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Zoë Blade

@www.zoeblade.com
2.2K followers 42 following 2.4K posts

Musician, writer, programmer. Analysis and synthesis. ∞ Makes music for ContraPoints patreon.com/zoeblademusic

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Zoë Blade @www.zoeblade.com · 14h
Adding some choice quotes to my article on writing without distractions. Kafka certainly puts into perspective my fantasy about writing music in a secluded log cabin... notebook.zoeblade.com/Writing_with...
I have often thought that the best mode of life for me would be to sit at the innermost room of a spacious locked cellar with my writing things and a lamp. Food would be brought and always put down far away from my room, outside the cellar's outermost door. The walk to my food, in my dressing gown, through the vaulted cellars, would be my only exercise. I would then return to my table, eat slowly and with deliberation, then start writing again at once. And how I would write! From what depths I would drag it up! Without effort! For extreme concentration knows no effort. The trouble is that I might not be able to keep it up for long, and at the first failure — which perhaps even in these circumstances could not be avoided — would be bound to end in a grandiose fit of madness.

— Franz Kafka, 1913

What I need for my writing is seclusion, not "like a hermit", that would not be enough, but like the dead.

— Franz Kafka, 1913

Went fast because road is fast... wrote whole thing on strip of paper 120 foot long (tracing paper that belonged to Cannastra.) — just rolled it through typewriter and in fact no paragraphs... rolled it out on floor and it looks like a road.

— Jack Kerouac, 1951
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Zoë Blade @www.zoeblade.com · 03/10/2026
Arpeggio with delay
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Zoë Blade @www.zoeblade.com · 02/10/2026
Wait, is there a Japanese version of Westminster / Data 70?
The Japanese cover artwork of David Bowie's single Space Oddity, complete with highly stylised Japanese text reminiscent of the Westminster and Data 70 typefaces
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Zoë Blade @www.zoeblade.com · 02/10/2026
When you get a new hyperfixation, but people still ask about an old one from a month ago:
“Silly boyish amusement.  I’ve given that up *long* ago.  Sheer waste of time, that’s what it is.  It makes me downright sorry to see you fellows, who ought to know better, spending all your energies in that aimless matter.  No, I’ve discovered the real thing, the only genuine occupation for a lifetime.  I propose to devote the remainder of mine to it, and can only regret the wasted years that lie behind me, squandered in trivialities.”
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Zoë Blade @www.zoeblade.com · 02/10/2026
On the Mellotron Archives sample CD: notebook.zoeblade.com/Mellotron_Ar... I've used this a lot on the ContraPoints soundtracks.
Screenshot of my article on the Mellotron Archives sample CD, complete with some example sounds.  The full text reads:

Mellotron Archives is a sample CD of Mellotron sounds.

It contains 28 lead sounds (11 from the Chamberlins, and 17 from the Mellotrons). These include all the famous choirs, strings, and flutes, including the epic "8-Voice Choir".[1]

It also contains 6 backing rhythms and fills, which I personally find unnecessary, having never been a fan of auto-accompaniment. It would have been nice to see that extra space spent on some of the more obscure lead sounds, such as the underrated wine glasses. Admittedly, this would be a tall order, as being so obscure means they're difficult to get, including for sampling purposes.

The sounds are preserved absolutely authentically, warts and all. Demanding a generous 16 MB per program meant no major concessions had to be made in order to squeeze in thirty-five 8-second samples. Sure, they're all 22.05 kHz, but for these instruments, that's quite sufficient.

Compared to Legendary M400, it has more sounds on offer, although you'll need at least 16 MB of RAM to access them.

Unlike the later M4000D, these sounds have actually gone through real Mellotrons and Chamberlins, not straight from the original library. As a result, everything on this CD sounds as otherworldly as it should. Indeed, it includes both the Chamberlin and Mellotron MkII versions of the "3 Violins" sound, allowing an opportunity to A/B compare the two machines (see the examples above).

To this day, I believe Mellotron Archives is still the most authentic sounding replica of the Mellotron and Chamberlin, in any format, hardware, software, or soundware. I personally use this sample CD in Reason's NN-XT a lot, including in the ContraPoints soundtracks.
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Zoë Blade @www.zoeblade.com · 01/10/2026
Outtake patch
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Zoë Blade @www.zoeblade.com · 28/09/2026
Recording the bassline of this almost kosmische musick style track, all clones of Moog modular, Solina String Ensemble, and Mellotron.
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Zoë Blade @www.zoeblade.com · 26/09/2026
My Shavian alphabet page now lets you view it in different typefaces for comparison -- useful for basing your handwriting on. notebook.zoeblade.com/Shavian_alph...
The Shavian alphabet rendered in the serif Doolittle GaramondThe Shavian alphabet rendered in the sans-serif Inter Alia
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Zoë Blade @www.zoeblade.com · 24/09/2026
On the pulsewidth, literally the width of a pulse wave: notebook.zoeblade.com/Pulsewidth.h...
A pulsewidth, or duty cycle, is simply the width of a pulse wave, as in the amount of time it spends high versus low. This is expressed as a ratio, often as a percentage.

It can be automatically changed back and forth, known as pulsewidth modulation. This is usually accomplished with an LFO.

A pulse wave with a pulsewidth of 50% is more specifically a square wave.

The principle of making the first half of each cycle longer or shorter than the second half can also be applied to other periodic waveforms, but it usually isn't, in order to simplify the design of the oscillator.

The VCS3 sports one of the very few types of analogue oscillators to seamlessly transition between sawtooth and triangle waves in this manner, as does the A-100's A-146 LFO. In the digital realm, it's the basis of PD synthesis, Casio's short-lived rival to Yamaha's FM synthesis. This is exemplified in the CZ-101.
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Zoë Blade @www.zoeblade.com · 17/09/2026
I'm currently working on a 60s/70s style Moog/Solina/Mellotron style track, all slow arpeggios and lush strings. My patrons at patreon.com/zoeblademusic/ can hear the demo already!
A broad overview of the demo of my latest track in Reason.  Although long and repetitive, it at least alternates between two sections.
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Zoë Blade @www.zoeblade.com · 13/09/2026
I made some A5 writing guideline templates. 5 mm and 8 mm spaced, lines and squares. Hopefully they're useful to others, too. notebook.zoeblade.com/5_mm_squares... notebook.zoeblade.com/8_mm_lines.h...
5 mm squares8 mm lines
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Zoë Blade @www.zoeblade.com · 08/09/2026
On iron gall ink: notebook.zoeblade.com/Iron_gall_in...
Iron gall ink was a popular writing ink from antiquity until the nineteenth century. Unlike the surface-level carbon ink, it burns into the page, as per the Ancient Greek word ἔγκαυστον, suggesting that it may well be the origin of the word "ink".

As its name implies, it's made from iron salts combined with tannic acid from crushed oak galls (or, if you prefer, crushed hawthorn bark), along with gum arabic as a binder.

When you write with iron gall ink, it initially looks dark blue. (This is presumably the reason that dark blue writing ink is still considered professional, while any other hues are not.) Over the next few days, as the iron oxidises, the ink turns black. Over the next few centuries, it turns brown, coincidentally somewhat reminiscent of Sepia ink.

It's relatively easy to make, and text written in it can remain perfectly legible for centuries, making it a popular choice for scribes, artists, and natural philosophers alike.

There are several recipes available. Pseudonymous monk Theophilus mixed his with wine for a longer shelf life. Later, Newton mixed his with strong beer. It seems mould is adverse to alcohol.

Although iron gall ink can last for centuries, it corrodes both metal and eventually paper, so is best used with a quill. You might possibly get away with very hastily cleaning a dip pen after each use, but a fountain pen is right out.

The modern equivalent is archival registrar's ink, as used to record "hatches, matches, and dispatches" (births, weddings, and deaths).
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Zoë Blade @www.zoeblade.com · 07/09/2026
𐑑𐑩𐑛𐑱𐑟 «𐑣𐑨𐑯𐑛𐑮𐑲𐑑𐑦𐑙 𐑐𐑮𐑨𐑒𐑑𐑦𐑕» (𐑦𐑒𐑕𐑒𐑿𐑕 𐑑 𐑿𐑟 𐑩 𐑐𐑮𐑦𐑑𐑦 𐑦𐑙𐑒 𐑑 𐑮𐑲𐑑 𐑦𐑯 𐑩 𐑐𐑮𐑦𐑑𐑦 𐑕𐑒𐑮𐑦𐑐𐑑) #𐑖𐑱𐑝𐑾𐑯
Written in the gloriously shading brown tones of Diamine Sepia ink, with a calligraphic Lamy Joy pen:

𐑩 𐑯𐑲𐑕 𐑔𐑦𐑙 𐑩𐑚𐑬𐑑 ·𐑖𐑱𐑝𐑾𐑯 𐑦𐑟 𐑞𐑨𐑑, 𐑡𐑳𐑕𐑑 𐑓𐑮𐑪𐑥 𐑮𐑰𐑛𐑦𐑙 𐑞𐑧𐑥, 𐑿 𐑒𐑨𐑯 𐑒𐑼𐑧𐑒𐑑𐑤𐑦 𐑐𐑮𐑩𐑯𐑬𐑯𐑕 𐑕𐑧𐑤𐑛𐑩𐑥-𐑣𐑻𐑛 𐑢𐑻𐑛𐑟 𐑕𐑳𐑗 𐑨𐑟 «𐑪𐑯𐑢𐑰» 𐑯 «𐑑𐑮𐑰𐑑𐑦𐑕».  𐑲 𐑜𐑨𐑞𐑼 𐑞𐑦𐑕 𐑢𐑪𐑟 𐑐𐑸𐑑 𐑝 ·𐑡𐑹𐑡 ·𐑚𐑻𐑯𐑸𐑛 ·𐑖𐑷𐑟 𐑼𐑦𐑡𐑦𐑯𐑩𐑤 𐑦𐑯𐑑𐑧𐑯𐑑 𐑓 𐑞 𐑤𐑨𐑙𐑜𐑢𐑦𐑡 -- 𐑒𐑼𐑧𐑒𐑖𐑩𐑯, 𐑕𐑒𐑮𐑦𐑐𐑑 -- 𐑞𐑨𐑑 𐑕𐑧𐑤𐑓-𐑑𐑷𐑑 𐑐𐑫𐑼 𐑐𐑰𐑐𐑩𐑤 𐑢𐑫𐑛 𐑚𐑰 𐑪𐑯 𐑩𐑯 𐑰𐑒𐑢𐑩𐑤 𐑓𐑫𐑑𐑦𐑙 𐑢𐑦𐑞 𐑞𐑴𐑟 𐑥𐑹 𐑐𐑮𐑦𐑝𐑩𐑤𐑦𐑡𐑛.
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Zoë Blade @www.zoeblade.com · 04/09/2026
The authoritative guide to where to begin with Discworld novels is, of course, the fans' one:
A reasonably detailed graph of recommended paths to take when deciding which Discworld novels to read, and in which order.  A simplified listing is on my previously linked webpage.
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Zoë Blade @www.zoeblade.com · 04/09/2026
A little bit about the Discworld series: notebook.zoeblade.com/Discworld.html
Discworld is a popular series of comedy fantasy novels written by Terry Pratchett.

As there are forty-one novels in the series, it can be helpful to focus on a more manageable subset of them at a time. These include:

Rincewind (the inept wizard):
The Colour of Magic
The Light Fantastic
Sourcery
Interesting Times
The Last Continent
Unseen Academicals
Witches:
Equal Rites
Wyrd Sisters
Witches Abroad
Lords and Ladies
Maskerade
Carpe Jugulum
Death (as in the Grim Reaper):
Mort
Reaper Man
Soul Music
Hogfather
Thief of Time
Ancient civilisations:
Pyramids
Small Gods
The Watch (police procedurals):
Guards! Guards!
Men at Arms
Feet of Clay
Jingo
The Fifth Elephant
Night Watch
Thud!
Snuff...
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Zoë Blade @www.zoeblade.com · 04/09/2026
Yay, @ninarichards.co.uk finessed and 3D printed the Diamine inkpot holder I crudely designed!
A 3D printed Diamine 30 ml inkpot holder, with varying degrees of slope, sits atop my Shavian English notebook with crude sketch of it
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Zoë Blade @www.zoeblade.com · 29/08/2026
So @ninarichards.co.uk and I had a nice time watching the screening of @francescaiannucci.bsky.social’s film The Ice Lolly King, and talking to other members of the cast and crew.
The Ice Lolly King’s film poster projected on the cinema screen, just before the film started.
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Zoë Blade @www.zoeblade.com · 28/08/2026
I’ve been really digging this book I got recently. Lots of short essays, scientific papers, poems, stories, or at least short excerpts thereof. Babbage and Lovelace, Pasteur and Darwin, Dickens and Carroll, Shelley and Wells. Perfect for the retrograde science fan with a short attention span. 😊
Literature and Science in the Nineteenth Century
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Zoë Blade @www.zoeblade.com · 27/08/2026
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Zoë Blade @www.zoeblade.com · 26/08/2026
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Zoë Blade @www.zoeblade.com · 25/08/2026
Experimenting. It took three and a half minutes for the mild central scintillating scotoma to appear, and it didn't get much worse after that. I have formed a few tentative hypotheses to try out...
Some (probably very badly misspelled) public domain text transcribed into Shavian, copied from some old books.  It's written in fancy blood-red and coffee-brown inks, yet on very cheap paper.  An equally fancy QWERTY keyboard lurks in the background.
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Zoë Blade @www.zoeblade.com · 24/08/2026
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Zoë Blade @www.zoeblade.com · 22/08/2026
I guess @ninarichards.co.uk and I are officially in the trans community now, huh?
A (comparatively) small Blåhaj in my studio
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Zoë Blade @www.zoeblade.com · 21/08/2026
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Zoë Blade @www.zoeblade.com · 16/08/2026
𐑥𐑴𐑕𐑑 𐑳𐑯𐑹𐑔𐑩𐑛𐑪𐑒𐑕 𐑣𐑨𐑯𐑛𐑮𐑲𐑑𐑦𐑙 𐑐𐑮𐑨𐑒𐑑𐑦𐑕
The top of a page of a cheap notebook is shown.  The text is accompanied by crude yet hopefully tantalising doodles of what might be a frog's leg and perhaps a speaker's soundwaves rippling/radiating out.

«𐑩 𐑚𐑰𐑕𐑑𐑽𐑦 𐑝 𐑕𐑬𐑯𐑛𐑟 𐑥𐑴𐑕𐑑 𐑸𐑑𐑦𐑓𐑦𐑖𐑩𐑤 2026-08-16

𐑦𐑤𐑧𐑒𐑑𐑮𐑦𐑕𐑦𐑑𐑦 𐑯𐑬 𐑤𐑧𐑯𐑛𐑟 𐑦𐑑𐑕𐑧𐑤𐑓 𐑡𐑳𐑕𐑑 𐑨𐑟 𐑢𐑧𐑤 𐑑 ·𐑝𐑴𐑤𐑑𐑩'𐑟 𐑯𐑿 𐑩𐑕𐑧𐑥𐑚𐑩𐑤𐑦𐑡 𐑝 𐑥𐑧𐑑𐑩𐑤 𐑯 𐑒𐑧𐑥𐑦𐑒𐑩𐑤 𐑐𐑸𐑑𐑕 𐑨𐑟 𐑦𐑑 𐑛𐑳𐑟 𐑑 ·𐑜𐑭𐑤𐑝𐑭𐑯𐑦'𐑟 𐑑𐑮𐑩𐑛𐑦𐑖𐑩𐑯𐑩𐑤 𐑓𐑮𐑪𐑜𐑟, 𐑞𐑨𐑑 𐑯𐑱𐑗𐑼 𐑣𐑻𐑕𐑧𐑤𐑓 𐑐𐑮𐑩𐑝𐑲𐑛𐑟 𐑓 𐑳𐑕 𐑦𐑯 𐑒𐑩𐑥𐑐𐑤𐑰𐑑 𐑓𐑹𐑥. 𐑦𐑯𐑛𐑰𐑛, 𐑦𐑯𐑹𐑜𐑨𐑯𐑦𐑒𐑤𐑦 𐑒𐑘𐑫𐑼𐑱𐑑𐑩𐑛 𐑦𐑤𐑧𐑒𐑑𐑮𐑦𐑕𐑦𐑑𐑦 𐑥𐑱 𐑳𐑤𐑑𐑦𐑥𐑩𐑑𐑤𐑦 𐑐𐑮𐑵𐑝 𐑕𐑵𐑐𐑽𐑽. 𐑦𐑯 𐑧𐑯𐑦 𐑒𐑱𐑕, 𐑚𐑰𐑦𐑙 𐑩 𐑯𐑿 𐑛𐑦𐑕𐑒𐑳𐑝𐑼𐑦, 𐑕𐑧𐑛 𐑥𐑰𐑛𐑾𐑥 𐑩𐑓𐑹𐑛𐑟 𐑳𐑕 𐑩 𐑓𐑻𐑑𐑲𐑤 𐑓𐑮𐑳𐑯𐑑𐑽 𐑝 𐑐𐑩𐑑𐑧𐑯𐑖𐑩𐑤 𐑕𐑬𐑯𐑛𐑟 𐑑 𐑦𐑯 𐑑𐑻𐑯 𐑛𐑦𐑕𐑒𐑳𐑝𐑼, 𐑣𐑦𐑞𐑼𐑑𐑵 𐑳𐑯𐑣𐑻𐑛 𐑚𐑲 𐑧𐑯𐑦 𐑽𐑟.»
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Zoë Blade @www.zoeblade.com · 14/08/2026
One of Lilly Wachowski's abstract self portraits, depicting herself as a cute duckling amidst a roaring fire enveloping everything around her
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Zoë Blade @www.zoeblade.com · 14/08/2026
I took a rare photo of @ninarichards.co.uk! 😄
Nina takes a photo of the eclipse, as visible in the viewfinder of the camera attached to her telescope.  In the background, the sun's still very bright, causing a lens flair.
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Zoë Blade @www.zoeblade.com · 14/08/2026
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Zoë Blade @www.zoeblade.com · 12/08/2026
Vaguely open hi-hat type sound
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Zoë Blade @www.zoeblade.com · 10/08/2026
Vaguely closed hi-hat type sound
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Zoë Blade @www.zoeblade.com · 09/08/2026
Stumbled on this nugget from Claude Shannon the other month: archive.org/details/math...
Examples of 1. printing random letters and spaces, 2. printing letters and spaces proportionally to how often they're used in real text, 3. "digram structure as in English", based on the likelihood of pairs of letters rather than individual ones, getting slightly further English-text-looking......4. "trigram structure as in English", looking at three letters at a time, 5. picking random words instead of random letters, but again not actually random so much as based on their popularity, 6. "second-order word approximation".

Each example goes further from looking like a cat walked over a keyboard, and closer to looking like someone having a stroke trying to cobble together a sentence.
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Zoë Blade @www.zoeblade.com · 09/08/2026
Having recorded the above patch twice for the sides, let's make a bassier version an octave down for the middle...
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Zoë Blade @www.zoeblade.com · 08/08/2026
Working on a growlier bassline patch while waiting for my headache to clear...
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Zoë Blade @www.zoeblade.com · 08/08/2026
Lots of choice quotes on this site, that explain so much. miniver.blogspot.com/2020/11/a-cl...
I truly fear the codependent belief that Dems have acted out for years, that taking the moral high ground is the moral equivalent of letting bygones be bygones. This would be what happens in domestic violence when he / she or they forget about the beating last night and move on hoping it will never happen again.
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Zoë Blade @www.zoeblade.com · 08/08/2026
Someone talking about ADHD, but at the very least, this applies to all invisible disabilities, trans people, and intersex people.
If you want medication help and accommodations, then you have to interact with the medical system. And that means the medical system has to change to serve our needs and not the needs of people who feel like our presence anywhere is being inflicted upon them.
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Zoë Blade @www.zoeblade.com · 05/08/2026
Meanwhile, on the sun: www.sciencealert.com/simply-aston...
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Zoë Blade @www.zoeblade.com · 04/08/2026
Patching up a kick drum
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Zoë Blade @www.zoeblade.com · 03/08/2026
Tailoring the attack and decay to each set of notes' average note lengths. That way, each note ebbs and flows. I also added a little portamento, which is simple enough after breaking the polyphonic part down into three monophonic parts.
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Zoë Blade @www.zoeblade.com · 02/08/2026
Any instrument is polyphonic with enough patience (and a multitrack recorder or DAW).
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Zoë Blade @www.zoeblade.com · 01/08/2026
Let's get freaky! 😄
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Zoë Blade @www.zoeblade.com · 01/08/2026
Getting back into the swing of things. Starting with a simple bassline.
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Zoë Blade @www.zoeblade.com · 30/07/2026
Yeah, I reordered them to ROYGBIV. Most things have blue as the most significant bit and red as the least. The Spectrum, being apparently contrarian, has green as the most and blue as the least.
An unpublished comment in my Boolean colour palette article reads:

"The colours appear in this order for ANSI compatible video terminals (see my page on ANSI escape codes for the colour numbers and hence order) and videotex (see *ETS 300 072* P17), etc:

BGR
000 Black
001 Red
010 Green
011 Yellow
100 Blue
101 Magenta
110 Cyan
111 White

The ZX Spectrum, judging by its keys, seems to rotate this:

GRB
000 Black
001 Blue
010 Red
011 Magenta
100 Green
101 Cyan
110 Yellow
111 White"
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Zoë Blade @www.zoeblade.com · 30/07/2026
"But what would the Boolean colour palette look like if it was CMY instead of RGB based?" I've got you covered: notebook.zoeblade.com/CMY_Boolean_...
A comparison of the regular RGB-based Boolean colour palette, as endured by ZX Spectrum and teletext users, and a subset of a popular CMY-based palette used in print, with its roughly equivalent colours.  The CMY version looks less bright and harsh.
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Zoë Blade @www.zoeblade.com · 28/07/2026
On the colour palette used by DC circa 1982: notebook.zoeblade.com/1982_DC_colo... This is a subset of the Chemical Color Plate corporation's colour palette, which was used to print almost all comics in the US from the Golden Age up to around about Watchmen.
"The 1982 DC colour palette, for want of an official term, was the colour palette used by DC circa 1982, as featured in their DC Comics Style Guide.

It's a subset of the Chemical colour palette, using 50 of its 64 colours, with Pantone equivalents of the era given for reference."

Followed by a table listing all the colours, and their constituent primary colours.
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Zoë Blade @www.zoeblade.com · 26/07/2026
I've updated my Boolean colour palette article with a handy table: notebook.zoeblade.com/Boolean_colo...
A handy table noting the name, RGB amounts, and hex value of each colour in the Boolean colour palette
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Zoë Blade @www.zoeblade.com · 25/07/2026
Getting back into the swing of making music for my patrons!
Screenshot of a simple track in Reason, with just the one relentless section that builds up and swaps parts in and out
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Zoë Blade @www.zoeblade.com · 20/07/2026
A review of Superman: Birthright, a story about a refugee immigrant who struggles to fit in, and a millionaire defence contractor trying to make people afraid of him and his culture. notebook.zoeblade.com/Superman_Bir...
Superman: Birthright was a very well-regarded limited series comic written by Mark Waid, illustrated by Leinil Francis Yu and Gerry Alanguilan, and coloured by Dave McCiag. It was originally published by DC as twelve comic book issues from 2003 to 2004, then collected as a trade paperback.

It's a Superman origin story, about a supernatural alien refugee who was adopted as a baby.

He can't help himself from helping people to the best of his abilities, which are unique in his new home. This inevitably puts an expiration date on his ability to fit in with those around him, who then become afraid of him, forcing him to move on.

He learns to reconcile these conflicting needs, to both befriend and help people, breaking the pattern of endless travelling by leading a double life. In one life, he openly lives as himself in order to help people, embracing his inherited abilities, along with his ancestors' culture as much as he can piece it together. In the other life, he puts on an act, hiding who he really is in order to settle down and make longer lasting friends, or at least co-workers.

In spite of this, he still remains an outsider, his meek persona excluded from after-hours socialising. And yet he still chooses to help the very people who shun his fake persona and, worse, outright fear and distrust his real one. He helps them not because he expects their affection in return, but because it's the right thing to do.
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Zoë Blade @www.zoeblade.com · 19/07/2026
On Superman, a tale about a wholesome immigrant. The story and its characters were sold to a company for a mere $130 in 1938, equivalent to nearly $3,000 now. It's safe to say the company got the better end of that deal. notebook.zoeblade.com/Superman.html
Superman stories aren't a fantasy about how good it would be to have power. They're a fantasy about what it would be like if someone with power was good.

— Ian MacIntyre, 2024

Superman is a fictional superhero, and a whole franchise of comics, films, and TV shows.

The first stories, their characters, and their imagery were originally created by Jerry Siegel and Joe Shuster. In 1938, they sold their original 13-page Superman story, along with the exclusive rights to the character, to DC for $130 — $10 per page.

If you can look past the character's preposterous supernatural abilities, at his core, Superman's just a relentlessly nice person. He doesn't care about his career, realpolitik, glory, fame, or money. He only cares about helping as many people as possible, face-to-face, when they each need it most.

He's effectively a larger-than-life emergency responder, who's notably not prejudiced — the kind of person who would have, for example, actually saved Tyra Hunter's life.

He could certainly be viewed within the lens of US propaganda, especially if anyone considers him in any way representative of people who wield power in the real world. I think it would be more accurate to view him as an ideal, for the target audience of children to aspire to.

The world needs more characters as genuinely wholesome as this, and more importantly, more real people like this too. Not the supernatural part. Just doing the right thing.
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Zoë Blade @www.zoeblade.com · 18/07/2026
I don't think that's quite the tone they're aiming for...
A website displays a warning that I'm blocking their adverts, using the main picture of the article I'm reading, turned greyscale.  The thing is, though, that the article in question is about V for Vendetta, so the image paired with the phrase "We noticed that ads aren't being displayed" is an ominous 1984-esque screengrab from the V for Vendetta film, of the chancellor dictator on a huge videoscreen looking ominously down at his employees.  This probably isn't the tone they were aiming for when they designed this.
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Zoë Blade @www.zoeblade.com · 17/07/2026
Still relevant...
Superman: "Then why is everyone so eager to listen to Luthor?"

Lois Lane: "Because he's loud.  Because there aren't many of us who know he's a vile, vile man.  Because he knows how to amplify the fear that drives people and how to trick them into turning to him for protection.  You can't show up nowadays and be a super-friend.  We are a skeptical lot.  Government... advertising... god help me, the media... these things manipulate us 24/7, and worse, we know it.  We claim to fight it, but most of us don't have the energy to struggle every moment of every day.  Wear us down enough, and the lesson we eventually take to heart is that it's easier and safer to be cynical than it is to trust someone."
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