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The New York Review of Books

@nybooks.com
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‘The premier literary-intellectual magazine in the English language.’

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Samuel Moyn @samuelmoyn.bsky.social · 22h
Mark Lilla’s preface to the new edition of Judith Shklar’s “The Liberalism of Fear” www.nybooks.com/online/2026/...
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From Fear Set Free | Mark Lilla
Humankind cannot bear very much uncertainty; to our dying day, we are all afraid of the dark. And so we perceive the world selectively, exaggerating the
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Reposted by The New York Review of Books
florinatufescu.bsky.social @wildelady.bsky.social · 3h
An important article on mathematics, the ethics of authorship and AI vs the pleasures of thinking and collaborating with fellow scientists.
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The New York Review of Books @nybooks.com · 2h
“Are there ways to protest that are more effective? Can the left resist becoming authoritarian, while also avoiding endless horizontalist discussions of its own processes?” —@rachelbnolan.bsky.social
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Can Resistance Be Copied? | Rachel Nolan
From 2010 to 2020, more people crowded onto the streets around the world to protest than at any other time in known history. Starting with what is often
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The New York Review of Books @nybooks.com · 3h
Ian Tattersall on our debt to Lamarck
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Posterity Avenged Him | Ian Tattersall
In a society still solidly creationist in outlook, Jean-Baptiste Lamarck was the first working scientist to embrace the modern idea that species or lineages of organisms can evolve over time.
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The New York Review of Books @nybooks.com · 4h
“In its preoccupation with what Politanoff calls the ‘abject-adjacent features’ of manospheric culture, Dad Had a Bad Day also has something in common with Ottessa Moshfegh’s My Year of Rest and Relaxation and Yasmin Zaher’s The Coin.” —Anahid Nersessian
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Sad-Maxxing | Anahid Nersessian
Ashton Politanoff's new novel tells the story of sad dads and washed-up jocks vying for a phantom ideal of masculinity.
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The New York Review of Books @nybooks.com · 6h
“What we are witnessing is a spectacle of computational power staged to acquire market share, and with it control of a landscape that extends well beyond mathematics.” —Dan Rockmore
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The Work of Math in the Age of Artificial Reproduction | Dan Rockmore
There are seven questions in pure mathematics deemed important enough by the Clay Mathematics Institute, a nonprofit foundation devoted to “furthering the
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The New York Review of Books @nybooks.com · 7h
The revival of Paula Delsol’s La Dérive raises the question of how a film “so accomplished and so proximate to the French New Wave could remain so little known for so long,” Erika Balsom writes.
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Dublin Review of Books @dubreviewofbooks.bsky.social · 29/09/2026
Free to read after registration.
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The New York Review of Books @nybooks.com · 29/09/2026
Joseph Horowitz on Gustavo Dudamel and the future of the New York Philharmonic
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Dudamel’s New York Dream | Joseph Horowitz
The concert orchestra is an American specialty. Theodore Thomas, whose touring Thomas Orchestra, founded in 1862, was the first world-class New World
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The New York Review of Books @nybooks.com · 29/09/2026
Václav Havel on how to defy an authoritarian state
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Getting into Trouble | Václav Havel, Paul Wilson
Almost fifty years after the Czechoslovak human rights initiative Charter 77 was first reported in the Review’s pages, Václav Havel’s own long-lost account of his imprisonment now appears in English f...
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The New York Review of Books @nybooks.com · 29/09/2026
Simon Callow on Martin Sherman and the making of his play ‘Bent‘
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The Road to ‘Bent’ | Simon Callow
Very occasionally a play has a significance beyond the confines of the theater. Beaumarchais’s Le Mariage de Figaro (1778) sounded the death knell of the
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The New York Review of Books @nybooks.com · 29/09/2026
“Charles Lamb wrote to Coleridge again: ‘Please to blot out gentle-hearted, and substitute drunken: dog, ragged-head, seld-shaven, odd-eyed, stuttering, or any other epithet which truly and properly belongs to the gentleman in question.’” —Frances Wilson
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‘Writing on One Table’ | Frances Wilson
Charles Lamb’s camp, mischievous, melancholic alter ego, Elia, owes much to his sister, Mary, with whom he lived for forty years, absorbing her “rambling chat.”
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The New York Review of Books @nybooks.com · 29/09/2026
“The big picture is one of American orchestras in crisis, coping or not.” —Joseph Horowitz
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Dudamel’s New York Dream | Joseph Horowitz
The concert orchestra is an American specialty. Theodore Thomas, whose touring Thomas Orchestra, founded in 1862, was the first world-class New World
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The New York Review of Books @nybooks.com · 28/09/2026
Dan Rockmore on AI’s pretensions to doing math
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The Work of Math in the Age of Artificial Reproduction | Dan Rockmore
There are seven questions in pure mathematics deemed important enough by the Clay Mathematics Institute, a nonprofit foundation devoted to “furthering the
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The New York Review of Books @nybooks.com · 28/09/2026
“The world has enough jockeying for attention, and not enough of whatever you might call this project.” —Lena Beug and Jason Logan, interviewed by Leanne Shapton
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A Plum Assignment | Lena Beug, Jason Logan, Leanne Shapton
The cover for our Fall Books Issue—a painting of ripe purple plums in a punnet, surrounded by hand-painted cover lines—was an unexpected
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Andrew Smith @oldboysmith.bsky.social · 28/09/2026
Córdoba spoke for the collaboration that made the whole thing possible: “I don’t use AI. I have Luis.” www.nybooks.com/online/2026/...
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The Work of Math in the Age of Artificial Reproduction | Dan Rockmore
There are seven questions in pure mathematics deemed important enough by the Clay Mathematics Institute, a nonprofit foundation devoted to “furthering the
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The Neukom Institute For Computational Science at Dartmouth @theneukominstitute.bsky.social · 28/09/2026
Neukom Director Dan Rockmore at @dartmouthartsci.bsky.social Dartmouth in The New York Review "OpenAI showed that one of the world’s most important math problems can “experience a singularity.” But did we?" www.nybooks.com/online/2026/...
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The Work of Math in the Age of Artificial Reproduction | Dan Rockmore
There are seven questions in pure mathematics deemed important enough by the Clay Mathematics Institute, a nonprofit foundation devoted to “furthering the
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Sam Feldman @srfeld.bsky.social · 27/09/2026
"From 2010 to 2020, more people crowded onto the streets around the world to protest than at any other time in known history." What did they accomplish? @rachelbnolan.bsky.social reviews Vincent Bevins's book "If We Burn: The Mass Protest Decade and the Missing Revolution" for @nybooks.com.
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Can Resistance Be Copied? | Rachel Nolan
From 2010 to 2020, more people crowded onto the streets around the world to protest than at any other time in known history. Starting with what is often
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The New York Review of Books @nybooks.com · 28/09/2026
Erika Balsom on Paula Delsol’s La Dérive, a film that fully justifies the fanfare around its rediscovery
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Sand Castles | Erika Balsom
To begin, a guessing game. The February 1967 issue of Cahiers du cinéma includes a “Dictionary of New French Cinema” comprising capsule commentaries on
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The New York Review of Books @nybooks.com · 28/09/2026
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War Games | Yara Zgheib
My father brought books to the basement. During the air raids we read Twenty Thousand Leagues Under the Sea, Treasure Island, Around the World in Eighty
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The New York Review of Books @nybooks.com · 28/09/2026
“In a society that viewed the world as static and unchanging, Lamarck was the first working scientist ever to recognize from empirical evidence…that the natural world we see today reflects a long history of physical change.” —Ian Tattersall
nybooks.com
Posterity Avenged Him | Ian Tattersall
In a society still solidly creationist in outlook, Jean-Baptiste Lamarck was the first working scientist to embrace the modern idea that species or lineages of organisms can evolve over time.
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The New York Review of Books @nybooks.com · 28/09/2026
“From one work to the next you see de Kooning pushing his materials and abilities to the limit to learn what else they might do just on the edge of his control.” —Jarrett Earnest
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De Kooning Draws a Picture | Jarrett Earnest
Willem de Kooning's works on paper document his efforts to find ways of retaining both image and abstraction, depth and flatness.
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The New York Review of Books @nybooks.com · 28/09/2026
“The predominantly gay audiences that came to Sherman’s play [Passing By] were taken aback by its avoidance of stereotype and cliché.… It was not until it existed that we knew what we had been missing: an accurate portrait of ourselves.” —Simon Callow
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The Road to ‘Bent’ | Simon Callow
Very occasionally a play has a significance beyond the confines of the theater. Beaumarchais’s Le Mariage de Figaro (1778) sounded the death knell of the
031
The New York Review of Books @nybooks.com · 28/09/2026
“It is significant that the final word of the title of his final novel is silence, Vargas Llosa’s way of acknowledging, like Hamlet and Lalo Molfino, that he is also impenetrable, that he has nothing more to say.” —Ariel Dorfman
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The Strange Music of Mario Vargas Llosa | Ariel Dorfman
When Mario Vargas Llosa announced in October 2023 that his new novel, Le dedico mi silencio—now published in English as I Give You My Silence—would be his
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The New York Review of Books @nybooks.com · 27/09/2026
“We have never needed more to believe in—and defend—the possibility of a rigorous, fact-based telling of slavery’s history.” —Drew Gilpin Faust
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The Slave’s Power | Drew Gilpin Faust
Two recent books employ inventive approaches to read against the grain of the archive of slavery produced by those who built and benefited from it.
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The New York Review of Books @nybooks.com · 27/09/2026
“Charles Lamb called life with [his sister] Mary ‘a sort of double singleness.’” —Frances Wilson
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‘Writing on One Table’ | Frances Wilson
Charles Lamb’s camp, mischievous, melancholic alter ego, Elia, owes much to his sister, Mary, with whom he lived for forty years, absorbing her “rambling chat.”
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The New York Review of Books @nybooks.com · 27/09/2026
“I sifted through the agent’s files, then followed his tracks, to Kenya, Saudi Arabia, Greece, New Hampshire, and Russia.” —Taryn Simon
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Mother Country | Taryn Simon
When I was nine, I helped my father build a life-size replica of the intelligence officer Jim Thompson’s Bangkok living room in our home. We listened to
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The New York Review of Books @nybooks.com · 27/09/2026
“What sticks with me is her own frailty, and her strength too, the strength that allows for the care and craft behind this picture of a narrator on the edge.” —Michael Gorra on Nancy Lemann
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Nothing Stays Buried | Michael Gorra
Nancy Lemann sets her sad screwball novels of manners in the closed-off world of upper-crust white New Orleans that she grew up in.
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The New York Review of Books @nybooks.com · 27/09/2026
“Lisa Robertson’s ‘Riverwork’ [evokes] overlapping Parises that chime with one another like a ghostly carillon. It may be one of the best travel experiences you could have of the city these days.” —Ange Mlinko
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Flow Chart of Paris | Ange Mlinko
Books are no substitute for experience, and yet for most of us certain places are either out of reach or too expensive to inhabit for more than a
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The New York Review of Books @nybooks.com · 27/09/2026
“Here are sad dads and washed-up jocks, suburbanites in their thirties and forties dipping their toes into the manosphere by embracing its protocols of relentless self-optimization.” —Anahid Nersessian on Ashton Politanoff’s ‘Dad Had a Bad Day’
nybooks.com
Sad-Maxxing | Anahid Nersessian
Ashton Politanoff's new novel tells the story of sad dads and washed-up jocks vying for a phantom ideal of masculinity.
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The New York Review of Books @nybooks.com · 27/09/2026
“Trump learned one very big thing from Roy Cohn: that the veneer of morality in the American upper class is very thin. Cohn proved conclusively that there is no limit to its tolerance for corruption.“ —@fotoole.bsky.social
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Devils in America | Fintan O’Toole
Toward the end of his biography of Roy Cohn, written with his wife, Susan Goldmark, Kai Bird quotes the editor and publisher Jason Epstein: “In a way,
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The New York Review of Books @nybooks.com · 27/09/2026
Martin Filler on the day he went to Roy Cohn’s office, where he was “startled to find that behind the imposing limestone façade of this midblock Beaux-Arts mansion were interiors as shabby and barren as a Morningside Heights frat house.”
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Doing Business with the Devil | Martin Filler
Aside from being a modern morality tale, American Scoundrel: Roy Cohn’s Dark Journey from Joe McCarthy to Donald Trump, by Kai Bird with Susan Goldmark,1
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The New York Review of Books @nybooks.com · 26/09/2026
“Nuclear war planners rely more and more on artificial intelligence, which automates the process and reduces the time for human judgment.” —Jerry Brown on the threat of nuclear apocalypse
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‘I Taste Ashes in the Wind’ | Jerry Brown
Ever since the end of the cold war, the subject of nuclear war and the profound threat it poses to humanity has suffered a “peculiar invisibility.” This
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The New York Review of Books @nybooks.com · 26/09/2026
Frances Wilson on the beautiful codependence of Charles and Mary Lamb
nybooks.com
‘Writing on One Table’ | Frances Wilson
Charles Lamb’s camp, mischievous, melancholic alter ego, Elia, owes much to his sister, Mary, with whom he lived for forty years, absorbing her “rambling chat.”
010
The New York Review of Books @nybooks.com · 26/09/2026
“That space of vertiginous contingency and mirage-like ambiguity is the true province of de Kooning’s art and can be uniquely accessed through his thousands of extant sketches, tracings, and collages.” —Jarrett Earnest
nybooks.com
De Kooning Draws a Picture | Jarrett Earnest
Willem de Kooning's works on paper document his efforts to find ways of retaining both image and abstraction, depth and flatness.
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The New York Review of Books @nybooks.com · 26/09/2026
“Watercolor doesn’t forgive, and the implied planning and the lack of outline in big works like this are what make the exhibition—the first museum retrospective for Nilsson, who is eighty-six—so strong.” —Walker Mimms
nybooks.com
Fleshing It Out | Walker Mimms
The artist Gladys Nilsson is one of our great watercolorists, and also one of our great mannerists. Mannerist in the sense that she distorts human
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The New York Review of Books @nybooks.com · 26/09/2026
“There is nothing to restrain the US or Russia other than Trump’s or Putin’s personal assessment of national interest. China, meanwhile, has been accelerating its nuclear buildup.” —Jerry Brown on nuclear apocalypse
nybooks.com
‘I Taste Ashes in the Wind’ | Jerry Brown
Ever since the end of the cold war, the subject of nuclear war and the profound threat it poses to humanity has suffered a “peculiar invisibility.” This
060
The New York Review of Books @nybooks.com · 26/09/2026
“The threat to morality today is less our consciousness of its diversity than the growing consensus that it’s a sucker’s game.” —Susan Neiman
nybooks.com
Is Morality Universal? | Susan Neiman
In The Diversity of Morals, Steven Lukes attempts to reconcile philosophical arguments that there is one morality despite cultural differences with empirical studies that suggest it’s all relative.
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The New York Review of Books @nybooks.com · 26/09/2026
“Ray Charles once introduced [Billy Preston] as the young man he wanted to carry on the work he started, and that’s what Preston did.... He pushed Charles’s gospel-derived rhythm and blues into a kind of funk that could cohabitate with flower-power pop-rock.” —Brian Seibert
nybooks.com
In Billy’s Band | Brian Seibert
Among the many astonishing moments in Get Back—the 2021 documentary that Peter Jackson made from rehearsal footage of the Beatles in January 1969,
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The New York Review of Books @nybooks.com · 25/09/2026
“My entire theory of writing is indebted to looking at floor plans with my mother as a child—which gave me the sense of language as something spatial and inhabitable.” —Christopher Alessandrini
nybooks.com
‘A Certain Grain of Stupidity’ | Christopher Alessandrini, Nandini Krishnan
In 1961, on a barrier island off the coast of Georgia, Eleanor “Sandy” Torrey West and her husband founded a residency, the Ossabaw Island Project (OIP).
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The New York Review of Books @nybooks.com · 25/09/2026
Anahid Nersessian on Ashton Politanoff’s sad-dad novel
nybooks.com
Sad-Maxxing | Anahid Nersessian
Ashton Politanoff's new novel tells the story of sad dads and washed-up jocks vying for a phantom ideal of masculinity.
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The New York Review of Books @nybooks.com · 25/09/2026
“Very occasionally a play has a significance beyond the confines of the theater,” writes Simon Callow. “Martin Sherman’s play Bent (1979), an excoriating account of the Nazi persecution of homosexuals…, belongs to this select category.”
nybooks.com
The Road to ‘Bent’ | Simon Callow
Very occasionally a play has a significance beyond the confines of the theater. Beaumarchais’s Le Mariage de Figaro (1778) sounded the death knell of the
051
The New York Review of Books @nybooks.com · 25/09/2026
Ange Mlinko on Lisa Robertson’s second novel
nybooks.com
Flow Chart of Paris | Ange Mlinko
Books are no substitute for experience, and yet for most of us certain places are either out of reach or too expensive to inhabit for more than a
010
The New York Review of Books @nybooks.com · 25/09/2026
“It could be ventured that Vargas Llosa’s life has been dedicated in his foremost works to mapping out ‘a radiography of Peruvian unhappiness’ and trying to resolve the puzzle of a land forged from the hostility of todas las sangres.” —Ariel Dorfman
nybooks.com
The Strange Music of Mario Vargas Llosa | Ariel Dorfman
When Mario Vargas Llosa announced in October 2023 that his new novel, Le dedico mi silencio—now published in English as I Give You My Silence—would be his
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The New York Review of Books @nybooks.com · 25/09/2026
“Gustavo Dudamel’s popularity with the New York Philharmonic’s subscribers is already evident the instant he takes the stage…. It’s the orchestra’s destination that remains unknown” —Joseph Horowitz
nybooks.com
Dudamel’s New York Dream | Joseph Horowitz
The concert orchestra is an American specialty. Theodore Thomas, whose touring Thomas Orchestra, founded in 1862, was the first world-class New World
030
The New York Review of Books @nybooks.com · 25/09/2026
Michael Gorra on Nancy Lemann’s New Orleans
nybooks.com
Nothing Stays Buried | Michael Gorra
Nancy Lemann sets her sad screwball novels of manners in the closed-off world of upper-crust white New Orleans that she grew up in.
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The New York Review of Books @nybooks.com · 25/09/2026
“Art and ideas take time to gestate; they have an inner logic or rhythm that doesn’t necessarily map onto contemporary models of productivity.”
nybooks.com
‘A Certain Grain of Stupidity’ | Christopher Alessandrini, Nandini Krishnan
In 1961, on a barrier island off the coast of Georgia, Eleanor “Sandy” Torrey West and her husband founded a residency, the Ossabaw Island Project (OIP).
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The New York Review of Books @nybooks.com · 25/09/2026
“Speaking as a reader, it does seem that nothing stays buried in New Orleans, and not just because the graves in its fabled flood-prone cemeteries are all above ground.” —Michael Gorra on Nancy Lemann’s New Orleans
nybooks.com
Nothing Stays Buried | Michael Gorra
Nancy Lemann sets her sad screwball novels of manners in the closed-off world of upper-crust white New Orleans that she grew up in.
020
The New York Review of Books @nybooks.com · 25/09/2026
Taryn Simon on documenting a spy
nybooks.com
Mother Country | Taryn Simon
When I was nine, I helped my father build a life-size replica of the intelligence officer Jim Thompson’s Bangkok living room in our home. We listened to
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The New York Review of Books @nybooks.com · 25/09/2026
“Although Darwin would later readily admit his debt to Lamarck in his private notebooks, the French zoologist’s public obscurity lasted for the better part of a century.” —Ian Tattersall
nybooks.com
Posterity Avenged Him | Ian Tattersall
In a society still solidly creationist in outlook, Jean-Baptiste Lamarck was the first working scientist to embrace the modern idea that species or lineages of organisms can evolve over time.
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