Dariusz Galasiński @dgalasinski.bsky.social · 10/05/2026Couple of days I learned drinking wine fromwrong glassware is a horror. And id you open a bottle witha winged corkscrew it’s opened wrong. And just a reminder: wine consumption is falling…. 010
Dariusz Galasiński @dgalasinski.bsky.social · 01/05/2026There’s a hint I read somewhere. Palomino woukd make fairlu neutral uninteresting wine. So sherry was a way round it. Convincing? Yes. 110
Dariusz Galasiński @dgalasinski.bsky.social · 01/05/2026Yes. I understand this. But the taste. As I said it’s not an obvious taste. Port is sweet, easy, madeira sort of, sweet sherry- obvious. But dry sherry is outside an obvious comfort zone. So how did someone decide - this is it. 210
Dariusz Galasiński @dgalasinski.bsky.social · 01/05/2026Thank you. I still am at a loss as to the dry style. How has it evolved? I still think it’s not an obvious taste to go for. 110
Dariusz Galasiński @dgalasinski.bsky.social · 01/05/2026Hello, is there an account where dry sherries come from? Admittedly fino is an acquired taste, which I’ve come to like a lot, but how did it start? I’ve been looking but no joy. Can you help please? 110
Dariusz Galasiński @dgalasinski.bsky.social · 30/04/2026Utter tosh. Of course we promote our writing on social media. This why I am here quite frankly. To tell you about my writing and learn of yours. 020
Reposted by Dariusz GalasińskiAndy Neather @hernehillandy.bsky.social · 08/04/2026My blog is out: The rise and fall of Anything But Chardonnay: The world’s most versatile white grape has made a recovery since its post-Bridget-Jones fall from favour. What does that tell us about #wine trends? Plus: what I've been drinking this week aviewfrommytable.substack.com/p/the-rise-a...aviewfrommytable.substack.comThe rise and fall of Anything But ChardonnayThe most versatile white grape has made a recovery since its post-Bridget-Jones fall from favour. What does that tell us about wine trends? Plus: what I've been drinking this week 5115
Dariusz Galasiński @dgalasinski.bsky.social · 07/04/2026Visits in Portugal and Spain over last few months suggest a much more sensible policy. Restaurant prices are about 30-50 % higher than retail. In poland it’ +-500%. And restaurants keep complaining ppl don’t drink wine. 020
Dariusz Galasiński @dgalasinski.bsky.social · 03/04/2026I am drinking a fino from Tio Pepe and I love it. The hell has frozen over. 230
Dariusz Galasiński @dgalasinski.bsky.social · 20/03/2026This was the most difficult project I have worked on. O truly find it hard to believe I am holding the book in my hands. 090
Dariusz Galasiński @dgalasinski.bsky.social · 12/03/2026I am quite shocked to report that I am actively discovering orange/amber wines. All because one wine which I loved (it was Jaworek of all wines). Well, also because I read @simonjwoolf.com book ‚Amber revolution’ 130
Dariusz Galasiński @dgalasinski.bsky.social · 02/03/2026Yes, and it makes sense to think Champagne bottle would be of the shape to withstand the pressure. Burgundy though? 110
Dariusz Galasiński @dgalasinski.bsky.social · 02/03/2026Thank you. It’s surprising that only in Bordeaux they thought about storage. Isn’t it? Is it bc Bdx is larger than Burg. But what about Champagne? 110
Dariusz Galasiński @dgalasinski.bsky.social · 02/03/2026I find it difficult to accept this there is a big book on glass where they talk about wine glasses at length. Bottles are left out alas. But Pitte from what ai have gathered offers a lot. 000
Dariusz Galasiński @dgalasinski.bsky.social · 02/03/2026The wine bottle as we know it was invented by a Mr Digby in 17th century, so bottles appeared then, slowly being more and more popular, as technology was getting cheaper. Then at beginning of 19th century, another Englishman invented machine production and bottles became common. 120
Dariusz Galasiński @dgalasinski.bsky.social · 02/03/2026Some say that Schlegel bottle predated them all and that the shape was for easier storage. except in Austria where they say it's just for minimality of riesling....:) 100
Dariusz Galasiński @dgalasinski.bsky.social · 02/03/2026Articles contradict each other. Some say Champagne borrowed from Burgundy, some other way round. Sediment 'theory' appears but it's linked with practice of decanting. Crystals of tartaric acid can also appear in Burgundy.... and the only book on wine bottle is in French. 120
Dariusz Galasiński @dgalasinski.bsky.social · 02/03/2026There is a book on history of wine bottle. Alas my French is not good enough to read it. 000
Dariusz Galasiński @dgalasinski.bsky.social · 02/03/2026Well, yes. But what’s the origin of the shapes? Why isn’t Bordeaux like Burgundy or the other way round. Why do Germans use Schlegel? Where does it come from? If it’s all about ease of glass blowing why is ot easier to blow different shapes in different regions. 300
Dariusz Galasiński @dgalasinski.bsky.social · 02/03/2026And the ‘reverse reasoning’. Schlegel bottle because it’s perfect for minerality of riesling. The idiocy of such a statement is breathtaking. And: pinot noir and chardo are just best served in Burgundy bottles. Bordeaux bottle obviously perfection for Bordeaux. Who wants to read such nonsense?! 130
Dariusz Galasiński @dgalasinski.bsky.social · 02/03/2026I am trying to find out about history of wine bottle shapes. I am staggered by how shallow and uninformative are most of the articles purporting to talk about the topic. It’s like one text regurgitated over and over again. 220
Dariusz Galasiński @dgalasinski.bsky.social · 26/02/2026I agree. Still, I think it’s considerably wiser not to tell people how to hold a glass if you depend on their purchase. 000
Dariusz Galasiński @dgalasinski.bsky.social · 26/02/2026Yes, it’s a good point. The glory of wine might on a collision course with a 5 euro plonk that is desired by your reader. However, there’s also surprisingly much patronising in intros to wine. Unless you drink like me, you do it wrong. I don’t get it. 110
Dariusz Galasiński @dgalasinski.bsky.social · 26/02/2026However as sales decline I find it fascinating how often I read obnoxious and patronising texts direcred at the consumer on whose whim the authors depend. 200
Dariusz Galasiński @dgalasinski.bsky.social · 26/02/2026Such sources of incomes are probably for a minority, still ppl continue to choose such paths. 000
Dariusz Galasiński @dgalasinski.bsky.social · 26/02/2026But i suspect quite a number of rating services offer decent incomes. Why else would you have half a million ratings as one of the sub website boasts. 200
Dariusz Galasiński @dgalasinski.bsky.social · 26/02/2026Though as unimportant opinions go, these can earn a decent living. 110
Dariusz Galasiński @dgalasinski.bsky.social · 26/02/2026Yes. Critics are important for the reason you mention and they’re well suited to offer advice. As for who goes to rating idk. However, many a living are made thru ratings. 110
Dariusz Galasiński @dgalasinski.bsky.social · 26/02/2026Pay for play is a frequent adage. Problem is that it almost always remains anonymous with little done. Unless ppl are prepared to blow the whistle, the adage will remain just this. 100
Dariusz Galasiński @dgalasinski.bsky.social · 25/02/2026The critic got 2 of 4 wines wrong and so there came a flurry of justifications why that might be. Yes, we can do it but the wines were wrong too. 010
Dariusz Galasiński @dgalasinski.bsky.social · 25/02/2026As I listened to a wine critic defending critics’ blind tasting superpowers (we’re great, you criticize us wrong, research is wrong too), imo this isn’t what wine criticism is about. Critics’ superpower is enormous experience in wine. Your blind tasting is largely insignificant. 470
Reposted by Dariusz GalasińskiNiall Curry @niallrcurry.bsky.social · 24/02/2026Excited to see my chapter, “Intersecting Discourses of Death and the Climate Crisis” is now out in the Bloomsbury Handbook of Language and Death, edited by @dgalasinski.bsky.social & Justyna Ziółkowska. You'll find the full collection ➡️: www.bloomsbury.com/uk/bloomsbur... @mcrlinguistics.bsky.social 1142
Reposted by Dariusz GalasińskiRakan Alibri @ralibri.bsky.social · 23/02/2026Happy to see this chapter out! Congrats to @dgalasinski.bsky.social & J. Ziółkowska on this handbook. My chapter, ‘Death in the News: …’ examines how newspapers represent deaths from different risks to life. Delighted to be part of this volume and looking forward to reading the other chapters. 011
Dariusz Galasiński @dgalasinski.bsky.social · 23/02/2026Delighted that the Bloomsbury Handbook of Language of Death is out. Edited by Justyna Ziolkowska and me. www.bloomsbury.com/uk/bloomsbur...bloomsbury.comThe Bloomsbury Handbook of Language and DeathAn essential reference to the intersection of language and death and dying, this book presents an overview of the methodologies, current debates, history and fu… 041
Reposted by Dariusz GalasińskiGavin Brookes @gavinbrookes.bsky.social · 20/02/2026Out now: 'Dementia, Death and Discourse', chapter with @emma-putland.bsky.social in Handbook of Language and Death, ed. by @dgalasinski.bsky.social & Justyna Ziółkowska. See OA pre-print below, and make sure to look up the rest of the volume! @sosslancaster.bsky.social @lancslinguistics.bsky.social 086
Dariusz Galasiński @dgalasinski.bsky.social · 06/02/2026Over the last few days I’ve had some Michelin* dining experience. Generally, a mixed bag with 1* wiping the floor with 3*. The 3* pomp and circ theatre is not enough. Generally, decent wine and disappointing pairing. Basically, only the somms were convinced of their choices. 010
Dariusz Galasiński @dgalasinski.bsky.social · 31/01/2026Spoke to a wine importer. Very cautious about importing wine from the US. Too unpredictable, definitely replaceable. 010
Reposted by Dariusz GalasińskiPestilence @pestilence4all.bsky.social · 27/01/2026If this doesn’t tug at your heart, make you well up with sadness, you are not human. 541214046359
Reposted by Dariusz GalasińskiGavin Brookes @gavinbrookes.bsky.social · 26/01/2026Out now: 'Expressivity and Corpus Linguistics', in The Oxford Handbook of Expressivity, led by @hankslizzy.bsky.social, with @niallrcurry.bsky.social, Emily Sharp & @tonymcenery.bsky.social. @lancslinguistics.bsky.social 061
Reposted by Dariusz GalasińskiSten Hansson @stenhansson.bsky.social · 26/01/2026📢 OUT NOW: Handbook on Critical Discourse Studies (2026) www.elgaronline.com/edcollbook/b... 1168
Reposted by Dariusz GalasińskiSten Hansson @stenhansson.bsky.social · 26/01/2026Contributors include @paulchilton.bsky.social @veronikakoller.bsky.social @mkrzyzanowski.bsky.social @discodiscourse.bsky.social @dgalasinski.bsky.social @markmcglashan.com @johnnyunger.bsky.social @ronidanz.bsky.social @gavinbrookes.bsky.social @samtbennett.bsky.social @michaelfarrelly.bsky.social 072
Dariusz Galasiński @dgalasinski.bsky.social · 22/01/2026I’m coding focus groups and just heard something I like a lot. Good wine is a ticket for a good concert. 010
Reposted by Dariusz GalasińskiDrinking Studies Network (DSN) @drinkingstudies.bsky.social · 19/01/2026'How should public health respond to rise of alcohol-free and low alcohol drinks?' | @jholmessheff.bsky.social @bmj.com www.bmj.com/content/392/...bmj.comHow should public health respond to rise of alcohol-free and low alcohol drinks?John Holmes and colleagues argue for a precautionary approach that is guided by public health interests and considers both risks and benefits Sales of alcohol-free and low alcohol (nolo) drinks have ... 044