Good Luck, Have Fun, Don't Die (2025) feels like a movie where the first scene was filmed as a pitch to greenlight everything that followed. The initial premise is genuinely compelling, and the worldb...

The viewing of this movie is perhaps one of the most frustrating moviegoing experiences of my life. What makes it somehow even more insufferable is that that's the entire point. I'm only three sentenc...

Hit Man (2023) is a fascinating and delightfully fun movie about personal identity and how far one is willing to go to reinvent themselves to get unstuck from the rut of their lives. It's one part cha...

ALT: a drawing of a monster with the words * inhales * above it

Ring's new Flock partnership connects your doorbell camera footage to federal surveillance networks that ICE uses to track Americans.

There has always been something special about Shelley’s Frankenstein, the way it distills mankind’s most primal fears and needs, then drapes them in ambition so absolute it becomes pure hubris. That’s...

Relay is a deliciously clever story about a guy who basically runs his own Leverage company solo—except instead of gadgets and a crew, he’s hiding in plain sight using public resources. The title refe...

I can’t help feeling that very few movies these days have anything truly insightful or important to say, at least not the ones that get any real attention. Wake Up Dead Man: A Knives Out Mystery manag...

Deathstalker: Blood, Guts, and Guitar Riffs. Deathstalker (2025) feels like it crawled out of a dusty VHS bargain bin in the best possible way. It has the scrappy soul of an eighties B movie, but with...

Everything Everywhere All at Once is one of those rare movies that manages to capture the human experience in all its messy, overwhelming, beautiful chaos. For most of its runtime, it’s impossibly com...