An interview with filmmaker Shinya Tsukamoto, directed of Mr. Nelson, Did You Kill People?, for film review site In Review Online.

The Christophers, the latest film by director Steven Soderbergh, is an arch, acerbic two-hander about a reclusive London artist

Since the release of defining 70s doc Harlan County, USA, film-makers have captured workers’ tenacity and solidarity

Since the release of defining 70s doc Harlan County, USA, film-makers have captured workers’ tenacity and solidarity

John Boorman needed a career comeback. Along came 'Excalibur.'

The director and lead actor Toni Servillo open up on their seventh collaboration for the screen, a wintry reflection on power, fragility and the importance of doubt

Introducing elements impossible to contain to a single film while repeating the show, Peaky Blinders: The Immortal Man can't have it all.

The Oscar-nominated star is outstanding as a man marked for death in The Secret Agent, a simmering political thriller about historical crimes that nods to Brazil's current flirtation with the far-righ...

The Oscar-nominated star is outstanding as a man marked for death in The Secret Agent, a simmering political thriller about historical crimes that nods to Brazil's current flirtation with the far-righ...

A Hong Kong violinist grapples with visions of her future self in a meandering drama where resonant moments are few and far between.

A Hong Kong violinist grapples with visions of her future self in a meandering drama where resonant moments are few and far between.

Guillermo del Toro’s take on the famous monster arrives nearly 100 years after Dr. Frankenstein’s creation first came alive onscreen.

Elordi in Frankenstein demonstrates the clear difference between a territorial, self-obsessed narcissism and a messy, still-developing self-awareness.

A procession of Iranian characters weigh both the value of vengeance and the pain of uncertainty in Jafar Panahi's It Was Just an Accident.

The critically panned prequel has deservedly earned classic status — and it has a 4K Blu-ray restoration to match.

How Paul Thomas Anderson's movie both draws from and differs from the Thomas Pynchon novel that inspired it.

Slow Horses is back for another messy adventure with MI5’s least loved and, by this point, criminally undervalued department, who kick off Season 5 by dealing with “Bad Dates.”

Funniest performance of the year continues a trend of entertaining stupidity and incompetence.

The best 'Resident Evil' film finally nailed the formula. And it only took Paul W.S. Anderson four tries.

Elordi in Frankenstein demonstrates the clear difference between a territorial, self-obsessed narcissism and a messy, still-developing self-awareness.

There is something instantly appealing about The Girlfriend, which goes to some extremely dramatic places. But it is saddled with the cheapness inherent to this chapter in the streaming empire.

Kerr tells TIME about his MMA career, addiction and recovery, and working with Dwayne Johnson who portrays him in the new movie.

Playing Nice is a thriller about a malicious, powerful man consumed with violent, repressed urges. This is simple, classic Gothic material, handled without awareness of style or the pleasures of genre...

Hostage lacks a sense of political realism or nuance, even before the miniseries delves into a ludicrous and mostly tension-free kidnapping plot that cuts to the heart of the British leadership.