Reposted by Stephen Troussé
#NYFF64
“The reemergence of [Paula Delsol’s] LA DÉRIVE [1964] is part of one of the most significant phenomena in contemporary film culture: an archive fever running high enough to inspire delirium.”
Erika Balsom @nybooks.com — www.nybooks.com/online/2026/...
nybooks.com
Sand Castles | Erika Balsom
To begin, a guessing game. The February 1967 issue of Cahiers du cinéma includes a “Dictionary of New French Cinema” comprising capsule commentaries on