Tom Davidson @tomdavidson92.bsky.social · 18hthe most surprising thing about reorganising/unpacking my movie collection is the realisation I only have one Todd Haynes movie, one Alexander Payne movie and, somehow, just one Renoir… four Ashby’s, six Malick’s and SEVENTEEN Scorsese’s though 000
Tom Davidson @tomdavidson92.bsky.social · 08/10/2026Selling one ticket to Concrete Land screening at 8.55pm tonight. Face value ofc. @lffstubs.bsky.social 000
Tom Davidson @tomdavidson92.bsky.social · 07/10/2026I'm actually more interested in rewatching Furiosa at the moment. 010
Tom Davidson @tomdavidson92.bsky.social · 07/10/2026Here's an exciting idea... I'm set to become a father in the spring. What movies should I watch, or rewatch, before then? And why? 110
Tom Davidson @tomdavidson92.bsky.social · 07/10/2026I'm a movie-only guy. I'm in hock to the streaming powers with music.. 000
Tom Davidson @tomdavidson92.bsky.social · 07/10/2026How do you organise your physical media collection? Mine had been alphabetized by director unless I only had one film by that director, in which case it was by title (after the directors...) But I am getting cold feet - not very user friendly? 100
Tom Davidson @tomdavidson92.bsky.social · 06/10/2026I'd love a ticket to La Perra or Lali on Thursday at NFT2 if anyone is selling. Just a single ticket. @lffstubs.bsky.social 000
Tom Davidson @tomdavidson92.bsky.social · 15/09/2026Werner Herzog finally entering the Criterion Collection as a director 000
Tom Davidson @tomdavidson92.bsky.social · 11/09/2026it feels like an appropriate day to recommend the 9/11 museum in New York - it is simply a must for anyone visiting the city, a visceral but tasteful experience (and one that will take any discerning visitor several hours to traverse and engage with) 021
Tom Davidson @tomdavidson92.bsky.social · 26/08/2026I finished my first full LOTR rewatch for 10 years last night. (Theatrical editions watched in 1hr30 chunks). For the first time I cried at Theoden's death. Bernard Hill was a giant. “I go to my fathers, in whose mighty company I shall not now feel ashamed” 020
Reposted by Tom DavidsonTom Davidson @tomdavidson92.bsky.social · 03/09/2025James Gandolfini was 37 when they shot S1 of The Sopranos. Matt Dillon is 61. 041
Tom Davidson @tomdavidson92.bsky.social · 21/08/2026The Dog Stars: Far better than I expected (but I had low expectations). Ridley is largely on autopilot but some exciting sequences nonetheless. A surprisingly optimistic look at a post-apocalyptic world. 010
Tom Davidson @tomdavidson92.bsky.social · 05/08/2026I would absolutely read a book about Marlon Brando's One Eyed Jacks, goddamn what a picture 210
Tom Davidson @tomdavidson92.bsky.social · 05/08/2026I choose to believe this but I would love to know the source 110
Tom Davidson @tomdavidson92.bsky.social · 04/08/2026I cried reading ‘The Real Heroes Are Dead’ New Yorker long read 020
Reposted by Tom DavidsonDorian Lynskey @dorianlynskey.bsky.social · 03/08/2026I think this confuses the private person, who can be mourned by friends, family and colleagues, and the public figure, whose legacy can be assessed based on his work. These are two different things and they have to coexist 2845751
Tom Davidson @tomdavidson92.bsky.social · 04/08/2026the outpouring of grief for a man who held some pretty loathsome views (or who at least expressed his views in a loathsome way) is pretty sickening 'but he was a lovely man outside of his hateful rhetoric!' 1180
Reposted by Tom DavidsonTim Pelan @johnneyred.bsky.social · 27/07/2026Correct about the whirlpool and the sirens particularly, these elements are rushed. 021
Reposted by Tom DavidsonThomas Bell @realthomasbell.bsky.social · 26/07/2026Fascinating. (Imagine if he'd done this during the 3D movie rage.) 001
Reposted by Tom DavidsonTom Davidson @tomdavidson92.bsky.social · 26/07/2026Did IMAX hold Christopher Nolan back? medium.com/@tomdavidson...medium.comDid Christopher Nolan IMAX himself into a corner with The Odyssey?Christopher Nolan has wanted to make an ‘all IMAX’ movie his whole career. Did The Odyssey suffer for it? 373
Tom Davidson @tomdavidson92.bsky.social · 26/07/2026as I say in my piece, I don’t think the IMAX adds enough as an experience to make it worth truncating the movie… (I’ve seen it at BFI IMAX and on normal digital projection) 000
Tom Davidson @tomdavidson92.bsky.social · 26/07/2026LOTR:ROTK made $1.1bn with a 201 minute run time 100
Tom Davidson @tomdavidson92.bsky.social · 26/07/2026it's very interesting to me that Edith Bowman directly asked Christopher Nolan on her soundtracking podcast how long the first cut was and he dodges the question 020
Tom Davidson @tomdavidson92.bsky.social · 26/07/2026Interesting that Edith Bowman directly asked Christopher Nolan on her soundtracking podcast how long the first cut was and he dodged 000
Tom Davidson @tomdavidson92.bsky.social · 26/07/2026Longer films exist without an intermission (not that I'd have been against an intermission). I just feel that, artistically, there was more meat to the bone and Nolan's IMAX fixation limited him. 110
Tom Davidson @tomdavidson92.bsky.social · 26/07/2026Did IMAX hold Christopher Nolan back? medium.com/@tomdavidson...medium.comDid Christopher Nolan IMAX himself into a corner with The Odyssey?Christopher Nolan has wanted to make an ‘all IMAX’ movie his whole career. Did The Odyssey suffer for it? 373
Tom Davidson @tomdavidson92.bsky.social · 25/07/2026it didn’t feel quite as ‘revolutionary’ as it must have back in the late 60s, when it was considered so dangerous to the French public but that’s what’s interesting about it. To use the worst cliche: the banality of it. This is not glorified nor sensationalised. 000
Tom Davidson @tomdavidson92.bsky.social · 25/07/2026and I’m not going to lie, parts of it felt like a slog to me. Very much one of those ‘homework’ movies that I respect and appreciate but that I won’t rewatch… probably ever? still, it remains a fascinating study of collaborationism and the public’s desire for myth-making 100
Tom Davidson @tomdavidson92.bsky.social · 25/07/2026my favourite documentaries are the ones commissioned by the government that prove to be so toxic to the public psyche they get banned from TV finally FINALLY took the plunge on The Sorrow and the Pity 100
Tom Davidson @tomdavidson92.bsky.social · 24/07/2026He filmed The Odyssey using IMAX cameras throughout (it's the first commercial feature film to ever be 100% IMAX) 120
Tom Davidson @tomdavidson92.bsky.social · 24/07/2026me coming out of my second screening of The Odssey banging on chairs, stomping the ground that akshually it should have been LONGER 100
Tom Davidson @tomdavidson92.bsky.social · 24/07/2026IMAX is an amazing experience and easily the best cinema experience. Nolan should be commended for pushing the format as far as he has... but I have a nagging feeling that hard limit on run time meant his Odyssey isn't what it could have been 100
Tom Davidson @tomdavidson92.bsky.social · 24/07/2026I've written about my IMAX-related problems with The Odyssey medium.com/p/bd3176fe40...medium.comDid Christopher Nolan IMAX himself into a corner with The Odyssey?Christopher Nolan has wanted to make an ‘all IMAX’ movie his whole career. Did The Odyssey suffer for it? 141
Tom Davidson @tomdavidson92.bsky.social · 21/07/2026actually VERY funny to be getting heckled/shushed at work for talking about The Odyssey 110
Tom Davidson @tomdavidson92.bsky.social · 16/07/2026I returned to this excellent Citizen Kane by @bilgeebiri.bsky.social earlier today after encouraging my best friend to watch it… and now, almost inevitably, I want to watch it again www.criterion.com/current/post...criterion.comCitizen Kane: The Once and Future KaneModern in conception but postmodern in effect, the film hailed by many as the greatest ever made has been the subject of cinephilic passion and intense critical analysis since its release in 1941. 041
Tom Davidson @tomdavidson92.bsky.social · 15/07/2026my Christopher Nolan ranking (due an Insomnia rewatch) 000
Tom Davidson @tomdavidson92.bsky.social · 05/07/2026really enjoyed this Slate piece on Brian De Palma's BLOW OUT and like every good bit of criticism it made me very keen to rewatch it www.salon.com/2026/07/04/b...salon.com"Blow Out" exposes the real American wayThe 45th anniversary of Brian De Palma's film meets America's 250th, proving corruption is as American as apple pie. 000
Tom Davidson @tomdavidson92.bsky.social · 04/07/2026Sony is waging war on physical media and the PlayStation is the battleground. We have to fight tooth and nail for our rights as consumers: #Sony #PhysicalMedia #PlayStation medium.com/@tomdavidson...medium.comLong live physical media! The fight must never endPhysical media is more important than ever and the powers that be want to take it from us. 142
Tom Davidson @tomdavidson92.bsky.social · 04/07/2026also features the movie with the damning quote: "America is not a country, it's just a business... now fucking pay men" 000
Tom Davidson @tomdavidson92.bsky.social · 04/07/2026A lot of chat about the 'definitive American movie'... I think my Donald Trump Film Festival list nicely covers a few contenders. Namely: - Heaven's Gate - Citizen Kane - Lone Star (no space for Nashville though) tomdavidson92.medium.com/how-would-yo...tomdavidson92.medium.comHow would you programme a ‘Donald Trump film festival’How can one use film to understand Donald Trump’s rise to power, his political return and his upset victories over ‘the establishment’ 100
Tom Davidson @tomdavidson92.bsky.social · 17/06/2026‘The making of Jurassic Park’ 25 minute documentary dropped on the Universal Pictures at Home YouTube channel last week and it’s really worth your time. 010
Tom Davidson @tomdavidson92.bsky.social · 01/06/2026finding it quite emotional that halfway through Spielberg’s appearance on the Rewatchables podcast to talk about 2001: A Space Odyssey he refers to Kubrick in the present tense for like 40 minutes 020
Tom Davidson @tomdavidson92.bsky.social · 28/05/2026"My entire adult life has been defined by the financial crisis in 2008" interesting interview with Brady Corbet and Mona Fastvold from the FT that I missed a few weeks ago www.ft.com/content/2f37...ft.comBrady Corbet and Mona Fastvold on filmmaking, melodrama and marriageThe brains behind The Brutalist and The Testament of Ann Lee make notoriously difficult films. It’s a special kind of wonderful 010
Tom Davidson @tomdavidson92.bsky.social · 27/05/2026You can read my full Backrooms review here medium.com/@tomdavidson...medium.comBackrooms: Kane Parsons turns the liminal space into a surreal nightmare in horror debutBeneath Backrooms’ horror lies the suggestion that modern life — half-empty offices and anonymous workplaces- is already a kind of maze 010