Reposted by Stanford University Libraries
Oct 2, 1968 Tlatelolco massacre (committed by the Mexican Armed Forces vs students. Check resources tinyurl.com/wkt9kfbd from @stanfordulibraries.bsky.social for more. See also tinyurl.com/bdzzvzkc. @casbsstanford.bsky.social, @spantoja.bsky.social
![Rendón, Joel. Print "Canasta mexicana" from Semillas de identidad. [Mexico]: n.d. Seeds of identity includes 4 unique letter press images (Mexican Still Life, Turkeys for mole, Cooking an identity and Basket of Mexican treasures) highlighting Mexican food items (like avocados, chiles. corn and tomato) that have become part of a rich culinary tradition within and beyond Mexico's borders. Copy 14 of 16. https://searchworks.stanford.edu/view/13244260.](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:gby57qzaubodqvrtr6eb67wf/bafkreibzqaixt7eges67wr25stxdoas2ss4jtmufo3zodkegdu4lnktsza)
![Guerrero Murillo, Marcela and Edinson Montaño [et al]. Hebrando mis raíces[Weaving my roots] https://searchworks.stanford.edu/view/in00000290023. A tribute to Afro identity, history, and cultural resistance, narrated from the perspective of curly hair from an Afro-Colombian young woman. A reflection on displacement, memory, and the symbolic power of hair as a vehicle of resistance and pride. The book uses synthetic fiber to resemble curly hair and is designed to be read bottom up in just the same way as Afro hair grows up and up and up. It’s housed in a box, which has (three-dimensional) braided synthetic hair (Kanekalon) woven into a picture frame design, with a braided knob and hook that serve as a locking mechanism. Bound in printed paper wrappers with a wraparound tab to cover the page edges; pages are double-folded with fold at outer edge. Image: Adan Griego. See also artist's website https://www.hebrandomisraices.com/.](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:gby57qzaubodqvrtr6eb67wf/bafkreig7l2a2edexihjkxa4s2udtxawi3zpy2zkmwonn6yetaunodld7q4)
![romero, gino. The Things We Take (and the Things We Couldn't). [New York, N.Y.]: [gino romero], 2024 https://searchworks.stanford.edu/view/in00000462458. Box set containing an assemblage of items comprising 4 artworks, including: sculpted cut-paper flower with miniature book attached; small manila envelope containing metal key and metal tag on metal key ring; muslin teabag containing rosary made of rolled paper beads and cardstock paper cross; plastic LED votive candle and pop-up paper house "altar." All objects are enclosed in a wooden box that replicates a shipping crate. The top lid of the box features three travel stamps in black: "VZLA," "MIA," "NYC", and printed label in red and white: "Fragile, Please Handle With Care, Thank You."
"This set of books is inspired by what one is able to take and what one is forced to leave behind. These books explore the political crisis in Venezuela, diasporic grief, and religion through personal narratives and poems"--Artist's statement. Edition size of 16, signed and numbered by artist on box, colophon, and each individual art piece. Image: https://booklyn.org/catalog/the-things-we-take-and-the-things-we-couldnt/.](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:gby57qzaubodqvrtr6eb67wf/bafkreiadepk64sj3fhlwokoeem2h6mt4rwn4iqryphi3i55czlsv64i7e4)
![*Accordion book 43 [cuarenta y tres] by Lorena Velazquez https://tinyurl.com/3yyzs8v2](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:gby57qzaubodqvrtr6eb67wf/bafkreifie7orz666sko4pnksda62ngxb6fvifkzy5lpuapys2xbkuitbxy)
