iiinova — where your digital self keeps evolving

Inside also… Leila Latif interviews location scout Lori Balton whose illustrious career includes finding original LA locations for Michael Mann's Heat. We hear her outspoken take on the current state of location shooting.

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Inside also… Emma Fraser looks into her crystal ball to see what small-screen viewers have ahead of them on an increasingly precarious streaming landscape.

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Inside also… The great @badideas.bsky.social offers diagnosis and cure for some of Hollywood's most pressing ills, from mergers and AI to a bizarre industry belief that human creativity isn't all it's cracked up to be (when money-saving is involved).

A scene from Casablanca with modern digital aspects and the title I Can Fix You

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Inside also… Christina Newland looks at a pattern of systemic misogyny in the lives of fallen female actors in a special dossier called Three Women.

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Inside the issue… Billie JD Porter takes a Polaroid camera down Hollywood Boulevard in the year of our lord 2026. This is the story of that chilling day.

A magazine spread that says On Hollywood Boulevard

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Little White Lies is a premium, print media shrine to the craft of movies. If you want to support our mission of celebrating the amazing people who make movies, consider subscribing here with the code TRUTH&MOVIES10 for a 10% discount lwlies.imbmsubscriptions.com

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Little White Lies @lwlies.com · 04/06/2026

Announcing… The new print edition of Little White Lies is here. Issue 113 is an illustrated exploration into the future of Hollywood, available now for pre-order. The cover art is by Nottinghamshire-based illustrator Nick Taylor.

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LWLies 16: The Persepolis issue RIP to the great Marjane Satrapi

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Little White Lies @lwlies.com · 22/05/2026

We’re offering a 20% discount on annual magazine subscriptions! We know that times are tough, but just know that a subscription to LWLies is a shot across the bow to all the artificial slop that is currently clogging up the arteries of our culture. 👉 lwlies.imbmsubscriptions.com/cannes26

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Little White Lies @lwlies.com · 20/05/2026

Live from La Croisette, a Truth & Movies Cannes Film Festival Special – listen wherever you get your podcasts! lwlies.com/podcast/a-t-...

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Little White Lies @lwlies.com · 27/04/2026

Next Thursday, 7 May at 18:30, join us at the Rio Cinema for the first of three mystery screenings that we'll be presenting (on 35mm!) as part of the #RIOFOREVER celebrations: riocinema.org.uk/Rio.dll/What... 🎟️ £5 standard tickets 🎟️ £10 tickets include a copy of the magazine

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Little White Lies @lwlies.com · 10/04/2026

A new dawn rises: The first edition of LWLies Weekly, with a letter from our digital editor, @hannahstrong.co.uk, highlighting exactly what to expect from our brand new, free weekly newsletter 💌 Subscribe to get it straight to your inbox: eepurl.com/lfBCT

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Little White Lies @lwlies.com · 01/04/2026

We’ve got a fun treat coming your way next Friday, 10 April 👀 Introducing LWLies Weekly: A weekly dispatch newsletter featuring mini-essays from a rotating list of contributors and a neat round-up of all the stories, reviews and podcast episodes we’ve published. Subscribe: eepurl.com/lfBCT

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Little White Lies @lwlies.com · 26/03/2026

£5 tix with code LWLIES24 to screenings at MUBI’s Stories From Home fest at Hackney’s amazing Castle Cinema this Saturday! Kleber Mendonça Filho’s Neighbouring Sounds Sean Baker’s The Florida Project Ti West’s The House of the Devil Elegance Bratton’s Pier Girls thecastlecinema.com/organisation...

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The issue is available to purchase now and delivered worldwide: lwlies.imbmsubscriptions.com/currentissue Massive discounts on annual subscriptions also available: lwlies.imbmsubscriptions.com Or, by the weekend, it will be available in all good retailers of fine print products. Thanks!

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Inside the issue we've got an interview with Mark Jenkin (among others!) about his wonderful Rose of Nevada, plus reviews of all the best March/April UK releases, the cream of home ents releases, reports from Rotterdam and Berlin and a little preview of the BFI’s upcoming Trash! season.

The issue also contains a Jarmusch dossier with new essays and 7" record sleeve-inspired illustrations for each one of his 13 fiction features. Contributors include: Mark Asch, @briannazigs.bsky.social, @leonardogoi.bsky.social, Lucy Peters, @willowcatelyn.bsky.social, @kambole.bsky.social…

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We have deep-dive craft interviews with two of Jarmusch’s closest collaborators: cinematographer Frederick Elmes and costume designer Catherine George.

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Inside the issue, we've got a celebration of Father Mother Sister Brother which includes a longform review of the film by @blakethinks.bsky.social, a music-skewed profile of Jim Jarmusch by @msclairebiddles.bsky.social and an essay on JJ’s unique deployment of actors by @daveyjenkins.bsky.social.

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Little White Lies @lwlies.com · 06/01/2026

Announcing… the new print edition of Little White Lies, inspired by the cinema of Jim Jarmusch, with special focus on his wonderful new film, Father Mother Sister Brother, which is out in the UK on 10 April. The cover is by Berlin-based illustrator Yannik Saal.

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One of the giants of modern European cinema has fallen. RIP Hungarian maestro, Béla Tarr. Damnation, Satantango, Werckmeister Harmonies, The Turin Horse… to have made just one of these extraordinary films would have been a life's work completed.

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Little White Lies @lwlies.com · 17/12/2025

💃 Hold everything!!! 💃 Introducing… LWLies issue 111, dedicated to the meta-musical marvel that is Mona Fastvold’s The Testament of Ann Lee. Cover art by Aleksandra Czudżak

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Little White Lies @lwlies.com · 15/12/2025

Absolutely devastating news about the passing of Rob Reiner and his wife Michelle. What an achievement to make so many people’s favourite film, but from a range of six different titles. Here on the set of the superlative and unique The Princess Bride.

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Little White Lies @lwlies.com · 24/11/2025

Udo Kier, a unique presence who could do more in 2 mins of screen time than most actors could do in 90+. RIP

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Little White Lies @lwlies.com · 30/10/2025

Daylight savings got you down? Us too, but we’ve got a scarily good offer to lift your spirits 👻 For the next 48 hours, get 20% off on a subscription to LWLies magazine: lwlies.imbmsubscriptions.com/creature20

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Little White Lies @lwlies.com · 27/10/2025

LWLies 110: The Frankenstein issue. Oct/Nov 2025. Cover by @boglio.bsky.social

Little White Lies @lwlies.com · 27/10/2025

LWLies 73: The Shape of Water issue. Jan/Feb 2018 Cover by @jenniferdionisio.com

Little White Lies @lwlies.com · 27/10/2025

LWLies 61: The Crimson Peak issue. Sept/Oct 2015 Cover by @danmumforddraws.bsky.social

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And we have a special design showcase by illustrator and tattoo artist Sophie Mo, who dissects and rearranges some the most memorable monsters of GDT’s career.

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@jakecole.bsky.social writes brilliantly in praise of graphic novelist Bernie Wrightson, telling the story of his iconic 1983 version of Frankenstein which remains one of Guillermo del Toro’s most cherished visual influences.

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Demonstrating the malleability of Mary Shelley’s iconic text, @willsloanesq.bsky.social catalogues ten of the strangest Frankenstein adaptations ever made.

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@daveyjenkins.bsky.social talks to production designer Tamara Deverell and costume designer Kate Hawley on what it was like to delve inside GTD's brain.

The great @rafiews.com sits with Mia Goth whose quietly transcendent performance as melancholy lepidopterist Elizabeth gives the film its yearning heart.

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@hannahstrong.co.uk conducts a trio of deep-dive interviews with del Toro, Oscar Isaac and Jacob Elordi for this revealing and emotional cover feature.

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In review, Sophie Monks Kaufman recalls her own formative encounter with Frankenstein’s creature and how this nostalgic fear factor enhances del Toro’s remarkable interpretation of Shelley’s text.

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On shelves now! Our print ode to one of 2025’s best films: Guillermo del Toro’s Frankenstein. But it you’re not sold on cover alone, let’s take a little look at the innards…

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The great @rafiews.com sits with Mia Goth whose quietly transcendent performance as melancholy lepidopterist Elizabeth gives the film its yearning heart.

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