iiinova — where your digital self keeps evolving

Christoph Voll, German (1897-1939), Blind Man with a Boy, 1926, oak wood, 119.3 cm, Staatliche Kunsthalle Karlsruhe, Germany

090

Romare Bearden, American (1911-1988), You Are Dead Forever, 1945-46, watercolor, ink, and graphite on paper

1345

Sigitas Mickevičius, Lithuanian (1962- ), Leaf with Pearls, oil on canvas, 80 x 60 cm

031

Daphne Todd, British (1947- ), Dr Polly Matzinger, 1984, 101.6 x 76.2 cm

0111

Rufino Tamayo, Mexican (1899-1991), Cabeza en Rojo, etching in colors on embossed paper, 55.9 x 74.9 cm, edition 22/99, private collection

032

Helen Frankenthaler, American (1928-2011), Snow Pines, 2004, ukiyo-e woodcut printed in colors, 95.3 x 66 cm, edition of 65, private collection

0132

André Masson, French (1896-1987), Tauromachy, 1937, oil on canvas, 55 x 46 cm

0152

Ernst Ludwig Kirchner, German (1880-1938), Street, Dresden, 1908, reworked 1919, oil on canvas, 150.5 x 200.4 cm, MoMA, New York City, New York, USA

0254

Bernd Reuters, German (1901-1958), cover of "Sport im Bild", November 1927

071

Anne Vallayer-Coster, French (1744-1818), Basket of Plums, 1769, oil on canvas, 38 x 46.2 cm, Cleveland Museum of Art, Cleveland, Ohio, USA

0133

Tsuchiya Koitsu, Japanese (1870-1949), Snow on the Ukimido at Katada, 1934, woodcut, 38.7 x 26 cm, private collection

0204

NakedPastor @nakedpastor.bsky.social · 9h

30 September 1865 - 24 September 1953 Lucien Lévy-Dhurmer, French (1865-1953), Florence, c 1898, pastel, 53 x 45 cm, Musée d'Orsay, Paris, France

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Reposted by Jay Troyer

I know We Just Don't Care is an older one, but I share this once in a while to remind ourselves that even if men do believe women, that doesn't necessarily mean they're going to care. The problem isn't the report. The problem is the culture.

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Reposted by Jay Troyer

Codex Silens @codexcultus.bsky.social · 29/09/2026

#OTD On Sept 29, 1940, two RAAF Avro Ansons collided and locked together over Brocklesby. The lower plane's engines kept running. After three crew bailed out, the upper pilot controlled the combined aircraft using ailerons and flaps to make a safe paddock landing. All four survived. #WWII #history

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Reposted by Jay Troyer

Leslie J. Anderson @lesliejanderson.bsky.social · 29/09/2026

If he told boring jokes his career would be over. If he passed a bad law his future would be ruined. If he failed his classes his life would suffer, but what they did was sexually assault a woman so we have to debate if what they did deserves consequences.

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Reposted by Jay Troyer

Dave Haldiman @opposablethumbs.bsky.social · 29/09/2026

A few years ago a peach tree in my back yard couldn't fight off fungus infections any more, so I regretfully cut it down (years of delicious peaches). Of course I had to save some of the wood. This bowl is from a single slice of the tree and epoxy resin with pigment. #woodturning #woodworking

A lathe-turned bowl, 5-1/2 inches across, with curving sides, made with peach wood and epoxy resin. There are cross-cut views of three branches, showing the wide growth rings.

5478

Eugene de Blaas, Italian (1843-1931), Girl at the Window, 1889, oil on panel, 54.6 x 36.8 cm, private collection

0194

Otto Dix, German (1891-1969), Trench, 1923, oil on jute, 227 x 250 cm, City Museum, Dresden, Germany

0131

Richard Diebenkorn, American (1922-1993), Untitled, 1981, gouache and crayon on paper, 63.5 x 64.8 cm, private collection

0182

William Merritt Chase, American (1849-1916), Spring Flowers (Peonies), 1889, pastel on paper, prepared with a tan ground, and wrapped with canvas around a wooden strainer, 121.9 x 121.9 cm, Terra Foundation for American Art, Chicago, Illinois, USA

0294

Attributed to the Theseus Painter, Greek (Attic), active c 510-c 490 BCE), Attic Black-Figure Kyathos (Ladle) with Perseus chasing Gorgons, 510-500 BCE, terracotta, 14.7 x 7.9 x 11 cm, including handle, Getty Museum, Los Angeles, California, USA

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Charles Sheeler, American (1883-1965), Fugue, 1945, oil on canvas, 50.8 x 40.6 cm, private collection

0332

Manierre Dawson, American (1887-1969), Relations, 1913, oil on canvas, 55.9 x 81.3 cm, private collection

0181

Tintoretto, Italian (1518-1594), The Wedding of Ariadne and Bacchus, 1576-77, oil on canvas, 146 x 167 cm, Doge's Palace, Venice, Italy

080

John Duncan, British (1866-1945), The Snake Goddess of Crete, 1917, color illustration for 'Myths of Crete and Pre-Hellenic Europe', by Donald A. Mackenzie, 1917

1143

John Everett, British (1876-1949), Worbarrow Bay, Dorset, oil on canvas, 97 x 130 cm, National Maritime Museum, London, England

1647

Carry Hauser, Austrian (1895-1985), In the Forest, 1920, oil on wood, 36.5 x 27.5 cm, Belvedere Palace, Vienna, Austria

0183

29 September 1571 - 18 July 1610 Caravaggio, Italian (1571-1610), St Jerome Writing, c 1605-06, oil on canvas, 112 x 157 cm, Galleria Borghese, Rome, Italy

0213

Yoshida Hiroshi, Japanese (1876-1950), Sarusawa Pond, 1933, color woodblock print, oban, 40.2 x 26.3 cm, Art Institute of Chicago, Illinois, USA

0376

Ellen-Sabine.art2 @samueart2-ellen.bsky.social · 28/09/2026

Edgar Degas, French (1834-1917), The Star, 1879-81, pastel on cream wove paper, edge mounted on board, 73.3 x 57.4 cm, Art lnstitute of Chicago, Illinois, USA

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Reposted by Jay Troyer

„Ein Rezensent kommt mir manchmal vor wie der Mann, der eine Wolke beobachtet und ihr übelnimmt, daß sie nicht die Gestalt des Kamels angenommen hat, das er jeden Tag im Spiegel sieht.“ — Arno Schmidt

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Reposted by Jay Troyer

Erin Hanson @erinhansonartist.bsky.social · 28/09/2026

Crystalline light filters through the boughs of a fiery maple tree in Kyoto, Japan. Crystal Maple by Erin Hanson, 2019 Oil on canvas 36 x 48 in www.erinhanson.com/portfolio/cr... #autumn #kyoto #oilpainting #impressionism #treeclub #landscape @bsky.art #art

Crystalline light filters through the boughs of a fiery maple tree in Kyoto, Japan. The slowly moving waters of the Arashiayama river reflect the light from above. The brush strokes fit together like a mosaic of stained glass, breathing color and motion into the scene.

Crystal Maple
by Erin Hanson, 2019
Oil on canvas
36 x 48 in

953894

Reposted by Jay Troyer

phoenixrising @mmcarthur.bsky.social · 28/09/2026

Remembering the incomparable Miles Davis who slipped into the cosmic ether otd in 1991. So What youtu.be/zqNTltOGh5c

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Thérèse Schwartze, Dutch (1851-1918), Portrait of Lizzy Ansingh, 1902, oil on canvas, 78 x 62 x 9.5 cm, Rijksmuseum, Amsterdam, Netherlands

0161

Max Ernst, German-American-French (1891-1976), Époque des forêts, 1926, oil on canvas, 91.76 x 59.69 cm, Buffalo AKG Art Museum, Buffalo, New York, USA

0111

Amedeo Modigliani, Italian (1884-1920), Gaston Modot, 1918, oil on canvas, 92.7 x 53.6 cm, Centre Georges Pompidou, Paris, France

0142

Jeanne Mammen, German (1890-1976), Church on Winterfeldtplatz, 1935-40, oil, embroidery canvas, paper and cakelace on cardboard, 101 x 72 cm, Berlinische Galerie, Berlin, Germany

0172

Ernest Griset, English (1844-1907), Mercury and the Woodman, 1869, wood engraving by Pannemaker, 8 1/2 x 52 in, illustration for Aesop's Fables, B. Rundell , 2nd edition, Cassell, c 1890

1273

Konstantin Korovin, Russian (1861-1939), In the Artist's Studio, 1892, oil on canvas, 60 x 32 cm, Vyatka Art Museum named after V.M. and A.M. Vasnetsov, Kirov, Russia

091

Adolph Gottlieb, American (1903-1974), Dialogue, 1960, oil on canvas, 167.64 x 335.28 cm, Albright-Knox Art Gallery, Buffalo, New York, USA

0172

Joseph McGurl, American (1958- ), Light at Midday, the Colorado River, oil on linen, 20 x 30 in, private collection

0428

Elisabeth Frink, British (1930-1993), Gogglehead, 1967, bronze, 51 x 35 x 35 cm, Victoria Gallery and Museum, Liverpool, England

060

Gertrude Abercrombie, American (1909-1977), Stairway, 1934, oil on board, 62.2 x 52.1 cm, private collection

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