/05/2026
Thought to be a Palaeolithic oil lamp, some of our most-read research from last year concluded this stone artefact was likely in fact a 13,000-year-old paint pallet, as it contains Europe's oldest instance of blue mineral pigment! 🆓 doi.org/10.15184/aqy... #ThrowbackThursday 🏺 #Archaeology
Concave piece of sandstone with several cracks on its surface. Three close-up images of the surface highlight small flecks of blue pigment.
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Dr Izzy Wisher @izzywisher.bsky.social · 08/05/2026
Achieved an academic milestone today - having our research be an obscure trivia answer on a quiz show! Thanks @felixthehauskat.bsky.social for sharing this with me! Everyone knows the answer, right…? 🔵
Image of a German TV quiz show, showing two contestants answering the question “Auf einem etwa 13.000 Jahre alten, handtellergroßen Stein aus der Fundstätte Mühlheim-Dietesheim entdeckten Archäologen 2025 ...?”

Three options are shown below the question “A) den bisher ältesten Nachweis für die Nutzung blauer Farbe in Europa B) erstmals ein Bildzeichen für Urlaub, C) Hämatitsplitter als Hinweis auf einen prähistorischen Kompass”
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Cambridge University Press - Archaeology @cambup-archaeology.cambridge.org · 29/04/2026
📣 @antiquity.ac.uk is flipping to #openaccess for research content! ✅ All research content published in the journal from January 2027 will be permanently and freely available to read, download and share around the world 🌍. Find out more! 🔗 cup.org/4cvNjZj #archaeology #SAA2026SFO
The image announces that starting January 2027, the publication "Antiquity" will be open access for research. It features an open access symbol and abstract red design in the top right corner.
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Kensy Cooperrider @kensycoop.bsky.social · 21/04/2026
The shift from non-figurative (geometric designs) to figurative art (animals, mostly)—and what propelled it—is one of the big enduring puzzles of cave art. We discuss a couple accounts of this shift, including @izzywisher.bsky.social's intriguing suggestion that pareidolia offered a bridge.
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Dr Izzy Wisher @izzywisher.bsky.social · 20/04/2026
Our new preprint (osf.io/preprints/ps...) was the first study that Kristian, Murillo, and I cooked up in eSYMb’s early days. We scribbled on Kristian’s whiteboard for hours, figuring out how we could get people to “decorate” or “communicate” using MSA engravings -very much feeling his absence today.
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Dr Space Junk (Alice Gorman) @drspacejunk.bsky.social · 18/04/2026
You can tsk tsk at the extreme cases and say 'that isn't me'. But it's meaningless unless you are analysing your everyday interactions with people - conversations, expectations - and recognising how misogyny is hard-baked into them. Because women can see it even if you can't.
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Many Minds podcast @manymindspod.bsky.social · 17/04/2026
Exploring a cave by firelight, it's easy to "see things" in the walls. Bulges and cracks become bison or deer. Could pareidolia have inspired some of our earliest figurative art? Just one of the topics discussed in our latest episode, w/ @izzywisher.bsky.social! Listen: disi.org/illuminating...
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Kensy Cooperrider @kensycoop.bsky.social · 14/04/2026
A tour of all things cave art! In which we discuss... - hand stencils and their missing fingers - the nonfigurative-to-figurative transition - archaeology's "sensory turn" - the puzzling preponderance of animals over humans - the power of pareidolia - palimpsests - children's drawing stages etc.!
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Many Minds podcast @manymindspod.bsky.social · 13/04/2026
New episode!! 🎙️🎉 A chat w/ @izzywisher.bsky.social about Paleolithic art. The questions surrounding cave art are old: Who made it? What did it mean to them? But with new methods and frameworks, scholars are starting to see these enigmatic works in a new light. Listen: disi.org/illuminating...
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Dr Izzy Wisher @izzywisher.bsky.social · 11/04/2026
I’m on the @manymindspod.bsky.social podcast! We covered a lot in this one - from Herzog’s Cave of Forgotten Dreams, missing fingers in hand-stencils to children drawing in caves. If you’re (somehow) not tired of hearing me talk about cave art, give it a listen! open.spotify.com/episode/2pVl...
open.spotify.com
Illuminating cave art
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Dr Izzy Wisher @izzywisher.bsky.social · 12/03/2026
Spinning tops are so cool! One of the (v. exciting) things we discussed is whether some Magdalenian rondelles could have been spinning tops… the form and designs certainly fall within the range of known tops! Does the worldwide use of spinning tops suggest deep time origins? 🌀 📷: Cattelain 2012
Black and white drawings of four “rondelles” - circular objects with engraved designs.
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Rachel Pope @prehistorian.bsky.social · 26/09/2025
New paper. Recording the female experience of UK archaeology 1990-2010. Anne Teather and I document how an industry EDI agenda evolved in the 1990s and was dismantled, uncovering the ramifications of that for women archaeologists over the next decade. www.cambridge.org/core/journal... #openaccess✅
cambridge.org
Documenting the profession: Recording historic access and retention issues for women in UK archaeology | Archaeological Dialogues | Cambridge Core
Documenting the profession: Recording historic access and retention issues for women in UK archaeology
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Dr Izzy Wisher @izzywisher.bsky.social · 10/12/2025
Incredibly exciting news! I excavated at Barnham for a couple of seasons and the focus was always on trying to find the “smoking gun” for controlled fire use (despite finding many burnt flints) - amazing that the team has now (finally) got what they’ve been hoping for! 🔥
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DAI @dai-weltweit.bsky.social · 10/12/2025
Im Stadtmuseum Mühlheim (Offenbach/M.) ist derzeit "Europas ältester Farbtopf" zu sehen; mit neuen Einblicken in d. Ursprünge von #Kunst & Kreativität hat eine Studie von @au.dk & #RGK_DAI die früheste bekannte Verwendung #blau​en #Pigment​s in Europa identifiziert: 🏺 www.dainst.org/newsroom/nos...
Mikroskopische Nahaufnahme einer körnigen Steinoberfläche mit blauen Pigmentflecken; ein weißes Rechteck markiert einen zentralen Bereich mit dichterer Pigmentstruktur.
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Antiquity Journal @antiquity.ac.uk · 02/12/2025
Our December issue is out now! Featuring great #archaeology such as: 🔵 The oldest blue mineral pigment use in Europe ⛰️ Mesoamerican mountain monuments and water worship 🐚 Playing the shell trumpets of Neolithic Catalonia & much more! 🏺 www.cambridge.org/core/journal...
Cover of the December 2025 issue of Antiquity, featuring a photogrammetric image of an ancient quarry, with evidence for the quarrying of stone and a partially complete humanoid statue lying on its back.
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Penny Bickle @pennybickle.bsky.social · 24/11/2025
New open access publication: Moving to Stay in (a Woman’s) Place: Was Patrilocality the Dominant Mode of Postmarital Residence across Later European Prehistory? Current Anthropology. Thanks to Wenner Gren for funding the workshop it emerged from! www.journals.uchicago.edu/doi/10.1086/...
journals.uchicago.edu
Moving to Stay in (a Woman’s) Place : Was Patrilocality the Dominant Mode of Postmarital Residence across Later European Prehistory? | Current Anthropology
This paper questions whether forms of female mobility and their relation to kinship were uniform throughout later European prehistory. Patrilocality has become the primary way in which sex-based diffe...
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Dr Izzy Wisher @izzywisher.bsky.social · 28/10/2025
Ser et super interessant foredrag af @felixthehauskat.bsky.social og Mikkel Schierup i aften (og lærer en masse dansk ordforråd for palæolitikum samtidig!)
A lecture slide showing a world map of Europe with a picture of a handaxe in the top left, and a man holding a handaxe in the bottom right.
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Antiquity Journal @antiquity.ac.uk · 24/10/2025
#FindsFriday Researchers found traces of blue pigment on this 13,000-year-old artefact from Mühlheim-Dietesheim, Germany. It questions the idea that Palaeolithic artists only used red or black, painting a picture of a more vibrant Ice Age world than previously imagined. 🆓 doi.org/10.15184/aqy...
Close-up image of a sandstone surface with flecks of blue on it.
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estherwidmann.bsky.social @estherwidmann.bsky.social · 07/10/2025
Höhlenbilder aus der Altsteinzeit sind immer nur Variationen von Rot und Schwarz. Aber anders als bisher angenommen bedeutet das nicht, dass die Menschen blaue Farbe gar nicht nutzten. #palaeolithic @izzywisher.bsky.social www.nzz.ch/wissenschaft...
nzz.ch
14 000 Jahre alt: Archäologen finden älteste blaue Farbe auf einem Steinobjekt aus Hessen
Zuvor hatte es verschiedenste Mutmassungen gegeben, warum die Menschen in der Altsteinzeit keine blaue und grüne Farbe herstellten. Es zeigt sich: Möglicherweise kamen die Pigmente lediglich in versch...
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IPBES @ipbes.net · 01/10/2025
RIP #JaneGoodall - one of the modern pioneers of profound interconnections between people, animals and ecosystems. Her life was lived through science, compassion and tireless advocacy for the multiple values of nature - leaving a legacy that will endure for people and planet.
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Dr Izzy Wisher @izzywisher.bsky.social · 01/10/2025
Heartbreaking news, I remember being deeply inspired by her work as an undergrad. Truly a pioneer who no doubt inspired many generations of women. www.bbc.co.uk/news/live/c9...
bbc.co.uk
Jane Goodall, chimpanzee expert and animal rights campaigner, dies age 91 - follow live
The campaigner, a
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Dr Izzy Wisher @izzywisher.bsky.social · 29/09/2025
Wonderful video by @antiquity.ac.uk summarising our research!
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Antiquity Journal @antiquity.ac.uk · 29/09/2025
NEW Archaeologists find the earliest evidence for blue pigment use in Europe, dating back ~13,000 years and questioning the long-held belief that Palaeolithic artists only used red or black. Strap in for a colourful #AntiquityThread 1/10 🧵 🏺 #Archaeology
Close-up image of a stone with traces of blue pigment on its surface.
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Dr Izzy Wisher @izzywisher.bsky.social · 29/09/2025
Time to update your Palaeolithic palettes... 🔵 Very proud to share our new research on the OLDEST use of blue pigment! We identified traces of azurite - a vibrant blue mineral - on a stone object around 14-13,000 years old. Why is this so exciting? 👇🏺 doi.org/10.15184/aqy...
Close-up image of a sand coloured stone, with a diagonal crack. The sand rock has a textured surface, and small spots of blue can be seen towards the centre of the stone. The background is grey.Microscopic photo of the blue spots, that are irregular in shape and size and positioned diagonally across the image. The rest of the photo shows the rough sand coloured texture of the stone.
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Dan Hicks @profdanhicks.bsky.social · 03/09/2025
your periodic reminder that “archaeology isn’t political” is a political statement
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Dr Izzy Wisher @izzywisher.bsky.social · 30/07/2025
🚨DEADLINE ON FRIDAY!🚨 Do you do art-related archaeological research? Are you itching to discuss how we identify individual artists in the past, or the agency art had in societies? Then make sure to get your abstracts in for @tag2025york.bsky.social! You can send them to me at: izzywisher@cas.au.dk 🏺
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Dr Izzy Wisher @izzywisher.bsky.social · 14/07/2025
Just a few weeks left to get your submissions in for our session "Visualising Artistic Action in the Past" at @tag2025york.bsky.social! If you do research related to artists, art, craft, and agency in the past - from theoretical entanglements to cutting-edge methods - we want to hear from you! 🎨🏺
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Dr Rebecca Wragg Sykes @lemoustier.bsky.social · 11/07/2025
🏺🗃️ Not sure why this is getting more attention today, but happy to see it shared again! And thrilled that Yusra will of course be part of our #ExcavatingGarrod project, re-examining archives for new insights on Garrod's work on #Neanderthals, and her collaborations & wider networks with women.
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Dr Izzy Wisher @izzywisher.bsky.social · 03/07/2025
Inspired by funky Minoan octopus motifs (after an amazing visit to the Heraklion museum on Crete), I just had to draw this guy! 🐙🏺
Pencil drawing of an octopus in black in a Minoan style, with tentacles sprawling across the pageLarge brown coloured amphora with a black octopus motif across the centre
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Dr Izzy Wisher @izzywisher.bsky.social · 17/06/2025
How can we visualise the agency of art and artists in past societies? Mine and @dparrott.bsky.social's session at @tag2025york.bsky.social intends to bring together exciting new research to explore this question! Interested? Why not submit an abstract!✋ 🎨🖌️🏺
ORGANISER(S): Izzy Wisher and Derek Parrott

AFFILIATION: Aarhus University

CONTACT: Izzy Wisher, izzywisher@cas.au.dk

ABSTRACT: 

Art was, and continues to be, an active agent in societies. The first traces of artistic behaviour can be glimpsed in etched patterns produced nearly 100,000 years ago, and flourished into the rich, material culture visible in a wide array of both prehistoric and historic societies. It has the relational power to build new connections between individuals, generate cultural identities, or exert political or religious authority over a population. There have been significant efforts in recent years to shift away from “grand theories” of art – whether typological or narrative in nature – to instead appreciate the dialogical, multisensorial, and distributed engagements of art making and reception. Yet there remains a central challenge. In the fragmentary archaeological evidence of past artistic actions, how can we visualise individual artisans? 

In this session, we intend to bring together a diverse range of perspectives that examine art from a range of spatial and temporal contexts to identify the actions of individual artists in the past. We particularly encourage submissions that have developed new theoretical and high-resolution methodological approaches to address this challenge. Our session will not be limited in period or object type – the organisers themselves specialise in Palaeolithic art (IW) and Viking Age art (DP), but share a common theoretical thread in their conceptions of art. 

Themes could therefore include, but are not limited to:
Material engagements in artistic practices 
Art and agency perspectives 
Craft networks and the role of the artisan
High-resolution digital modelling 
Archaeometric approaches to art
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The Fake History Hunter @fakehistoryhunter.net · 16/06/2025
I'm always impressed with the reconstructions made by the Kennis brothers, they have such character. www.belganewsagency.eu/prehistoric-...
belganewsagency.eu
Prehistoric woman from Belgium gets a face and a name
In Dinant, Wallonia, scientists from Ghent University (UGent) and artists have presented a reconstruction of the face and living environment of a...
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Dr Izzy Wisher @izzywisher.bsky.social · 13/06/2025
Oh my gosh, I love Samson 😍
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Dr Izzy Wisher @izzywisher.bsky.social · 12/06/2025
Why did Palaeolithic artists decide to produce art on the same walls that someone else had decorated? Do rock art palimpsests reflect dialogues that occurred across tens-of-thousands of years? My new OA paper develops a conceptual framework to explore these dimensions! 👇🏺 doi.org/10.1007/s108...
doi.org
Dialogues Across Time? Conceptualising the Temporal Relationships of Palimpsests in the Upper Palaeolithic Cave Art of El Castillo (Cantabria, Spain) - Journal of Archaeological Method and Theory
Cave sites were frequently reused throughout the Upper Palaeolithic, with many sites within south-western Europe having deep chronologies of activity. The repeated engagement with the same caves, or s...
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Dr Izzy Wisher @izzywisher.bsky.social · 05/06/2025
Storytelling in caves…
An image of a cave showing brown and white stalactites and rocks. There is a woman facing forward in the bottom left corner wearing a head torch that is shining a light diagonally across the left corner.An image of a camera screen showing a woman pointing to a cave wall. There is a drawing of a horse in black outline on the wall, and a shadow of the woman’s arm is pointing to the back of the horse
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Dr Izzy Wisher @izzywisher.bsky.social · 29/05/2025
Around 43,000 years ago, a Neanderthal gently pressed an ochre covered finger onto a stone - leaving behind the ridges and impression of their unique fingerprint 🫆 This is exactly the kind of archaeology I love! An intimate insight into a moment from the deep past. Paper: doi.org/10.1007/s125...
A yellow-grey coloured stone with a single red dot in the centre. A red and yellow scale bar is to the left, that measures 8cm in length. The background is white. A blue-grey background with a red fingerprint in the centre. The fingerprint is circular in shape and shows the ridges of the fingerprint. A scale bar in the bottom left corner represented by a black line reads 5mm in length.
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Anna Mazzola @annamazz.bsky.social · 21/05/2025
It’s Mary Anning’s birthday, so time to share @katebeaton.bsky.social’s brilliant cartoon again.
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Dr Izzy Wisher @izzywisher.bsky.social · 12/05/2025
My incredible friend @rhigarthjones.bsky.social wrote a book! If you want a lil sneak peak into what it will include, check out the thread below 🏺👇
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Rhiannon Garth Jones @rhigarthjones.bsky.social · 12/05/2025
Today, I'm highlighting some of the historical people that feature in my book – that might give more a flavour than "not just Rome!" Let's kick off with Constantine the Great, founder of New Rome (Nea Rhome in Greek, Nova Roma in Latin). More commonly known as Constantinople, or Constantine's city.
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Chris Stringer @chrisbstringer.bsky.social · 10/05/2025
Why make art in the dark? New research transports us back to the shadowy firelight of ancient caves, imagining the minds and feelings of the artists aeon.co/essays/why-d...
aeon.co
Why did our ancestors make startling art in dark, firelit caves? | Aeon Essays
New research transports us back to the shadowy firelight of ancient caves, imagining the minds and feelings of the artists
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Cecilia Padilla-Iglesias @ceciliapad.bsky.social · 15/04/2025
Finally out 🥳: I've written and recorded a podcast episode with the amazing Karen Kramer for Sapiens Magazine on the origins and evolution of division of labour in hunter-gatherer societies, and its implications for undestanding (or misunderstanding) gender roles: open.spotify.com/episode/2ZGA...
open.spotify.com
Hunting, Gathering, and the Fluidity of Gender Roles
SAPIENS: A Podcast for Everything Human · Episode
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Dr Izzy Wisher @izzywisher.bsky.social · 11/04/2025
Anyone that knows me knows Dorothy Garrod is my archaeological hero - not only took all-female archaeology teams on her excavations (in the 1930’s!) but very often trained local women too!
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Roope Kaaronen @roopekaaronen.net · 13/03/2025
Pleased to see our work published: The Ties That Bind: Computational, Cross-cultural Analyses of Knots Reveal Their Cultural Evolutionary History and Significance We analysed knots across 12,000 years and 82 societies. Time to tie a thread 🧵 about why knots matter. doi.org/10.1017/S095...
A circular dendrogram (phenetic tree) of knots, made using the ggtree package in R. A text-readable and high-resolution PDF-version of the tree is available as a supplementary material.
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