…Western cities govern houselessness through what I conceptualize as deliberate nociception. There is a pervasive, intentional production of sensory pain that functions as a mechanism of regu…

Celebrate the book launch of ‘ The Routledge International Handbook of Sensory Criminology’ through conversation with its writers.

…Western cities govern houselessness through what I conceptualize as deliberate nociception. There is a pervasive, intentional production of sensory pain that functions as a mechanism of regu…

Exploring sensory experience of the criminological

Exploring sensory experience of the criminological

A prize-winning study of the sounds of prison life, and an exploration of victimisation.

Join our online launch of the Routledge International Handbook of Sensory Criminology

In this book, over 40 contributors collectively tune in to how sound-and its absence-can function as a source of power that enables isolation, control and harm,…

These works disrupt conventional treatments of violence, reflecting approaches which recognise both its material and symbolic aspects as well as those of its effects. Violence, here, can be thought…

These works disrupt conventional treatments of violence, reflecting approaches which recognise both its material and symbolic aspects as well as those of its effects. Violence, here, can be thought…

This short post marks the opening of a series dedicated to discussing each of the organising themes of the Routledge International Handbook of Sensory Criminology, in preparation for its launch. Ea…

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What does it mean to be confined—and what forms of life, resistance, and care emerge in response? Agency Beyond Confinement rethinks the social life of confinement by refusing binaries: structure vs. ...

The defining characteristic of the Chopped and Screwed sonic aesthetic – blending with the experience of lean – lies in its ability to distort the listener’s perception of time. This te…

The Routledge International Handbook of Sensory Criminology reimagines what criminology can become when we take the senses seriously. Centring the sensory as fundamental to the experience of harm, jus...

The defining characteristic of the Chopped and Screwed sonic aesthetic – blending with the experience of lean – lies in its ability to distort the listener’s perception of time. This te…

The defining characteristic of the Chopped and Screwed sonic aesthetic – blending with the experience of lean – lies in its ability to distort the listener’s perception of time. This te…

Peanut butter and jelly time: Memories of a former juvenile corrections officer Nabil Ouassini Youth Justice, Corrections, Prisons, Children, Taste, Smell The Pervasive and Unknown Effects of Senso…

Sound, Order and Survival in Prison - The Rhythms and Routines of HMP Midtown; The soundscape of prison life is that of constant clangs, bangs and jangles. What is the significance of this cacophonous...

The unit always had problems with flickering lights that made the darkness thick. As our eyes adjust to the dark, the musty walls and rusted iron bars remind us of the countless children and office…

The unit always had problems with flickering lights that made the darkness thick. As our eyes adjust to the dark, the musty walls and rusted iron bars remind us of the countless children and office…

The unit always had problems with flickering lights that made the darkness thick. As our eyes adjust to the dark, the musty walls and rusted iron bars remind us of the countless children and office…

The unit always had problems with flickering lights that made the darkness thick. As our eyes adjust to the dark, the musty walls and rusted iron bars remind us of the countless children and office…

The unit always had problems with flickering lights that made the darkness thick. As our eyes adjust to the dark, the musty walls and rusted iron bars remind us of the countless children and office…

The sensory input of the unknown is invisible and profound. We ignore our sense of smell until we have a head cold and lose taste. In policing, smell itself acts like a warning system; approaching …

The sensory input of the unknown is invisible and profound. We ignore our sense of smell until we have a head cold and lose taste. In policing, smell itself acts like a warning system; approaching …

The sensory input of the unknown is invisible and profound. We ignore our sense of smell until we have a head cold and lose taste. In policing, smell itself acts like a warning system; approaching …

The sensory input of the unknown is invisible and profound. We ignore our sense of smell until we have a head cold and lose taste. In policing, smell itself acts like a warning system; approaching …

The sensory input of the unknown is invisible and profound. We ignore our sense of smell until we have a head cold and lose taste. In policing, smell itself acts like a warning system; approaching …

The sensory input of the unknown is invisible and profound. We ignore our sense of smell until we have a head cold and lose taste. In policing, smell itself acts like a warning system; approaching …

Exploring sensory experience of the criminological