iiinova — where your digital self keeps evolving

William McGregor Paxton, American (1869-1941), The New Necklace, 1910, oil on canvas, 91.8 x 73.0 cm, MFA Boston, Massachusetts, USA

0242

Vincent van Gogh, Dutch (1853-1890), Mountains at Saint-Rémy, 1889, oil on canvas, 72.8 x 92 cm, Solomon R. Guggenheim Museum, New York City, New York USA

1587

Hilda Palafox, Mexican (1982- ), ¿A dónde llegará?, 2022, oil on linen, framed: 49.72 x 37.87 x 1.57 in, private collection

0121

Diane Arbus, American (1923-1971), Lady bartender at home with a souvenir dog, New Orleans, 1964, printed later, photograph, gelatin silver print, 36 x 35.5 cm, The Met, New York City, New York, USA

0142

Tamara Łempicka, Polish (1898-1980), Trompe-l'oeil au Botticelli, c 1946, oil on wood panel, 40.5 x 30.5 cm, private collection

060

Yamamoto Kanae, Japanese (1882-1946), Signs of Autumn at the Foot of Mount Tokko, 1926, oil, Municipal Museum Kanae Yamamoto, Ueda, Japan

1211

Sandra Kraskin, American (1944- ), Amish Intersection, from the portfolio 1976, 10 x 10 Ten Prints by Ten Women, screenprint on paper, sheet: 20.16 x 20.16 cm, edition of 100, Minneapolis Institute of Art, Minneapolis, Minnesota, USA

0163

Pierre Pirajean (Pira sculpture), French (1954- ), The Drinking Giraffe, 1999, bronze, 15.8 x 23.6 in, limited edition, private collection

0279

Romare Bearden, American (1911-1988), Untitled (Two Figures), c 1945-48, watercolor and ink on paper, 62.2 x 46.4 cm, private collection

014629

Arthur Rackham, English (1867-1939), 'Wild and shy and monstrous creatures ranged in her plains and forests,‘ illustration for Irish Fairy Tales by James Stephens, 1920

0233

Paul Heber-Percy, British (1970- ), Deborah Levy (Portrait of Deborah Levy), 2022, acrylic on canvas, 53.2 x 43.2 cm, National Portrait Gallery, London, England

0152

Jay Troyer @gr8flbluejay.bsky.social · 8h

Philip Henry Gosse, English (1810-1888), Plumose Anemone, from The Aquarium: An Unveiling of the Wonders of the Deep Sea, 1854, color lithograph

0182

Jasper Francis Cropsey, American (1823-1900), October, 1887, 1887, oil on canvas, 81.3 x 118 cm, private collection

1395

Jay Troyer @gr8flbluejay.bsky.social · 8h

I been on a mountain top observing from a cloud Been in the hearts of workers milling with the crowd My tears are shed for freedom and equality of means My blood and perspiration oil the gears of your machine" Down the road again Down the road again -Mickey Hart, et al, / Robert Hunter

220

Jay Troyer @gr8flbluejay.bsky.social · 8h

Down the road to Union Station running through the fog I thought saw Joe Hill last night grinning like a dog "l understand they did you in for everyone to see" He smiled - shook his head -"that's a lie" said he >

210

Reposted by Jay Troyer

chocolatefire.bsky.social @chocolatefire.bsky.social · 9h

AGREED! The French, Spanish, and Albanians have mortgages, rents, and utilities to pay too, you know.

353

Reposted by Jay Troyer

William Shakespeare @shakespeare.lol · 06/10/2026

H’as spoken like a traitor, and shall answer As traitors do.

6537124

It is viscerally evocative. Quite

010

Fascinating, if gruesome, story. Thanks for mentioning this.

000

Hans Leinberger (attributed), German (active 1511-1530), Figure of Death (Memento Mori), 1520s, boxwood, 34 x 11 x 11 cm, Walters Art Museum, Baltimore, Maryland, USA

219041

Tullio Crali, Italian (1910-2000), Aerei Sulla Cittá, 1929, pencil and watercolor on paper, 35 x 27.5 cm, private collection

221243

Angèle Etoundi Essamba, Cameroonian (1962- ), Coulisses de la Féminité 3, 2019 photo mounted on antireflex plexiglas, 97 x 97 cm, private collection

0264

Raphael, Italian (1483-1520), The Elephant Hanno, 1516, pen and brownish black ink over traces of black chalk, with white highlights, on greyish brown paper, 27.9 x 28.5 cm, Kupferstichkabinett Berlin, Germany

0447

Paula Turmina, Brazilian (1991- ), Sinking in, 2024, oil on linen, 125 x 30 cm, private collection

0145

Kingsley Parker, American (1947- ), Watch Dogs: 1300 hrs, 1986, etching, 62.2 x 55.2 cm, limited edition, private collection

1180

Man Ray, American-French (1890-1976), Érotique-Voilée (Méret Oppenheim), 1933, photograph, gelatin silver print, 29.2 x 22.7 cm, Museum of Fine Arts, Houston, Texas, USA

2357

6 October 1913 – 15 November 1985 Méret Oppenheim, German-Swiss (1913-1985), Squirrel, 1960-69, glass mug, plastic foam, and fur, 22.9 x 17.8 x 10.2 cm, edition of 100, MoMA, New York City, New York, USA

0130

Carl Blechen, German (1798-1840), Gebirgsschlucht im Winter, 1825, oil on canvas, 98 x 127 cm, Alte Nationalgalerie, Berlin, Germany

1152

Simon Palmer, British (1956- ), An Ancient Right of Way, watercolor, ink and gouache on paper, 80 x 59.5 cm

47814

Cy Twombly, American (1928-2011), Spoleto Festival, 1980, mixed media collage, 39 3/4 x 27 7/8 in

0131

Ludwig Dettmann, German (1865-1944), Couple in Landscape, 1910, oil on canvas, 73 x 102 cm, private collection

0295

6 October 1887 - 27 August 1965 Le Corbusier, Swiss-French (1887-1965), Icône, 1963, mahogany, 53 x 35 x 20 cm, Fondation Le Corbusier, Paris, France

0120

International Times @internationaltimes.bsky.social · 06/10/2026

Roger Brown, American (1941-1997), The Jim and Tammy Show, 1987, color lithograph on wove paper, sheet: 55.25 x 81.92 cm, National Gallery of Art, Washington, DC, USA

081

Reposted by Jay Troyer

R. Crumb Thanks to Kevin Studyvin

0135

Reposted by Jay Troyer

phoenixrising @mmcarthur.bsky.social · 05/10/2026

Franklin Carmichael (Canada, 1890-1945) : Autumn on the Hill, 1934 Oil on canvas The youngest founding member of the Group of 7, he was celebrated for his ability to capture the vast beauty of the wilderness. This work exemplifies his style, blending rich graphic design patterns with fine art. 👇👇

Vibrant Seasonal Palette:
The painting features a dramatic contrast between the brilliant yellow, gold, and fiery red trees of the foreground against the cool, rolling blue and purple ridges of the background mountains.

Graphic Expression:
Reflecting Carmichael’s background in commercial design, the trees and landscape elements are stylized with crisp contours and structured forms rather than loose, impressionistic brushstrokes.

Focus on the La Cloche Region:
Like many of his later works from the 1930s, this painting captures the unique quartzite peaks and rolling hills of Northern Ontario, a region that profoundly inspired his late-career art.

0399

William Merritt Chase, American (1849-1916), A Study (The Artist's Wife), 1892, oil on canvas, 50.8 x 40.64 cm, private collection

0368

John Bauer, Swedish (1882-1918), illustration for "Pojken och Tomtemössan" by Vilhälm Nordin in "Bland tomtar och troll", 1910

0183

Edouard Léon Cortès, French (1882-1969), Omnibus on the Place de la Madeleine, oil on canvas, 45.7 x 53.3 cm, private collection

0434