iiinova — where your digital self keeps evolving

Here's a Truth & Reconciliation Day thought for other creatives. Over the past years I've done video & photography work on Indigenous led projects. To help them assert Indigenous digital sovereignty I turn my copyright, and files over to them & I don't share the work. They do. Do any of you do this?

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APTN News @aptnnews.bsky.social · 6h

Today is National Day for Truth and Reconciliation and we’re live at 11 a.m. ET leading up to the special 90-minute multilingual commemoration, Remembering the Children. Watch live in English, Plains Cree, Anishinaabemowin, Kanien'kéha and Inuktitut here: www.aptnnews.ca/ourstories/r...

aptnnews.ca

Remembering the Children | APTN News

For 160 years, Indigenous children were taken and put into institutions across Canada. September 30 is a day to remember the children.

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Sèafra @woodward.ca · 3h

Reflecting on the Jays last 3 years, it really reinforces how much luck, the performance of your stars, and a few key GM decisions are the difference between last in the league and game 7 of the series. Baseball was made to break your heart.

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The Tyee @thetyee.ca · 5h

“My grandfather knew the importance of making sure I understood what had been passed down to him. He believed that one day Canada would recognize what our people have always known.” Gitanyow Hereditary Chief Simoo’gyet Malii, Glen Williams, writes thetyee.ca/Opinion/2026...

thetyee.ca

You Can’t Beat the Truth | The Tyee

A Hereditary Chief shares what his grandfather taught him about reconciliation.

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Sèafra @woodward.ca · 4h

Gausman has had a hard luck year in '26 but the man is a fucking gamer. I really hope he re-signs with the Jays. He deserves honourary Canadian status at this point.

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Substack @substack.com · 6h

As Canada marks the National Day for Truth and Reconciliation, Pulitzer Prize and Peabody Award winning journalist @conniewalker.bsky.social shares her work digging into survivor testimonies—records that face the threat of imminent destruction contactingconnie.substack.com/p/who-is-pro...

contactingconnie.substack.com

Who is protected by the destruction of Indian Residential School records?

“There’s not a single Indigenous person in Canada, who has not been touched by the legacy of Residential Schools.” - Justice Murray Sinclair, Chair of the Truth and Reconciliation Commission (TRC)

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paulseesequasis @pseesequasis.bsky.social · 7h

On #OrangeShirtDay paying respect to generations of my family and kin who went to St. Michael’s Residential School ~ 1931. Duck Lake, Sask ~ 1) Maggie Bird, 2) Mary Rose Naytowhow (My Kokum), 3) Ada Wolfe, 4) Philomene Peeteetuce, 5) Dorothy Eyahpaise, 6) Mary Anne Seesequasis, 7) Veronique

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Sèafra @woodward.ca · 5h

Local man reminds anyone who wants to have a conversation about Residential School denialism that I'm happy to do it but I'm bringing my Louisville slugger motherfuckers.

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Sèafra @woodward.ca · 5h

@feistywaters.com & I went out a few days ago to capture some autumnal portraits before all the leaves blew off the trees here in Dirt City.

This vibrant autumn scenery photo captures a woman standing confidently in the middle of a deserted, tree-lined residential street. The woman, with striking grey hair and visible tattoos on both arms, wears an elegant, floor-length, shimmering red dress that features a fitted bodice and a full, flowing skirt, cinched at the waist by a distinct black belt. Unexpectedly, she pairs this formal attire with casual blue sneakers, adding a touch of personal style. She gazes directly at the viewer with a friendly smile, holding a small, dark object in her left hand. The street itself is paved with dark asphalt and is generously covered with scattered golden yellow and brown fallen leaves, creating a warm, autumnal carpet. Tall, mature trees line both sides of the road, forming a natural archway overhead with their dense canopies. The majority of the tree leaves are a brilliant golden yellow, indicating the peak of the fall season, though some trees in the deeper background still retain their green foliage, suggesting a gradual transition. The sky above is a soft, pale blue with hints of white, providing a bright backdrop to the colorful trees. To the left of the woman, a narrow sidewalk runs parallel to the street, and glimpses of residential buildings with their well-maintained lawns are visible behind the trees. On the right side, another sidewalk is present, bordered by a sturdy brick fence or wall that hints at a property boundary. The natural daylight bathes the scene, casting subtle shadows from the trees onto the asphalt, enhancing the depth and texture of the road. The overall atmosphere is serene and picturesque, highlighting the beauty of the autumn season and the woman's poised presence within it. The composition draws the viewer's eye down the long perspective of the street, emphasizing the depth of the tree-lined avenue.

The image captures a person from behind, walking away from the viewer on a paved path adorned with scattered autumn leaves. The individual has short, neatly styled grey hair that gently covers the nape of their neck. They wear a striking, deep maroon-colored dress that features a high neckline in the front but opens into a deep V-shape at the back, exposing a significant portion of their upper back. This open back beautifully displays an intricate, large-scale tattoo. The tattoo on their back appears to be a dynamic, abstract design incorporating dark, calligraphic-like strokes with splashes of blue and green, suggesting a fluid, artistic expression. A thin, black choker necklace with a small, metallic detail is visible around their neck, adding a subtle accessory to their ensemble. The dress itself is cinched at the waist with a slim, dark, possibly black leather belt, which provides a slight contrast to the rich maroon fabric. The skirt of the dress flows gracefully, appearing to be made of a lightweight, translucent material that drapes softly, creating a sense of movement. Both arms of the person are extensively tattooed. The left arm features several distinct designs, including abstract geometric shapes and possibly other symbols, rendered in dark ink. The right arm, more clearly visible, showcases a beautiful, flowing botanical tattoo with leafy green patterns that extend down towards the elbow, adding a vibrant touch of color. The setting is an outdoor environment, bathed in natural daylight, characteristic of a sunny autumn day. The path the person walks on is a light-colored concrete or asphalt sidewalk, which is generously covered with a carpet of fallen leaves in warm hues of yellow, orange, and brown. These leaves create a textured ground cover, hinting at the seasonal change. In the background, numerous trees with dense foliage dominate the scene. Their leaves exhibit brilliant shades of yellow and green, indicating the peak of fall colors.

A striking full-body portrait captures a woman standing confidently outdoors in a vibrant autumn setting. She has short, light grey hair and fair skin, with a gentle smile gracing her lips as she looks directly at the camera. She wears a elegant maroon-colored dress that features a fitted, sleeveless bodice with a boat neckline and a full, flowing skirt that reaches her ankles. A slender black belt cinches her waist, accentuating her figure. Adorning her neck is a black choker necklace with an intricate, dark, flower-like pendant at its center. Both of her arms are extensively covered in various black and grey tattoos, which are clearly visible. In her left hand, which rests casually at her side, she holds a pair of dark-rimmed eyeglasses. The background is a lush, expansive green lawn that stretches behind her, leading to a dense line of deciduous trees. These trees are ablaze with brilliant shades of yellow and golden foliage, characteristic of the fall season, creating a warm and colorful contrast to the woman's deep maroon attire. The lighting is bright and natural, casting a soft, even glow across the scene without harsh shadows, highlighting the serene atmosphere and the vibrant natural beauty of the environment. The focus is sharp on the woman, while the background trees are softly blurred, enhancing the depth of field.

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Sèafra @woodward.ca · 5h

This is kind of cool, but also a clear signal that governments have made a conscious decision to invest in both making climate change worse then paying the increasing costs to react to that. Not like, the smartest path.

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APTN News @aptnnews.bsky.social · 6h

The Survivors Flag ceremony on Parliament Hill this morning. Photos from APTN's Keelan Jacobs. Our coverage on this day starts 11:00 a.m. ET. with hosts Tiar Wheatle in Winnipeg and @DennisWardNews in Ottawa. Click here to watch: youtube.com/live/sn25kdf...

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Sèafra @woodward.ca · 6h

So a formerly Canadian company that moved to fucking Scottsdale in 2020 wants to fill Northeast Edmonton with datacentres and gas power plants. To that we say fuck no, right Edmonton? Email and call your city councillors right fucking now. edmonton.taproot.news/news/2026/09...

edmonton.taproot.news

Data centre campus proposed in northeast Edmonton

An American company has applied to amend planning documents to make it easier to build data centres in northeast Edmonton, as Edmonton city council is set to debate further regulating and restricting ...

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Sèafra @woodward.ca · 17h

Well I'll never set foot in there again if they do.

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Sèafra @woodward.ca · 17h

Excellent thread. Read this men.

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Sèafra @woodward.ca · 17h

On this date in 1997 Portishead released their eponymously titled album. Here's the Al-Bum Covers version of that record's artwork.

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Sèafra @woodward.ca · 18h

I’m not even joking. I’m gonna need a different party to vote for in the next election. I love my MLA but this same old bullshit isn’t helping anyone except a comms consultant.

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The Tyee @thetyee.ca · 29/09/2026

Justice Murray declared part of the Controlled Drugs and Substances Act unconstitutional, and trafficking convictions for Drug User Liberation Front co-founders Eris Nyx and Jeremy Kalicum have been stayed. thetyee.ca/News/2026/09...

thetyee.ca

DULF Wins Constitutional Challenge, Judge Applauds Their Work | The Tyee

Compassion club co-founders Eris Nyx and Jeremy Kalicum will avoid prison and Canada told to update its drug laws.

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Sèafra @woodward.ca · 29/09/2026

Sportstalk radio is the worst. The fact that it now also fills hours and hours of TV is just fucking depressing.

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Sèafra @woodward.ca · 29/09/2026

During the playoffs you might need to commandeer your wife's laptop so you can multitask at work. 😁

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Sèafra @woodward.ca · 29/09/2026

Shame on our government for wasting our money on those horrible propaganda ads for their even more horrible referendum. And even more shame on the production company that took money to make those virulently white supremacist questions seem more palatable to regular people.

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Sèafra @woodward.ca · 29/09/2026

It's probably worth noting that none of those teams made the World Series.

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Julie S. Lalonde @julieslalonde.bsky.social · 29/09/2026

I see your 'Don't teach women to stay safe. Teach men not to rape' and my heart is with you but I'm gonna have to be the buzzkill that tells you that we have no evidence of any large scale programming, education, initiatives, etc. that actually deter *men* from committing sexual assault.

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Sèafra @woodward.ca · 29/09/2026

I LOVE shooting with available light, so it was a delight to do a little night time photowalk around the East Village in Calgary with @pretttypriiincesss (IG) and get a bunch of distinct looks.

The image captures a full-body shot of a blonde woman standing in a dimly lit urban alleyway, displaying a blend of vulnerability and strength. She is positioned slightly to the left of the frame's center, looking upwards with her head tilted back and her right arm gracefully extended towards the top of a reddish-brown brick wall. The woman wears a dark, possibly faux fur, coat draped over her shoulders, revealing a black lace lingerie set underneath, consisting of a bralette with crisscross detailing and high-waisted briefs. She also sports black fishnet stockings and knee-high black boots, adding to the edgy aesthetic. A prominent hoop earring is visible on her right ear. To her immediate left and behind her, the textured brick wall stretches upwards, featuring a dark window with multiple panes in its upper section. To her right, a large, dark, metallic or wooden door or gate is closed, creating a stark, almost oppressive background. The ground is a rough concrete surface, where the dramatic low-key lighting casts elongated shadows from her figure and the surrounding structures. A single, strong light source, likely from above and slightly to her left, illuminates her face and upper body, as well as the upper portion of the brick wall, creating a strong contrast with the deep shadows that envelop much of the scene. The atmosphere is mysterious and contemplative, with the woman's upward gaze suggesting a search or aspiration within the gritty urban environment.

The image captures a moody nocturnal scene in an urban environment, featuring a blonde woman standing on a paved sidewalk next to a building. The woman, positioned on the left side of the frame, is leaning against the dark exterior wall of a commercial or residential structure. She is dressed in a striking dark outfit that includes a crop top with criss-cross detailing, high-waisted shorts, black garters, knee-high boots, and a long dark coat draped over her shoulders. Her blonde hair is somewhat disheveled, and she looks upwards and slightly to the right, with one arm raised and bent behind her head, suggesting a pensive or contemplative mood. Above her head, a brightly illuminated rectangular sign, possibly a business sign, emits a strong, cool blue light that casts an ethereal glow on her face, hair, and the adjacent building wall. The sidewalk beneath her feet is composed of dark, rectangular pavers, which reflect the blue light from the sign and the ambient streetlights. The ground textures vary slightly, showing some wear and moisture. To the right of the woman, the sidewalk extends into the distance, bordered by a street lined with trees and streetlights. Several cars are visible further down the street, their headlights creating bright streaks against the dark road, indicating ongoing traffic. The streetlights emit a yellowish-white glow, contrasting with the dominant cool blue and purple tones of the scene. The background reveals glimpses of other urban buildings, with illuminated windows suggesting interior activity. The overall color palette is dominated by deep blues, purples, and blacks, with the vivid blue light serving as a focal point and creating a dramatic atmosphere. The scene evokes a sense of quiet solitude within a bustling city night. The building she leans against appears to have a large window area and a darker, possibly brick or stone, lower section with a reddish-brown wooden paneling visible on the far left.

A woman with blonde hair, styled in a bob, stands confidently in a nighttime urban setting, illuminated by a warm, reddish-orange glow. She faces forward, slightly turned to her left, with her right arm raised and hand resting against a graffitied wall, while her left arm is bent, her hand near her head, and her elbow is slightly away from her body. She wears a dark, possibly black, fluffy or faux fur long coat, which is open to reveal dark green or black lace lingerie consisting of a bra with a criss-cross front design and matching high-waisted briefs. Her legs are clad in sheer dark stockings or thigh-highs with a lace or patterned top edge, and she wears tall, dark leather boots. The woman's expression is serious and direct, contributing to a bold and self-assured atmosphere. Behind her, to the left, is a small, rectangular green utility box with the word "DANDY" visible on its side in white letters. The ground beneath her is a concrete sidewalk covered with scattered dry leaves and debris, indicating an outdoor, somewhat neglected area. The background features blurred lights from distant city buildings, suggesting a vibrant but distant cityscape. The wall beside her is adorned with dark, abstract graffiti, including what appears to be a large, smudged face-like shape and some indistinct text, possibly "YOU LO... MIRA... IS TH...". The overall lighting creates a dramatic and moody scene, emphasizing the textures of her clothing and the grittiness of the urban environment.

A striking photograph captures a woman with bright blonde, curly hair standing behind a large glass window or door in an urban setting at night. Her hands are pressed flat against the transparent surface, palms facing outward, creating a sense of separation and direct engagement with the viewer. She looks directly into the camera with a serious and intense expression. She wears a dark, voluminous fur coat, which is open to reveal a black, lace-up top with a deep V-neck and criss-cross detailing down the front. A portion of her midriff is exposed below the top. Dark stockings, possibly thigh-highs, are visible on her legs. The background is blurred but shows the warm, glowing lights of distant city buildings, reflecting off the glass surface in front of the woman. The predominant colors are the dark tones of her clothing, the light blonde of her hair, and the warm yellow and orange hues of the city lights. The overall lighting is dim, characteristic of a night scene, with artificial illumination creating highlights and reflections. The image conveys an edgy, confident, and somewhat mysterious atmosphere, emphasizing the woman's bold presence against the backdrop of the nocturnal city.

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Sèafra @woodward.ca · 29/09/2026

I want to share this event me & my company is hosting as part of Edmonton startup week. It's free for anyone and we'll teach everything you every wanted to know about modern media skills. How to write for video, who to write for, about gear, and you get to play on camera. luma.com/8mmhfsrk?ref...

luma.com

Step Up: Media Skills for Founders · Luma

Ever pitched your business or product with support from a professional media production studio? Join us at Onlea HQ in downtown Edmonton for an engaging and…

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Sèafra @woodward.ca · 29/09/2026

The big takeaway from this article is that if you work with marginalized and criminalized communities there is ZERO benefit in working with police. It will only come back to bite you. ACAB, always. Defund the police.

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Sèafra @woodward.ca · 29/09/2026

So...my appletv kicked the bucket after many years of loyal service, and the waiting period for a new one to be delivered is more than a month. So I'm entertaining other streaming options I can plug into my dumb tv. Any suggestions of ones you all use and like?

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Sèafra @woodward.ca · 29/09/2026

Just woke at 3am to buy concert tickets like I’m a teenager or something.

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Sèafra @woodward.ca · 29/09/2026

I made a baked rigatoni for my pal @scarletbjornson.bsky.social but it looks too tasty. Imma have to steal a slice.

A Pyrex dish sits atop a stove. In the dish is a baked rigatoni made with garden tomatoes, Italian sausage zucchini and topped with a rich béchamel, and three kinds of cheese.

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Sèafra @woodward.ca · 29/09/2026

I don't need to point how monumentally cynical and stupid this is do I?

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Sèafra @woodward.ca · 29/09/2026

Linkedin encouraging me to connect with Barak Obama is WILDLY overestimating my level of career ambition.

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Sèafra @woodward.ca · 28/09/2026

It is so true. I look like a cop so dudes will all too often share some gross shit with me which I react extremely poorly too. And they're SO ashamed...they know their views are shitty.

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Sèafra @woodward.ca · 28/09/2026

On this date in 2010. Ice Cube released Drink the Kool Aid. Here's the Al-Bum Covers version of that record's artwork.

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Sèafra @woodward.ca · 28/09/2026

These are some of the tearsheets from Bold & Beyond magazine who last week published this set I shot with Alex in the spring. This is our 3rd or 4th time being published together so that's nice. Hilariously, Alex listed herself as a "venue" not a model on her info and the magazine just went with it.

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Sèafra @woodward.ca · 28/09/2026

Today's poems reminded me of my Haiku loving friend @dirklancer.bsky.social and how he's probably enjoy the reminder that he's part of a centuries long tradition of momentary poets. poets.org/poem/three-h...

poets.org

Three Haiku

this and that - drifts to mind - must be the sakura

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Jen the Feisty Librarian @feistywaters.com · 28/09/2026

Neighborhood botanicals.

Photo of a tall Emily Carr ruse bush against a colorful fence and blue sky, fluffy clouds and trees in the background.

Photo of marigolds against a peeling white wooden wall.

Photo of sunflowers against a shed and blue sky.

Photo of sunbeams through a yellow leaved tree and blue sky.

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Sèafra @woodward.ca · 28/09/2026

Engaged in some truly stupid and unnecessary democracy tonight, as can only be done in Alberta. Thanks Danielle...for fucking nothing.

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Sèafra @woodward.ca · 28/09/2026

You can find a good picture just about anywhere. This was a puddle in my back alley.

The image presents an artistic and inverted view of a realistic scene, primarily capturing the reflection in a large puddle on a textured ground surface. The ground, which frames the reflection, appears to be made of small, irregular gravel or asphalt, exhibiting various shades of grey and brown, providing a rough and speckled texture. This gritty surface occupies the upper and lower portions of the frame, acting as the border of the liquid mirror. Within the central area of the image, the reflection vividly displays an expansive sky, characterized by a soft gradient of colors. The upper part of the reflected sky is a delicate light blue, dotted with wispy white clouds that suggest a clear yet dynamic atmosphere. This blue transitions seamlessly into a warm, inviting orange and pink hue towards the lower section of the reflection, indicative of either a serene sunrise or a tranquil sunset. A prominent feature within this reflected landscape is a tall utility pole, dark and slender, rising vertically from the lower part of the reflection and extending upwards. Numerous thin power lines stretch horizontally across the sky, connecting to the pole and creating delicate linear patterns against the colorful backdrop. To the right of the utility pole, the dense canopy of several green trees is visible in the reflection, their forms indistinct but adding a touch of natural foliage to the urban elements. A dark, angular shape, possibly the roofline of a distant building, is also subtly reflected on the far right. The spatial relationship creates a sense of depth, with the sky appearing above the terrestrial elements, even though it's a reflection. The lighting is soft and diffused, casting no harsh shadows within the reflection, which enhances the peaceful and dreamlike atmosphere. Small ripples or disturbances are visible on the surface of the water, slightly blurring some details and adding to the ethereal quality of the scene.

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Sèafra @woodward.ca · 28/09/2026

On this date in 2013, Lorde released her album Pure Herione. Here's the Al-Bum Covers version of that record artwork.

The image presents a dark, monochromatic scene featuring bold, distressed text against an almost black background, suggestive of a wall or a very dark surface. The overall color palette is somber, dominated by deep navy or charcoal tones in the background, which provides a stark contrast to the light-colored lettering. The text itself appears in shades of pale blue, off-white, and muted grey, giving it a faded and weathered appearance. The texture of the letters is rough and granular, enhancing the aged or grunge aesthetic of the image. The text is arranged in three distinct lines, though the words flow together to form a coherent phrase. The uppermost line prominently displays the word "LORDE," with the initial 'L' partially obscured or cut off on the left edge of the frame, and the final 'E' also slightly truncated on the right side. Below "LORDE," centered on the canvas, is the word "PURE." To the left of "PURE," a faint, incomplete letter 'H' is subtly visible, blending into the dark background, hinting at more text. The third and final line of text, positioned directly beneath "PURE," clearly reads "ROIN," with the final 'N' slightly cut off on the right. When combined with the partially visible 'H' and the arrangement, the full phrase conveyed is "LORDE PURE HEROIN," likely referencing the album title. The lighting in the image is dim and low-key, casting a moody and mysterious atmosphere over the scene. There are no harsh highlights or bright sources of illumination, contributing to the overall sense of depth and introspection. The letters possess a slight glow or luminescence that makes them stand out from the dark backdrop, even with their distressed texture. This subtle illumination suggests an internal light or a spotlight directed at the text, rather than a brightly lit environment. The composition is simple yet impactful, focusing entirely on the textual elements and their visual qualities.

A close-up, high-contrast photograph captures luminous white and light blue text on a dark, possibly fabric, background. The upper portion of the image displays the letters "PUR" in a bright, glowing white and light blue hue, with the "P" partially obscured on the left. The letters exhibit a slight texture, suggesting they are printed or embroidered on a material. Below this, the letters "ROI" are prominently featured, also glowing with a soft white and pinkish tint against the dark backdrop. The background itself is a deep, dark blue or black, providing a strong contrast to the illuminated text. The lighting is focused on the text, making it stand out brightly, while the surrounding area remains in deep shadow, creating a dramatic and somewhat mysterious atmosphere. The image emphasizes the textual elements, highlighting their form and luminescence against the dark, undefined surface. The letters appear slightly curved, suggesting the surface might not be perfectly flat.

A close-up, dark photograph displays the album title "LORDE PURE HEROINE" in prominent white capital letters against a textured, deep blue-black background. The word "LORDE" appears at the top, with a faint, dark illustration, possibly a mythical bird or winged creature, positioned below and slightly to its right. Below "LORDE" and the illustration, the words "PURE HEROINE" are stacked, with "PURE" above "HEROINE." The text "HEROINE" is subtly curved, following an arc at the bottom of the visible area. The white letters have a soft, somewhat glowing appearance, contrasting with the dark, slightly desaturated background, which suggests a deep fabric or wall. The lighting is dim, creating a moody and artistic atmosphere, with subtle reflections or light distortions adding texture to the dark surface. The overall impression is one of a stylized, melancholic album cover or promotional image.

The image captures a close-up, dimly lit realistic scene featuring the word "LORDE" boldly projected in white, sans-serif capital letters onto a human body part, likely a shoulder or upper back. The surface of the skin appears smooth and slightly curved, adding a subtle three-dimensional quality to the otherwise flat projection. The letters themselves are stark white and brightly illuminated, standing out dramatically against the deep, dark background. There's a faint, cool blue or greenish tint visible in the shadows surrounding the letters, creating a moody and atmospheric effect. The texture of the skin beneath the projection is discernible, with some subtle imperfections or pores visible within the illuminated areas, adding a touch of realism to the intimate capture. The projection covers a significant portion of the visible body, with the letter 'L' on the far left, followed by 'O', 'R', 'D', and the partial view of an 'E' on the far right, suggesting the full word is displayed. The focus is sharp on the illuminated text, while the surrounding darkness softly blurs into the background, enhancing the prominence of the word. The scene evokes a sense of artistic expression, perhaps from a concert, a photoshoot, or a personal display. The overall ambiance is mysterious and somewhat ethereal, with the stark contrast between the luminous text and the obscure surroundings creating a captivating visual. The lighting is directional and strong on the projected areas, fading rapidly into obscurity in the unlit regions, emphasising the ephemeral nature of light and shadow on a living canvas. The deep blue-green undertones in the shadows contribute to a cool and contemplative atmosphere.

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Sèafra @woodward.ca · 28/09/2026

Can we just make @clareblackwood.bsky.social's version of Danielle Smith the new Alberta flag?

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Sèafra @woodward.ca · 28/09/2026

"Canada's foremost constitutional visionary" I didn't even make it 10 seconds into this video before Clare made beer come out my nose.

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Sèafra @woodward.ca · 28/09/2026

A (mostly) nice and (kinda) silly father dogter portrait in the park thanks to @feistywaters.com

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Sèafra @woodward.ca · 27/09/2026

In response to the "monoculture" discourse I had to seek out "Choosin' Texas" to determine if I had heard it in the wild. I had not. It's fine I guess but that 7 minute long mini movie of a video is like G'n'R November Rain levels of meta hubris.

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Sèafra @woodward.ca · 27/09/2026

It's the third saddest day of the year today.

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