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Judith

@zanzibarsunset.bsky.social
1.1K followers 1K following 239 posts

Trained as an academic (PhD, Engl Lit, University of Louisville: Virginia Woolf); Have worked as freelance writer for a series of interesting jobs and adventures in remote places. A blue dot in the Bluegrass. Art, music, flowers, books. No DMs please

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William Shakespeare @shakespeare.lol · 14/10/2026
We can afford no more at such a price.
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Judith @zanzibarsunset.bsky.social · 15/10/2026
Outrageously wrong
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ΜΑΝΟΣ ΤΡΑΧΙΑΣ™ @trahias.bsky.social · 14/10/2026
August Macke (German 1887-1914), Portrait with Apples, also known as Elisabeth with Apples, 1909. Oil on canvas, 66 cm × 59.5 cm (26 in × 23.4 in). Städtische Galerie (State Gallery), Lenbachhaus, Munich. #art #painting #artist #BlueSkyArt
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Moby Dick @mobydickatsea.bsky.social · 14/10/2026
relinquish this turbulence
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Museum Stories @museumstories.bsky.social · 12/10/2026
8 7/8 inches tall. Cast bronze. A dragon on top, holding the loop it hung from. It's a Korean temple bell, made for indoor Buddhist rituals in 1226. We know the year because whoever cast it wrote it into the metal.
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Judith @zanzibarsunset.bsky.social · 11/10/2026
Let's normalize minding your own business
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Judith @zanzibarsunset.bsky.social · 11/10/2026
And park in Columbus Ohio
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Judith @zanzibarsunset.bsky.social · 11/10/2026
Sweet kittens, much loved
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davidc1935.bsky.social @davidc1935.bsky.social · 10/10/2026
"Working with Monk brought me close to a musical architect of the highest order... I would talk to him about musical problems & he would sit at the piano & show me the answers by playing them. I could watch him play & find out the things I wanted to know." John Coltrane on Thelonious Monk, #BOTD.
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Judith @zanzibarsunset.bsky.social · 10/10/2026
10, 10, 10
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Rabih Alameddine @rabihalameddine.bsky.social · 10/10/2026
Charles Piazzi Smyth, The Great Comet of 1843, N.d.
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phoenixrising @mmcarthur.bsky.social · 10/10/2026
Remembering the incomparable Thelonious Sphere Monk born otd in 1917. 🎂 🎉🎈 Don't Blame Me youtu.be/KshrtLXBdl8?...
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The Kimono Gallery @roger1952.bsky.social · 09/10/2026
Dating to the early fourteenth century during the late Kamakura period (1185–1333), Japan, this sacred image represents Esoteric Buddhism’s (Mikkyō) vision of the Bodhisattva of the Wish-Fulfilling Jewel and the Wheel of the Law.
Seated in a pose of contemplative ease (mahārājalīlāsana), this early fourteenth-century wooden sculpture of Nyoirin Kannon—the Bodhisattva Avalokiteshvara in the form of Chintamanichakra—inclines its head gently to rest a right hand against its cheek, absorbed in profound meditation over the salvation of all sentient beings. The six-armed deity sits with the right knee raised and the sole of the foot pressed inward, its fluid, asymmetrical posture balancing supreme celestial authority with intimate, earthly accessibility. Luminous patches of gold leaf (haku) cling to the rounded contours of the torso, face, and tall, braided topknot, softening into the dark, burnished patina of the underlying lacquered cypress (hinoki). One right hand holds the wish-fulfilling jewel (nyoi-hōju) at its chest, while upper arms reach out to hold the wheel of the Law (hōrin) and stabilize the body against the earth. Intricate, microscopic geometric lace rendered in cut gold leaf (kirikane) glimmers along the hems of the flowing garments. The sculpture projects an intensely serene sensory atmosphere: the cool, porcelain-like touch of century-aged wood and smoothed lacquer, the faint, lingering scent of incense embedded in cypress grain, the soft glow of gilded surfaces in low light, and the profound, unbroken silence radiating from downcast, crystal-inlaid eyes.

The creation of such an icon exemplifies the supreme summit of Japanese Buddhist sculpture (busshi) and the spirit of monozukuri (artisanal mastery and sacred craft). Influenced by the realistic innovations of the Kamakura-period Kei school, the statue employs the joined-block wood technique (yosegi-zukuri), which allowed sculptors to hollow out the interior to prevent warping and insert realistic crystal eyes (gyokugan) from within the head.
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The Japan Times @japantimes.co.jp · 09/10/2026
While Elvis Presley has had many reimaginings in popular culture, Japanese noh theater might be a most unexpected context. Nonetheless, his ghost is coming to the stage in Tokyo on Oct. 10 and 11. www.japantimes.co.jp/culture/2026...
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JBGarrity Photography @joegarrity.bsky.social · 05/10/2026
For the "spooky season," I'll feature a Hallowtober deep-space object each week. Week one: the Wizard Nebula, a medieval sorcerer wearing a pointy hat and cloak. Younger astronomers often call it the Harry Potter Nebula. #astrophotography #astronomy #nature #longexposure #eastcoastkin #photography
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Rosalind Ahmed @21rosa.bsky.social · 04/10/2026
'Ghosts' one of Paul Nash's illustrations for 'Hydriotaphia, Urne-Buriall, or, A Discourse of the Sepulchrall Urnes lately found in Norfolk' (1658). Its author, Thomas Browne, crafted many a funerary banger: "But man is a Noble Animal, splendid in ashes, and pompous in the grave" #SpookySunday
🎨 Hand coloured lithograph of ‘Ghosts’ (1932)
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Njal Nova @njalnova.bsky.social · 04/10/2026
The Long Light: Twenty Nordic Landscapes (1880–1920) 2. Akseli Gallen-Kallela – Mäntykoski Waterfall (1892–94, Finnish)
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The Kimono Gallery @roger1952.bsky.social · 02/10/2026
Designated as a Japanese Important Cultural Property (Jūyō Bunkazai), this monumental sculpture represents Sho Kannon—the primary, unaugmented form of Avalokiteshvara, the Bodhisattva who "perceives the sounds and cries of the world".
Emerging gracefully from the surrounding darkness, the carved wooden profile of Sho Kannon (聖観音) radiates an aura of boundless compassion and quiet introspection. Bathed in dramatic side-lighting, the deity’s downcast eyes and gentle, composed features convey a state of deep meditative stillness. Behind the head rests a layered, circular halo (zuhō), its carved concentric rings and subtle traces of ancient gilding catching the soft light, while the slender raised hand forms a delicate mudra of wisdom and blessing. The photograph evokes a profound sensory atmosphere: the dry, resonant scent of centuries-old hinoki (Japanese cypress) wood, the lingering aroma of temple incense embedded in weathered grain, the cool dampness of a darkened sanctuary hall, and the solemn, breathless hush of sacred space.
Crafted by master Buddhist sculptors (busshi), the figure exemplifies the height of Japanese Buddhist statuary (butsuzō), where spiritual devotion is translated through traditional woodcarving techniques such as ichiboku-zukuri (carving from a single timber block) or yosegi-zukuri (joined-wood assembly). The visible wear, subtle surface checking, and faded polychrome record centuries of ritual veneration, standing as a testament to monozukuri—the sacred craftsmanship that seeks to reveal the divine spirit latent within the heart of natural wood.
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Patrick Kapty @patrickkapty.bsky.social · 30/09/2026
Grasshopper Figure carved hematite c. 1800-1700 BC Old Babylonian culture Babylon #handmade #carved #hematite #grasshopper #art #sculpture #ancientsculpture #ancientart #Babylonia #culture #Babylon #EuphratesRiver #nature #beauty #ancientBabylonia #fertility #omen #astrology #locusts #foodsource
In ancient Babylonia and the broader Mesopotamian culture, grasshoppers (and their swarming phase, locusts) held a multi-layered, dual meaning. They represented both a positive symbol of fertility and abundance and a destructive force of nature used in divination and dietary sustenance.
In their solitary, non-destructive form, grasshoppers were viewed by Babylonians as symbols of the natural cycle, fertility, and abundance. Because they appeared in large numbers during agricultural cycles, they were tied to the life-giving forces of the earth.
This famous example is a beautifully detailed, nearly 4,000-year-old Babylonian stone weight carved from hematite in the shape of a grasshopper (c. 1800–1700 BCE). Used in markets for fair trade transactions, the grasshopper shape on the weight likely invoked blessings of agricultural prosperity and nature.
When solitary grasshoppers crowded together and transformed into swarming locusts, their meaning shifted drastically. To the Babylonians, a locust swarm was a catastrophic event that could strip fields bare and cause widespread famine.
Babylonians were deeply invested in astrology and divination. Grasshopper and locust behavior was carefully documented in cuneiform omen series (such as the Šumma Ālu). A swarm of grasshoppers appearing in a specific city or flying in a particular direction was interpreted as a direct message or warning from the gods, usually predicting economic ruin, military invasion, or divine displeasure.
Despite the threat they posed to crops, grasshoppers were heavily utilized by Babylonians in daily practical life.
Babylonians actively harvested locusts and grasshoppers for food. Cuneiform records show that mass amounts of these insects were caught, preserved in brine, and transported over hundreds of kilometers to be eaten as a protein-rich delicacy or everyday staple.
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Judith @zanzibarsunset.bsky.social · 01/10/2026
Which one?
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William Shakespeare @shakespeare.lol · 01/10/2026
O barbarous and bloody spectacle!
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Judith @zanzibarsunset.bsky.social · 01/10/2026
Unfortunately, cruel and usual
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ΜΑΝΟΣ ΤΡΑΧΙΑΣ™ @trahias.bsky.social · 30/09/2026
Takako Yamaguchi (Japanese, born 1952) Trap, 2024 Oil paint and metal leaf on canvas 60 x 40 in (152.4 x 101.6 cm) Private collection #art #painting #artist #BlueSkyArt
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Judith @zanzibarsunset.bsky.social · 30/09/2026
Late September's blooms, Toad lilies and Japanese anemone
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Brian Groom @groomb.bsky.social · 29/09/2026
York-born poet W.H. Auden died on this day 1973 (photo by Jane Bown). On former lead mines of the north Pennines: In Rookhope I was first aware Of Self and Not-Self, Death and Dread: There I dropped pebbles, listened, heard The reservoir of darkness stirred.
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derek guy @dieworkwear.bsky.social · 29/09/2026
Scans from “Nomads” by Itsuro Naraki. Naraki is a Japanese photographer whose work is deeply influenced by Robert Frank. These portraits show people Naraki met on the street between 1986 and 1994. The book is available for purchase at Pinakotheca Books. IG t.archivist
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phoenixrising @mmcarthur.bsky.social · 28/09/2026
Remembering the incomparable Miles Davis who slipped into the cosmic ether otd in 1991. So What youtu.be/zqNTltOGh5c
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Judith @zanzibarsunset.bsky.social · 25/09/2026
A touch of blue this morning
Lavender blooms of Russian sage in morning garden , small blue bloom of vine , green backgro
und
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Ray E. Boomhower @rboomhower.bsky.social · 25/09/2026
“A hospital alone shows what war is.” Erich Maria Remarque
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Judith @zanzibarsunset.bsky.social · 22/09/2026
What an interesting photo
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Judith @zanzibarsunset.bsky.social · 21/09/2026
No, I tend not to read add on works tho I may try the new MM. Another interesting trivia bit imo Agatha Christie was one of Hannah Arendt's fav summer reads which makes sense considering her/Arendt's focus on thinking/grey cells and ordinary evil, i.e., evil in a village
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Judith @zanzibarsunset.bsky.social · 21/09/2026
Another great Christie book IMO is her memoirs of being on her husband's digs, Come Tell me How You Live. Also TY for posting this about the new MM.
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Jay Troyer @gr8flbluejay.bsky.social · 20/09/2026
20 September 1941 Dale Chihuly, American (1941- ), Salmon Blue Persian Set with Naples Yellow Lip Wraps, 2001, glass, 18 x 35 x 40 in, private collection
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The Kimono Gallery @roger1952.bsky.social · 20/09/2026
This woodblock print, designed in 1861, is a celebrated portrait masterpiece by the late-Edo period ukiyo-e titan Utagawa Kunisada (1786–1865)
Framed against a deep indigo sky that bleeds into pitch black at the top border, two dramatic figures collide in an intense, asymmetrical composition. On the left, Princess Sakura (Sakurahime) leans forward, her delicate profile framed by an elaborate headpiece brimming with vibrant blue floral clusters (kanzashi) and tortoiseshell combs. She wears an opulent scarlet robe embroidered with blooming bush clover (hagi) and riverbank motifs, holding up its edge with a slender, hesitant hand. Below her, the fallen monk Seigen gazes upward in obsessive desperation, his unkempt hair, stubbled jawline, and wide, strained eyes capturing a moment of raw psychological turmoil. Clutching the hem of her brilliant drapery, his muted slate-blue garment creates a stark, grounding contrast against the luminous reds and blues of her attire.
The composition dramatizes the legendary Kabuki narrative of Seigen and Sakurahime, most famously adapted by master playwright Tsuruya Nanboku III in Sakura Hime Azuma Bunshō (1812). The tragedy follows the pious abbot Seigen, whose unyielding spiritual obsession with Princess Sakura leads to his holy defilement, social expulsion, and eventual descent into ruin. Produced during the late Bakumatsu period, the print showcases the technical zenith of late-Edo nishiki-e block-printing monozukuri (artisanal craftsmanship), combining imported Prussian blue pigments with delicate line cutting and subtle wipe-gradation printing (fukibokashi) to capture the heightened melodrama of the Kabuki stage.
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pmamtraveller.bsky.social @pmamtraveller.bsky.social · 20/09/2026
Dion Kitson
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Judith @zanzibarsunset.bsky.social · 20/09/2026
Yes
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Judith @zanzibarsunset.bsky.social · 18/09/2026
Tingatinga has evolved over the years. I am fonder of the earliest style, street art before Internet.
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M. Elwell Romancito @melwell.bsky.social · 09/09/2026
"A Rush of Wings," oil on panel by Melwell, 20x28 – Call Parsons Gallery of the West at +1-575-737-9200
An expressive oil painting titled A Rush of Wings, depicting a flock of black-and-white magpies in energetic flight over a golden field beneath a bright blue sky. The birds overlap and wheel in different directions, their boldly simplified wings creating a lively, almost rhythmic pattern across the textured surface. Purple-blue mountains form a low horizon in the distance, while loose violet marks animate the expansive sky.
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Judith @zanzibarsunset.bsky.social · 18/09/2026
I love your paintings. This one reminds me of tinga tinga paintings from Tanzania. Which I also love and collected in the 90s.
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JBGarrity Photography @joegarrity.bsky.social · 17/09/2026
This beautiful sea fan is at the foot of a pinnacle at the dive site known as Da Bai Sha (Big White Sand), Green Island, Taiwan. #marinelifephotography #marinelife #wildlifephotography #wildlife #naturephotography #nature #scuba #island #taiwan #asia #eastcoastkin #photography
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武政 諒 Ryo Takemasa @ryotakemasa.bsky.social · 18/09/2026
Moths (2008) Available as art print: www.inprnt.com/gallery/ryot...
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Judith @zanzibarsunset.bsky.social · 17/09/2026
Wow! Thank you for this.
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Judith @zanzibarsunset.bsky.social · 16/09/2026
Onenof my favorite Dickens novels.
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Judith @zanzibarsunset.bsky.social · 16/09/2026
The view from my window, glorious September light
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Western Lens @planzing.bsky.social · 15/09/2026
Trout Pond Meditation…
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Dr. Peter Paul Rubens @peterpaulrubens.bsky.social · 15/09/2026
Boom! A simply brilliant study of a pomegranate from Jacques le Moyne des Morgues. I mean, color, composition, wow. Today is his day.
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Judith @zanzibarsunset.bsky.social · 14/09/2026
When I began my thesis on Virginia Woolf in grad school/late 70s, she was listed in the library card catalog as Mrs Leonard Woolf.
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The Kimono Gallery @roger1952.bsky.social · 13/09/2026
the kimono titled "U / Deep Space" (1999) by renowned Japanese textile artist Itchiku Kubota.
Exploding across the T-shaped canvas of heavy silk with dynamic energy, sweeping tendrils of solar gold and incandescent amber surge across the shoulders, set against a shimmering backdrop of ethereal ice-blue and deep celestial indigo. Downward along the body, the palette plunges into a fiery expanse of crimson, magenta, and rich violet. Thousands of puckered, three-dimensional tie-dye ringlets (shibori) cluster like miniature nebulae across the fabric, their raised ridges catching the light to yield an impression of swirling cosmic currents interlaced with delicate ink painting and shimmering metallic embroidery.

Created in 1999 by legendary textile master Itchiku Kubota (1917–2003), U ("Deep Space") represents a triumphant late work within his grand, lifelong vision, Symphony of Light. At age twenty, Kubota encountered a fragment of 16th-century tsujigahana—a lost Muromachi and Momoyama period textile art combining stitch tie-dyeing, ink drawing, and gold leaf that had vanished during the Edo era with the rise of yūzen hand-painting. After decades of devotion and wartime hardship, he reinvented the medium as Itchiku Tsujigahana. Operating at the absolute pinnacle of monozukuri (uncompromising craft discipline), Kubota treated the kimono not merely as attire, but as a continuous architectural screen. Achieving these complex gradations required an arduous cycle of capping, stitching (nui-shibori), repeated immersion dyeing in hot vats, ink application, and steam-setting upon thick, custom-woven silk crepe (chirimen).

Aesthetically, the work offers a sublime contemplation of yūgen—the profound, shadowed depth that hints at the unfathomable mysteries of the cosmos. Fully extended on its display frame, the monumental silhouette of the garment functions as a sacred kekkai (artistic boundary), mapping the grand forces of the macrocosm onto human proportions.
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davidc1935.bsky.social @davidc1935.bsky.social · 13/09/2026
Jean Cocteau and singer Charles Trenet congratulate Charles Aznavour after his triumph at the Alhambra in Paris, December 1960.
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Boris Dralyuk @bdralyuk.bsky.social · 13/09/2026
A little elegy for my aunt from the October issue of @theatlantic.com. I am immensely grateful to Walt Hunter for giving it space on the shelf. www.theatlantic.com/magazine/202...
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